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German Embassy in Pristina - Kosovo, contracted the architecture office “Ferizi + Ferizi Architects” to plan and implement an Annex Office building for their purposes. As detached part of this building is designed the waiting area, as alone standing structure.
This Office Building is constructed by assembling of Eight used office containers that were delivered on trucks and set up after only a few hours on the basis of the LEGO principle, according to the planning on strip foundations.
By removing the flexible exterior wall panels, a large room of 115 m² was created, with the counter wall as a room partition between two office spaces, each with seven workstations as well as three counters for agents on one side and a room for visitors on the other side.
With this system, room solutions can be easily implemented in all dimensions.
The container, seen as a geometric shape, is a simple, octagonal, solid box.
The standardized perfection of its dimensions is striking: 2.44 meters wide, 2.59 meters high and 6.06 meters or 12.19 meters long.
Since its introduction in 1956 by the American transport entrepreneur Malcom McLean, the container has become a standardized transport module worldwide, whether on ships, trucks or construction sites.
The shipping containers have additionally revolutionized the transport industry, pushed the globalization noticeably, and thus directly or indirectly influenced all our lives.
But after only a few years, when the first overseas containers wore out, many engineers recognized the positive properties of used shipping containers for building houses, especially since they are robust, flexible, multifunctional and second-hand relatively inexpensive to purchase. The time has long passed by to treat containers exclusively as transport objects.
As a "measure of all things", containers can hardly be ignored in construction.
Their use is no longer limited to temporary use since school containers, information containers, office containers or entire residential buildings are now part of our everyday life in the construction industry.
However, current examples of the container architecture prove that even the most demanding solutions for container building are feasible. For their specific aesthetic and spatial qualities, containers also serve as design parameters for the development of new forms of architecture and urbanity.
The office building as an extension of the visa section, characterized by modern materials and contemporary aesthetics has been designed and built mainly as a low-energy building.
Extensive insulation to achieve a comfortable and sustainable constant temperature in the interior, high window quality and low energy consumption make the building energy-efficient.
The sophisticated lighting technology, networks, heating systems and air-conditioning systems are also components of this equipment.
It creates an overall harmonic picture and guarantees the highest standard in sustainable construction, taking into consideration the fact that environmentally friendly recycling and reutilization have become an increasingly important issue in our society.
West and East side of the wooden facade is compact and has few openings, while the southern facade is completely open with lot of glass. Its spatial openness ensures a transparent, friendly work environment, which allows a lot of light into the space.
This openness allows an uninterrupted, pleasant and close-to-nature view from interior spaces into the beautiful garden. During the installation of sophisticated light sources in the garden, emphasis was not only put on functionality and security, but also on the beauty of the garden shown through the illumination in the evening.
Large, horizontal white “brisole” serve as external sun protection systems, mounted on the canopies of the entrance areas of the modular construction and the enclosure, adeptly cast shade on these areas and at the same time shape the entire architectural language.
While on one hand, the two quadratic ledges suspended in the air, are docked with steel stairs and match the wooden façade, lead the staff to their office space, the artful modern interior, on the other hand, perfectly unites the functionality, innovative technology, culture and positive effects on the employees' efficiency and wellbeing.
A lot of white, interjected by warm wooden and colored accents, determines the ambience.
In the case of the lighting solution, the mainly linear ceiling lighting is used as the overlapping design element both for the offices of the visa section as well as for the counters and the waiting area for the visitors.
They underline the puristic design in order to create a pleasant light for a desired general illumination and ensure optimal light conditions without causing disturbing reflections on the computer screens.
In addition, precisely positioned pendant luminaires are installed at the workstations, which ensure pleasant room brightness.
In the entrance area, the harmonic and uniform lighting effect from the ground highlights the integration of photography and architecture.
Photographs of landscapes, people, places, expressing unforgettable, impressive moments and memories have been lovingly engraved on 8 x 8cm square oak blocks.
The idea of an effective, impressive environment that stimulates and inspires the work was the premiss on which the whole design concept was based. Consequently, the modular construction was no longer viewed through its history of utilization and scars, but rather as a structure of work ambiance, art and elegance.
FERIZI + FERIZI Architects
Photo: Arben Llapashtica

