Rob Fisher, principal, and builder, has built new homes in the Northern Virginia area for almost 25 years. He has overseen the design, development, construction, and customer satisfaction of some of the most exclusive communities and reputable builders in the area. He began his career with Foley Custom Homes in Vienna, VA before moving on to serve as a supervisor for NVR. In 1986 he joined A&A Partnership in Alexandria, Virginia. As Construction Manager, he was responsible for Harborside, a waterfront community of luxury townhouses in the heart of Old Town. In 1994 Rob joined Pulte Homes to open StoneRidge Builders, a division of Pulte Homes offering high end, semi-custom homes to the Mid Atlantic market. Under StoneRidge Builders, Rob oversaw such notable projects as McLean Hundred (McLean); Ashgrove Plantation & Clarks Crossing (Vienna); and Timberlake and Windsong Estates (Oakton). Rob led Pulte’s efforts in establishing themselves as the undisputed leader in customer satisfaction. During his tenure as Vice President of Customer Relations for the Mid-Atlantic Region, Pulte won an unprecedented five JD Power and Associates New Home Customer Satisfaction Awards. The experiences and lessons learned in building some of the most exclusive projects in Northern Virginia, while creating an industry benchmark in customer satisfaction, helped create the foundation upon which Fisher Custom Homes was established. In 2010, Rob decided to turn his passion for building homes into a personal business, and Fisher Custom Homes was born. Over the course of the last several years, Rob has worked diligently to establish himself as one of the most prestigious and sought-after custom home builders in the Vienna, VA and surrounding areas. Rob’s quality, attention to detail and personal touch has earned him a reputation as the ‘builder of choice’ among his peers, his homeowners, and prospective buyers.

As a 23 year professional in wildlife control, I see hundreds of situations every month with nuisance animals going into places that they don't belong. Some of those places are more common than others. I recently addressed a skunk infestation for a residence in Glen Ellyn, IL. The challenge involved a family of skunks that had taken residence under the front concrete stoop. Concrete and skunks are never a good mix because concrete is porous, when a skunk sprays the odors penetrate and will permeate for months and months as the weather gets warm or humidity rises. My approach was methodical and focused on humane Glen Ellyn skunk removal. The process began with the strategic placement of live traps near the stoop, ensuring minimal distress to the animals. These traps are industry standard, designed to safely contain the skunks without harm. Regular monitoring of these traps was a critical part of the process, ensuring the skunks were not confined for an extended period. Upon successful capture, the skunks were removed and the animal proofing work was next on the list. Skunk exclusion work, is a critical component in preventing future infestations of skunks, raccoons or opossums. This involved a thorough inspection and sealing of potential entry points with steel mesh buried underground at a specific depth and angle. Skunk-proofing is a vital step in ensuring long-term resolution to wildlife intrusions. Once the skunks were gone and the area was sealed, we performed an ozone treatment to the basement with a special filter to sub the air, destroying the skunk spray's odor molecules from the air. Typically the reason people discover skunks under the stoop to begin with is because the odor from spraying. For residents in and around Glen Ellyn experiencing similar issues, we offer humane, effective, and affordable wildlife control solutions. Expertise in skunk removal and exclusion is just a call away!

Rob Fisher, principal, and builder, has built new homes in the Northern Virginia area for almost 25 years. He has overseen the design, development, construction, and customer satisfaction of some of the most exclusive communities and reputable builders in the area. He began his career with Foley Custom Homes in Vienna, VA before moving on to serve as a supervisor for NVR. In 1986 he joined A&A Partnership in Alexandria, Virginia. As Construction Manager, he was responsible for Harborside, a waterfront community of luxury townhouses in the heart of Old Town. In 1994 Rob joined Pulte Homes to open StoneRidge Builders, a division of Pulte Homes offering high end, semi-custom homes to the Mid Atlantic market. Under StoneRidge Builders, Rob oversaw such notable projects as McLean Hundred (McLean); Ashgrove Plantation & Clarks Crossing (Vienna); and Timberlake and Windsong Estates (Oakton). Rob led Pulte’s efforts in establishing themselves as the undisputed leader in customer satisfaction. During his tenure as Vice President of Customer Relations for the Mid-Atlantic Region, Pulte won an unprecedented five JD Power and Associates New Home Customer Satisfaction Awards. The experiences and lessons learned in building some of the most exclusive projects in Northern Virginia, while creating an industry benchmark in customer satisfaction, helped create the foundation upon which Fisher Custom Homes was established. In 2010, Rob decided to turn his passion for building homes into a personal business, and Fisher Custom Homes was born. Over the course of the last several years, Rob has worked diligently to establish himself as one of the most prestigious and sought-after custom home builders in the Vienna, VA and surrounding areas. Rob’s quality, attention to detail and personal touch has earned him a reputation as the ‘builder of choice’ among his peers, his homeowners, and prospective buyers.

