Bridgitte Krupke
Bedroom - large transitional master bedroom idea in Phoenix with beige walls

SANTA BARBARA, CA / DUPLEX RESIDENTIAL This urban infill, artist loft duplex was located in an overlooked, but well-located, light-commercial zone. It was also the first new residential construction built in the area for decades, the project is located within a 10-square-block area zoned for light-commercial and affectionately dubbed the “Funk Zone” by resident artists and city planners. Only two blocks walking distance to the beach, and a similar distance to the downtown commercial district, this pedestrian-oriented project ideally suits the lifestyles of the owners. Although the two units share equal footprints, the southerly unit features a double-height, north-facing living space. The northerly unit supplants this volume with additional living space. The siting also allows for secure private courtyard entries, maximization of natural light and view-swept, rooftop living space. The design incorporates a raised plinth required by flood zone restrictions to create a peaceful, intimate environment within the somewhat chaotic surrounding context. The disciplined and restrained approach towards the building’s image was intended to make reference to the much-loved Meridian Studios by George Washington Smith. Two roof-decks with outdoor fireplaces and shade trellises extend outdoor living space, contribute ocean and mountain views and provide both refuge and release. Cost-effective materials were selected in order to adhere to the strict budget and to relate to the industrial surroundings. Over-sized pivot doors, “industrial” staircases and cabinetry were constructed on-site by the owners to conserve design integrity within the extremely limited budget. 2000 AIA Santa Barbara Chapter Honor Award

This is a sculpture of the Nordic Myth, Jormangundr. The serpent grew so large that it was able to surround the earth and grasp its own tail. As a result, it received the name of the Midgard Serpent or World Serpent. When it releases its tail, Ragnarök will begin. Jörmungandr's arch-enemy is the thunder-god, Thor.

Eichler X-100 Entry: A Threshold Between Architecture and Experience The entry to the Eichler X-100 is not a conventional front door—it’s an intentional transition, a carefully choreographed sequence that shifts you from the outside world into a fully immersive architectural environment. Designed by A. Quincy Jones and Frederick Emmons for Joseph Eichler, the entry reflects a core principle of Eichler design: arrival should be felt, not just seen. A Garden Before the Door Rather than approaching a traditional façade, visitors are guided into an entry courtyard—a private, inward-facing space that immediately softens the transition from street to home. This space acts as a buffer, both visually and emotionally, creating a sense of calm and separation. The path is often defined by concrete stepping pads set within planted areas, reinforcing the home’s circular and geometric design language. Movement becomes deliberate—slowed, grounded, and connected to the landscape. Light as a Guide Above, translucent skylights filter natural light into the entry sequence, creating shifting patterns of brightness and shadow throughout the day. This interplay of light transforms the entry into something dynamic—never static, always evolving. Rather than a single moment, the entry unfolds over time. Blurring Interior and Exterior The X-100’s entry challenges the idea of where the home actually begins. With interior gardens visible from the moment you arrive, the boundary between outside and inside becomes intentionally ambiguous. Glass, open sightlines, and planted spaces work together so that by the time you reach the front door, you are already inside the architectural experience. A Compressed-to-Open Reveal True to mid-century modern design principles, the entry creates a subtle sense of compression before release. The approach is quiet and modest—almost understated—before opening into the expansive, light-filled interior beyond. This contrast heightens the impact of arrival, making the interior feel even more dramatic. A Philosophy of Arrival The Eichler X-100 entry is not about grandeur—it’s about intention. It invites you to slow down, to notice light, material, and landscape, and to engage with the home on a deeper level. It’s a reminder that in great architecture, even the act of entering becomes part of the design itself.