The site is located on the Mitchell House preparatory school campus in Polokwane. The client's brief
called for an early childhood development centre which would accommodate 122 learners and
requested that the building be evident of it's young and playful users.
Curiosity, wonder and intrigue would become defining criteria in an attempt to create a conducive
learning environment for young learners to grow, a building where children would be encouraged to
interact with their environment. The construction methodology of the building would remain apparent,
allowing its users to analyse the assembly of components.
Due to the age group of the users, the building would need to function semi-autonomously from the
rest of the school, while allowing for controlled interaction and inclusivity as is the norm for Mitchell
House. A linear plan which coincides with the developmental progress of the learners was identified
as the appropriate building typology. The spatial constraints of the site required this plan to be
moulded into the available space between the existing infrastructure, however the linear process was
maintained.
From the access-controlled reception and administration area one would move past the creative arts
and exhibition space towards the Northern wing where the youngest learners are taught. These would
share connected ablutions and storerooms between classes to enable fluid movement and
assistance throughout the teaching and service spaces. The East wing of the centre would house the
elder learners who would be in the process of being integrated with the fabric of the main school
campus. These classrooms include storage areas, however, have separate ablution facilities. The two
wings of the building surround a courtyard where play and interaction are in abundance.

German Embassy in Pristina - Kosovo, contracted the architecture office “Ferizi + Ferizi Architects” to plan and implement an Annex Office building for their purposes. As detached part of this building is designed the waiting area, as alone standing structure.
This Office Building is constructed by assembling of Eight used office containers that were delivered on trucks and set up after only a few hours on the basis of the LEGO principle, according to the planning on strip foundations.
By removing the flexible exterior wall panels, a large room of 115 m² was created, with the counter wall as a room partition between two office spaces, each with seven workstations as well as three counters for agents on one side and a room for visitors on the other side.
With this system, room solutions can be easily implemented in all dimensions.
The container, seen as a geometric shape, is a simple, octagonal, solid box.
The standardized perfection of its dimensions is striking: 2.44 meters wide, 2.59 meters high and 6.06 meters or 12.19 meters long.
Since its introduction in 1956 by the American transport entrepreneur Malcom McLean, the container has become a standardized transport module worldwide, whether on ships, trucks or construction sites.
The shipping containers have additionally revolutionized the transport industry, pushed the globalization noticeably, and thus directly or indirectly influenced all our lives.
But after only a few years, when the first overseas containers wore out, many engineers recognized the positive properties of used shipping containers for building houses, especially since they are robust, flexible, multifunctional and second-hand relatively inexpensive to purchase. The time has long passed by to treat containers exclusively as transport objects.
As a "measure of all things", containers can hardly be ignored in construction.
Their use is no longer limited to temporary use since school containers, information containers, office containers or entire residential buildings are now part of our everyday life in the construction industry.
However, current examples of the container architecture prove that even the most demanding solutions for container building are feasible. For their specific aesthetic and spatial qualities, containers also serve as design parameters for the development of new forms of architecture and urbanity.
The office building as an extension of the visa section, characterized by modern materials and contemporary aesthetics has been designed and built mainly as a low-energy building.
Extensive insulation to achieve a comfortable and sustainable constant temperature in the interior, high window quality and low energy consumption make the building energy-efficient.
The sophisticated lighting technology, networks, heating systems and air-conditioning systems are also components of this equipment.