Rob Fisher, principal, and builder, has built new homes in the Northern Virginia area for almost 25 years. He has overseen the design, development, construction, and customer satisfaction of some of the most exclusive communities and reputable builders in the area. He began his career with Foley Custom Homes in Vienna, VA before moving on to serve as a supervisor for NVR. In 1986 he joined A&A Partnership in Alexandria, Virginia. As Construction Manager, he was responsible for Harborside, a waterfront community of luxury townhouses in the heart of Old Town. In 1994 Rob joined Pulte Homes to open StoneRidge Builders, a division of Pulte Homes offering high end, semi-custom homes to the Mid Atlantic market. Under StoneRidge Builders, Rob oversaw such notable projects as McLean Hundred (McLean); Ashgrove Plantation & Clarks Crossing (Vienna); and Timberlake and Windsong Estates (Oakton). Rob led Pulte’s efforts in establishing themselves as the undisputed leader in customer satisfaction. During his tenure as Vice President of Customer Relations for the Mid-Atlantic Region, Pulte won an unprecedented five JD Power and Associates New Home Customer Satisfaction Awards. The experiences and lessons learned in building some of the most exclusive projects in Northern Virginia, while creating an industry benchmark in customer satisfaction, helped create the foundation upon which Fisher Custom Homes was established. In 2010, Rob decided to turn his passion for building homes into a personal business, and Fisher Custom Homes was born. Over the course of the last several years, Rob has worked diligently to establish himself as one of the most prestigious and sought-after custom home builders in the Vienna, VA, and surrounding areas. Rob’s quality, attention to detail, and personal touch have earned him a reputation as the ‘builder of choice’ among his peers, his homeowners, and prospective buyers.

Rob Fisher, principal, and builder, has built new homes in the Northern Virginia area for almost 25 years. He has overseen the design, development, construction, and customer satisfaction of some of the most exclusive communities and reputable builders in the area. He began his career with Foley Custom Homes in Vienna, VA before moving on to serve as a supervisor for NVR. In 1986 he joined A&A Partnership in Alexandria, Virginia. As Construction Manager, he was responsible for Harborside, a waterfront community of luxury townhouses in the heart of Old Town. In 1994 Rob joined Pulte Homes to open StoneRidge Builders, a division of Pulte Homes offering high end, semi-custom homes to the Mid Atlantic market. Under StoneRidge Builders, Rob oversaw such notable projects as McLean Hundred (McLean); Ashgrove Plantation & Clarks Crossing (Vienna); and Timberlake and Windsong Estates (Oakton). Rob led Pulte’s efforts in establishing themselves as the undisputed leader in customer satisfaction. During his tenure as Vice President of Customer Relations for the Mid-Atlantic Region, Pulte won an unprecedented five JD Power and Associates New Home Customer Satisfaction Awards. The experiences and lessons learned in building some of the most exclusive projects in Northern Virginia, while creating an industry benchmark in customer satisfaction, helped create the foundation upon which Fisher Custom Homes was established. In 2010, Rob decided to turn his passion for building homes into a personal business, and Fisher Custom Homes was born. Over the course of the last several years, Rob has worked diligently to establish himself as one of the most prestigious and sought-after custom home builders in the Vienna, VA and surrounding areas. Rob’s quality, attention to detail and personal touch has earned him a reputation as the ‘builder of choice’ among his peers, his homeowners, and prospective buyers.

The Stretch Ceiling Film Membrane can be UV printed using Eco-Solvent, we also have hundreds of art prints to choose from in our catalogues. The Stretch Ceiling is very resistent and, in case of accidental flooding, the membrane can hold up to about 26 gallons of water per 10 square feet. It’s 100% fire proof and UL approved, as well as 100% recyclable. The Stretch Ceiling Film is 0.0071 inches thin (0.18mm or 18/100mm). The Stretch Ceiling comes with a 10-Year installation warranty and a 25-year warranty on the membrane. . Our company exclusively uses the highest quality European materials, highly regarded in the industry and approved for years in the installation process. These materials are fully compliant and meet all major INTERNATIONAL quality and safety requirements, including UL standards. Our main European partners are quite well-known PVC film manufacturers, such as: RENOLIT AG, ALKOR DRAKA, SEF.

