Three Phases, One Family: Inside a Klopf Eichler Remodel When an executive mom and her two young children moved into their Eichler, she made a deliberate choice: to renovate the home in a way that honored, rather than erased, the qualities that make Eichlers distinctive in the first place. That decision set the tone for what would become a five-year, three-phase collaboration with architecture and interior design firm Klopf Architecture and general contractor Keycon, that touched nearly every room in the house and, along the way, turned a client-architect relationship into something closer. Living Through the Work Unlike many remodels where clients decamp to a rental during construction, this family stayed put through all three phases. That meant the Klopf team didn't just design the home, they watched it get lived in room by room in real time. Phase 1 covered the kitchen and living areas; by the time the team moved into later phases, they had already seen how the family actually used the spaces they'd designed earlier. That feedback loop and conversations with the client shaped the rest of the project directly. She said “throughout the various phases as they were completed, each day I noticed a new detail,” and shared her feedback with the design team. For instance, she loved the countertops chosen for the kitchen in Phase 1, so those same countertops appeared in the bathrooms designed in later phases. She loved the playful backsplash tile in the kitchen, so a similar sense of pattern and play carried into her bathroom in Phase 2 and a second bath in Phase 3. The result is a home where each phase speaks to the ones before it, rather than reading as a series of disconnected updates. Opening Up the Center of the House At the heart of the project was a reorganization of the home's most-used spaces. Klopf reclaimed a former dining area off the great room to build a larger kitchen, opening it directly onto the living space and freeing up room for the family to actually gather for reading, games, meals, TV, and the ordinary business of daily life with two kids and a dog. New floor-to-ceiling glass panels now connect the living space to the home's atrium, pulling light and views in from both directions, doubling down on the indoor-outdoor connection the style is known for. But more glass also meant less privacy, particularly at the entry, where a new wall of glass would otherwise open the courtyard directly to the street. Klopf's solution was a custom-designed slanted wood slat pivot gate at the front of the house: a piece that lets light filter through while blocking sight lines from passersby. It's a small architectural gesture that solves a real problem, creating privacy without sacrificing the light-filled openness the redesign was built around. Each of the children's bedrooms was custom-tailored to its occupant, a detail that mattered more with each passing year as the "young kids" in Phase 1 grew into the teenagers they became by the project's close. Five Years and Increased Capabilities A project of this length rarely survives with the same team intact, and this one didn't. Klopf’s original project leader left the firm part way through, but John Klopf and Elise Webb remained on the project from start to finish for continuity. Instead of shrinking, the Klopf team actually grew when their new interior design department was formed in 2024. The client was excited about Klopf’s new interiors capabilities, and welcomed Justine Alvarez and Ekaterina Nesterova on board to expand what had been an architectural scope into an architecture-plus-interiors effort. In the end Klopf handled the design from exterior envelope and layout down to the materials, colors, furnishings, décor, and finishing touches. What began as an architectural renovation ended up as something more comprehensive: a complete reimagining of the home's interiors as well as its bones, extending down to details as small as the containers on the bathroom counter. Carrying the Vision Through to the Furnishings Klopf's interior design department helped turn good architecture into a place a family actually lives. The interiors team worked closely with the client on furniture, fabrics, lighting, and accessories, sourcing and coordinating with makers and vendors in both the U.S. and Europe. The guiding idea was continuity: every piece needed to feel like it belonged in the house, not added to it. The custom counter stools are a good example. Intended to pick up on the cabinetry materials already in the kitchen, they were designed with carefully selected leather so the seating reads as part of the same architectural language. The sofa, rug, pillows, and other pieces followed the same logic, with material, color, and proportion all considered against the architecture they'd sit inside. Even the playful character of the bathroom tile found its way into the furnishings, translating into fun, playful accents in the textiles and finishes while staying period-appropriate to the Eichler itself. Benefitting from the feedback loop that shaped the architecture from phase to phase, the interiors team took cues from material and design decisions made in earlier phases when selecting the furnishings, so that the finished home reads as one continuous idea rather than a set of separate decisions layered on top of each other. That continuity came with its own hardships. A few months after furniture purchasing began, new tariffs took effect, affecting the overall furniture budget and adding complexity to ordering and expediting pieces. Developing custom furniture added a further layer of coordination on top of that: aligning fabric and leather samples and wood finishes with the architecture meant close, ongoing communication with makers throughout fabrication. With some pieces produced internationally, lead times, shipping, and customs all had to be carefully managed; in a few instances, that pushed the timeline out further still. In the end, the extra time was worth it: it's what allowed the team to get the materials and details right and keep the design cohesive throughout the home. A Relationship, Not Just a Project Ask the Klopf team what made this project unique, and the answer isn't really about square footage or finishes. It's about time. Over five years, the team got to know the family in a way a shorter project never allows — watching the kids head off to summer camp, meeting the foster kittens that passed through the house, getting to know the dog walker's daily routine. It became a professional relationship that was also a personal one. That closeness extended into the design process itself once the interiors team came on board. The client made a point of involving her kids in meetings about their own rooms, letting them weigh in on the vision and hopes they had for the spaces. Her daughter, in particular, was thrilled at the chance to work with an interior designer and help build her dream room, a small detail that speaks to how thoroughly this project became a family effort, not just a service delivered to one. That closeness shows up in the house itself. During Phase 1, the client asked everyone involved to sign the pony wall in the new kitchen. The Klopf team, the client, her kids, and the Keycon crew all left their names there, a permanent record of the people who built the house together. The Client said: “I am filled with joy and gratitude to be able to live in such a beautiful space and to have gotten the chance to work with such a talented team. The mark of true artistry is the attention to detail that allows one to experience the design in different ways. One might be looking at the same view, but because of the way the light moves, it’s a totally different perspective.” By the time the third phase wrapped, there was a running joke on site: nobody actually wanted the project to end, and the team half-seriously floated the idea of a "Phase 4." It's a fitting note for a project defined less by any single renovation than by five years of a family and their architects growing, quite literally, alongside one another. Klopf Architecture Team: John Klopf, AIA, Elise Webb, Yegvenia Torres-Zavala, Justine Alvarez, and Ekaterina Nesterova
Interior Design and FF&E: Klopf Architecture
Structural Engineer: BASE Design Inc.
Contractor: Keycon Inc.