It creates an overall harmonic picture and guarantees the highest standard in sustainable construction, taking into consideration the fact that environmentally friendly recycling and reutilization have become an increasingly important issue in our society.
West and East side of the wooden facade is compact and has few openings, while the southern facade is completely open with lot of glass. Its spatial openness ensures a transparent, friendly work environment, which allows a lot of light into the space.
This openness allows an uninterrupted, pleasant and close-to-nature view from interior spaces into the beautiful garden. During the installation of sophisticated light sources in the garden, emphasis was not only put on functionality and security, but also on the beauty of the garden shown through the illumination in the evening.
Large, horizontal white “brisole” serve as external sun protection systems, mounted on the canopies of the entrance areas of the modular construction and the enclosure, adeptly cast shade on these areas and at the same time shape the entire architectural language.
While on one hand, the two quadratic ledges suspended in the air, are docked with steel stairs and match the wooden façade, lead the staff to their office space, the artful modern interior, on the other hand, perfectly unites the functionality, innovative technology, culture and positive effects on the employees' efficiency and wellbeing.
A lot of white, interjected by warm wooden and colored accents, determines the ambience.
In the case of the lighting solution, the mainly linear ceiling lighting is used as the overlapping design element both for the offices of the visa section as well as for the counters and the waiting area for the visitors.
They underline the puristic design in order to create a pleasant light for a desired general illumination and ensure optimal light conditions without causing disturbing reflections on the computer screens.
In addition, precisely positioned pendant luminaires are installed at the workstations, which ensure pleasant room brightness.
In the entrance area, the harmonic and uniform lighting effect from the ground highlights the integration of photography and architecture.
Photographs of landscapes, people, places, expressing unforgettable, impressive moments and memories have been lovingly engraved on 8 x 8cm square oak blocks.
The idea of an effective, impressive environment that stimulates and inspires the work was the premiss on which the whole design concept was based. Consequently, the modular construction was no longer viewed through its history of utilization and scars, but rather as a structure of work ambiance, art and elegance.
FERIZI + FERIZI Architects
Photo: Arben Llapashtica
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The site is located on the Mitchell House preparatory school campus in Polokwane. The client's brief
called for an early childhood development centre which would accommodate 122 learners and
requested that the building be evident of it's young and playful users.
Curiosity, wonder and intrigue would become defining criteria in an attempt to create a conducive
learning environment for young learners to grow, a building where children would be encouraged to
interact with their environment. The construction methodology of the building would remain apparent,
allowing its users to analyse the assembly of components.
Due to the age group of the users, the building would need to function semi-autonomously from the
rest of the school, while allowing for controlled interaction and inclusivity as is the norm for Mitchell
House. A linear plan which coincides with the developmental progress of the learners was identified
as the appropriate building typology. The spatial constraints of the site required this plan to be
moulded into the available space between the existing infrastructure, however the linear process was
maintained.
From the access-controlled reception and administration area one would move past the creative arts
and exhibition space towards the Northern wing where the youngest learners are taught. These would
share connected ablutions and storerooms between classes to enable fluid movement and
assistance throughout the teaching and service spaces. The East wing of the centre would house the
elder learners who would be in the process of being integrated with the fabric of the main school
campus. These classrooms include storage areas, however, have separate ablution facilities. The two
wings of the building surround a courtyard where play and interaction are in abundance.