Mid-century modern dining room photo in Vancouver

THE SHADOW HOUSE IS A PRODUCT OF THE CONTEXT IT SITS WITHIN, YET IT SUBVERTS IT AT THE SAME TIME. IT’S IMPOSSIBLE TO IGNORE IT UP CLOSE, YET FROM AFAR IT DISAPPEARS INTO THE ETHER. A TINY LOT, A LARGE PROGRAM, RESTRICTIVE ZONING REGULATIONS AND AN INVOLVED NEIGHBORHOOD INTEREST GROUP WERE THE CONSTANT AND UNRELENTING PRESSURES THAT CREATED THIS HOUSE — AND THE RESULT IS BETTER OFF FOR IT. THE SCALLOPED SHINGLES ARE A COMMON ELEMENT ACROSS THE NEIGHBORHOOD, BUT ARE OFTEN RESERVED FOR DETAIL AREAS UNDER EAVES, AS THE MATERIAL WAS VERY EXPENSIVE ONE HUNDRED YEARS AGO. WE TOOK THAT HIGHLY-SPECIALIZED, VERY EXCLUSIVE MATERIAL AND APPLIED IT AS A BROAD, MASS-PRODUCED TEXTURE ACROSS THE ENTIRE RESIDENCE — TAKING SOMETHING FROM HIGHLIGHT TO BACKGROUND TEXTURE. THE SILHOUETTE DIRECTLY ECHOES THE ITALIANATE HOMES IN THE LARGER NEIGHBORHOOD — BUT WE STRIPPED THE TYPICAL ORNATE, DECORATED FAÇADE BACK TO UTTER MINIMALISM. WE ENLARGED THE TYPICAL WINDOW SIZE TO EXAGGERATE THE RIGID SYMMETRY OF THE STYLE, AND BROUGHT THEM TO THE FLOOR AND THE CEILING TO PROVIDE AS MUCH LIGHT AS POSSIBLE — AND THEN RECESSED THEM DEEP INTO THE FAÇADE TO MIMIC THE HEAVY BRICK AND STONE LINTELS OF THE PAST. THE HOUSE IS BLACK — THE ONLY COLOR IT COULD BE. IF WE’D PAINTED IT UP LIKE ITS VICTORIAN SISTERS, IT WOULD’VE COMPETED FOR ATTENTION. BLACK CAUSES THE HOUSE TO SIMULTANEOUSLY DISAPPEAR AND STAND OUT — IT IS IMPOSSIBLE TO IGNORE WHILE YOU’RE WALKING PAST, BUT A FEW BLOCKS AWAY IT BECOMES IMPOSSIBLE TO DISCERN AGAINST THE BACKGROUND. TWO BEDROOMS WITH EN-SUITE BATHS, FLOOR-TO-CEILING WINDOWS, AN AIRY AND OPEN STAIRCASE AND A MASSIVE GLASS ROOF DOOR MAKE THE SHADOW HOUSE IMPOSSIBLY LIGHT AND OPEN — YET IT’S ONLY 1,400 SQUARE FEET ON A 30’ X 50’ LOT.