Example of a country entryway design in Atlanta

Drawn to the site’s serene location and the prospect of a quiet life after retirement, the homeowners purchased a parcel of land at the northern end of the Gallatin Range in Bozeman, Montana. After five years of engaging with the terrain and observing the local wildlife, they purchased the two adjacent parcels to preserve the optimal views of Paradise Valley and the Bridger Mountains. There, the homeowners envisioned a compact yet modern retreat with a fire-retardant building envelope and minimal disruption to the landscape and wildlife. Known for their sustainable architecture and environmentally conscious design, the homeowner entrusted Lori Ryker of studioryker and Riverbend Builders to bring his vision to life and construct a home with modern comforts and natural materials harmonizing with the land. “The owner was acutely in-tune with the landscape of the property, loving to watch wildlife, and interested in a house that sat down in the land instead of having a prominent profile in the landscape as so many “trophy” homes do,” shares Ryker. The proximity to the forest and concern for fire led the home to be clad almost fully in steel with an apron of crushed rock on the ground surrounding the dwelling. Corten steel was selected for the building envelope for its low maintenance and ability to rust into a natural hue that blends with the surrounding landscape. Sustainability was a core principle throughout the design process. Inside, the home’s radiant-heated, polished concrete floors contribute to passive heating and cooling by absorbing heat during the day and releasing it at night. Folding glass walls enhance the home’s energy efficiency by allowing natural light and ventilation to flow freely through the interior spaces. For a cohesive appearance, all fenestration was specified in the color iron ore with triple glazing to ensure excellent thermal insulation, reducing energy consumption year-round.

Skirted Table - Radiator Cover - Detail Custom drapery hardware is attached to the underside of the bracket table. Drapery rings with clips attach the box pleated linen skirt which hides the radiator. The skirt can easily be removed by releasing the clips while all hardware remains intact.