German Embassy in Pristina - Kosovo, contracted the architecture office “Ferizi + Ferizi Architects” to plan and implement an Annex Office building for their purposes. As detached part of this building is designed the waiting area, as alone standing structure.
This Office Building is constructed by assembling of Eight used office containers that were delivered on trucks and set up after only a few hours on the basis of the LEGO principle, according to the planning on strip foundations.
By removing the flexible exterior wall panels, a large room of 115 m² was created, with the counter wall as a room partition between two office spaces, each with seven workstations as well as three counters for agents on one side and a room for visitors on the other side.
With this system, room solutions can be easily implemented in all dimensions.
The container, seen as a geometric shape, is a simple, octagonal, solid box.
The standardized perfection of its dimensions is striking: 2.44 meters wide, 2.59 meters high and 6.06 meters or 12.19 meters long.
Since its introduction in 1956 by the American transport entrepreneur Malcom McLean, the container has become a standardized transport module worldwide, whether on ships, trucks or construction sites.
The shipping containers have additionally revolutionized the transport industry, pushed the globalization noticeably, and thus directly or indirectly influenced all our lives.
But after only a few years, when the first overseas containers wore out, many engineers recognized the positive properties of used shipping containers for building houses, especially since they are robust, flexible, multifunctional and second-hand relatively inexpensive to purchase. The time has long passed by to treat containers exclusively as transport objects.
As a "measure of all things", containers can hardly be ignored in construction.
Their use is no longer limited to temporary use since school containers, information containers, office containers or entire residential buildings are now part of our everyday life in the construction industry.
However, current examples of the container architecture prove that even the most demanding solutions for container building are feasible. For their specific aesthetic and spatial qualities, containers also serve as design parameters for the development of new forms of architecture and urbanity.
The office building as an extension of the visa section, characterized by modern materials and contemporary aesthetics has been designed and built mainly as a low-energy building.
Extensive insulation to achieve a comfortable and sustainable constant temperature in the interior, high window quality and low energy consumption make the building energy-efficient.
The sophisticated lighting technology, networks, heating systems and air-conditioning systems are also components of this equipment.
It creates an overall harmonic picture and guarantees the highest standard in sustainable construction, taking into consideration the fact that environmentally friendly recycling and reutilization have become an increasingly important issue in our society.
West and East side of the wooden facade is compact and has few openings, while the southern facade is completely open with lot of glass. Its spatial openness ensures a transparent, friendly work environment, which allows a lot of light into the space.
This openness allows an uninterrupted, pleasant and close-to-nature view from interior spaces into the beautiful garden. During the installation of sophisticated light sources in the garden, emphasis was not only put on functionality and security, but also on the beauty of the garden shown through the illumination in the evening.
Large, horizontal white “brisole” serve as external sun protection systems, mounted on the canopies of the entrance areas of the modular construction and the enclosure, adeptly cast shade on these areas and at the same time shape the entire architectural language.
While on one hand, the two quadratic ledges suspended in the air, are docked with steel stairs and match the wooden façade, lead the staff to their office space, the artful modern interior, on the other hand, perfectly unites the functionality, innovative technology, culture and positive effects on the employees' efficiency and wellbeing.
A lot of white, interjected by warm wooden and colored accents, determines the ambience.
In the case of the lighting solution, the mainly linear ceiling lighting is used as the overlapping design element both for the offices of the visa section as well as for the counters and the waiting area for the visitors.
They underline the puristic design in order to create a pleasant light for a desired general illumination and ensure optimal light conditions without causing disturbing reflections on the computer screens.
In addition, precisely positioned pendant luminaires are installed at the workstations, which ensure pleasant room brightness.
In the entrance area, the harmonic and uniform lighting effect from the ground highlights the integration of photography and architecture.
Photographs of landscapes, people, places, expressing unforgettable, impressive moments and memories have been lovingly engraved on 8 x 8cm square oak blocks.
The idea of an effective, impressive environment that stimulates and inspires the work was the premiss on which the whole design concept was based. Consequently, the modular construction was no longer viewed through its history of utilization and scars, but rather as a structure of work ambiance, art and elegance.
FERIZI + FERIZI Architects
Photo: Arben Llapashtica

