Search results for "External source" in Home Design Ideas

Located in Ovacik, an area in Izmir, Turkey, covering 2580 sqm harvested land especially for vineyards, oriented towards North-West, South-East axis, the Ovacik winery is designed as a wine manufacturing - aiming to produce 10.000 wine bottles per year- and accommodation center. The North-East facade is facing the vineyards while the South-West facade is facing the Aegean Sea view.
The wine manufacturing and the accommodation rooms are two programs in the project serving diverse user groups; seasonal employees and leisure visitors. The manufacturing area on the North-West wing designed next to the adjacent farm, blocks the noise acting as a barrier for the rest of the complex.
On the North-West parcel, on one third portion of the lot an ancient village house ruin from the late 19th century is found which is preserved and integrated into the landscape and design.
Due to the manufacturing process, wine making area require 6m of ceiling height. From the terrace level through the openings on the restaurant facing the neighboring manufacturing area, the visitors can observe the process of wine making. Also these openings allow natural ventilation which helps protect the barrel cellar from excessive heat and drought.
For heating and cooling of the facility, ground source system is integrated, allowing minimum external intervention in the future through the stabilization of the heat of ground. In order to maintain the temperature conditions for the wine storage room, the barrel cellar is constructed under the landscape.
Following the natural slope topography existing earth/soil is carried and reused above the accommodation volumes to create a green roof which can also be seen from the restaurant terrace as a part of the natural environment.
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Towering, non-invasive clumping bamboo creates a forest feel in this shaded garden area.
Photographer: Greg Thomas, http://optphotography.com/

Example of a small classic 3/4 white tile and stone tile mosaic tile floor alcove shower design in Chicago with an undermount sink, recessed-panel cabinets, black cabinets, quartzite countertops, a two-piece toilet and gray walls

Downers Grove Pond With Stream
This is an example of a traditional backyard pond in Chicago.
This is an example of a traditional backyard pond in Chicago.

This stained glass window was created as part of our signature Aspen Stained Glass line. These windows look beautiful in cottage style or contemporary homes and are a great way for outdoor enthusiasts to celebrate their love of nature. The textured appearance of the glass provides the homeowners with a high level of privacy and comfort.

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Corner shower - mid-sized rustic 3/4 metal tile ceramic tile and brown floor corner shower idea in Minneapolis with flat-panel cabinets, medium tone wood cabinets, a two-piece toilet, orange walls, a console sink and white countertops

Deep green Rosemary branches upward near a blue green cuspated Agave.
Inspiration for a small mediterranean drought-tolerant and partial sun brick landscaping in Santa Barbara for summer.
Inspiration for a small mediterranean drought-tolerant and partial sun brick landscaping in Santa Barbara for summer.

Shake Siding Close Up A Cape Cod style house with Alside Pelican Bay cedar shake siding, Color: Cape Cod Gray. Installed by Sidetex in North Haven CT 06473

Design ideas for a mid-sized mediterranean backyard stone water fountain landscape in San Francisco with no cover.

Rain water moves within the trough of perforated stainless steel and river rock. Water collects and drips like water through a large strainer, diffusing flow that ultimately collects at the base of the forest escarpment and into an existing bog. Photo Credit :Chipper Hatter