Photography: ©2026 Mariko Reed
Year Completed: 2026
Location: Palo Alto, CA

Three Phases, One Family: Inside a Klopf Eichler Remodel When an executive mom and her two young children moved into their Eichler, she made a deliberate choice: to renovate the home in a way that honored, rather than erased, the qualities that make Eichlers distinctive in the first place. That decision set the tone for what would become a five-year, three-phase collaboration with architecture and interior design firm Klopf Architecture and general contractor Keycon, that touched nearly every room in the house and, along the way, turned a client-architect relationship into something closer. Living Through the Work Unlike many remodels where clients decamp to a rental during construction, this family stayed put through all three phases. That meant the Klopf team didn't just design the home, they watched it get lived in room by room in real time. Phase 1 covered the kitchen and living areas; by the time the team moved into later phases, they had already seen how the family actually used the spaces they'd designed earlier. That feedback loop and conversations with the client shaped the rest of the project directly. She said “throughout the various phases as they were completed, each day I noticed a new detail,” and shared her feedback with the design team. For instance, she loved the countertops chosen for the kitchen in Phase 1, so those same countertops appeared in the bathrooms designed in later phases. She loved the playful backsplash tile in the kitchen, so a similar sense of pattern and play carried into her bathroom in Phase 2 and a second bath in Phase 3. The result is a home where each phase speaks to the ones before it, rather than reading as a series of disconnected updates. Opening Up the Center of the House At the heart of the project was a reorganization of the home's most-used spaces. Klopf reclaimed a former dining area off the great room to build a larger kitchen, opening it directly onto the living space and freeing up room for the family to actually gather for reading, games, meals, TV, and the ordinary business of daily life with two kids and a dog. New floor-to-ceiling glass panels now connect the living space to the home's atrium, pulling light and views in from both directions, doubling down on the indoor-outdoor connection the style is known for. But more glass also meant less privacy, particularly at the entry, where a new wall of glass would otherwise open the courtyard directly to the street. Klopf's solution was a custom-designed slanted wood slat pivot gate at the front of the house: a piece that lets light filter through while blocking sight lines from passersby. It's a small architectural gesture that solves a real problem, creating privacy without sacrificing the light-filled openness the redesign was built around. Each of the children's bedrooms was custom-tailored to its occupant, a detail that mattered more with each passing year as the "young kids" in Phase 1 grew into the teenagers they became by the project's close. Five Years and Increased Capabilities A project of this length rarely survives with the same team intact, and this one didn't. Klopf’s original project leader left the firm part way through, but John Klopf and Elise Webb remained on the project from start to finish for continuity. Instead of shrinking, the Klopf team actually grew when their new interior design department was formed in 2024. The client was excited about Klopf’s new interiors capabilities, and welcomed Justine Alvarez and Ekaterina Nesterova on board to expand what had been an architectural scope into an architecture-plus-interiors effort. In the end Klopf handled the design from exterior envelope and layout down to the materials, colors, furnishings, décor, and finishing touches. What began as an architectural renovation ended up as something more comprehensive: a complete reimagining of the home's interiors as well as its bones, extending down to details as small as the containers on the bathroom counter. Carrying the Vision Through to the Furnishings Klopf's interior design department helped turn good architecture into a place a family actually lives. The interiors team worked closely with the client on furniture, fabrics, lighting, and accessories, sourcing and coordinating with makers and vendors in both the U.S. and Europe. The guiding idea was continuity: every piece needed to feel like it belonged in the house, not added to it. The custom counter stools are a good example. Intended to pick up on the cabinetry materials already in the kitchen, they were designed with carefully selected leather so the seating reads as part of the same architectural language. The sofa, rug, pillows, and other pieces followed the same logic, with material, color, and proportion all considered against the architecture they'd sit inside. Even the playful character of the bathroom tile found its way into the furnishings, translating into fun, playful accents in the textiles and finishes while staying period-appropriate to the Eichler itself. Benefitting from the feedback loop that shaped the architecture from phase to phase, the interiors team took cues from material and design decisions made in earlier phases when selecting the furnishings, so that the finished home reads as one continuous idea rather than a set of separate decisions layered on top of each other. That continuity came with its own hardships. A few months after furniture purchasing began, new tariffs took effect, affecting the overall furniture budget and adding complexity to ordering and expediting pieces. Developing custom furniture added a further layer of coordination on top of that: aligning fabric and leather samples and wood finishes with the architecture meant close, ongoing communication with makers throughout fabrication. With some pieces produced internationally, lead times, shipping, and customs all had to be carefully managed; in a few instances, that pushed the timeline out further still. In the end, the extra time was worth it: it's what allowed the team to get the materials and details right and keep the design cohesive throughout the home. A Relationship, Not Just a Project Ask the Klopf team what made this project unique, and the answer isn't really about square footage or finishes. It's about time. Over five years, the team got to know the family in a way a shorter project never allows — watching the kids head off to summer camp, meeting the foster kittens that passed through the house, getting to know the dog walker's daily routine. It became a professional relationship that was also a personal one. That closeness extended into the design process itself once the interiors team came on board. The client made a point of involving her kids in meetings about their own rooms, letting them weigh in on the vision and hopes they had for the spaces. Her daughter, in particular, was thrilled at the chance to work with an interior designer and help build her dream room, a small detail that speaks to how thoroughly this project became a family effort, not just a service delivered to one. That closeness shows up in the house itself. During Phase 1, the client asked everyone involved to sign the pony wall in the new kitchen. The Klopf team, the client, her kids, and the Keycon crew all left their names there, a permanent record of the people who built the house together. The Client said: “I am filled with joy and gratitude to be able to live in such a beautiful space and to have gotten the chance to work with such a talented team. The mark of true artistry is the attention to detail that allows one to experience the design in different ways. One might be looking at the same view, but because of the way the light moves, it’s a totally different perspective.” By the time the third phase wrapped, there was a running joke on site: nobody actually wanted the project to end, and the team half-seriously floated the idea of a "Phase 4." It's a fitting note for a project defined less by any single renovation than by five years of a family and their architects growing, quite literally, alongside one another. Klopf Architecture Team: John Klopf, AIA, Elise Webb, Yegvenia Torres-Zavala, Justine Alvarez, and Ekaterina Nesterova
Interior Design and FF&E: Klopf Architecture
Structural Engineer: BASE Design Inc.
Contractor: Keycon Inc.