The site is located on the Mitchell House preparatory school campus in Polokwane. The client's brief
called for an early childhood development centre which would accommodate 122 learners and
requested that the building be evident of it's young and playful users.
Curiosity, wonder and intrigue would become defining criteria in an attempt to create a conducive
learning environment for young learners to grow, a building where children would be encouraged to
interact with their environment. The construction methodology of the building would remain apparent,
allowing its users to analyse the assembly of components.
Due to the age group of the users, the building would need to function semi-autonomously from the
rest of the school, while allowing for controlled interaction and inclusivity as is the norm for Mitchell
House. A linear plan which coincides with the developmental progress of the learners was identified
as the appropriate building typology. The spatial constraints of the site required this plan to be
moulded into the available space between the existing infrastructure, however the linear process was
maintained.
From the access-controlled reception and administration area one would move past the creative arts
and exhibition space towards the Northern wing where the youngest learners are taught. These would
share connected ablutions and storerooms between classes to enable fluid movement and
assistance throughout the teaching and service spaces. The East wing of the centre would house the
elder learners who would be in the process of being integrated with the fabric of the main school
campus. These classrooms include storage areas, however, have separate ablution facilities. The two
wings of the building surround a courtyard where play and interaction are in abundance.

German Embassy in Pristina - Kosovo, contracted the architecture office “Ferizi + Ferizi Architects” to plan and implement an Annex Office building for their purposes. As detached part of this building is designed the waiting area, as alone standing structure.
This Office Building is constructed by assembling of Eight used office containers that were delivered on trucks and set up after only a few hours on the basis of the LEGO principle, according to the planning on strip foundations.
By removing the flexible exterior wall panels, a large room of 115 m² was created, with the counter wall as a room partition between two office spaces, each with seven workstations as well as three counters for agents on one side and a room for visitors on the other side.
With this system, room solutions can be easily implemented in all dimensions.
The container, seen as a geometric shape, is a simple, octagonal, solid box.
The standardized perfection of its dimensions is striking: 2.44 meters wide, 2.59 meters high and 6.06 meters or 12.19 meters long.
Since its introduction in 1956 by the American transport entrepreneur Malcom McLean, the container has become a standardized transport module worldwide, whether on ships, trucks or construction sites.
The shipping containers have additionally revolutionized the transport industry, pushed the globalization noticeably, and thus directly or indirectly influenced all our lives.
But after only a few years, when the first overseas containers wore out, many engineers recognized the positive properties of used shipping containers for building houses, especially since they are robust, flexible, multifunctional and second-hand relatively inexpensive to purchase. The time has long passed by to treat containers exclusively as transport objects.
As a "measure of all things", containers can hardly be ignored in construction.
Their use is no longer limited to temporary use since school containers, information containers, office containers or entire residential buildings are now part of our everyday life in the construction industry.
However, current examples of the container architecture prove that even the most demanding solutions for container building are feasible. For their specific aesthetic and spatial qualities, containers also serve as design parameters for the development of new forms of architecture and urbanity.
The office building as an extension of the visa section, characterized by modern materials and contemporary aesthetics has been designed and built mainly as a low-energy building.
Extensive insulation to achieve a comfortable and sustainable constant temperature in the interior, high window quality and low energy consumption make the building energy-efficient.
The sophisticated lighting technology, networks, heating systems and air-conditioning systems are also components of this equipment.
It creates an overall harmonic picture and guarantees the highest standard in sustainable construction, taking into consideration the fact that environmentally friendly recycling and reutilization have become an increasingly important issue in our society.
West and East side of the wooden facade is compact and has few openings, while the southern facade is completely open with lot of glass. Its spatial openness ensures a transparent, friendly work environment, which allows a lot of light into the space.
This openness allows an uninterrupted, pleasant and close-to-nature view from interior spaces into the beautiful garden. During the installation of sophisticated light sources in the garden, emphasis was not only put on functionality and security, but also on the beauty of the garden shown through the illumination in the evening.
Large, horizontal white “brisole” serve as external sun protection systems, mounted on the canopies of the entrance areas of the modular construction and the enclosure, adeptly cast shade on these areas and at the same time shape the entire architectural language.
While on one hand, the two quadratic ledges suspended in the air, are docked with steel stairs and match the wooden façade, lead the staff to their office space, the artful modern interior, on the other hand, perfectly unites the functionality, innovative technology, culture and positive effects on the employees' efficiency and wellbeing.
A lot of white, interjected by warm wooden and colored accents, determines the ambience.
In the case of the lighting solution, the mainly linear ceiling lighting is used as the overlapping design element both for the offices of the visa section as well as for the counters and the waiting area for the visitors.
They underline the puristic design in order to create a pleasant light for a desired general illumination and ensure optimal light conditions without causing disturbing reflections on the computer screens.
In addition, precisely positioned pendant luminaires are installed at the workstations, which ensure pleasant room brightness.
In the entrance area, the harmonic and uniform lighting effect from the ground highlights the integration of photography and architecture.
Photographs of landscapes, people, places, expressing unforgettable, impressive moments and memories have been lovingly engraved on 8 x 8cm square oak blocks.
The idea of an effective, impressive environment that stimulates and inspires the work was the premiss on which the whole design concept was based. Consequently, the modular construction was no longer viewed through its history of utilization and scars, but rather as a structure of work ambiance, art and elegance.
FERIZI + FERIZI Architects
Photo: Arben Llapashtica

The site is located on the Mitchell House preparatory school campus in Polokwane. The client's brief
called for an early childhood development centre which would accommodate 122 learners and
requested that the building be evident of it's young and playful users.
Curiosity, wonder and intrigue would become defining criteria in an attempt to create a conducive
learning environment for young learners to grow, a building where children would be encouraged to
interact with their environment. The construction methodology of the building would remain apparent,
allowing its users to analyse the assembly of components.
Due to the age group of the users, the building would need to function semi-autonomously from the
rest of the school, while allowing for controlled interaction and inclusivity as is the norm for Mitchell
House. A linear plan which coincides with the developmental progress of the learners was identified
as the appropriate building typology. The spatial constraints of the site required this plan to be
moulded into the available space between the existing infrastructure, however the linear process was
maintained.
From the access-controlled reception and administration area one would move past the creative arts
and exhibition space towards the Northern wing where the youngest learners are taught. These would
share connected ablutions and storerooms between classes to enable fluid movement and
assistance throughout the teaching and service spaces. The East wing of the centre would house the
elder learners who would be in the process of being integrated with the fabric of the main school
campus. These classrooms include storage areas, however, have separate ablution facilities. The two
wings of the building surround a courtyard where play and interaction are in abundance.