AWARD WINNING DUPLEX DESIGN Bob-a-day Park Little Bay duplex in historical precinct This Little Bay duplex is the winner of the HIA Housing Awards 2019 for category: – Townhouse/Villa Development 2-10 dwellings ‘HIA NSW Region’ and a finalist for category: – Residential Interior Design ‘HIA NSW Region’ Judges said, “A functional design with a light and bright living area that has excellent cross flow ventilation and innovative design with sustainable features.” Congratulating SSRB Developments with Edifice Design, Architects on such an outstanding achievement, HIA Executive Director – NSW, David Bare, said “The awards recognise excellence in residential construction and these awards provide a tremendous opportunity for HIA members to showcase their projects and highlight building and design excellence.” [HIA Media Release 19 October 2019] Set in Little Bay’s old Prince Henry Hospital precinct, this dual occupancy is designed to complement its rare historic and coastal location. The two dwelling requirement and contextual fit make the building unique, shaped and functioning as follows: Design Subtly distinguished separate dwellings — while still appearing as a single residence. Contemporary but synergistic with heritage setting — contemporary detailing with a scale (height, setbacks) in keeping with the historic “Flower’s Building” and materials/colour selections (face brick, boarded cladding, stone) that complements, not competes with, its heritage, seaside setting. Streetscape and contextual fit: The Ewing Avenue frontage and northern neighbour are addressed by a darker, quieter core element, clad in metal and light coloured, boarded features that extend from the ground to its flat parapeted roof. The darker, northern side anchors the lighter and more open, glazed southern side that overlooks Bob A Day Park and sits beneath a flat planar roof. External walls are layered horizontally with boarded cladding to the first floor, flat rendered wall at the ground floor and a face brick basement. Balconies, views and privacy — generous floor to ceiling horizontal louvred windows fill rooms with sunlight and views to the park and ocean. The linear effect is further accentuated by both dwellings having projected outdoor balconies with the southern balcony having a continuum of louvres to either open or close for sunlight, stargazing or privacy. Façade finishes and an entry of stone, copper and wood — texture and colour, accentuated by a copper panelled front door, timber louvres above and a feature stone blade wall, clearly defines the entry. Slender metal awnings and sliding panels also provide further articulation to the facades as well as privacy. An entry of stone, copper and wood reflect façade finishes — texture and colour, accentuated by a copper panelled front door, timber louvres above and a feature stone blade wall, clearly define the entry. Slender metal awnings and sliding panels also provide further articulation to the façades as well as privacy. A welcoming sky lit void foyer — a large atrium with skylight window brightens the entryway and provides main circulation to the hall and stair. Linear stair and lift amenity — a streamlined timber stairway with vertically lined balustrade is a focal point of the entry hall. A lift with ceramic tiles to floor and steel finishes services the main dwelling. A handcrafted bespoke artisan sandstone wall with fireplace — is a centrepiece dividing the main living room from the eating and kitchen areas. An unusual partially sunken roof terrace — which provides an entertainment area of spectacular district and ocean views while remaining relatively private, quiet and sheltered. An exterior ‘living green wall’ — which is also viewable from the living room. A sunny, north east plunge pool — which is overlooked by two semi enclosed entertainment balconies. Large water tanks totalling 7000 litres — which services toilets, laundry and gardens. An extensive solar panel system — totalling over 10 KWs. Client brief Dual occupancy required for accommodating two separate dwellings, the primary dwelling for parents long term and the secondary dwelling for extended family. 1. Quantitative requirements Each dwelling with: 2 residential levels + roof terrace + basement carpark main external balcony off the main living area private garden setting full ducted air conditioning separation by a vertical, fire and acoustically rated, common wall. Primary dwelling (southside) — for main family: 3 bedrooms, 2.5 bathrooms, laundry, open planned living, kitchen and dining areas, a separate TV room, roof terrace and serviced by a lift (basement to level 1) 5,000 litre rainwater tank servicing the toilets and laundry 5.4 KW solar panel system 2 car basement car park. Secondary dwelling (northside) — for extended family: 3 bedrooms, 2 bathrooms, laundry, open planned living, kitchen, dining, a separate TV room Plunge pool 2,000 litre rainwater tank servicing the toilets and laundry 4.8 kW solar panel system 1 car basement car park + 1 car hardstand. 2. Qualitative requirements: Generally: Maximise sun, light and outlook to all rooms. Extensive glazing and use of skylights. Rooms to be designed as contemporary spaces with seamless, clean lines. Colour selections to be light, non jarring, using colours from whites to neutrals. Use of natural materials such as timber and stone. Open planned living areas — kitchen, dining and living with a strong spatial connection to encourage family together time. Main dwelling to have a separate TV room so that living areas remain unaffected by media intrusions. Bedrooms grouped together on the ground floor to ensure district and ocean views are prioritised for the living areas. Maximise louvred glazing to southern side of primary residence to overlook Bob A Day Park. Ocean views maximised where possible, most likely achieved across to the north east. Multi-layered complex approval process From the outset, there were numerous multi-layered approval stages through which to navigate. This ensured a vigorous, disciplined design approach. Stages included: The Prince Henry Design Review Panel (PHDRP) — appointed by Landcom to monitor the historic Prince Henry development site Randwick City Council — Development Application NSW State Heritage Department — approval required given the project’s proximity to the historic “Flowers” building. Randwick Council — the Construction Certificate was particularly involved with difficulties around strict adherence to; setbacks, height and floor space ratios and alignments with the southern setback of the “Flowers” Building, a flat roof geometry and guides around the use of external colour and materials. Randwick Council jurisdiction Photographer: Aimee Crouch

Cottage chic entryway photo in Atlanta

Featuring our random flagstone pattern this concrete is taupe in colour with a walnut release.
Entryway photo in Other

Random stone stamp with standard grey color concrete and dark grey release. 6 inch Broom finish boarders
Entryway - entryway idea in San Luis Obispo

Photos courtesy of Yvonne Choe
Example of a mid-sized mountain style l-shaped dark wood floor open concept kitchen design in Calgary with an undermount sink, flat-panel cabinets, gray cabinets, quartz countertops, gray backsplash, subway tile backsplash, stainless steel appliances and an island

Kimberley Bryan
Eclectic entryway photo with a yellow front door

This is a sculpture of the Nordic Myth, "Jormangundr". The serpent grew so large that it was able to surround the earth and grasp its own tail. As a result, it received the name of the Midgard Serpent or World Serpent. When it releases its tail, Ragnarök will begin. Jörmungandr's arch-enemy is the thunder-god, Thor.