Located in a neighborhood characterized by traditional bungalow style single-family residences, Orange Grove is a new landmark for the City of West Hollywood. The building is sensitively designed and compatible with the neighborhood, but differs in material palette and scale from its neighbors. Referencing architectural conventions of modernism rather than the pitched roof forms of traditional domesticity, the project presents a characteristic that is consistent with the eclectic and often unconventional demographic of West Hollywood. Distinct from neighboring structures, the building creates a strong relationship to the street by virtue of its large amount of highly usable balcony area in the front façade. While there are dramatic and larger scale elements that define the building, it is also broken down into comprehensible human scale parts, and is itself broken down into two different buildings. Orange Grove displays a similar kind of iconoclasm as the Schindler House, an icon of California modernism, located a short distance away. Like the Schindler House, the conventional architectural elements of windows and porches become part of an abstract sculptural ensemble. At the Schindler House, windows are found in the gaps between structural concrete wall panels. At Orange Grove, windows are inserted in gaps between different sections of the building. The design of Orange Grove is generated by a subtle balance of tensions. Building volumes and the placement of windows, doors and balconies are not static but rather constitute an active three-dimensional composition in motion. Each piece of the building is a strong and clearly defined shape, such as the corrugated metal surround that encloses the second story balcony in the east and north facades. Another example of this clear delineation is the use of two square profile balcony surrounds in the front façade that set up a dialogue between them—one is small, the other large, one is open at the front, the other is veiled with stainless steel slats. At the same time each balcony is balanced and related to other elements in the building, the smaller one to the driveway gate below and the other to the roll-up door and first floor balcony. Each building element is intended to read as an abstract form in itself—such as a window becoming a slit or windows becoming a framed box, while also becoming part of a larger whole. Although this building may not mirror the status quo it answers to the desires of consumers in a burgeoning niche market who want large, simple interior volumes of space, and a paradigm based on space, light and industrial materials of the loft rather than the bungalow.

Located in a neighborhood characterized by traditional bungalow style single-family residences, Orange Grove is a new landmark for the City of West Hollywood. The building is sensitively designed and compatible with the neighborhood, but differs in material palette and scale from its neighbors. Referencing architectural conventions of modernism rather than the pitched roof forms of traditional domesticity, the project presents a characteristic that is consistent with the eclectic and often unconventional demographic of West Hollywood. Distinct from neighboring structures, the building creates a strong relationship to the street by virtue of its large amount of highly usable balcony area in the front façade. While there are dramatic and larger scale elements that define the building, it is also broken down into comprehensible human scale parts, and is itself broken down into two different buildings. Orange Grove displays a similar kind of iconoclasm as the Schindler House, an icon of California modernism, located a short distance away. Like the Schindler House, the conventional architectural elements of windows and porches become part of an abstract sculptural ensemble. At the Schindler House, windows are found in the gaps between structural concrete wall panels. At Orange Grove, windows are inserted in gaps between different sections of the building. The design of Orange Grove is generated by a subtle balance of tensions. Building volumes and the placement of windows, doors and balconies are not static but rather constitute an active three-dimensional composition in motion. Each piece of the building is a strong and clearly defined shape, such as the corrugated metal surround that encloses the second story balcony in the east and north facades. Another example of this clear delineation is the use of two square profile balcony surrounds in the front façade that set up a dialogue between them—one is small, the other large, one is open at the front, the other is veiled with stainless steel slats. At the same time each balcony is balanced and related to other elements in the building, the smaller one to the driveway gate below and the other to the roll-up door and first floor balcony. Each building element is intended to read as an abstract form in itself—such as a window becoming a slit or windows becoming a framed box, while also becoming part of a larger whole. Although this building may not mirror the status quo it answers to the desires of consumers in a burgeoning niche market who want large, simple interior volumes of space, and a paradigm based on space, light and industrial materials of the loft rather than the bungalow.

In Frederick, Maryland, a design-build kitchen remodel incorporates local charm with modern touches, creating a functional and inviting space. This kitchen remodel blends traditional elements with contemporary design, making the space ideal for both daily use and entertaining. Here's a breakdown of the remodel, featuring a large island, a beverage station, and an Icelandic Picket ceramic tile backsplash above the gas range. 1. Large Island: The focal point of the kitchen is a spacious island, perfect for meal preparation, casual dining, and socializing. At about 8 to 10 feet long, the island features a high-end engineered quartz countertop, with subtle veining in shades of gray and white. This island is designed for both functionality and beauty, with ample storage beneath in custom cabinetry, including pull-out drawers, open shelves and deep cabinets. The island is finished with painted cabinetry in soft olive-green color, balancing the space with a touch of elegance. 2. Beverage Station: Adjacent to the island is a dedicated beverage station, positioned for convenience and style. This cozy nook includes a built-in coffee bar, and a sleek under-counter wine cooler, and drawers to store glassware and coffee mugs. The beverage station provides plenty of counter space for drink preparation and is thoughtfully integrated into the kitchen layout, so it’s easily accessible from both the dining area and living spaces. 3. Icelandic Picket Ceramic Tile Backsplash Above the Gas Range: Above the gas range, the Icelandic Picket ceramic tile backsplash makes a bold statement, drawing attention with its unique design and color palette. These elongated, picket-shaped tiles come in a range of soft, natural tones – think cool whites, subtle greens, and light grays – that evoke the serene beauty of Iceland’s landscapes. The tiles are installed in a chic, geometric pattern, creating a contemporary feel that contrasts beautifully with the traditional elements of the kitchen. Their glossy finish adds a sense of brightness, reflecting natural light from the large windows. The backsplash not only serves as a practical, easy-to-clean surface but also acts as a visually dynamic feature that ties the entire kitchen design together. 4. Overall Aesthetic and Materials: The kitchen remodel brings a blend of modern sophistication and rustic charm, perfectly suited to Frederick’s historic character. Light-colored cherry cabinetry provides warmth and a timeless feel, while stainless steel appliances contribute a sleek, polished contrast. The flooring consists of large ceramic tiles in a soft, natural finish, tying the kitchen's elements together and ensuring a cohesive, inviting atmosphere. Large windows bring in plenty of natural light, enhancing the airy, open feel of the space. The addition of subtle, muted lighting throughout creates a soft, welcoming glow for evening meals and gatherings. 5. Local Touches and Context: Incorporating elements of the local Frederick style, the remodel emphasizes craftsmanship and functional beauty. The kitchen’s open-plan layout flows seamlessly into the dining and living areas, creating an inviting space for both intimate family dinners and larger gatherings.. This remodel captures the essence of Frederick, combining contemporary style with local tradition, all while making a bold statement with design choices that are both elegant and functional.