German Embassy in Pristina - Kosovo, contracted the architecture office “Ferizi + Ferizi Architects” to plan and implement an Annex Office building for their purposes. As detached part of this building is designed the waiting area, as alone standing structure.
This Office Building is constructed by assembling of Eight used office containers that were delivered on trucks and set up after only a few hours on the basis of the LEGO principle, according to the planning on strip foundations.
By removing the flexible exterior wall panels, a large room of 115 m² was created, with the counter wall as a room partition between two office spaces, each with seven workstations as well as three counters for agents on one side and a room for visitors on the other side.
With this system, room solutions can be easily implemented in all dimensions.
The container, seen as a geometric shape, is a simple, octagonal, solid box.
The standardized perfection of its dimensions is striking: 2.44 meters wide, 2.59 meters high and 6.06 meters or 12.19 meters long.
Since its introduction in 1956 by the American transport entrepreneur Malcom McLean, the container has become a standardized transport module worldwide, whether on ships, trucks or construction sites.
The shipping containers have additionally revolutionized the transport industry, pushed the globalization noticeably, and thus directly or indirectly influenced all our lives.
But after only a few years, when the first overseas containers wore out, many engineers recognized the positive properties of used shipping containers for building houses, especially since they are robust, flexible, multifunctional and second-hand relatively inexpensive to purchase. The time has long passed by to treat containers exclusively as transport objects.
As a "measure of all things", containers can hardly be ignored in construction.
Their use is no longer limited to temporary use since school containers, information containers, office containers or entire residential buildings are now part of our everyday life in the construction industry.
However, current examples of the container architecture prove that even the most demanding solutions for container building are feasible. For their specific aesthetic and spatial qualities, containers also serve as design parameters for the development of new forms of architecture and urbanity.
The office building as an extension of the visa section, characterized by modern materials and contemporary aesthetics has been designed and built mainly as a low-energy building.
Extensive insulation to achieve a comfortable and sustainable constant temperature in the interior, high window quality and low energy consumption make the building energy-efficient.
The sophisticated lighting technology, networks, heating systems and air-conditioning systems are also components of this equipment.
It creates an overall harmonic picture and guarantees the highest standard in sustainable construction, taking into consideration the fact that environmentally friendly recycling and reutilization have become an increasingly important issue in our society.
West and East side of the wooden facade is compact and has few openings, while the southern facade is completely open with lot of glass. Its spatial openness ensures a transparent, friendly work environment, which allows a lot of light into the space.
This openness allows an uninterrupted, pleasant and close-to-nature view from interior spaces into the beautiful garden. During the installation of sophisticated light sources in the garden, emphasis was not only put on functionality and security, but also on the beauty of the garden shown through the illumination in the evening.
Large, horizontal white “brisole” serve as external sun protection systems, mounted on the canopies of the entrance areas of the modular construction and the enclosure, adeptly cast shade on these areas and at the same time shape the entire architectural language.
While on one hand, the two quadratic ledges suspended in the air, are docked with steel stairs and match the wooden façade, lead the staff to their office space, the artful modern interior, on the other hand, perfectly unites the functionality, innovative technology, culture and positive effects on the employees' efficiency and wellbeing.
A lot of white, interjected by warm wooden and colored accents, determines the ambience.
In the case of the lighting solution, the mainly linear ceiling lighting is used as the overlapping design element both for the offices of the visa section as well as for the counters and the waiting area for the visitors.
They underline the puristic design in order to create a pleasant light for a desired general illumination and ensure optimal light conditions without causing disturbing reflections on the computer screens.
In addition, precisely positioned pendant luminaires are installed at the workstations, which ensure pleasant room brightness.
In the entrance area, the harmonic and uniform lighting effect from the ground highlights the integration of photography and architecture.
Photographs of landscapes, people, places, expressing unforgettable, impressive moments and memories have been lovingly engraved on 8 x 8cm square oak blocks.
The idea of an effective, impressive environment that stimulates and inspires the work was the premiss on which the whole design concept was based. Consequently, the modular construction was no longer viewed through its history of utilization and scars, but rather as a structure of work ambiance, art and elegance.
FERIZI + FERIZI Architects
Photo: Arben Llapashtica

Contemporary luxury villa design has reached new heights of sophistication, and Antonovich Group stands at the forefront of this architectural evolution. Their modern approach to villa exterior and landscape design creates harmonious living environments that seamlessly blend indoor comfort with outdoor elegance, establishing new benchmarks for luxury residential architecture.
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The garden landscape design component of Antonovich Group's projects transforms outdoor spaces into sophisticated extensions of the villa's interior. Their approach to landscaping embraces both the architectural language of the building and the natural characteristics of the site, creating gardens that feel both designed and organic.
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Modern luxury doesn't mean abandoning environmental responsibility. Antonovich Group's designs incorporate sustainable practices throughout their exterior and landscape elements, from water-efficient irrigation systems to locally sourced materials that reduce environmental impact while supporting regional craftspeople and suppliers.
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What distinguishes Antonovich Group's work is their understanding that modern luxury villa design must address the complete lifestyle of their clients. Their exteriors and landscapes aren't just beautiful backdrops—they're functional spaces designed for entertaining, relaxation, and daily living.
From outdoor kitchens that rival their indoor counterparts to wellness areas that promote health and relaxation, every element is designed to enhance the quality of life for residents. The integration of technology, sustainable systems, and artistic elements creates properties that are as smart as they are beautiful, representing the pinnacle of modern luxury villa design.