Photography: ©2026 Mariko Reed
Year Completed: 2026
Location: Palo Alto, CA

Three Phases, One Family: Inside a Klopf Eichler Remodel When an executive mom and her two young children moved into their Eichler, she made a deliberate choice: to renovate the home in a way that honored, rather than erased, the qualities that make Eichlers distinctive in the first place. That decision set the tone for what would become a five-year, three-phase collaboration with architecture and interior design firm Klopf Architecture and general contractor Keycon, that touched nearly every room in the house and, along the way, turned a client-architect relationship into something closer. Living Through the Work Unlike many remodels where clients decamp to a rental during construction, this family stayed put through all three phases. That meant the Klopf team didn't just design the home, they watched it get lived in room by room in real time. Phase 1 covered the kitchen and living areas; by the time the team moved into later phases, they had already seen how the family actually used the spaces they'd designed earlier. That feedback loop and conversations with the client shaped the rest of the project directly. She said “throughout the various phases as they were completed, each day I noticed a new detail,” and shared her feedback with the design team. For instance, she loved the countertops chosen for the kitchen in Phase 1, so those same countertops appeared in the bathrooms designed in later phases. She loved the playful backsplash tile in the kitchen, so a similar sense of pattern and play carried into her bathroom in Phase 2 and a second bath in Phase 3. The result is a home where each phase speaks to the ones before it, rather than reading as a series of disconnected updates. Opening Up the Center of the House At the heart of the project was a reorganization of the home's most-used spaces. Klopf reclaimed a former dining area off the great room to build a larger kitchen, opening it directly onto the living space and freeing up room for the family to actually gather for reading, games, meals, TV, and the ordinary business of daily life with two kids and a dog. New floor-to-ceiling glass panels now connect the living space to the home's atrium, pulling light and views in from both directions, doubling down on the indoor-outdoor connection the style is known for. But more glass also meant less privacy, particularly at the entry, where a new wall of glass would otherwise open the courtyard directly to the street. Klopf's solution was a custom-designed slanted wood slat pivot gate at the front of the house: a piece that lets light filter through while blocking sight lines from passersby. It's a small architectural gesture that solves a real problem, creating privacy without sacrificing the light-filled openness the redesign was built around. Each of the children's bedrooms was custom-tailored to its occupant, a detail that mattered more with each passing year as the "young kids" in Phase 1 grew into the teenagers they became by the project's close. Five Years and Increased Capabilities A project of this length rarely survives with the same team intact, and this one didn't. Klopf’s original project leader left the firm part way through, but John Klopf and Elise Webb remained on the project from start to finish for continuity. Instead of shrinking, the Klopf team actually grew when their new interior design department was formed in 2024. The client was excited about Klopf’s new interiors capabilities, and welcomed Justine Alvarez and Ekaterina Nesterova on board to expand what had been an architectural scope into an architecture-plus-interiors effort. In the end Klopf handled the design from exterior envelope and layout down to the materials, colors, furnishings, décor, and finishing touches. What began as an architectural renovation ended up as something more comprehensive: a complete reimagining of the home's interiors as well as its bones, extending down to details as small as the containers on the bathroom counter. Carrying the Vision Through to the Furnishings Klopf's interior design department helped turn good architecture into a place a family actually lives. The interiors team worked closely with the client on furniture, fabrics, lighting, and accessories, sourcing and coordinating with makers and vendors in both the U.S. and Europe. The guiding idea was continuity: every piece needed to feel like it belonged in the house, not added to it. The custom counter stools are a good example. Intended to pick up on the cabinetry materials already in the kitchen, they were designed with carefully selected leather so the seating reads as part of the same architectural language. The sofa, rug, pillows, and other pieces followed the same logic, with material, color, and proportion all considered against the architecture they'd sit inside. Even the playful character of the bathroom tile found its way into the furnishings, translating into fun, playful accents in the textiles and finishes while staying period-appropriate to the Eichler itself. Benefitting from the feedback loop that shaped the architecture from phase to phase, the interiors team took cues from material and design decisions made in earlier phases when selecting the furnishings, so that the finished home reads as one continuous idea rather than a set of separate decisions layered on top of each other. That continuity came with its own hardships. A few months after furniture purchasing began, new tariffs took effect, affecting the overall furniture budget and adding complexity to ordering and expediting pieces. Developing custom furniture added a further layer of coordination on top of that: aligning fabric and leather samples and wood finishes with the architecture meant close, ongoing communication with makers throughout fabrication. With some pieces produced internationally, lead times, shipping, and customs all had to be carefully managed; in a few instances, that pushed the timeline out further still. In the end, the extra time was worth it: it's what allowed the team to get the materials and details right and keep the design cohesive throughout the home. A Relationship, Not Just a Project Ask the Klopf team what made this project unique, and the answer isn't really about square footage or finishes. It's about time. Over five years, the team got to know the family in a way a shorter project never allows — watching the kids head off to summer camp, meeting the foster kittens that passed through the house, getting to know the dog walker's daily routine. It became a professional relationship that was also a personal one. That closeness extended into the design process itself once the interiors team came on board. The client made a point of involving her kids in meetings about their own rooms, letting them weigh in on the vision and hopes they had for the spaces. Her daughter, in particular, was thrilled at the chance to work with an interior designer and help build her dream room, a small detail that speaks to how thoroughly this project became a family effort, not just a service delivered to one. That closeness shows up in the house itself. During Phase 1, the client asked everyone involved to sign the pony wall in the new kitchen. The Klopf team, the client, her kids, and the Keycon crew all left their names there, a permanent record of the people who built the house together. The Client said: “I am filled with joy and gratitude to be able to live in such a beautiful space and to have gotten the chance to work with such a talented team. The mark of true artistry is the attention to detail that allows one to experience the design in different ways. One might be looking at the same view, but because of the way the light moves, it’s a totally different perspective.” By the time the third phase wrapped, there was a running joke on site: nobody actually wanted the project to end, and the team half-seriously floated the idea of a "Phase 4." It's a fitting note for a project defined less by any single renovation than by five years of a family and their architects growing, quite literally, alongside one another. Klopf Architecture Team: John Klopf, AIA, Elise Webb, Yegvenia Torres-Zavala, Justine Alvarez, and Ekaterina Nesterova
Interior Design and FF&E: Klopf Architecture
Structural Engineer: BASE Design Inc.
Contractor: Keycon Inc.
Photography: ©2026 Mariko Reed
Year Completed: 2026
Location: Palo Alto, CA

Three Phases, One Family: Inside a Klopf Eichler Remodel When an executive mom and her two young children moved into their Eichler, she made a deliberate choice: to renovate the home in a way that honored, rather than erased, the qualities that make Eichlers distinctive in the first place. That decision set the tone for what would become a five-year, three-phase collaboration with architecture and interior design firm Klopf Architecture and general contractor Keycon, that touched nearly every room in the house and, along the way, turned a client-architect relationship into something closer. Living Through the Work Unlike many remodels where clients decamp to a rental during construction, this family stayed put through all three phases. That meant the Klopf team didn't just design the home, they watched it get lived in room by room in real time. Phase 1 covered the kitchen and living areas; by the time the team moved into later phases, they had already seen how the family actually used the spaces they'd designed earlier. That feedback loop and conversations with the client shaped the rest of the project directly. She said “throughout the various phases as they were completed, each day I noticed a new detail,” and shared her feedback with the design team. For instance, she loved the countertops chosen for the kitchen in Phase 1, so those same countertops appeared in the bathrooms designed in later phases. She loved the playful backsplash tile in the kitchen, so a similar sense of pattern and play carried into her bathroom in Phase 2 and a second bath in Phase 3. The result is a home where each phase speaks to the ones before it, rather than reading as a series of disconnected updates. Opening Up the Center of the House At the heart of the project was a reorganization of the home's most-used spaces. Klopf reclaimed a former dining area off the great room to build a larger kitchen, opening it directly onto the living space and freeing up room for the family to actually gather for