In Frederick, Maryland, a design-build kitchen remodel incorporates local charm with modern touches, creating a functional and inviting space. This kitchen remodel blends traditional elements with contemporary design, making the space ideal for both daily use and entertaining. Here's a breakdown of the remodel, featuring a large island, a beverage station, and an Icelandic Picket ceramic tile backsplash above the gas range. 1. Large Island: The focal point of the kitchen is a spacious island, perfect for meal preparation, casual dining, and socializing. At about 8 to 10 feet long, the island features a high-end engineered quartz countertop, with subtle veining in shades of gray and white. This island is designed for both functionality and beauty, with ample storage beneath in custom cabinetry, including pull-out drawers, open shelves and deep cabinets. The island is finished with painted cabinetry in soft olive-green color, balancing the space with a touch of elegance. 2. Beverage Station: Adjacent to the island is a dedicated beverage station, positioned for convenience and style. This cozy nook includes a built-in coffee bar, and a sleek under-counter wine cooler, and drawers to store glassware and coffee mugs. The beverage station provides plenty of counter space for drink preparation and is thoughtfully integrated into the kitchen layout, so it’s easily accessible from both the dining area and living spaces. 3. Icelandic Picket Ceramic Tile Backsplash Above the Gas Range: Above the gas range, the Icelandic Picket ceramic tile backsplash makes a bold statement, drawing attention with its unique design and color palette. These elongated, picket-shaped tiles come in a range of soft, natural tones – think cool whites, subtle greens, and light grays – that evoke the serene beauty of Iceland’s landscapes. The tiles are installed in a chic, geometric pattern, creating a contemporary feel that contrasts beautifully with the traditional elements of the kitchen. Their glossy finish adds a sense of brightness, reflecting natural light from the large windows. The backsplash not only serves as a practical, easy-to-clean surface but also acts as a visually dynamic feature that ties the entire kitchen design together. 4. Overall Aesthetic and Materials: The kitchen remodel brings a blend of modern sophistication and rustic charm, perfectly suited to Frederick’s historic character. Light-colored cherry cabinetry provides warmth and a timeless feel, while stainless steel appliances contribute a sleek, polished contrast. The flooring consists of large ceramic tiles in a soft, natural finish, tying the kitchen's elements together and ensuring a cohesive, inviting atmosphere. Large windows bring in plenty of natural light, enhancing the airy, open feel of the space. The addition of subtle, muted lighting throughout creates a soft, welcoming glow for evening meals and gatherings. 5. Local Touches and Context: Incorporating elements of the local Frederick style, the remodel emphasizes craftsmanship and functional beauty. The kitchen’s open-plan layout flows seamlessly into the dining and living areas, creating an inviting space for both intimate family dinners and larger gatherings.. This remodel captures the essence of Frederick, combining contemporary style with local tradition, all while making a bold statement with design choices that are both elegant and functional.

Ryan and Michael, two software development engineers who commute from Hoboken to Manhattan, originally came to Decor Aid solely for a backyard redesign. The couple (and their dachshund, Frankie) envisioned their backyard area as a place where they could hangout after work, grow their own vegetables, and entertain on the weekends. A metal fire pit was added, to offset the wood floors and walls, and an outdoor canopy was brought in, for additional privacy. A wicker couch and a few copper elements pulled the space together, and turned their backyard into the perfect summer hangout spot. Another designer had already been hired to redo the interior, but once Ryan and Michael saw the finished backyard, they decided to hire Decor Aid to redesign the entire apartment, which included gut renovations of the kitchen and bathroom, a custom-made bar in the foyer, and a restyling of the bedroom and living room. The apartment already featured some wood and leather furniture pieces, and so the redesign had to incorporate these existing pieces, while balancing the couple’s neutral palette and welcoming personalities. Darker elements in the kitchen and bathroom were brought in to fit the couple’s modern, yet masculine style, and were contrasted with lighter, airy pieces, to keep smaller spaces from feeling claustrophobic. White marble and grey-washed wood tile was used to balance the matte black accents in the bathroom, while white cabinets and stainless steel appliances were used to balance the black tile backsplash and black countertops in the kitchen. To fit the hip industrial vibe of Hoboken, rustic wood details were incorporated to offset the sleek modern finish that is consistent throughout the apartment. A lighter wood flooring was used in the bathroom, to complement the other wood elements in the apartment. The living room and bedroom had already been repainted and refurnished, and so the restyling of each space had to feel cohesive with the existing elements. An organic cowhide rug offset the crisp lines in the bedroom, and dark linens were used to compliment the wood dresser and leather chair. The custom-built wood bar fit Ryan and Michael’s desire to transform their apartment into a space ready for entertaining, while tying together the apartment’s modern industrial look.