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Sight & Sound
This clean modern south Oakville Ontario remodel proves you don’t need to move
to a condo to completely update your surroundings.
These Oakville empty nesters with an active social life aren't interested in “fuddy-duddy” decor.
On the contrary, they are interested in the latest design trends, as well as the most current audio/visual components.
The original stone fireplace was updated with a custom designed mantle and a new gas insert. The updated warm grey
colour palette balances the natural stone making it an inviting focal point. The interior design included reconfiguring the room layout. Originally a smaller TV was located in-between the window and the fireplace and the sofa was where the current cabinet is now.
Our new layout opens up the room taking full advantage of it’s size. The sumptuous sectional allows for relaxed tete a tete
evenings as well as seating for larger groups. The additional leather occasional chair completes the conversation circle too. We naturally selected fabrics that are family friendly to ensure the grandchildren and adults can all be at ease. The flexibility of the 3
piece coffee table is both practical and adds an element of modern artistry. Grounding the room is a carpet graphic grey animal
skin custom sized into an area rug. Components as well as miscellaneous items are easily stored in the customised wood cabinet.
Stephani Buchman Photography

30 Years of Construction Experience in the Bay Area | Best of Houzz!
We are a passionate, family owned/operated local business in the Bay Area, California. At Lavan Construction, we create a fresh and fit environment with over 30 years of experience in building and construction in both domestic and international markets. We have a unique blend of leadership combining expertise in construction contracting and management experience from Fortune 500 companies. We commit to deliver you a world class experience within your budget and timeline while maintaining trust and transparency. At Lavan Construction, we believe relationships are the main component of any successful business and we stand by our motto: “Trust is the foundation we build on.”

This custom landscape installation in Parker, Colorado was designed to complement a newly built home with a clean, Modern Country aesthetic. As part of a large‑scale exterior project in the Metro Denver area, the landscape was crafted to enhance curb appeal, support long‑term durability, and create a welcoming outdoor environment that feels cohesive with the home’s architecture and surrounding terrain.
The design focuses on structure, simplicity, and natural flow—key elements of Modern Country style. Hardscape features establish strong visual lines and functional outdoor spaces, while plant selections were chosen for climate suitability, seasonal interest, and long‑term sustainability. Each component was tailored to the property’s layout and the homeowner’s vision for a refined yet inviting exterior.
Because this is a new‑construction landscape, the installation serves as the foundation for the home’s future outdoor living potential. The layout balances open areas with defined planting zones, ensuring the landscape will mature beautifully over time. Materials and colors were selected to harmonize with the home’s exterior finishes, creating a unified look from the street to the entryway and throughout the property.
This project reflects the thoughtful planning and craftsmanship behind every Stone & Flower Gardens installation—bringing together design, function, and Colorado’s natural beauty to create an exterior that feels timeless, resilient, and ready to grow with the home.