reading, games, meals, TV, and the ordinary business of daily life with two kids and a dog. New floor-to-ceiling glass panels now connect the living space to the home's atrium, pulling light and views in from both directions, doubling down on the indoor-outdoor connection the style is known for. But more glass also meant less privacy, particularly at the entry, where a new wall of glass would otherwise open the courtyard directly to the street. Klopf's solution was a custom-designed slanted wood slat pivot gate at the front of the house: a piece that lets light filter through while blocking sight lines from passersby. It's a small architectural gesture that solves a real problem, creating privacy without sacrificing the light-filled openness the redesign was built around. Each of the children's bedrooms was custom-tailored to its occupant, a detail that mattered more with each passing year as the "young kids" in Phase 1 grew into the teenagers they became by the project's close. Five Years and Increased Capabilities A project of this length rarely survives with the same team intact, and this one didn't. Klopf’s original project leader left the firm part way through, but John Klopf and Elise Webb remained on the project from start to finish for continuity. Instead of shrinking, the Klopf team actually grew when their new interior design department was formed in 2024. The client was excited about Klopf’s new interiors capabilities, and welcomed Justine Alvarez and Ekaterina Nesterova on board to expand what had been an architectural scope into an architecture-plus-interiors effort. In the end Klopf handled the design from exterior envelope and layout down to the materials, colors, furnishings, décor, and finishing touches. What began as an architectural renovation ended up as something more comprehensive: a complete reimagining of the home's interiors as well as its bones, extending down to details as small as the containers on the bathroom counter. Carrying the Vision Through to the Furnishings Klopf's interior design department helped turn good architecture into a place a family actually lives. The interiors team worked closely with the client on furniture, fabrics, lighting, and accessories, sourcing and coordinating with makers and vendors in both the U.S. and Europe. The guiding idea was continuity: every piece needed to feel like it belonged in the house, not added to it. The custom counter stools are a good example. Intended to pick up on the cabinetry materials already in the kitchen, they were designed with carefully selected leather so the seating reads as part of the same architectural language. The sofa, rug, pillows, and other pieces followed the same logic, with material, color, and proportion all considered against the architecture they'd sit inside. Even the playful character of the bathroom tile found its way into the furnishings, translating into fun, playful accents in the textiles and finishes while staying period-appropriate to the Eichler itself. Benefitting from the feedback loop that shaped the architecture from phase to phase, the interiors team took cues from material and design decisions made in earlier phases when selecting the furnishings, so that the finished home reads as one continuous idea rather than a set of separate decisions layered on top of each other. That continuity came with its own hardships. A few months after furniture purchasing began, new tariffs took effect, affecting the overall furniture budget and adding complexity to ordering and expediting pieces. Developing custom furniture added a further layer of coordination on top of that: aligning fabric and leather samples and wood finishes with the architecture meant close, ongoing communication with makers throughout fabrication. With some pieces produced internationally, lead times, shipping, and customs all had to be carefully managed; in a few instances, that pushed the timeline out further still. In the end, the extra time was worth it: it's what allowed the team to get the materials and details right and keep the design cohesive throughout the home. A Relationship, Not Just a Project Ask the Klopf team what made this project unique, and the answer isn't really about square footage or finishes. It's about time. Over five years, the team got to know the family in a way a shorter project never allows — watching the kids head off to summer camp, meeting the foster kittens that passed through the house, getting to know the dog walker's daily routine. It became a professional relationship that was also a personal one. That closeness extended into the design process itself once the interiors team came on board. The client made a point of involving her kids in meetings about their own rooms, letting them weigh in on the vision and hopes they had for the spaces. Her daughter, in particular, was thrilled at the chance to work with an interior designer and help build her dream room, a small detail that speaks to how thoroughly this project became a family effort, not just a service delivered to one. That closeness shows up in the house itself. During Phase 1, the client asked everyone involved to sign the pony wall in the new kitchen. The Klopf team, the client, her kids, and the Keycon crew all left their names there, a permanent record of the people who built the house together. The Client said: “I am filled with joy and gratitude to be able to live in such a beautiful space and to have gotten the chance to work with such a talented team. The mark of true artistry is the attention to detail that allows one to experience the design in different ways. One might be looking at the same view, but because of the way the light moves, it’s a totally different perspective.” By the time the third phase wrapped, there was a running joke on site: nobody actually wanted the project to end, and the team half-seriously floated the idea of a "Phase 4." It's a fitting note for a project defined less by any single renovation than by five years of a family and their architects growing, quite literally, alongside one another. Klopf Architecture Team: John Klopf, AIA, Elise Webb, Yegvenia Torres-Zavala, Justine Alvarez, and Ekaterina Nesterova
Interior Design and FF&E: Klopf Architecture
Structural Engineer: BASE Design Inc.
Contractor: Keycon Inc.
Photography: ©2026 Mariko Reed
Year Completed: 2026
Location: Palo Alto, CA

Three Phases, One Family: Inside a Klopf Eichler Remodel When an executive mom and her two young children moved into their Eichler, she made a deliberate choice: to renovate the home in a way that honored, rather than erased, the qualities that make Eichlers distinctive in the first place. That decision set the tone for what would become a five-year, three-phase collaboration with architecture and interior design firm Klopf Architecture and general contractor Keycon, that touched nearly every room in the house and, along the way, turned a client-architect relationship into something closer. Living Through the Work Unlike many remodels where clients decamp to a rental during construction, this family stayed put through all three phases. That meant the Klopf team didn't just design the home, they watched it get lived in room by room in real time. Phase 1 covered the kitchen and living areas; by the time the team moved into later phases, they had already seen how the family actually used the spaces they'd designed earlier. That feedback loop and conversations with the client shaped the rest of the project directly. She said “throughout the various phases as they were completed, each day I noticed a new detail,” and shared her feedback with the design team. For instance, she loved the countertops chosen for the kitchen in Phase 1, so those same countertops appeared in the bathrooms designed in later phases. She loved the playful backsplash tile in the kitchen, so a similar sense of pattern and play carried into her bathroom in Phase 2 and a second bath in Phase 3. The result is a home where each phase speaks to the ones before it, rather than reading as a series of disconnected updates. Opening Up the Center of the House At the heart of the project was a reorganization of the home's most-used spaces. Klopf reclaimed a former dining area off the great room to build a larger kitchen, opening it directly onto the living space and freeing up room for the family to actually gather for reading, games, meals, TV, and the ordinary business of daily life with two kids and a dog. New floor-to-ceiling glass panels now connect the living space to the home's atrium, pulling light and views in from both directions, doubling down on the indoor-outdoor connection the style is known for. But more glass also meant less privacy, particularly at the entry, where a new wall of glass would otherwise open the courtyard directly to the street. Klopf's solution was a custom-designed slanted wood slat pivot gate at the front of the house: a piece that lets light filter through while blocking sight lines from passersby. It's a small architectural gesture that solves a real problem, creating privacy without sacrificing the light-filled openness the redesign was built around. Each of the children's bedrooms was custom-tailored to its occupant, a detail that mattered more with each passing year as the "young kids" in Phase 1 grew into the teenagers they became by the project's close. Five Years and Increased Capabilities A project of this length rarely survives with the same team intact, and this one didn't. Klopf’s original project leader left the firm part way through, but John Klopf and Elise Webb remained on the project from start to finish for continuity. Instead of shrinking, the Klopf team actually grew when their new interior design department was formed in 2024. The client was excited about Klopf’s new interiors capabilities, and welcomed Justine Alvarez and Ekaterina Nesterova on board to expand what had been an architectural scope into an architecture-plus-interiors effort. In the end Klopf handled the design from exterior envelope and layout down to the materials, colors, furnishings, décor, and finishing touches. What began as an architectural renovation ended up as something more comprehensive: a complete reimagining of the home's interiors as well as its bones, extending down to details as small as the containers on the bathroom counter. Carrying the Vision Through to the Furnishings Klopf's interior design department helped turn good architecture into a place a