In Frederick, Maryland, a design-build kitchen remodel incorporates local charm with modern touches, creating a functional and inviting space. This kitchen remodel blends traditional elements with contemporary design, making the space ideal for both daily use and entertaining. Here's a breakdown of the remodel, featuring a large island, a beverage station, and an Icelandic Picket ceramic tile backsplash above the gas range. 1. Large Island: The focal point of the kitchen is a spacious island, perfect for meal preparation, casual dining, and socializing. At about 8 to 10 feet long, the island features a high-end engineered quartz countertop, with subtle veining in shades of gray and white. This island is designed for both functionality and beauty, with ample storage beneath in custom cabinetry, including pull-out drawers, open shelves and deep cabinets. The island is finished with painted cabinetry in soft olive-green color, balancing the space with a touch of elegance. 2. Beverage Station: Adjacent to the island is a dedicated beverage station, positioned for convenience and style. This cozy nook includes a built-in coffee bar, and a sleek under-counter wine cooler, and drawers to store glassware and coffee mugs. The beverage station provides plenty of counter space for drink preparation and is thoughtfully integrated into the kitchen layout, so it’s easily accessible from both the dining area and living spaces. 3. Icelandic Picket Ceramic Tile Backsplash Above the Gas Range: Above the gas range, the Icelandic Picket ceramic tile backsplash makes a bold statement, drawing attention with its unique design and color palette. These elongated, picket-shaped tiles come in a range of soft, natural tones – think cool whites, subtle greens, and light grays – that evoke the serene beauty of Iceland’s landscapes. The tiles are installed in a chic, geometric pattern, creating a contemporary feel that contrasts beautifully with the traditional elements of the kitchen. Their glossy finish adds a sense of brightness, reflecting natural light from the large windows. The backsplash not only serves as a practical, easy-to-clean surface but also acts as a visually dynamic feature that ties the entire kitchen design together. 4. Overall Aesthetic and Materials: The kitchen remodel brings a blend of modern sophistication and rustic charm, perfectly suited to Frederick’s historic character. Light-colored cherry cabinetry provides warmth and a timeless feel, while stainless steel appliances contribute a sleek, polished contrast. The flooring consists of large ceramic tiles in a soft, natural finish, tying the kitchen's elements together and ensuring a cohesive, inviting atmosphere. Large windows bring in plenty of natural light, enhancing the airy, open feel of the space. The addition of subtle, muted lighting throughout creates a soft, welcoming glow for evening meals and gatherings. 5. Local Touches and Context: Incorporating elements of the local Frederick style, the remodel emphasizes craftsmanship and functional beauty. The kitchen’s open-plan layout flows seamlessly into the dining and living areas, creating an inviting space for both intimate family dinners and larger gatherings.. This remodel captures the essence of Frederick, combining contemporary style with local tradition, all while making a bold statement with design choices that are both elegant and functional.

In Frederick, Maryland, a design-build kitchen remodel incorporates local charm with modern touches, creating a functional and inviting space. This kitchen remodel blends traditional elements with contemporary design, making the space ideal for both daily use and entertaining. Here's a breakdown of the remodel, featuring a large island, a beverage station, and an Icelandic Picket ceramic tile backsplash above the gas range. 1. Large Island: The focal point of the kitchen is a spacious island, perfect for meal preparation, casual dining, and socializing. At about 8 to 10 feet long, the island features a high-end engineered quartz countertop, with subtle veining in shades of gray and white. This island is designed for both functionality and beauty, with ample storage beneath in custom cabinetry, including pull-out drawers, open shelves and deep cabinets. The island is finished with painted cabinetry in soft olive-green color, balancing the space with a touch of elegance. 2. Beverage Station: Adjacent to the island is a dedicated beverage station, positioned for convenience and style. This cozy nook includes a built-in coffee bar, and a sleek under-counter wine cooler, and drawers to store glassware and coffee mugs. The beverage station provides plenty of counter space for drink preparation and is thoughtfully integrated into the kitchen layout, so it’s easily accessible from both the dining area and living spaces. 3. Icelandic Picket Ceramic Tile Backsplash Above the Gas Range: Above the gas range, the Icelandic Picket ceramic tile backsplash makes a bold statement, drawing attention with its unique design and color palette. These elongated, picket-shaped tiles come in a range of soft, natural tones – think cool whites, subtle greens, and light grays – that evoke the serene beauty of Iceland’s landscapes. The tiles are installed in a chic, geometric pattern, creating a contemporary feel that contrasts beautifully with the traditional elements of the kitchen. Their glossy finish adds a sense of brightness, reflecting natural light from the large windows. The backsplash not only serves as a practical, easy-to-clean surface but also acts as a visually dynamic feature that ties the entire kitchen design together. 4. Overall Aesthetic and Materials: The kitchen remodel brings a blend of modern sophistication and rustic charm, perfectly suited to Frederick’s historic character. Light-colored cherry cabinetry provides warmth and a timeless feel, while stainless steel appliances contribute a sleek, polished contrast. The flooring consists of large ceramic tiles in a soft, natural finish, tying the kitchen's elements together and ensuring a cohesive, inviting atmosphere. Large windows bring in plenty of natural light, enhancing the airy, open feel of the space. The addition of subtle, muted lighting throughout creates a soft, welcoming glow for evening meals and gatherings. 5. Local Touches and Context: Incorporating elements of the local Frederick style, the remodel emphasizes craftsmanship and functional beauty. The kitchen’s open-plan layout flows seamlessly into the dining and living areas, creating an inviting space for both intimate family dinners and larger gatherings.. This remodel captures the essence of Frederick, combining contemporary style with local tradition, all while making a bold statement with design choices that are both elegant and functional.

