Photographed by Piston Design
Farmhouse two-story mixed siding gable roof photo in Austin with a metal roof

Photo credit: Louis Habeck #FOASmallSpaces
Small trendy single-wall plywood floor eat-in kitchen photo with an undermount sink, flat-panel cabinets, gray cabinets, soapstone countertops, white backsplash, ceramic backsplash, stainless steel appliances and an island

Photo credit: Louis Habeck #FOASmallSpaces
Example of a small trendy plywood floor kitchen/dining room combo design with white walls

Photo credit: Louis Habeck #FOASmallSpaces
Inspiration for a small contemporary single-wall plywood floor eat-in kitchen remodel with an undermount sink, flat-panel cabinets, gray cabinets, soapstone countertops, white backsplash, ceramic backsplash, stainless steel appliances and an island

The red blown glass bamboo in the large ceramic container forms a dialogue with the 'Rufa' clumping bamboo in the black planter. The entire vignette comes alive at night when lit.

The reimagined space has black cedar-clad built-in planter boxes containing Rufa clumping bamboo and Everillo carex. The blue cushions, art work, and door pull the sky into the space. The large ceramic pot contains blown glass bamboo, forming a dialogue with the nearby clumping bamboo. The roughly 250 foot space has now become another room in the townhouse.

Photo credit: Louis Habeck #FOASmallSpaces
Home design - small industrial home design idea

Example of a trendy sunroom design in Ahmedabad

Looking for a nice clean crown molding, but what something different? These homeowners did just that with a simple clean flat molding applied to the wall and ceiling to create this look.

Custom colour Fullview WalkThru Garage Door protecting a private automobile collection in Phoenix, Arizona WalkThru Garage Doors Inc.
Garage - mid-sized contemporary attached one-car garage idea in Toronto

Saturday June 20, 1:30 to 3:00pm | Greenwich Village Urban Aerie by David Kamp, FASLA, of Dirtworks Landscape Architecture, PC For their award-winning terrace design, the landscape architects created a relaxing setting using the same materials they employed on their client’s beachfront hideaway (as part of this Dialogue, attendees visit the terrace where they’ll also get a presentation about the beach property). Contrasts in texture and color are carefully arranged. Cedar, weathered to a buff grey, is used throughout for decking and set off in places with borders of dark round stones. The wood is carefully treated so it’s smooth underfoot. Two bow front metal perimeter planters overflow with grasses, which soften the edges. Strategically placed cedar planters with amelanchier, also known as juneberry, are used as a screening device, to frame dramatic views from the apartment and provide some canopy. A single pine, together with the juneberry, provides sculptural interest. All the plants, which are either native or naturalized, weather the harsh winter winds and temperatures. Photo copyright Andrew Bordwin Studio Inc.

This fun classic kitchen in Gold River features Columbia frameless cabinets in Sandy Hook grey. A green glass backsplash in a random matte and polished pattern complements the cabinets which are faced with both painted wood and frosted glass. The Silestone countertops in the Lyra finish have an ogee bullnose edge. The floors are finished in a rich brown porcelain tile of varying sizes that are made to resemble distressed wood. Photo Credit: Nar Fine Carpentry, Inc

Powder room with glam geometric wallpaper complimented with a vessel sink rustic vanity with riveted hardware. Counter top is quartz Viatera - Truffle. Mirror framed wall mirror. Ryan Hainey

Jeanne Clark
Corner shower - small transitional 3/4 beige tile and porcelain tile porcelain tile corner shower idea in Boston with a drop-in sink, shaker cabinets, light wood cabinets, granite countertops and green walls

Small elegant gray one-story mixed siding gable roof photo in Charleston

This mid-century modern kitchen was developed with the original architectural elements of its mid-century shell at the heart of its design. Throughout the space, the kitchen’s repetition of alternating dark walnut and light wood uses in the cabinetry and framework reflect the contrast of the dark wooden beams running along the white ceiling. The playful use of two tones intentionally develops unified work zones using all modern day elements and conveniences. For instance, the 5’ galley workstation stands apart with grain-matched walnut cabinetry and stone wrap detail for a furniture-like feeling. The mid-century architecture continued to be an emphasis through design details such as a flush venting system within a drywall structure that conscientiously disappears into the ceiling affording the existing post-and-beams structures and clerestory windows to stand in the forefront. Along with celebrating the characteristic of the mid-century home the clients wanted to bring the outdoors in. We chose to emphasis the view even more by incorporating a large window centered over the galley kitchen sink. The final result produced a translucent wall that provokes a dialog between the outdoor elements and the natural color tones and materials used throughout the kitchen. While the natural light and views are visible because of the spacious windows, the contemporary kitchens clean geometric lines emphasize the newly introduced natural materials and further integrate the outdoors within the space. The clients desired to have a designated area for hot drinks such as coffee and tea. To create a station that could house all the small appliances & accessories and was easily accessible we incorporated two aluminum tambours together with integrated power lift doors. One tambour acting as the hot drink station and the other acting as an appliance garage. Overall, this minimalistic kitchen is nothing short of functionality and mid-century character. Photo Credit: Fred Donham of PhotographerLink

Gorgeous master bath with dramatic retro "wave" tile. Peak Photography
Example of a 1950s bathroom design in Los Angeles

Engineered cedar siding creates beautiful gray-blue tones at the exterior of the home, while adding a textural element to activate the simple exterior design.

Located in a neighborhood characterized by traditional bungalow style single-family residences, Orange Grove is a new landmark for the City of West Hollywood. The building is sensitively designed and compatible with the neighborhood, but differs in material palette and scale from its neighbors. Referencing architectural conventions of modernism rather than the pitched roof forms of traditional domesticity, the project presents a characteristic that is consistent with the eclectic and often unconventional demographic of West Hollywood. Distinct from neighboring structures, the building creates a strong relationship to the street by virtue of its large amount of highly usable balcony area in the front façade. While there are dramatic and larger scale elements that define the building, it is also broken down into comprehensible human scale parts, and is itself broken down into two different buildings. Orange Grove displays a similar kind of iconoclasm as the Schindler House, an icon of California modernism, located a short distance away. Like the Schindler House, the conventional architectural elements of windows and porches become part of an abstract sculptural ensemble. At the Schindler House, windows are found in the gaps between structural concrete wall panels. At Orange Grove, windows are inserted in gaps between different sections of the building. The design of Orange Grove is generated by a subtle balance of tensions. Building volumes and the placement of windows, doors and balconies are not static but rather constitute an active three-dimensional composition in motion. Each piece of the building is a strong and clearly defined shape, such as the corrugated metal surround that encloses the second story balcony in the east and north facades. Another example of this clear delineation is the use of two square profile balcony surrounds in the front façade that set up a dialogue between them—one is small, the other large, one is open at the front, the other is veiled with stainless steel slats. At the same time each balcony is balanced and related to other elements in the building, the smaller one to the driveway gate below and the other to the roll-up door and first floor balcony. Each building element is intended to read as an abstract form in itself—such as a window becoming a slit or windows becoming a framed box, while also becoming part of a larger whole. Although this building may not mirror the status quo it answers to the desires of consumers in a burgeoning niche market who want large, simple interior volumes of space, and a paradigm based on space, light and industrial materials of the loft rather than the bungalow.