THE SHADOW HOUSE IS A PRODUCT OF THE CONTEXT IT SITS WITHIN, YET IT SUBVERTS IT AT THE SAME TIME. IT’S IMPOSSIBLE TO IGNORE IT UP CLOSE, YET FROM AFAR IT DISAPPEARS INTO THE ETHER. A TINY LOT, A LARGE PROGRAM, RESTRICTIVE ZONING REGULATIONS AND AN INVOLVED NEIGHBORHOOD INTEREST GROUP WERE THE CONSTANT AND UNRELENTING PRESSURES THAT CREATED THIS HOUSE — AND THE RESULT IS BETTER OFF FOR IT. THE SCALLOPED SHINGLES ARE A COMMON ELEMENT ACROSS THE NEIGHBORHOOD, BUT ARE OFTEN RESERVED FOR DETAIL AREAS UNDER EAVES, AS THE MATERIAL WAS VERY EXPENSIVE ONE HUNDRED YEARS AGO. WE TOOK THAT HIGHLY-SPECIALIZED, VERY EXCLUSIVE MATERIAL AND APPLIED IT AS A BROAD, MASS-PRODUCED TEXTURE ACROSS THE ENTIRE RESIDENCE — TAKING SOMETHING FROM HIGHLIGHT TO BACKGROUND TEXTURE. THE SILHOUETTE DIRECTLY ECHOES THE ITALIANATE HOMES IN THE LARGER NEIGHBORHOOD — BUT WE STRIPPED THE TYPICAL ORNATE, DECORATED FAÇADE BACK TO UTTER MINIMALISM. WE ENLARGED THE TYPICAL WINDOW SIZE TO EXAGGERATE THE RIGID SYMMETRY OF THE STYLE, AND BROUGHT THEM TO THE FLOOR AND THE CEILING TO PROVIDE AS MUCH LIGHT AS POSSIBLE — AND THEN RECESSED THEM DEEP INTO THE FAÇADE TO MIMIC THE HEAVY BRICK AND STONE LINTELS OF THE PAST. THE HOUSE IS BLACK — THE ONLY COLOR IT COULD BE. IF WE’D PAINTED IT UP LIKE ITS VICTORIAN SISTERS, IT WOULD’VE COMPETED FOR ATTENTION. BLACK CAUSES THE HOUSE TO SIMULTANEOUSLY DISAPPEAR AND STAND OUT — IT IS IMPOSSIBLE TO IGNORE WHILE YOU’RE WALKING PAST, BUT A FEW BLOCKS AWAY IT BECOMES IMPOSSIBLE TO DISCERN AGAINST THE BACKGROUND. TWO BEDROOMS WITH EN-SUITE BATHS, FLOOR-TO-CEILING WINDOWS, AN AIRY AND OPEN STAIRCASE AND A MASSIVE GLASS ROOF DOOR MAKE THE SHADOW HOUSE IMPOSSIBLY LIGHT AND OPEN — YET IT’S ONLY 1,400 SQUARE FEET ON A 30’ X 50’ LOT.

THE SHADOW HOUSE IS A PRODUCT OF THE CONTEXT IT SITS WITHIN, YET IT SUBVERTS IT AT THE SAME TIME. IT’S IMPOSSIBLE TO IGNORE IT UP CLOSE, YET FROM AFAR IT DISAPPEARS INTO THE ETHER. A TINY LOT, A LARGE PROGRAM, RESTRICTIVE ZONING REGULATIONS AND AN INVOLVED NEIGHBORHOOD INTEREST GROUP WERE THE CONSTANT AND UNRELENTING PRESSURES THAT CREATED THIS HOUSE — AND THE RESULT IS BETTER OFF FOR IT. THE SCALLOPED SHINGLES ARE A COMMON ELEMENT ACROSS THE NEIGHBORHOOD, BUT ARE OFTEN RESERVED FOR DETAIL AREAS UNDER EAVES, AS THE MATERIAL WAS VERY EXPENSIVE ONE HUNDRED YEARS AGO. WE TOOK THAT HIGHLY-SPECIALIZED, VERY EXCLUSIVE MATERIAL AND APPLIED IT AS A BROAD, MASS-PRODUCED TEXTURE ACROSS THE ENTIRE RESIDENCE — TAKING SOMETHING FROM HIGHLIGHT TO BACKGROUND TEXTURE. THE SILHOUETTE DIRECTLY ECHOES THE ITALIANATE HOMES IN THE LARGER NEIGHBORHOOD — BUT WE STRIPPED THE TYPICAL ORNATE, DECORATED FAÇADE BACK TO UTTER MINIMALISM. WE ENLARGED THE TYPICAL WINDOW SIZE TO EXAGGERATE THE RIGID SYMMETRY OF THE STYLE, AND BROUGHT THEM TO THE FLOOR AND THE CEILING TO PROVIDE AS MUCH LIGHT AS POSSIBLE — AND THEN RECESSED THEM DEEP INTO THE FAÇADE TO MIMIC THE HEAVY BRICK AND STONE LINTELS OF THE PAST. THE HOUSE IS BLACK — THE ONLY COLOR IT COULD BE. IF WE’D PAINTED IT UP LIKE ITS VICTORIAN SISTERS, IT WOULD’VE COMPETED FOR ATTENTION. BLACK CAUSES THE HOUSE TO SIMULTANEOUSLY DISAPPEAR AND STAND OUT — IT IS IMPOSSIBLE TO IGNORE WHILE YOU’RE WALKING PAST, BUT A FEW BLOCKS AWAY IT BECOMES IMPOSSIBLE TO DISCERN AGAINST THE BACKGROUND. TWO BEDROOMS WITH EN-SUITE BATHS, FLOOR-TO-CEILING WINDOWS, AN AIRY AND OPEN STAIRCASE AND A MASSIVE GLASS ROOF DOOR MAKE THE SHADOW HOUSE IMPOSSIBLY LIGHT AND OPEN — YET IT’S ONLY 1,400 SQUARE FEET ON A 30’ X 50’ LOT.