In Frederick, Maryland, a design-build kitchen remodel incorporates local charm with modern touches, creating a functional and inviting space. This kitchen remodel blends traditional elements with contemporary design, making the space ideal for both daily use and entertaining. Here's a breakdown of the remodel, featuring a large island, a beverage station, and an Icelandic Picket ceramic tile backsplash above the gas range. 1. Large Island: The focal point of the kitchen is a spacious island, perfect for meal preparation, casual dining, and socializing. At about 8 to 10 feet long, the island features a high-end engineered quartz countertop, with subtle veining in shades of gray and white. This island is designed for both functionality and beauty, with ample storage beneath in custom cabinetry, including pull-out drawers, open shelves and deep cabinets. The island is finished with painted cabinetry in soft olive-green color, balancing the space with a touch of elegance. 2. Beverage Station: Adjacent to the island is a dedicated beverage station, positioned for convenience and style. This cozy nook includes a built-in coffee bar, and a sleek under-counter wine cooler, and drawers to store glassware and coffee mugs. The beverage station provides plenty of counter space for drink preparation and is thoughtfully integrated into the kitchen layout, so it’s easily accessible from both the dining area and living spaces. 3. Icelandic Picket Ceramic Tile Backsplash Above the Gas Range: Above the gas range, the Icelandic Picket ceramic tile backsplash makes a bold statement, drawing attention with its unique design and color palette. These elongated, picket-shaped tiles come in a range of soft, natural tones – think cool whites, subtle greens, and light grays – that evoke the serene beauty of Iceland’s landscapes. The tiles are installed in a chic, geometric pattern, creating a contemporary feel that contrasts beautifully with the traditional elements of the kitchen. Their glossy finish adds a sense of brightness, reflecting natural light from the large windows. The backsplash not only serves as a practical, easy-to-clean surface but also acts as a visually dynamic feature that ties the entire kitchen design together. 4. Overall Aesthetic and Materials: The kitchen remodel brings a blend of modern sophistication and rustic charm, perfectly suited to Frederick’s historic character. Light-colored cherry cabinetry provides warmth and a timeless feel, while stainless steel appliances contribute a sleek, polished contrast. The flooring consists of large ceramic tiles in a soft, natural finish, tying the kitchen's elements together and ensuring a cohesive, inviting atmosphere. Large windows bring in plenty of natural light, enhancing the airy, open feel of the space. The addition of subtle, muted lighting throughout creates a soft, welcoming glow for evening meals and gatherings. 5. Local Touches and Context: Incorporating elements of the local Frederick style, the remodel emphasizes craftsmanship and functional beauty. The kitchen’s open-plan layout flows seamlessly into the dining and living areas, creating an inviting space for both intimate family dinners and larger gatherings.. This remodel captures the essence of Frederick, combining contemporary style with local tradition, all while making a bold statement with design choices that are both elegant and functional.

In Frederick, Maryland, a design-build kitchen remodel incorporates local charm with modern touches, creating a functional and inviting space. This kitchen remodel blends traditional elements with contemporary design, making the space ideal for both daily use and entertaining. Here's a breakdown of the remodel, featuring a large island, a beverage station, and an Icelandic Picket ceramic tile backsplash above the gas range. 1. Large Island: The focal point of the kitchen is a spacious island, perfect for meal preparation, casual dining, and socializing. At about 8 to 10 feet long, the island features a high-end engineered quartz countertop, with subtle veining in shades of gray and white. This island is designed for both functionality and beauty, with ample storage beneath in custom cabinetry, including pull-out drawers, open shelves and deep cabinets. The island is finished with painted cabinetry in soft olive-green color, balancing the space with a touch of elegance. 2. Beverage Station: Adjacent to the island is a dedicated beverage station, positioned for convenience and style. This cozy nook includes a built-in coffee bar, and a sleek under-counter wine cooler, and drawers to store glassware and coffee mugs. The beverage station provides plenty of counter space for drink preparation and is thoughtfully integrated into the kitchen layout, so it’s easily accessible from both the dining area and living spaces. 3. Icelandic Picket Ceramic Tile Backsplash Above the Gas Range: Above the gas range, the Icelandic Picket ceramic tile backsplash makes a bold statement, drawing attention with its unique design and color palette. These elongated, picket-shaped tiles come in a range of soft, natural tones – think cool whites, subtle greens, and light grays – that evoke the serene beauty of Iceland’s landscapes. The tiles are installed in a chic, geometric pattern, creating a contemporary feel that contrasts beautifully with the traditional elements of the kitchen. Their glossy finish adds a sense of brightness, reflecting natural light from the large windows. The backsplash not only serves as a practical, easy-to-clean surface but also acts as a visually dynamic feature that ties the entire kitchen design together. 4. Overall Aesthetic and Materials: The kitchen remodel brings a blend of modern sophistication and rustic charm, perfectly suited to Frederick’s historic character. Light-colored cherry cabinetry provides warmth and a timeless feel, while stainless steel appliances contribute a sleek, polished contrast. The flooring consists of large ceramic tiles in a soft, natural finish, tying the kitchen's elements together and ensuring a cohesive, inviting atmosphere. Large windows bring in plenty of natural light, enhancing the airy, open feel of the space. The addition of subtle, muted lighting throughout creates a soft, welcoming glow for evening meals and gatherings. 5. Local Touches and Context: Incorporating elements of the local Frederick style, the remodel emphasizes craftsmanship and functional beauty. The kitchen’s open-plan layout flows seamlessly into the dining and living areas, creating an inviting space for both intimate family dinners and larger gatherings.. This remodel captures the essence of Frederick, combining contemporary style with local tradition, all while making a bold statement with design choices that are both elegant and functional.