family actually lives. The interiors team worked closely with the client on furniture, fabrics, lighting, and accessories, sourcing and coordinating with makers and vendors in both the U.S. and Europe. The guiding idea was continuity: every piece needed to feel like it belonged in the house, not added to it. The custom counter stools are a good example. Intended to pick up on the cabinetry materials already in the kitchen, they were designed with carefully selected leather so the seating reads as part of the same architectural language. The sofa, rug, pillows, and other pieces followed the same logic, with material, color, and proportion all considered against the architecture they'd sit inside. Even the playful character of the bathroom tile found its way into the furnishings, translating into fun, playful accents in the textiles and finishes while staying period-appropriate to the Eichler itself. Benefitting from the feedback loop that shaped the architecture from phase to phase, the interiors team took cues from material and design decisions made in earlier phases when selecting the furnishings, so that the finished home reads as one continuous idea rather than a set of separate decisions layered on top of each other. That continuity came with its own hardships. A few months after furniture purchasing began, new tariffs took effect, affecting the overall furniture budget and adding complexity to ordering and expediting pieces. Developing custom furniture added a further layer of coordination on top of that: aligning fabric and leather samples and wood finishes with the architecture meant close, ongoing communication with makers throughout fabrication. With some pieces produced internationally, lead times, shipping, and customs all had to be carefully managed; in a few instances, that pushed the timeline out further still. In the end, the extra time was worth it: it's what allowed the team to get the materials and details right and keep the design cohesive throughout the home. A Relationship, Not Just a Project Ask the Klopf team what made this project unique, and the answer isn't really about square footage or finishes. It's about time. Over five years, the team got to know the family in a way a shorter project never allows — watching the kids head off to summer camp, meeting the foster kittens that passed through the house, getting to know the dog walker's daily routine. It became a professional relationship that was also a personal one. That closeness extended into the design process itself once the interiors team came on board. The client made a point of involving her kids in meetings about their own rooms, letting them weigh in on the vision and hopes they had for the spaces. Her daughter, in particular, was thrilled at the chance to work with an interior designer and help build her dream room, a small detail that speaks to how thoroughly this project became a family effort, not just a service delivered to one. That closeness shows up in the house itself. During Phase 1, the client asked everyone involved to sign the pony wall in the new kitchen. The Klopf team, the client, her kids, and the Keycon crew all left their names there, a permanent record of the people who built the house together. The Client said: “I am filled with joy and gratitude to be able to live in such a beautiful space and to have gotten the chance to work with such a talented team. The mark of true artistry is the attention to detail that allows one to experience the design in different ways. One might be looking at the same view, but because of the way the light moves, it’s a totally different perspective.” By the time the third phase wrapped, there was a running joke on site: nobody actually wanted the project to end, and the team half-seriously floated the idea of a "Phase 4." It's a fitting note for a project defined less by any single renovation than by five years of a family and their architects growing, quite literally, alongside one another. Klopf Architecture Team: John Klopf, AIA, Elise Webb, Yegvenia Torres-Zavala, Justine Alvarez, and Ekaterina Nesterova
Interior Design and FF&E: Klopf Architecture
Structural Engineer: BASE Design Inc.
Contractor: Keycon Inc.
Photography: ©2026 Mariko Reed
Year Completed: 2026
Location: Palo Alto, CA

Three Phases, One Family: Inside a Klopf Eichler Remodel When an executive mom and her two young children moved into their Eichler, she made a deliberate choice: to renovate the home in a way that honored, rather than erased, the qualities that make Eichlers distinctive in the first place. That decision set the tone for what would become a five-year, three-phase collaboration with architecture and interior design firm Klopf Architecture and general contractor Keycon, that touched nearly every room in the house and, along the way, turned a client-architect relationship into something closer. Living Through the Work Unlike many remodels where clients decamp to a rental during construction, this family stayed put through all three phases. That meant the Klopf team didn't just design the home, they watched it get lived in room by room in real time. Phase 1 covered the kitchen and living areas; by the time the team moved into later phases, they had already seen how the family actually used the spaces they'd designed earlier. That feedback loop and conversations with the client shaped the rest of the project directly. She said “throughout the various phases as they were completed, each day I noticed a new detail,” and shared her feedback with the design team. For instance, she loved the countertops chosen for the kitchen in Phase 1, so those same countertops appeared in the bathrooms designed in later phases. She loved the playful backsplash tile in the kitchen, so a similar sense of pattern and play carried into her bathroom in Phase 2 and a second bath in Phase 3. The result is a home where each phase speaks to the ones before it, rather than reading as a series of disconnected updates. Opening Up the Center of the House At the heart of the project was a reorganization of the home's most-used spaces. Klopf reclaimed a former dining area off the great room to build a larger kitchen, opening it directly onto the living space and freeing up room for the family to actually gather for reading, games, meals, TV, and the ordinary business of daily life with two kids and a dog. New floor-to-ceiling glass panels now connect the living space to the home's atrium, pulling light and views in from both directions, doubling down on the indoor-outdoor connection the style is known for. But more glass also meant less privacy, particularly at the entry, where a new wall of glass would otherwise open the courtyard directly to the street. Klopf's solution was a custom-designed slanted wood slat pivot gate at the front of the house: a piece that lets light filter through while blocking sight lines from passersby. It's a small architectural gesture that solves a real problem, creating privacy without sacrificing the light-filled openness the redesign was built around. Each of the children's bedrooms was custom-tailored to its occupant, a detail that mattered more with each passing year as the "young kids" in Phase 1 grew into the teenagers they became by the project's close. Five Years and Increased Capabilities A project of this length rarely survives with the same team intact, and this one didn't. Klopf’s original project leader left the firm part way through, but John Klopf and Elise Webb remained on the project from start to finish for continuity. Instead of shrinking, the Klopf team actually grew when their new interior design department was formed in 2024. The client was excited about Klopf’s new interiors capabilities, and welcomed Justine Alvarez and Ekaterina Nesterova on board to expand what had been an architectural scope into an architecture-plus-interiors effort. In the end Klopf handled the design from exterior envelope and layout down to the materials, colors, furnishings, décor, and finishing touches. What began as an architectural renovation ended up as something more comprehensive: a complete reimagining of the home's interiors as well as its bones, extending down to details as small as the containers on the bathroom counter. Carrying the Vision Through to the Furnishings Klopf's interior design department helped turn good architecture into a place a family actually lives. The interiors team worked closely with the client on furniture, fabrics, lighting, and accessories, sourcing and coordinating with makers and vendors in both the U.S. and Europe. The guiding idea was continuity: every piece needed to feel like it belonged in the house, not added to it. The custom counter stools are a good example. Intended to pick up on the cabinetry materials already in the kitchen, they were designed with carefully selected leather so the seating reads as part of the same architectural language. The sofa, rug, pillows, and other pieces followed the same logic, with material, color, and proportion all considered against the architecture they'd sit inside. Even the playful character of the bathroom tile found its way into the furnishings, translating into fun, playful accents in the textiles and finishes while staying period-appropriate to the Eichler itself. Benefitting from the feedback loop that shaped the architecture from phase to phase, the interiors team took cues from material and design decisions made in earlier phases when selecting the furnishings, so that the finished home reads as one continuous idea rather than a set of separate decisions layered on top of each other. That continuity came with its own hardships. A few months after furniture purchasing began, new tariffs took effect, affecting the overall furniture budget and adding complexity to ordering and expediting pieces. Developing custom furniture added a further layer of coordination on top of that: aligning fabric and leather samples and wood finishes with the architecture meant close, ongoing communication with makers throughout fabrication. With some pieces produced internationally, lead times, shipping, and customs all had to be carefully managed; in a few instances, that pushed the timeline out further still. In the end, the extra time was worth it: it's what allowed the team to get the materials and details right and keep the design cohesive throughout the home. A Relationship, Not Just a Project Ask the Klopf team what made this project unique, and