THE SHADOW HOUSE IS A PRODUCT OF THE CONTEXT IT SITS WITHIN, YET IT SUBVERTS IT AT THE SAME TIME. IT’S IMPOSSIBLE TO IGNORE IT UP CLOSE, YET FROM AFAR IT DISAPPEARS INTO THE ETHER. A TINY LOT, A LARGE PROGRAM, RESTRICTIVE ZONING REGULATIONS AND AN INVOLVED NEIGHBORHOOD INTEREST GROUP WERE THE CONSTANT AND UNRELENTING PRESSURES THAT CREATED THIS HOUSE — AND THE RESULT IS BETTER OFF FOR IT. THE SCALLOPED SHINGLES ARE A COMMON ELEMENT ACROSS THE NEIGHBORHOOD, BUT ARE OFTEN RESERVED FOR DETAIL AREAS UNDER EAVES, AS THE MATERIAL WAS VERY EXPENSIVE ONE HUNDRED YEARS AGO. WE TOOK THAT HIGHLY-SPECIALIZED, VERY EXCLUSIVE MATERIAL AND APPLIED IT AS A BROAD, MASS-PRODUCED TEXTURE ACROSS THE ENTIRE RESIDENCE — TAKING SOMETHING FROM HIGHLIGHT TO BACKGROUND TEXTURE. THE SILHOUETTE DIRECTLY ECHOES THE ITALIANATE HOMES IN THE LARGER NEIGHBORHOOD — BUT WE STRIPPED THE TYPICAL ORNATE, DECORATED FAÇADE BACK TO UTTER MINIMALISM. WE ENLARGED THE TYPICAL WINDOW SIZE TO EXAGGERATE THE RIGID SYMMETRY OF THE STYLE, AND BROUGHT THEM TO THE FLOOR AND THE CEILING TO PROVIDE AS MUCH LIGHT AS POSSIBLE — AND THEN RECESSED THEM DEEP INTO THE FAÇADE TO MIMIC THE HEAVY BRICK AND STONE LINTELS OF THE PAST. THE HOUSE IS BLACK — THE ONLY COLOR IT COULD BE. IF WE’D PAINTED IT UP LIKE ITS VICTORIAN SISTERS, IT WOULD’VE COMPETED FOR ATTENTION. BLACK CAUSES THE HOUSE TO SIMULTANEOUSLY DISAPPEAR AND STAND OUT — IT IS IMPOSSIBLE TO IGNORE WHILE YOU’RE WALKING PAST, BUT A FEW BLOCKS AWAY IT BECOMES IMPOSSIBLE TO DISCERN AGAINST THE BACKGROUND. TWO BEDROOMS WITH EN-SUITE BATHS, FLOOR-TO-CEILING WINDOWS, AN AIRY AND OPEN STAIRCASE AND A MASSIVE GLASS ROOF DOOR MAKE THE SHADOW HOUSE IMPOSSIBLY LIGHT AND OPEN — YET IT’S ONLY 1,400 SQUARE FEET ON A 30’ X 50’ LOT.