In Frederick, Maryland, a design-build kitchen remodel incorporates local charm with modern touches, creating a functional and inviting space. This kitchen remodel blends traditional elements with contemporary design, making the space ideal for both daily use and entertaining. Here's a breakdown of the remodel, featuring a large island, a beverage station, and an Icelandic Picket ceramic tile backsplash above the gas range. 1. Large Island: The focal point of the kitchen is a spacious island, perfect for meal preparation, casual dining, and socializing. At about 8 to 10 feet long, the island features a high-end engineered quartz countertop, with subtle veining in shades of gray and white. This island is designed for both functionality and beauty, with ample storage beneath in custom cabinetry, including pull-out drawers, open shelves and deep cabinets. The island is finished with painted cabinetry in soft olive-green color, balancing the space with a touch of elegance. 2. Beverage Station: Adjacent to the island is a dedicated beverage station, positioned for convenience and style. This cozy nook includes a built-in coffee bar, and a sleek under-counter wine cooler, and drawers to store glassware and coffee mugs. The beverage station provides plenty of counter space for drink preparation and is thoughtfully integrated into the kitchen layout, so it’s easily accessible from both the dining area and living spaces. 3. Icelandic Picket Ceramic Tile Backsplash Above the Gas Range: Above the gas range, the Icelandic Picket ceramic tile backsplash makes a bold statement, drawing attention with its unique design and color palette. These elongated, picket-shaped tiles come in a range of soft, natural tones – think cool whites, subtle greens, and light grays – that evoke the serene beauty of Iceland’s landscapes. The tiles are installed in a chic, geometric pattern, creating a contemporary feel that contrasts beautifully with the traditional elements of the kitchen. Their glossy finish adds a sense of brightness, reflecting natural light from the large windows. The backsplash not only serves as a practical, easy-to-clean surface but also acts as a visually dynamic feature that ties the entire kitchen design together. 4. Overall Aesthetic and Materials: The kitchen remodel brings a blend of modern sophistication and rustic charm, perfectly suited to Frederick’s historic character. Light-colored cherry cabinetry provides warmth and a timeless feel, while stainless steel appliances contribute a sleek, polished contrast. The flooring consists of large ceramic tiles in a soft, natural finish, tying the kitchen's elements together and ensuring a cohesive, inviting atmosphere. Large windows bring in plenty of natural light, enhancing the airy, open feel of the space. The addition of subtle, muted lighting throughout creates a soft, welcoming glow for evening meals and gatherings. 5. Local Touches and Context: Incorporating elements of the local Frederick style, the remodel emphasizes craftsmanship and functional beauty. The kitchen’s open-plan layout flows seamlessly into the dining and living areas, creating an inviting space for both intimate family dinners and larger gatherings.. This remodel captures the essence of Frederick, combining contemporary style with local tradition, all while making a bold statement with design choices that are both elegant and functional.

In Frederick, Maryland, a design-build kitchen remodel incorporates local charm with modern touches, creating a functional and inviting space. This kitchen remodel blends traditional elements with contemporary design, making the space ideal for both daily use and entertaining. Here's a breakdown of the remodel, featuring a large island, a beverage station, and an Icelandic Picket ceramic tile backsplash above the gas range. 1. Large Island: The focal point of the kitchen is a spacious island, perfect for meal preparation, casual dining, and socializing. At about 8 to 10 feet long, the island features a high-end engineered quartz countertop, with subtle veining in shades of gray and white. This island is designed for both functionality and beauty, with ample storage beneath in custom cabinetry, including pull-out drawers, open shelves and deep cabinets. The island is finished with painted cabinetry in soft olive-green color, balancing the space with a touch of elegance. 2. Beverage Station: Adjacent to the island is a dedicated beverage station, positioned for convenience and style. This cozy nook includes a built-in coffee bar, and a sleek under-counter wine cooler, and drawers to store glassware and coffee mugs. The beverage station provides plenty of counter space for drink preparation and is thoughtfully integrated into the kitchen layout, so it’s easily accessible from both the dining area and living spaces. 3. Icelandic Picket Ceramic Tile Backsplash Above the Gas Range: Above the gas range, the Icelandic Picket ceramic tile backsplash makes a bold statement, drawing attention with its unique design and color palette. These elongated, picket-shaped tiles come in a range of soft, natural tones – think cool whites, subtle greens, and light grays – that evoke the serene beauty of Iceland’s landscapes. The tiles are installed in a chic, geometric pattern, creating a contemporary feel that contrasts beautifully with the traditional elements of the kitchen. Their glossy finish adds a sense of brightness, reflecting natural light from the large windows. The backsplash not only serves as a practical, easy-to-clean surface but also acts as a visually dynamic feature that ties the entire kitchen design together. 4. Overall Aesthetic and Materials: The kitchen remodel brings a blend of modern sophistication and rustic charm, perfectly suited to Frederick’s historic character. Light-colored cherry cabinetry provides warmth and a timeless feel, while stainless steel appliances contribute a sleek, polished contrast. The flooring consists of large ceramic tiles in a soft, natural finish, tying the kitchen's elements together and ensuring a cohesive, inviting atmosphere. Large windows bring in plenty of natural light, enhancing the airy, open feel of the space. The addition of subtle, muted lighting throughout creates a soft, welcoming glow for evening meals and gatherings. 5. Local Touches and Context: Incorporating elements of the local Frederick style, the remodel emphasizes craftsmanship and functional beauty. The kitchen’s open-plan layout flows seamlessly into the dining and living areas, creating an inviting space for both intimate family dinners and larger gatherings.. This remodel captures the essence of Frederick, combining contemporary style with local tradition, all while making a bold statement with design choices that are both elegant and functional.