the answer isn't really about square footage or finishes. It's about time. Over five years, the team got to know the family in a way a shorter project never allows — watching the kids head off to summer camp, meeting the foster kittens that passed through the house, getting to know the dog walker's daily routine. It became a professional relationship that was also a personal one. That closeness extended into the design process itself once the interiors team came on board. The client made a point of involving her kids in meetings about their own rooms, letting them weigh in on the vision and hopes they had for the spaces. Her daughter, in particular, was thrilled at the chance to work with an interior designer and help build her dream room, a small detail that speaks to how thoroughly this project became a family effort, not just a service delivered to one. That closeness shows up in the house itself. During Phase 1, the client asked everyone involved to sign the pony wall in the new kitchen. The Klopf team, the client, her kids, and the Keycon crew all left their names there, a permanent record of the people who built the house together. The Client said: “I am filled with joy and gratitude to be able to live in such a beautiful space and to have gotten the chance to work with such a talented team. The mark of true artistry is the attention to detail that allows one to experience the design in different ways. One might be looking at the same view, but because of the way the light moves, it’s a totally different perspective.” By the time the third phase wrapped, there was a running joke on site: nobody actually wanted the project to end, and the team half-seriously floated the idea of a "Phase 4." It's a fitting note for a project defined less by any single renovation than by five years of a family and their architects growing, quite literally, alongside one another. Klopf Architecture Team: John Klopf, AIA, Elise Webb, Yegvenia Torres-Zavala, Justine Alvarez, and Ekaterina Nesterova
Interior Design and FF&E: Klopf Architecture
Structural Engineer: BASE Design Inc.
Contractor: Keycon Inc.
Photography: ©2026 Mariko Reed
Year Completed: 2026
Location: Palo Alto, CA

Three Phases, One Family: Inside a Klopf Eichler Remodel When an executive mom and her two young children moved into their Eichler, she made a deliberate choice: to renovate the home in a way that honored, rather than erased, the qualities that make Eichlers distinctive in the first place. That decision set the tone for what would become a five-year, three-phase collaboration with architecture and interior design firm Klopf Architecture and general contractor Keycon, that touched nearly every room in the house and, along the way, turned a client-architect relationship into something closer. Living Through the Work Unlike many remodels where clients decamp to a rental during construction, this family stayed put through all three phases. That meant the Klopf team didn't just design the home, they watched it get lived in room by room in real time. Phase 1 covered the kitchen and living areas; by the time the team moved into later phases, they had already seen how the family actually used the spaces they'd designed earlier. That feedback loop and conversations with the client shaped the rest of the project directly. She said “throughout the various phases as they were completed, each day I noticed a new detail,” and shared her feedback with the design team. For instance, she loved the countertops chosen for the kitchen in Phase 1, so those same countertops appeared in the bathrooms designed in later phases. She loved the playful backsplash tile in the kitchen, so a similar sense of pattern and play carried into her bathroom in Phase 2 and a second bath in Phase 3. The result is a home where each phase speaks to the ones before it, rather than reading as a series of disconnected updates. Opening Up the Center of the House At the heart of the project was a reorganization of the home's most-used spaces. Klopf reclaimed a former dining area off the great room to build a larger kitchen, opening it directly onto the living space and freeing up room for the family to actually gather for reading, games, meals, TV, and the ordinary business of daily life with two kids and a dog. New floor-to-ceiling glass panels now connect the living space to the home's atrium, pulling light and views in from both directions, doubling down on the indoor-outdoor connection the style is known for. But more glass also meant less privacy, particularly at the entry, where a new wall of glass would otherwise open the courtyard directly to the street. Klopf's solution was a custom-designed slanted wood slat pivot gate at the front of the house: a piece that lets light filter through while blocking sight lines from passersby. It's a small architectural gesture that solves a real problem, creating privacy without sacrificing the light-filled openness the redesign was built around. Each of the children's bedrooms was custom-tailored to its occupant, a detail that mattered more with each passing year as the "young kids" in Phase 1 grew into the teenagers they became by the project's close. Five Years and Increased Capabilities A project of this length rarely survives with the same team intact, and this one didn't. Klopf’s original project leader left the firm part way through, but John Klopf and Elise Webb remained on the project from start to finish for continuity. Instead of shrinking, the Klopf team actually grew when their new interior design department was formed in 2024. The client was excited about Klopf’s new interiors capabilities, and welcomed Justine Alvarez and Ekaterina Nesterova on board to expand what had been an architectural scope into an architecture-plus-interiors effort. In the end Klopf handled the design from exterior envelope and layout down to the materials, colors, furnishings, décor, and finishing touches. What began as an architectural renovation ended up as something more comprehensive: a complete reimagining of the home's interiors as well as its bones, extending down to details as small as the containers on the bathroom counter. Carrying the Vision Through to the Furnishings Klopf's interior design department helped turn good architecture into a place a family actually lives. The interiors team worked closely with the client on furniture, fabrics, lighting, and accessories, sourcing and coordinating with makers and vendors in both the U.S. and Europe. The guiding idea was continuity: every piece needed to feel like it belonged in the house, not added to it. The custom counter stools are a good example. Intended to pick up on the cabinetry materials already in the kitchen, they were designed with carefully selected leather so the seating reads as part of the same architectural language. The sofa, rug, pillows, and other pieces followed the same logic, with material, color, and proportion all considered against the architecture they'd sit inside. Even the playful character of the bathroom tile found its way into the furnishings, translating into fun, playful accents in the textiles and finishes while staying period-appropriate to the Eichler itself. Benefitting from the feedback loop that shaped the architecture from phase to phase, the interiors team took cues from material and design decisions made in earlier phases when selecting the furnishings, so that the finished home reads as one continuous idea rather than a set of separate decisions layered on top of each other. That continuity came with its own hardships. A few months after furniture purchasing began, new tariffs took effect, affecting the overall furniture budget and adding complexity to ordering and expediting pieces. Developing custom furniture added a further layer of coordination on top of that: aligning fabric and leather samples and wood finishes with the architecture meant close, ongoing communication with makers throughout fabrication. With some pieces produced internationally, lead times, shipping, and customs all had to be carefully managed; in a few instances, that pushed the timeline out further still. In the end, the extra time was worth it: it's what allowed the team to get the materials and details right and keep the design cohesive throughout the home. A Relationship, Not Just a Project Ask the Klopf team what made this project unique, and the answer isn't really about square footage or finishes. It's about time. Over five years, the team got to know the family in a way a shorter project never allows — watching the kids head off to summer camp, meeting the foster kittens that passed through the house, getting to know the dog walker's daily routine. It became a professional relationship that was also a personal one. That closeness extended into the design process itself once the interiors team came on board. The client made a point of involving her kids in meetings about their own rooms, letting them weigh in on the vision and hopes they had for the spaces. Her daughter, in particular, was thrilled at the chance to work with an interior designer and help build her dream room, a small detail that speaks to how thoroughly this project became a family effort, not just a service delivered to one. That closeness shows up in the house itself. During Phase 1, the client asked everyone involved to sign the pony wall in the new kitchen. The Klopf team, the client, her kids, and the Keycon crew all left their names there, a permanent record of the people who built the house together. The Client said: “I am filled with joy and gratitude to be able to live in such a beautiful space and to have gotten the chance to work with such a talented team. The mark of true artistry is the attention to detail that allows one to experience the design in different ways. One might be looking at the same view, but because of the way the light moves, it’s a totally different perspective.” By the time the third phase wrapped, there was a running joke on site: nobody actually wanted the project to end, and the team half-seriously floated the idea of a "Phase 4." It's a fitting note for a project defined less by any single renovation than by five years of a family and their architects growing, quite literally, alongside one another. Klopf Architecture Team: John Klopf, AIA, Elise Webb, Yegvenia Torres-Zavala, Justine Alvarez, and Ekaterina Nesterova
Interior Design and FF&E: Klopf Architecture
Structural Engineer: BASE Design Inc.