German Embassy in Pristina - Kosovo, contracted the architecture office “Ferizi + Ferizi Architects” to plan and implement an Annex Office building for their purposes. As detached part of this building is designed the waiting area, as alone standing structure.
This Office Building is constructed by assembling of Eight used office containers that were delivered on trucks and set up after only a few hours on the basis of the LEGO principle, according to the planning on strip foundations.
By removing the flexible exterior wall panels, a large room of 115 m² was created, with the counter wall as a room partition between two office spaces, each with seven workstations as well as three counters for agents on one side and a room for visitors on the other side.
With this system, room solutions can be easily implemented in all dimensions.
The container, seen as a geometric shape, is a simple, octagonal, solid box.
The standardized perfection of its dimensions is striking: 2.44 meters wide, 2.59 meters high and 6.06 meters or 12.19 meters long.
Since its introduction in 1956 by the American transport entrepreneur Malcom McLean, the container has become a standardized transport module worldwide, whether on ships, trucks or construction sites.
The shipping containers have additionally revolutionized the transport industry, pushed the globalization noticeably, and thus directly or indirectly influenced all our lives.
But after only a few years, when the first overseas containers wore out, many engineers recognized the positive properties of used shipping containers for building houses, especially since they are robust, flexible, multifunctional and second-hand relatively inexpensive to purchase. The time has long passed by to treat containers exclusively as transport objects.
As a "measure of all things", containers can hardly be ignored in construction.
Their use is no longer limited to temporary use since school containers, information containers, office containers or entire residential buildings are now part of our everyday life in the construction industry.
However, current examples of the container architecture prove that even the most demanding solutions for container building are feasible. For their specific aesthetic and spatial qualities, containers also serve as design parameters for the development of new forms of architecture and urbanity.
The office building as an extension of the visa section, characterized by modern materials and contemporary aesthetics has been designed and built mainly as a low-energy building.
Extensive insulation to achieve a comfortable and sustainable constant temperature in the interior, high window quality and low energy consumption make the building energy-efficient.
The sophisticated lighting technology, networks, heating systems and air-conditioning systems are also components of this equipment.
It creates an overall harmonic picture and guarantees the highest standard in sustainable construction, taking into consideration the fact that environmentally friendly recycling and reutilization have become an increasingly important issue in our society.
West and East side of the wooden facade is compact and has few openings, while the southern facade is completely open with lot of glass. Its spatial openness ensures a transparent, friendly work environment, which allows a lot of light into the space.
This openness allows an uninterrupted, pleasant and close-to-nature view from interior spaces into the beautiful garden. During the installation of sophisticated light sources in the garden, emphasis was not only put on functionality and security, but also on the beauty of the garden shown through the illumination in the evening.
Large, horizontal white “brisole” serve as external sun protection systems, mounted on the canopies of the entrance areas of the modular construction and the enclosure, adeptly cast shade on these areas and at the same time shape the entire architectural language.
While on one hand, the two quadratic ledges suspended in the air, are docked with steel stairs and match the wooden façade, lead the staff to their office space, the artful modern interior, on the other hand, perfectly unites the functionality, innovative technology, culture and positive effects on the employees' efficiency and wellbeing.
A lot of white, interjected by warm wooden and colored accents, determines the ambience.
In the case of the lighting solution, the mainly linear ceiling lighting is used as the overlapping design element both for the offices of the visa section as well as for the counters and the waiting area for the visitors.
They underline the puristic design in order to create a pleasant light for a desired general illumination and ensure optimal light conditions without causing disturbing reflections on the computer screens.
In addition, precisely positioned pendant luminaires are installed at the workstations, which ensure pleasant room brightness.
In the entrance area, the harmonic and uniform lighting effect from the ground highlights the integration of photography and architecture.
Photographs of landscapes, people, places, expressing unforgettable, impressive moments and memories have been lovingly engraved on 8 x 8cm square oak blocks.
The idea of an effective, impressive environment that stimulates and inspires the work was the premiss on which the whole design concept was based. Consequently, the modular construction was no longer viewed through its history of utilization and scars, but rather as a structure of work ambiance, art and elegance.
FERIZI + FERIZI Architects
Photo: Arben Llapashtica

D-14 Residence, Rohtak
One of the significant characteristics of traditional Indian homes has been their connection to the outdoors, that is often mediated through spaces like the verandah. Located in Rohtak, Haryana, the design of the D-14 Residence illustrates an optimal use of the verandah in the contemporary Indian bungalow context and modern living. Occupying a corner plot in a township called the Suncity, the residence is designed for an elderly couple who loves spending time in nature.
The clients aspired to have a house with excellent connectivity to the outside, and shaded landscaped sit-outs. The design intent hence focuses on creating outdoor seating and expansive openings to make the interiors feel open, bringing in natural light and ventilation. The house is planned in a manner that all the significant spaces open onto a verandah on the southwestern edge, bringing in maximum sunlight. The verandah overlooks a wide 15 feet green bed with lush landscaping; this design strategy enables an excellent mediation between the interior and exterior spaces, where the verandah acts as a buffer to curb the harsh sun and exposure to dust.
On the ground floor, a spacious entrance lobby leads one to a double-height family lounge interconnected with the dining space, both of which open out onto the verandah through an extensive opening. Together they form a lively, interactive node in the house which becomes the central point of activity. The verandah, central to the house's layout, is also overlooked by the living room and the master bedroom. It is enclosed with 30ft wide M.S sliding gatesMS grill, ensuring all the doors in these rooms can stay open without worrying about security. The plan allows seamless movement and flow of interaction that is highly interconnected with the outdoors.
A minimalist and artful staircase leads to the first floor of the house. Topped with grey Kharad stone and a railing made up of bent 12 mm dia Mild Steel rods, the staircase opens into another lounge for family seating, which overlooks the double-height lounge on the ground floor. The first floor further accommodates a study, a bedroom for visiting children and grandchildern and the servant's quarter creating an independent unit. An external spiral staircase at the rear end is provisioned as a separate access to the servant's quarters.
Designed in locally-made exposed brick which were sourced from a brick kiln 50km from the site, the house evokes simplicity and rawness of character. Patterned brick jaalis enclose the balconies and open decks, lending a distinctive identity to the facade. Together with the warm grey Kota stone and the landscaped lawns, the house evokes a sense of an earthy and rustic charm.
True to the identity of its inhabitants and surroundings, the D-14 Residence is a creative expression of its cultural and material context. With the verandah as the central planning feature, it is a contemporary reflection of traditional Indian homes and their inherent affinity for the outdoors.