Located in a neighborhood characterized by traditional bungalow style single-family residences, Orange Grove is a new landmark for the City of West Hollywood. The building is sensitively designed and compatible with the neighborhood, but differs in material palette and scale from its neighbors. Referencing architectural conventions of modernism rather than the pitched roof forms of traditional domesticity, the project presents a characteristic that is consistent with the eclectic and often unconventional demographic of West Hollywood. Distinct from neighboring structures, the building creates a strong relationship to the street by virtue of its large amount of highly usable balcony area in the front façade. While there are dramatic and larger scale elements that define the building, it is also broken down into comprehensible human scale parts, and is itself broken down into two different buildings. Orange Grove displays a similar kind of iconoclasm as the Schindler House, an icon of California modernism, located a short distance away. Like the Schindler House, the conventional architectural elements of windows and porches become part of an abstract sculptural ensemble. At the Schindler House, windows are found in the gaps between structural concrete wall panels. At Orange Grove, windows are inserted in gaps between different sections of the building. The design of Orange Grove is generated by a subtle balance of tensions. Building volumes and the placement of windows, doors and balconies are not static but rather constitute an active three-dimensional composition in motion. Each piece of the building is a strong and clearly defined shape, such as the corrugated metal surround that encloses the second story balcony in the east and north facades. Another example of this clear delineation is the use of two square profile balcony surrounds in the front façade that set up a dialogue between them—one is small, the other large, one is open at the front, the other is veiled with stainless steel slats. At the same time each balcony is balanced and related to other elements in the building, the smaller one to the driveway gate below and the other to the roll-up door and first floor balcony. Each building element is intended to read as an abstract form in itself—such as a window becoming a slit or windows becoming a framed box, while also becoming part of a larger whole. Although this building may not mirror the status quo it answers to the desires of consumers in a burgeoning niche market who want large, simple interior volumes of space, and a paradigm based on space, light and industrial materials of the loft rather than the bungalow.

Located in a neighborhood characterized by traditional bungalow style single-family residences, Orange Grove is a new landmark for the City of West Hollywood. The building is sensitively designed and compatible with the neighborhood, but differs in material palette and scale from its neighbors. Referencing architectural conventions of modernism rather than the pitched roof forms of traditional domesticity, the project presents a characteristic that is consistent with the eclectic and often unconventional demographic of West Hollywood. Distinct from neighboring structures, the building creates a strong relationship to the street by virtue of its large amount of highly usable balcony area in the front façade. While there are dramatic and larger scale elements that define the building, it is also broken down into comprehensible human scale parts, and is itself broken down into two different buildings. Orange Grove displays a similar kind of iconoclasm as the Schindler House, an icon of California modernism, located a short distance away. Like the Schindler House, the conventional architectural elements of windows and porches become part of an abstract sculptural ensemble. At the Schindler House, windows are found in the gaps between structural concrete wall panels. At Orange Grove, windows are inserted in gaps between different sections of the building. The design of Orange Grove is generated by a subtle balance of tensions. Building volumes and the placement of windows, doors and balconies are not static but rather constitute an active three-dimensional composition in motion. Each piece of the building is a strong and clearly defined shape, such as the corrugated metal surround that encloses the second story balcony in the east and north facades. Another example of this clear delineation is the use of two square profile balcony surrounds in the front façade that set up a dialogue between them—one is small, the other large, one is open at the front, the other is veiled with stainless steel slats. At the same time each balcony is balanced and related to other elements in the building, the smaller one to the driveway gate below and the other to the roll-up door and first floor balcony. Each building element is intended to read as an abstract form in itself—such as a window becoming a slit or windows becoming a framed box, while also becoming part of a larger whole. Although this building may not mirror the status quo it answers to the desires of consumers in a burgeoning niche market who want large, simple interior volumes of space, and a paradigm based on space, light and industrial materials of the loft rather than the bungalow.