THE SHADOW HOUSE IS A PRODUCT OF THE CONTEXT IT SITS WITHIN, YET IT SUBVERTS IT AT THE SAME TIME. IT’S IMPOSSIBLE TO IGNORE IT UP CLOSE, YET FROM AFAR IT DISAPPEARS INTO THE ETHER. A TINY LOT, A LARGE PROGRAM, RESTRICTIVE ZONING REGULATIONS AND AN INVOLVED NEIGHBORHOOD INTEREST GROUP WERE THE CONSTANT AND UNRELENTING PRESSURES THAT CREATED THIS HOUSE — AND THE RESULT IS BETTER OFF FOR IT. THE SCALLOPED SHINGLES ARE A COMMON ELEMENT ACROSS THE NEIGHBORHOOD, BUT ARE OFTEN RESERVED FOR DETAIL AREAS UNDER EAVES, AS THE MATERIAL WAS VERY EXPENSIVE ONE HUNDRED YEARS AGO. WE TOOK THAT HIGHLY-SPECIALIZED, VERY EXCLUSIVE MATERIAL AND APPLIED IT AS A BROAD, MASS-PRODUCED TEXTURE ACROSS THE ENTIRE RESIDENCE — TAKING SOMETHING FROM HIGHLIGHT TO BACKGROUND TEXTURE. THE SILHOUETTE DIRECTLY ECHOES THE ITALIANATE HOMES IN THE LARGER NEIGHBORHOOD — BUT WE STRIPPED THE TYPICAL ORNATE, DECORATED FAÇADE BACK TO UTTER MINIMALISM. WE ENLARGED THE TYPICAL WINDOW SIZE TO EXAGGERATE THE RIGID SYMMETRY OF THE STYLE, AND BROUGHT THEM TO THE FLOOR AND THE CEILING TO PROVIDE AS MUCH LIGHT AS POSSIBLE — AND THEN RECESSED THEM DEEP INTO THE FAÇADE TO MIMIC THE HEAVY BRICK AND STONE LINTELS OF THE PAST. THE HOUSE IS BLACK — THE ONLY COLOR IT COULD BE. IF WE’D PAINTED IT UP LIKE ITS VICTORIAN SISTERS, IT WOULD’VE COMPETED FOR ATTENTION. BLACK CAUSES THE HOUSE TO SIMULTANEOUSLY DISAPPEAR AND STAND OUT — IT IS IMPOSSIBLE TO IGNORE WHILE YOU’RE WALKING PAST, BUT A FEW BLOCKS AWAY IT BECOMES IMPOSSIBLE TO DISCERN AGAINST THE BACKGROUND. TWO BEDROOMS WITH EN-SUITE BATHS, FLOOR-TO-CEILING WINDOWS, AN AIRY AND OPEN STAIRCASE AND A MASSIVE GLASS ROOF DOOR MAKE THE SHADOW HOUSE IMPOSSIBLY LIGHT AND OPEN — YET IT’S ONLY 1,400 SQUARE FEET ON A 30’ X 50’ LOT.

THE SHADOW HOUSE IS A PRODUCT OF THE CONTEXT IT SITS WITHIN, YET IT SUBVERTS IT AT THE SAME TIME. IT’S IMPOSSIBLE TO IGNORE IT UP CLOSE, YET FROM AFAR IT DISAPPEARS INTO THE ETHER. A TINY LOT, A LARGE PROGRAM, RESTRICTIVE ZONING REGULATIONS AND AN INVOLVED NEIGHBORHOOD INTEREST GROUP WERE THE CONSTANT AND UNRELENTING PRESSURES THAT CREATED THIS HOUSE — AND THE RESULT IS BETTER OFF FOR IT. THE SCALLOPED SHINGLES ARE A COMMON ELEMENT ACROSS THE NEIGHBORHOOD, BUT ARE OFTEN RESERVED FOR DETAIL AREAS UNDER EAVES, AS THE MATERIAL WAS VERY EXPENSIVE ONE HUNDRED YEARS AGO. WE TOOK THAT HIGHLY-SPECIALIZED, VERY EXCLUSIVE MATERIAL AND APPLIED IT AS A BROAD, MASS-PRODUCED TEXTURE ACROSS THE ENTIRE RESIDENCE — TAKING SOMETHING FROM HIGHLIGHT TO BACKGROUND TEXTURE. THE SILHOUETTE DIRECTLY ECHOES THE ITALIANATE HOMES IN THE LARGER NEIGHBORHOOD — BUT WE STRIPPED THE TYPICAL ORNATE, DECORATED FAÇADE BACK TO UTTER MINIMALISM. WE ENLARGED THE TYPICAL WINDOW SIZE TO EXAGGERATE THE RIGID SYMMETRY OF THE STYLE, AND BROUGHT THEM TO THE FLOOR AND THE CEILING TO PROVIDE AS MUCH LIGHT AS POSSIBLE — AND THEN RECESSED THEM DEEP INTO THE FAÇADE TO MIMIC THE HEAVY BRICK AND STONE LINTELS OF THE PAST. THE HOUSE IS BLACK — THE ONLY COLOR IT COULD BE. IF WE’D PAINTED IT UP LIKE ITS VICTORIAN SISTERS, IT WOULD’VE COMPETED FOR ATTENTION. BLACK CAUSES THE HOUSE TO SIMULTANEOUSLY DISAPPEAR AND STAND OUT — IT IS IMPOSSIBLE TO IGNORE WHILE YOU’RE WALKING PAST, BUT A FEW BLOCKS AWAY IT BECOMES IMPOSSIBLE TO DISCERN AGAINST THE BACKGROUND. TWO BEDROOMS WITH EN-SUITE BATHS, FLOOR-TO-CEILING WINDOWS, AN AIRY AND OPEN STAIRCASE AND A MASSIVE GLASS ROOF DOOR MAKE THE SHADOW HOUSE IMPOSSIBLY LIGHT AND OPEN — YET IT’S ONLY 1,400 SQUARE FEET ON A 30’ X 50’ LOT.