German Embassy in Pristina - Kosovo, contracted the architecture office “Ferizi + Ferizi Architects” to plan and implement an Annex Office building for their purposes. As detached part of this building is designed the waiting area, as alone standing structure.
This Office Building is constructed by assembling of Eight used office containers that were delivered on trucks and set up after only a few hours on the basis of the LEGO principle, according to the planning on strip foundations.
By removing the flexible exterior wall panels, a large room of 115 m² was created, with the counter wall as a room partition between two office spaces, each with seven workstations as well as three counters for agents on one side and a room for visitors on the other side.
With this system, room solutions can be easily implemented in all dimensions.
The container, seen as a geometric shape, is a simple, octagonal, solid box.
The standardized perfection of its dimensions is striking: 2.44 meters wide, 2.59 meters high and 6.06 meters or 12.19 meters long.
Since its introduction in 1956 by the American transport entrepreneur Malcom McLean, the container has become a standardized transport module worldwide, whether on ships, trucks or construction sites.
The shipping containers have additionally revolutionized the transport industry, pushed the globalization noticeably, and thus directly or indirectly influenced all our lives.
But after only a few years, when the first overseas containers wore out, many engineers recognized the positive properties of used shipping containers for building houses, especially since they are robust, flexible, multifunctional and second-hand relatively inexpensive to purchase. The time has long passed by to treat containers exclusively as transport objects.
As a "measure of all things", containers can hardly be ignored in construction.
Their use is no longer limited to temporary use since school containers, information containers, office containers or entire residential buildings are now part of our everyday life in the construction industry.
However, current examples of the container architecture prove that even the most demanding solutions for container building are feasible. For their specific aesthetic and spatial qualities, containers also serve as design parameters for the development of new forms of architecture and urbanity.
The office building as an extension of the visa section, characterized by modern materials and contemporary aesthetics has been designed and built mainly as a low-energy building.
Extensive insulation to achieve a comfortable and sustainable constant temperature in the interior, high window quality and low energy consumption make the building energy-efficient.
The sophisticated lighting technology, networks, heating systems and air-conditioning systems are also components of this equipment.
It creates an overall harmonic picture and guarantees the highest standard in sustainable construction, taking into consideration the fact that environmentally friendly recycling and reutilization have become an increasingly important issue in our society.
West and East side of the wooden facade is compact and has few openings, while the southern facade is completely open with lot of glass. Its spatial openness ensures a transparent, friendly work environment, which allows a lot of light into the space.
This openness allows an uninterrupted, pleasant and close-to-nature view from interior spaces into the beautiful garden. During the installation of sophisticated light sources in the garden, emphasis was not only put on functionality and security, but also on the beauty of the garden shown through the illumination in the evening.
Large, horizontal white “brisole” serve as external sun protection systems, mounted on the canopies of the entrance areas of the modular construction and the enclosure, adeptly cast shade on these areas and at the same time shape the entire architectural language.
While on one hand, the two quadratic ledges suspended in the air, are docked with steel stairs and match the wooden façade, lead the staff to their office space, the artful modern interior, on the other hand, perfectly unites the functionality, innovative technology, culture and positive effects on the employees' efficiency and wellbeing.
A lot of white, interjected by warm wooden and colored accents, determines the ambience.
In the case of the lighting solution, the mainly linear ceiling lighting is used as the overlapping design element both for the offices of the visa section as well as for the counters and the waiting area for the visitors.
They underline the puristic design in order to create a pleasant light for a desired general illumination and ensure optimal light conditions without causing disturbing reflections on the computer screens.
In addition, precisely positioned pendant luminaires are installed at the workstations, which ensure pleasant room brightness.
In the entrance area, the harmonic and uniform lighting effect from the ground highlights the integration of photography and architecture.
Photographs of landscapes, people, places, expressing unforgettable, impressive moments and memories have been lovingly engraved on 8 x 8cm square oak blocks.
The idea of an effective, impressive environment that stimulates and inspires the work was the premiss on which the whole design concept was based. Consequently, the modular construction was no longer viewed through its history of utilization and scars, but rather as a structure of work ambiance, art and elegance.
FERIZI + FERIZI Architects
Photo: Arben Llapashtica

Lattice woodwork around deck
Inspiration for a large timeless backyard deck remodel in Milwaukee with a pergola
Inspiration for a large timeless backyard deck remodel in Milwaukee with a pergola

The ground floor volumes wrapped in an elongated hand-fired brick, emphasizing the horizontality of the architecture that lays solidly on the land.
(Photography by: Matthew Millman)

Materials and interior paint selected by Cherry City Interiors & Design
Freestanding bathtub - mid-sized contemporary master beige tile and ceramic tile porcelain tile freestanding bathtub idea in Portland with shaker cabinets, dark wood cabinets, white walls, a drop-in sink and tile countertops
Freestanding bathtub - mid-sized contemporary master beige tile and ceramic tile porcelain tile freestanding bathtub idea in Portland with shaker cabinets, dark wood cabinets, white walls, a drop-in sink and tile countertops
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