As you walk into the house you first notice the grand staircase and at either side of the door you have two upholstered chairs. A top the console table it is peppered with a miniature gold menagerie and below, stacks of collections of vintage encyclopedias and other sets of books. The wall is covered in a variety of mirrors and antique art.

As you walk into the house you first notice the grand staircase and at either side of the door you have two upholstered chairs. A top the console table it is peppered with a miniature gold menagerie and below, stacks of collections of vintage encyclopedias and other sets of books. The wall is covered in a variety of mirrors and antique art.

As you walk into the house you first notice the grand staircase and at either side of the door you have two upholstered chairs. A top the console table it is peppered with a miniature gold menagerie and below, stacks of collections of vintage encyclopedias and other sets of books. The wall is covered in a variety of mirrors and antique art.

Chris Bradley
Example of a classic medium tone wood floor family room library design in Chicago

As you walk into the house you first notice the grand staircase and at either side of the door you have two upholstered chairs. A top the console table it is peppered with a miniature gold menagerie and below, stacks of collections of vintage encyclopedias and other sets of books. The wall is covered in a variety of mirrors and antique art.

As you walk into the house you first notice the grand staircase and at either side of the door you have two upholstered chairs. A top the console table it is peppered with a miniature gold menagerie and below, stacks of collections of vintage encyclopedias and other sets of books. The wall is covered in a variety of mirrors and antique art.

As you walk into the house you first notice the grand staircase and at either side of the door you have two upholstered chairs. A top the console table it is peppered with a miniature gold menagerie and below, stacks of collections of vintage encyclopedias and other sets of books. The wall is covered in a variety of mirrors and antique art.

As you walk into the house you first notice the grand staircase and at either side of the door you have two upholstered chairs. A top the console table it is peppered with a miniature gold menagerie and below, stacks of collections of vintage encyclopedias and other sets of books. The wall is covered in a variety of mirrors and antique art.

As you walk into the house you first notice the grand staircase and at either side of the door you have two upholstered chairs. A top the console table it is peppered with a miniature gold menagerie and below, stacks of collections of vintage encyclopedias and other sets of books. The wall is covered in a variety of mirrors and antique art.

Photo credits: Mike Kelley
Family room - modern family room idea

Tuscan wine cellar photo in New York

As you walk into the house you first notice the grand staircase and at either side of the door you have two upholstered chairs. A top the console table it is peppered with a miniature gold menagerie and below, stacks of collections of vintage encyclopedias and other sets of books. The wall is covered in a variety of mirrors and antique art.

As you walk into the house you first notice the grand staircase and at either side of the door you have two upholstered chairs. A top the console table it is peppered with a miniature gold menagerie and below, stacks of collections of vintage encyclopedias and other sets of books. The wall is covered in a variety of mirrors and antique art.

Photo by Bjorg Magnea
Example of a trendy playroom design in New York

Fernanda Zulzke gifted São Paulo with an authentic experience by preserving the original 1920s tiles and architecture of the building. Many broken tiles were replaced, and missing ones were carefully sourced to breathe new life into a long-forgotten space. The floor tiles received the same care, though they posed an even greater challenge, as the original baseboard pieces could not be found even in the city’s largest tile archives. Beyond mere maintenance, the decoration aims to show visitors that history and its imperfections bring beauty, vitality, originality, and exclusivity to a space—a combination that can never be replicated, a luxury in its essence. In the realm of restoration, the solid wood bathroom doors were personally tended to by Flávio Galli, a skilled designer and expert in raw materials, who followed the guidelines of the Parque da Água Branca manual. Four days of cleaning, sanding, and varnishing brought the doors back to life. In terms of carpentry, damaged baseboards and frames were crafted by Construverde using the building’s original wood—a true gift that Fernanda Zulzke was determined to offer the public and the park. Completing the bathroom’s composition, imported wallpapers from Cordão Decor and a Roman curtain in cambric demonstrate the decorator’s ability to honor history while making bold, unexpected choices. Few can combine vintage, classic, and diverse colors and patterns in such a small space, transforming it into a light and fresh work of art, like the eucalyptus resting atop the marble and classic encyclopedias.