Contractor: Keycon Inc.
Photography: ©2026 Mariko Reed
Year Completed: 2026
Location: Palo Alto, CA

Three Phases, One Family: Inside a Klopf Eichler Remodel When an executive mom and her two young children moved into their Eichler, she made a deliberate choice: to renovate the home in a way that honored, rather than erased, the qualities that make Eichlers distinctive in the first place. That decision set the tone for what would become a five-year, three-phase collaboration with architecture and interior design firm Klopf Architecture and general contractor Keycon, that touched nearly every room in the house and, along the way, turned a client-architect relationship into something closer. Living Through the Work Unlike many remodels where clients decamp to a rental during construction, this family stayed put through all three phases. That meant the Klopf team didn't just design the home, they watched it get lived in room by room in real time. Phase 1 covered the kitchen and living areas; by the time the team moved into later phases, they had already seen how the family actually used the spaces they'd designed earlier. That feedback loop and conversations with the client shaped the rest of the project directly. She said “throughout the various phases as they were completed, each day I noticed a new detail,” and shared her feedback with the design team. For instance, she loved the countertops chosen for the kitchen in Phase 1, so those same countertops appeared in the bathrooms designed in later phases. She loved the playful backsplash tile in the kitchen, so a similar sense of pattern and play carried into her bathroom in Phase 2 and a second bath in Phase 3. The result is a home where each phase speaks to the ones before it, rather than reading as a series of disconnected updates. Opening Up the Center of the House At the heart of the project was a reorganization of the home's most-used spaces. Klopf reclaimed a former dining area off the great room to build a larger kitchen, opening it directly onto the living space and freeing up room for the family to actually gather for reading, games, meals, TV, and the ordinary business of daily life with two kids and a dog. New floor-to-ceiling glass panels now connect the living space to the home's atrium, pulling light and views in from both directions, doubling down on the indoor-outdoor connection the style is known for. But more glass also meant less privacy, particularly at the entry, where a new wall of glass would otherwise open the courtyard directly to the street. Klopf's solution was a custom-designed slanted wood slat pivot gate at the front of the house: a piece that lets light filter through while blocking sight lines from passersby. It's a small architectural gesture that solves a real problem, creating privacy without sacrificing the light-filled openness the redesign was built around. Each of the children's bedrooms was custom-tailored to its occupant, a detail that mattered more with each passing year as the "young kids" in Phase 1 grew into the teenagers they became by the project's close. Five Years and Increased Capabilities A project of this length rarely survives with the same team intact, and this one didn't. Klopf’s original project leader left the firm part way through, but John Klopf and Elise Webb remained on the project from start to finish for continuity. Instead of shrinking, the Klopf team actually grew when their new interior design department was formed in 2024. The client was excited about Klopf’s new interiors capabilities, and welcomed Justine Alvarez and Ekaterina Nesterova on board to expand what had been an architectural scope into an architecture-plus-interiors effort. In the end Klopf handled the design from exterior envelope and layout down to the materials, colors, furnishings, décor, and finishing touches. What began as an architectural renovation ended up as something more comprehensive: a complete reimagining of the home's interiors as well as its bones, extending down to details as small as the containers on the bathroom counter. Carrying the Vision Through to the Furnishings Klopf's interior design department helped turn good architecture into a place a family actually lives. The interiors team worked closely with the client on furniture, fabrics, lighting, and accessories, sourcing and coordinating with makers and vendors in both the U.S. and Europe. The guiding idea was continuity: every piece needed to feel like it belonged in the house, not added to it. The custom counter stools are a good example. Intended to pick up on the cabinetry materials already in the kitchen, they were designed with carefully selected leather so the seating reads as part of the same architectural language. The sofa, rug, pillows, and other pieces followed the same logic, with material, color, and proportion all considered against the architecture they'd sit inside. Even the playful character of the bathroom tile found its way into the furnishings, translating into fun, playful accents in the textiles and finishes while staying period-appropriate to the Eichler itself. Benefitting from the feedback loop that shaped the architecture from phase to phase, the interiors team took cues from material and design decisions made in earlier phases when selecting the furnishings, so that the finished home reads as one continuous idea rather than a set of separate decisions layered on top of each other. That continuity came with its own hardships. A few months after furniture purchasing began, new tariffs took effect, affecting the overall furniture budget and adding complexity to ordering and expediting pieces. Developing custom furniture added a further layer of coordination on top of that: aligning fabric and leather samples and wood finishes with the architecture meant close, ongoing communication with makers throughout fabrication. With some pieces produced internationally, lead times, shipping, and customs all had to be carefully managed; in a few instances, that pushed the timeline out further still. In the end, the extra time was worth it: it's what allowed the team to get the materials and details right and keep the design cohesive throughout the home. A Relationship, Not Just a Project Ask the Klopf team what made this project unique, and the answer isn't really about square footage or finishes. It's about time. Over five years, the team got to know the family in a way a shorter project never allows — watching the kids head off to summer camp, meeting the foster kittens that passed through the house, getting to know the dog walker's daily routine. It became a professional relationship that was also a personal one. That closeness extended into the design process itself once the interiors team came on board. The client made a point of involving her kids in meetings about their own rooms, letting them weigh in on the vision and hopes they had for the spaces. Her daughter, in particular, was thrilled at the chance to work with an interior designer and help build her dream room, a small detail that speaks to how thoroughly this project became a family effort, not just a service delivered to one. That closeness shows up in the house itself. During Phase 1, the client asked everyone involved to sign the pony wall in the new kitchen. The Klopf team, the client, her kids, and the Keycon crew all left their names there, a permanent record of the people who built the house together. The Client said: “I am filled with joy and gratitude to be able to live in such a beautiful space and to have gotten the chance to work with such a talented team. The mark of true artistry is the attention to detail that allows one to experience the design in different ways. One might be looking at the same view, but because of the way the light moves, it’s a totally different perspective.” By the time the third phase wrapped, there was a running joke on site: nobody actually wanted the project to end, and the team half-seriously floated the idea of a "Phase 4." It's a fitting note for a project defined less by any single renovation than by five years of a family and their architects growing, quite literally, alongside one another. Klopf Architecture Team: John Klopf, AIA, Elise Webb, Yegvenia Torres-Zavala, Justine Alvarez, and Ekaterina Nesterova
Interior Design and FF&E: Klopf Architecture
Structural Engineer: BASE Design Inc.