Located in a neighborhood characterized by traditional bungalow style single-family residences, Orange Grove is a new landmark for the City of West Hollywood. The building is sensitively designed and compatible with the neighborhood, but differs in material palette and scale from its neighbors. Referencing architectural conventions of modernism rather than the pitched roof forms of traditional domesticity, the project presents a characteristic that is consistent with the eclectic and often unconventional demographic of West Hollywood. Distinct from neighboring structures, the building creates a strong relationship to the street by virtue of its large amount of highly usable balcony area in the front façade. While there are dramatic and larger scale elements that define the building, it is also broken down into comprehensible human scale parts, and is itself broken down into two different buildings. Orange Grove displays a similar kind of iconoclasm as the Schindler House, an icon of California modernism, located a short distance away. Like the Schindler House, the conventional architectural elements of windows and porches become part of an abstract sculptural ensemble. At the Schindler House, windows are found in the gaps between structural concrete wall panels. At Orange Grove, windows are inserted in gaps between different sections of the building. The design of Orange Grove is generated by a subtle balance of tensions. Building volumes and the placement of windows, doors and balconies are not static but rather constitute an active three-dimensional composition in motion. Each piece of the building is a strong and clearly defined shape, such as the corrugated metal surround that encloses the second story balcony in the east and north facades. Another example of this clear delineation is the use of two square profile balcony surrounds in the front façade that set up a dialogue between them—one is small, the other large, one is open at the front, the other is veiled with stainless steel slats. At the same time each balcony is balanced and related to other elements in the building, the smaller one to the driveway gate below and the other to the roll-up door and first floor balcony. Each building element is intended to read as an abstract form in itself—such as a window becoming a slit or windows becoming a framed box, while also becoming part of a larger whole. Although this building may not mirror the status quo it answers to the desires of consumers in a burgeoning niche market who want large, simple interior volumes of space, and a paradigm based on space, light and industrial materials of the loft rather than the bungalow.

Thedo Remmelink, a Dutch native, competed in the 1998 Nagano Winter Olympics in snowboarding. He moved to Steamboat Springs in order to coach snowboarding for the Steamboat Springs Winter Sports Club. Thedo is the type of person whom you are thankful that the client carries the torch. Our goal of this project was to design a sustainable home. We chose straw bale as the primary material because of its high R-value (tested at R-40 to 45), its ability to resist high winds, it’s attribute of acting as a thermal tempering mass and it’s thick old world feel. The S.I.P.’s (Structural Insulated Panels) in the roof have an R-Value of 49. The home also utilizes passive solar, most of the glazing faces south and southeast. The concrete slab and the central heating element provide the mass to store the solar heat. The concrete slab contains radiant heating. However, the radiant heat is designed to be at a very low consistent temperature. The central heating element is used for task heating. The kitchen and dining side of this heating element is gas, and the living room side contains a highly efficient wood stove. In addition to our primary goal of creating a sustainable home, it was also extremely important to create a design that reflects Thedo’s personality and a house that settles into the open valley. The upper curves reflect the surrounding hills. The half level change at the master bedroom along with the cross-axial plan creates spatial flow directly informed by the site’s change in elevation, solar aspect, and the views to the north and south to the Elk River Valley. The use of logs for the structure juxtapose the high tech energy efficient lighting and the 18 inch thick straw bale walls contrast the precisely cut stone and metal rails. Through these contrasting elements one realizes the permanence as well as the ethereal nature of home.

Located in a neighborhood characterized by traditional bungalow style single-family residences, Orange Grove is a new landmark for the City of West Hollywood. The building is sensitively designed and compatible with the neighborhood, but differs in material palette and scale from its neighbors. Referencing architectural conventions of modernism rather than the pitched roof forms of traditional domesticity, the project presents a characteristic that is consistent with the eclectic and often unconventional demographic of West Hollywood. Distinct from neighboring structures, the building creates a strong relationship to the street by virtue of its large amount of highly usable balcony area in the front façade. While there are dramatic and larger scale elements that define the building, it is also broken down into comprehensible human scale parts, and is itself broken down into two different buildings. Orange Grove displays a similar kind of iconoclasm as the Schindler House, an icon of California modernism, located a short distance away. Like the Schindler House, the conventional architectural elements of windows and porches become part of an abstract sculptural ensemble. At the Schindler House, windows are found in the gaps between structural concrete wall panels. At Orange Grove, windows are inserted in gaps between different sections of the building. The design of Orange Grove is generated by a subtle balance of tensions. Building volumes and the placement of windows, doors and balconies are not static but rather constitute an active three-dimensional composition in motion. Each piece of the building is a strong and clearly defined shape, such as the corrugated metal surround that encloses the second story balcony in the east and north facades. Another example of this clear delineation is the use of two square profile balcony surrounds in the front façade that set up a dialogue between them—one is small, the other large, one is open at the front, the other is veiled with stainless steel slats. At the same time each balcony is balanced and related to other elements in the building, the smaller one to the driveway gate below and the other to the roll-up door and first floor balcony. Each building element is intended to read as an abstract form in itself—such as a window becoming a slit or windows becoming a framed box, while also becoming part of a larger whole. Although this building may not mirror the status quo it answers to the desires of consumers in a burgeoning niche market who want large, simple interior volumes of space, and a paradigm based on space, light and industrial materials of the loft rather than the bungalow.