A transformation inspired by the owner’s love of modern architecture, art and color (and the adjacent sand, rock, water, and the northwest landscape), the Indianola House sought to bring the soul of a home to a colorless muted box. The original house was a drab 1990’s-era box with no personality or presence sited on a beautiful secluded bay, facing water and island views, northwest of the City of Seattle. The existing mono-colored stucco-clad exterior and pyramidal glass-block openings had led the neighborhood to dub the structure, unflatteringly, “The Miami Vice House”.
Rhodes Architecture’s Residential Architects careful use of natural light, rich, collaged finishes and ability to open the house to gardens, beach, and outdoor gathering was critical to the design. The house soon became “The Gallery”.
The original home’s grey stucco exterior made the house seem both large and featureless; the introduction of no-maintenance exterior materials that collage and complement each other was a goal of the homeowner and the Seattle Architects who teamed up for this residential design. The bloated scale of the house cried out for the establishment and definition of the parts of the structure, a breaking down of the home’s form and its apparent bland size.
Living, sleeping, and bathing areas that started as staid spaces were in need of opening to the natural environment with additions of large doors, folding glass walls and useable balconies were crucial to each space having a dialogue with the outdoors.
The owner’s extensive art collection was highlighted and became the focus of interior places, well-lit naturally and through a new lighting system. Energy use and sustainable systems were a key component of the design which used high-efficacy lighting, better cladding on a rain-screen system, high-efficiency doors and windows, new insulation and weather barriers, and which added a photovoltaic-generated electrical system. The contemporary design sought to integrate all of these systems, materials, and finishes into a seamless whole that lent interest and drama to a residence which was previously lusterless.
How radically this house was transformed is evident in the exteriors, gardens and the natural spaces the house now opens to, as well as the gallery-like interiors. This home is a stunning testament to what is possible “before-and-after” when remade by Rhodes Architecture + Light.
The clients are an older couple with long professional and political careers, a love of art and a clear desire to connect with the Northwest environment and enliven their daily lives with spaces full of color and natural light.
Rhodes Architecture + Light was hired in 2019 to add new exteriors and interiors, natural light, larger openings to beach and bay, seismic and foundation upgrades to the home, and to infuse life into the house through the re-use of existing space and varied materials, color, textures, and lighting. The only actual change to the exterior “shell” of the house was the introduction of a low “gull-wing” roof with wood soffits above the central atrium space, to add drama and bring natural light into the entry gallery space. Interior spaces, including bedrooms and bathrooms, were re-planned and opened to each other, to greater natural light, to roof decks, and to the incredible views and sea-side environment.
The Builder, Fairbank Construction Company of Bainbridge Island, Washington, met the challenge of the design, first completely deconstructing the finishes inside and out, then precisely interlocking new claddings, windows and doors, cabinetry, finishes and a new gull-wing central roof in a beautiful transformation. The construction was total, thorough, and very detailed, resulting a house that, far from seeming a “remodeling”, is far more present and fitting to the owner’s lives and the natural environment than the house we started with.

The Circuit Modular Series is a contemporary seating collection that brings minimalist style to spaces large or small. Circuit’s three sleek components—an armless chair, corner and ottoman—feature rounded profiles, with pleasing curves that invite relaxed entertaining and interaction. Rounded, solid natural ash legs complete the look by giving each piece an airy, floating quality perfect for small spaces. Combine the components to create a custom seating configuration that suits your home or work environment—Circuit’s compact footprint is particularly well suited to lobbies, breakout rooms, hallways, and urban condominiums. Constructed with kiln-dried 100% FSC®-Certified hardwood in support of responsible forest management.

The Circuit Modular Series is a contemporary seating collection that brings minimalist style to spaces large or small. Circuit’s three sleek components—an armless chair, corner and ottoman—feature rounded profiles, with pleasing curves that invite relaxed entertaining and interaction. Rounded, solid natural ash legs complete the look by giving each piece an airy, floating quality perfect for small spaces. Combine the components to create a custom seating configuration that suits your home or work environment—Circuit’s compact footprint is particularly well suited to lobbies, breakout rooms, hallways, and urban condominiums. Constructed with kiln-dried 100% FSC®-Certified hardwood in support of responsible forest management.
Circuit Modular Series utilizes 3 different modular components - Armless, Corner & Ottoman.
All modular components can be joined using integrated, concealed connectors on underside to securely join them to each other while in sectional, sofa or chaise formation.
Tight seat and back.
Upholstered with high resilience polyurethane foam covered in a Dacron wrap.
Frame is kiln-dried 100% FSC®-Certified hardwood (FSC® 092551).
Cylindrical, solid FSC®-Certified ash legs are finished in a water-based, clear coat finish.
Plastic bumpers on all legs to prevent floor damage.
All joints have been stress tested.
9 gauge No-Sag, injection-molded sinuous spring clip system.
Manufactured to meet California TB117-2013 fire safety standards without the use of flame retardant additives in the upholstery foam.
* Fabric samples available upon request
Need help? Chat with us online or send us an email to info@cityfurnitureshop.com

Developed by professional AV integrators and SANUS’ own in-house furniture designers, with an understanding of high-performance AV systems, the Cadenza Collection has the capacity needed to work seamlessly with top-of-the-line electronics and sound bars, while keeping gear neat and running cool. Cadenza includes unique, wood rack mount shelves and hidden rack rails and built-in cable management channels. To combat component overheating, the Cadenza series features built-in ventilation on each internal shelf and each removable back panel. All pieces in the collection have the ability to add cooling fans; giving electronics the environment they need for optimal performance.
Pictured here: Cadenza 49 AV Rack & Media Console in Walnut

Example of a large asian marble floor bedroom design in Mumbai with blue walls
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