THE SHADOW HOUSE IS A PRODUCT OF THE CONTEXT IT SITS WITHIN, YET IT SUBVERTS IT AT THE SAME TIME. IT’S IMPOSSIBLE TO IGNORE IT UP CLOSE, YET FROM AFAR IT DISAPPEARS INTO THE ETHER. A TINY LOT, A LARGE PROGRAM, RESTRICTIVE ZONING REGULATIONS AND AN INVOLVED NEIGHBORHOOD INTEREST GROUP WERE THE CONSTANT AND UNRELENTING PRESSURES THAT CREATED THIS HOUSE — AND THE RESULT IS BETTER OFF FOR IT. THE SCALLOPED SHINGLES ARE A COMMON ELEMENT ACROSS THE NEIGHBORHOOD, BUT ARE OFTEN RESERVED FOR DETAIL AREAS UNDER EAVES, AS THE MATERIAL WAS VERY EXPENSIVE ONE HUNDRED YEARS AGO. WE TOOK THAT HIGHLY-SPECIALIZED, VERY EXCLUSIVE MATERIAL AND APPLIED IT AS A BROAD, MASS-PRODUCED TEXTURE ACROSS THE ENTIRE RESIDENCE — TAKING SOMETHING FROM HIGHLIGHT TO BACKGROUND TEXTURE. THE SILHOUETTE DIRECTLY ECHOES THE ITALIANATE HOMES IN THE LARGER NEIGHBORHOOD — BUT WE STRIPPED THE TYPICAL ORNATE, DECORATED FAÇADE BACK TO UTTER MINIMALISM. WE ENLARGED THE TYPICAL WINDOW SIZE TO EXAGGERATE THE RIGID SYMMETRY OF THE STYLE, AND BROUGHT THEM TO THE FLOOR AND THE CEILING TO PROVIDE AS MUCH LIGHT AS POSSIBLE — AND THEN RECESSED THEM DEEP INTO THE FAÇADE TO MIMIC THE HEAVY BRICK AND STONE LINTELS OF THE PAST. THE HOUSE IS BLACK — THE ONLY COLOR IT COULD BE. IF WE’D PAINTED IT UP LIKE ITS VICTORIAN SISTERS, IT WOULD’VE COMPETED FOR ATTENTION. BLACK CAUSES THE HOUSE TO SIMULTANEOUSLY DISAPPEAR AND STAND OUT — IT IS IMPOSSIBLE TO IGNORE WHILE YOU’RE WALKING PAST, BUT A FEW BLOCKS AWAY IT BECOMES IMPOSSIBLE TO DISCERN AGAINST THE BACKGROUND. TWO BEDROOMS WITH EN-SUITE BATHS, FLOOR-TO-CEILING WINDOWS, AN AIRY AND OPEN STAIRCASE AND A MASSIVE GLASS ROOF DOOR MAKE THE SHADOW HOUSE IMPOSSIBLY LIGHT AND OPEN — YET IT’S ONLY 1,400 SQUARE FEET ON A 30’ X 50’ LOT.

Powder room with glam geometric wallpaper complimented with a vessel sink rustic vanity with riveted hardware. Counter top is quartz Viatera - Truffle. Mirror framed wall mirror. Ryan Hainey

Mid-century modern white tile claw-foot bathtub photo in Los Angeles with a pedestal sink

Small elegant gray one-story mixed siding gable roof photo in Charleston

Gorgeous master bath with dramatic retro "wave" tile. Peak Photography
Example of a 1950s bathroom design in Los Angeles