Located in a neighborhood characterized by traditional bungalow style single-family residences, Orange Grove is a new landmark for the City of West Hollywood. The building is sensitively designed and compatible with the neighborhood, but differs in material palette and scale from its neighbors. Referencing architectural conventions of modernism rather than the pitched roof forms of traditional domesticity, the project presents a characteristic that is consistent with the eclectic and often unconventional demographic of West Hollywood. Distinct from neighboring structures, the building creates a strong relationship to the street by virtue of its large amount of highly usable balcony area in the front façade. While there are dramatic and larger scale elements that define the building, it is also broken down into comprehensible human scale parts, and is itself broken down into two different buildings. Orange Grove displays a similar kind of iconoclasm as the Schindler House, an icon of California modernism, located a short distance away. Like the Schindler House, the conventional architectural elements of windows and porches become part of an abstract sculptural ensemble. At the Schindler House, windows are found in the gaps between structural concrete wall panels. At Orange Grove, windows are inserted in gaps between different sections of the building. The design of Orange Grove is generated by a subtle balance of tensions. Building volumes and the placement of windows, doors and balconies are not static but rather constitute an active three-dimensional composition in motion. Each piece of the building is a strong and clearly defined shape, such as the corrugated metal surround that encloses the second story balcony in the east and north facades. Another example of this clear delineation is the use of two square profile balcony surrounds in the front façade that set up a dialogue between them—one is small, the other large, one is open at the front, the other is veiled with stainless steel slats. At the same time each balcony is balanced and related to other elements in the building, the smaller one to the driveway gate below and the other to the roll-up door and first floor balcony. Each building element is intended to read as an abstract form in itself—such as a window becoming a slit or windows becoming a framed box, while also becoming part of a larger whole. Although this building may not mirror the status quo it answers to the desires of consumers in a burgeoning niche market who want large, simple interior volumes of space, and a paradigm based on space, light and industrial materials of the loft rather than the bungalow.

This home is located on a one acre parcel of land near the banks of the Milwaukee River in the older established subdivision of Sleepy Hollow Estates in Mequon, Wisconsin. The inspiration for this Glen Cove Residence was to bring the desired by many, contemporary and modern lifestyle of a down town loft and establish it in a neighborhood in the suburbs amongst traditional style homes. Sleepy Hollow Estates like many older established neighborhoods throughout the North shore and Westside communities of Milwaukee had great local architects such as John Randall McDonald and Russell Barr Williamson, who built contemporary master pieces amongst very traditional style homes. This created diversity in the style of homes in these neighborhoods which for the people living in them and the people just passing by, an experience of harmony and cultural lifestyle. Unfortunately today, many new neighborhood developments lack harmony and cultural lifestyle and don’t allow for homes such as this Glen Cove Residence to be built. And for that matter many of the homes built by John Randall McDonald and Russell Barr Williamson back in the 1950’s. When driving through these new developments, one would experience beautiful traditional style homes, but all the homes tend to look the same. There is no diversity in the styles of homes thus these neighborhoods lack the harmony and a cultural life style for the people who live there or what people are looking for when buying a home that reflects their lifestyle. This Glen Cove Residence is an example that a contemporary home which offers a modern lifestyle that many desires can be established amongst traditional homes while blending in with the neighborhood. Don’t be fooled by the flat roof of this home, building technology has come a long way since Frank Lloyd Wright! The roof system on this home is more energy efficient than most roof systems builders are putting on traditional homes today and it doesn’t leak! This Glen Cove Residence was built using all traditional building materials that you would see in homes being built in new developments today. There is a misconception out there that modern homes are expensive to build. That is not true! This Glen Cove Residence was built for roughly $130 per square foot which is the same price one would pay for a similar builder’s model traditional style home with the same upgrades. This Glen Cove Residence consists of three bedrooms and three and one half baths. All bedrooms are located on second floor with laundry, guest bath and a master suite. Located between the first and second floors off of the landing is an office/den space. The first floor is open concept with the kitchen, dining and living areas located at the rear of the home with expansive windows allowing a great connection to back yard area and outdoors. On the back of the home is a covered deck area allowing for outdoor entertaining without the worry of the elements. The first floor also offers a powder room, mudroom and walk-in pantry off the kitchen area. From the mudroom there is access to an attached four car tandem garage. From the first floor to the finished basement is an open stair allowing the basement area to feel as part of the house and not just a basement? The basement consists of a main living area, game area with wet bar, exercise room, kids play room with 14’ ceilings, full bathroom and mechanical room with storage closets throughout.

Architects: SoNo Arhitekti www.sono.si www.facebook.com/SonoArhitekti Location: Slovenia Architects in Charge: Edvard Blažko, Marko Volk, Nina Tešanović, Samo Radinja Area: 230 sqm Year: 2015 Photographs: Aljoša Videtič This family home is an example of a modern design filled with natural light and building blocks comprised of sustainable material – in this case wood, one of the if not the most strategic material of Slovenia . It's definitely not a typical prefabricated house out of catalogue as we tried to develop a residence that meets the needs of modern users while having functional floor plans and contemporary elegant exterior all appropriately settled into its landscape. Main concept presents three volumes that are placed in a triangular composition partially overlayed with a rectangular form of the upper floor. While the dynamic shape of the groundfloor is covered with a flat roof, the 1st floor is completed with a gable –like roof, echoing the traditional architecture of the house's surroundings. While we enter into an open spacious and dynamically shaped groundfloor we discover a pleasant intimate ambience. The living room and dining area offer a lot of natural light through the large glazed window surfaces. A prominent staircase leads us to the upper sleeping area that consists of the main bedroom with its own dressing room and a bathroom and children's rooms with a smaller bathroom. Despite groundfloor's dynamic shape, its façade is monochrome - predominately a clean white surface in combination with bigger windows. On the contrary the simple form of the upper floor has a boldly designed façade - a combination of dark colour shades and natural larch wood’s textures. Wood is the basic structural element and at the same time complements the facades, window frames, while also dominating the interiors.