Fernanda Zulzke gifted São Paulo with an authentic experience by preserving the original 1920s tiles and architecture of the building. Many broken tiles were replaced, and missing ones were carefully sourced to breathe new life into a long-forgotten space. The floor tiles received the same care, though they posed an even greater challenge, as the original baseboard pieces could not be found even in the city’s largest tile archives. Beyond mere maintenance, the decoration aims to show visitors that history and its imperfections bring beauty, vitality, originality, and exclusivity to a space—a combination that can never be replicated, a luxury in its essence. In the realm of restoration, the solid wood bathroom doors were personally tended to by Flávio Galli, a skilled designer and expert in raw materials, who followed the guidelines of the Parque da Água Branca manual. Four days of cleaning, sanding, and varnishing brought the doors back to life. In terms of carpentry, damaged baseboards and frames were crafted by Construverde using the building’s original wood—a true gift that Fernanda Zulzke was determined to offer the public and the park. Completing the bathroom’s composition, imported wallpapers from Cordão Decor and a Roman curtain in cambric demonstrate the decorator’s ability to honor history while making bold, unexpected choices. Few can combine vintage, classic, and diverse colors and patterns in such a small space, transforming it into a light and fresh work of art, like the eucalyptus resting atop the marble and classic encyclopedias.

Fernanda Zulzke gifted São Paulo with an authentic experience by preserving the original 1920s tiles and architecture of the building. Many broken tiles were replaced, and missing ones were carefully sourced to breathe new life into a long-forgotten space. The floor tiles received the same care, though they posed an even greater challenge, as the original baseboard pieces could not be found even in the city’s largest tile archives. Beyond mere maintenance, the decoration aims to show visitors that history and its imperfections bring beauty, vitality, originality, and exclusivity to a space—a combination that can never be replicated, a luxury in its essence. In the realm of restoration, the solid wood bathroom doors were personally tended to by Flávio Galli, a skilled designer and expert in raw materials, who followed the guidelines of the Parque da Água Branca manual. Four days of cleaning, sanding, and varnishing brought the doors back to life. In terms of carpentry, damaged baseboards and frames were crafted by Construverde using the building’s original wood—a true gift that Fernanda Zulzke was determined to offer the public and the park. Completing the bathroom’s composition, imported wallpapers from Cordão Decor and a Roman curtain in cambric demonstrate the decorator’s ability to honor history while making bold, unexpected choices. Few can combine vintage, classic, and diverse colors and patterns in such a small space, transforming it into a light and fresh work of art, like the eucalyptus resting atop the marble and classic encyclopedias.

Fernanda Zulzke gifted São Paulo with an authentic experience by preserving the original 1920s tiles and architecture of the building. Many broken tiles were replaced, and missing ones were carefully sourced to breathe new life into a long-forgotten space. The floor tiles received the same care, though they posed an even greater challenge, as the original baseboard pieces could not be found even in the city’s largest tile archives. Beyond mere maintenance, the decoration aims to show visitors that history and its imperfections bring beauty, vitality, originality, and exclusivity to a space—a combination that can never be replicated, a luxury in its essence. In the realm of restoration, the solid wood bathroom doors were personally tended to by Flávio Galli, a skilled designer and expert in raw materials, who followed the guidelines of the Parque da Água Branca manual. Four days of cleaning, sanding, and varnishing brought the doors back to life. In terms of carpentry, damaged baseboards and frames were crafted by Construverde using the building’s original wood—a true gift that Fernanda Zulzke was determined to offer the public and the park. Completing the bathroom’s composition, imported wallpapers from Cordão Decor and a Roman curtain in cambric demonstrate the decorator’s ability to honor history while making bold, unexpected choices. Few can combine vintage, classic, and diverse colors and patterns in such a small space, transforming it into a light and fresh work of art, like the eucalyptus resting atop the marble and classic encyclopedias.

Fernanda Zulzke gifted São Paulo with an authentic experience by preserving the original 1920s tiles and architecture of the building. Many broken tiles were replaced, and missing ones were carefully sourced to breathe new life into a long-forgotten space. The floor tiles received the same care, though they posed an even greater challenge, as the original baseboard pieces could not be found even in the city’s largest tile archives. Beyond mere maintenance, the decoration aims to show visitors that history and its imperfections bring beauty, vitality, originality, and exclusivity to a space—a combination that can never be replicated, a luxury in its essence. In the realm of restoration, the solid wood bathroom doors were personally tended to by Flávio Galli, a skilled designer and expert in raw materials, who followed the guidelines of the Parque da Água Branca manual. Four days of cleaning, sanding, and varnishing brought the doors back to life. In terms of carpentry, damaged baseboards and frames were crafted by Construverde using the building’s original wood—a true gift that Fernanda Zulzke was determined to offer the public and the park. Completing the bathroom’s composition, imported wallpapers from Cordão Decor and a Roman curtain in cambric demonstrate the decorator’s ability to honor history while making bold, unexpected choices. Few can combine vintage, classic, and diverse colors and patterns in such a small space, transforming it into a light and fresh work of art, like the eucalyptus resting atop the marble and classic encyclopedias.