Contractor: Keycon Inc.
Photography: ©2026 Mariko Reed
Year Completed: 2026
Location: Palo Alto, CA

Three Phases, One Family: Inside a Klopf Eichler Remodel When an executive mom and her two young children moved into their Eichler, she made a deliberate choice: to renovate the home in a way that honored, rather than erased, the qualities that make Eichlers distinctive in the first place. That decision set the tone for what would become a five-year, three-phase collaboration with architecture and interior design firm Klopf Architecture and general contractor Keycon, that touched nearly every room in the house and, along the way, turned a client-architect relationship into something closer. Living Through the Work Unlike many remodels where clients decamp to a rental during construction, this family stayed put through all three phases. That meant the Klopf team didn't just design the home, they watched it get lived in room by room in real time. Phase 1 covered the kitchen and living areas; by the time the team moved into later phases, they had already seen how the family actually used the spaces they'd designed earlier. That feedback loop and conversations with the client shaped the rest of the project directly. She said “throughout the various phases as they were completed, each day I noticed a new detail,” and shared her feedback with the design team. For instance, she loved the countertops chosen for the kitchen in Phase 1, so those same countertops appeared in the bathrooms designed in later phases. She loved the playful backsplash tile in the kitchen, so a similar sense of pattern and play carried into her bathroom in Phase 2 and a second bath in Phase 3. The result is a home where each phase speaks to the ones before it, rather than reading as a series of disconnected updates. Opening Up the Center of the House At the heart of the project was a reorganization of the home's most-used spaces. Klopf reclaimed a former dining area off the great room to build a larger kitchen, opening it directly onto the living space and freeing up room for the family to actually gather for reading, games, meals, TV, and the ordinary business of daily life with two kids and a dog. New floor-to-ceiling glass panels now connect the living space to the home's atrium, pulling light and views in from both directions, doubling down on the indoor-outdoor connection the style is known for. But more glass also meant less privacy, particularly at the entry, where a new wall of glass would otherwise open the courtyard directly to the street. Klopf's solution was a custom-designed slanted wood slat pivot gate at the front of the house: a piece that lets light filter through while blocking sight lines from passersby. It's a small architectural gesture that solves a real problem, creating privacy without sacrificing the light-filled openness the redesign was built around. Each of the children's bedrooms was custom-tailored to its occupant, a detail that mattered more with each passing year as the "young kids" in Phase 1 grew into the teenagers they became by the project's close. Five Years and Increased Capabilities A project of this length rarely survives with the same team intact, and this one didn't. Klopf’s original project leader left the firm part way through, but John Klopf and Elise Webb remained on the project from start to finish for continuity. Instead of shrinking, the Klopf team actually grew when their new interior design department was formed in 2024. The client was excited about Klopf’s new interiors capabilities, and welcomed Justine Alvarez and Ekaterina Nesterova on board to expand what had been an architectural scope into an architecture-plus-interiors effort. In the end Klopf handled the design from exterior envelope and layout down to the materials, colors, furnishings, décor, and finishing touches. What began as an architectural renovation ended up as something more comprehensive: a complete reimagining of the home's interiors as well as its bones, extending down to details as small as the containers on the bathroom counter. Carrying the Vision Through to the Furnishings Klopf's interior design department helped turn good architecture into a place a family actually lives. The interiors team worked closely with the client on furniture, fabrics, lighting, and accessories, sourcing and coordinating with makers and vendors in both the U.S. and Europe. The guiding idea was continuity: every piece needed to feel like it belonged in the house, not added to it. The custom counter stools are a good example. Intended to pick up on the cabinetry materials already in the kitchen, they were designed with carefully selected leather so the seating reads as part of the same architectural language. The sofa, rug, pillows, and other pieces followed the same logic, with material, color, and proportion all considered against the architecture they'd sit inside. Even the playful character of the bathroom tile found its way into the furnishings, translating into fun, playful accents in the textiles and finishes while staying period-appropriate to the Eichler itself. Benefitting from the feedback loop that shaped the architecture from phase to phase, the interiors team took cues from material and design decisions made in earlier phases when selecting the furnishings, so that the finished home reads as one continuous idea rather than a set of separate decisions layered on top of each other. That continuity came with its own hardships. A few months after furniture purchasing began, new tariffs took effect, affecting the overall furniture budget and adding complexity to ordering and expediting pieces. Developing custom furniture added a further layer of coordination on top of that: aligning fabric and leather samples and wood finishes with the architecture meant close, ongoing communication with makers throughout fabrication. With some pieces produced internationally, lead times, shipping, and customs all had to be carefully managed; in a few instances, that pushed the timeline out further still. In the end, the extra time was worth it: it's what allowed the team to get the materials and details right and keep the design cohesive throughout the home. A Relationship, Not Just a Project Ask the Klopf team what made this project unique, and the answer isn't really about square footage or finishes. It's about time. Over five years, the team got to know the family in a way a shorter project never allows — watching the kids head off to summer camp, meeting the foster kittens that passed through the house, getting to know the dog walker's daily routine. It became a professional relationship that was also a personal one. That closeness extended into the design process itself once the interiors team came on board. The client made a point of involving her kids in meetings about their own rooms, letting them weigh in on the vision and hopes they had for the spaces. Her daughter, in particular, was thrilled at the chance to work with an interior designer and help build her dream room, a small detail that speaks to how thoroughly this project became a family effort, not just a service delivered to one. That closeness shows up in the house itself. During Phase 1, the client asked everyone involved to sign the pony wall in the new kitchen. The Klopf team, the client, her kids, and the Keycon crew all left their names there, a permanent record of the people who built the house together. The Client said: “I am filled with joy and gratitude to be able to live in such a beautiful space and to have gotten the chance to work with such a talented team. The mark of true artistry is the attention to detail that allows one to experience the design in different ways. One might be looking at the same view, but because of the way the light moves, it’s a totally different perspective.” By the time the third phase wrapped, there was a running joke on site: nobody actually wanted the project to end, and the team half-seriously floated the idea of a "Phase 4." It's a fitting note for a project defined less by any single renovation than by five years of a family and their architects growing, quite literally, alongside one another. Klopf Architecture Team: John Klopf, AIA, Elise Webb, Yegvenia Torres-Zavala, Justine Alvarez, and Ekaterina Nesterova
Interior Design and FF&E: Klopf Architecture
Structural Engineer: BASE Design Inc.
Contractor: Keycon Inc.
Photography: ©2026 Mariko Reed
Year Completed: 2026
Location: Palo Alto, CA

Three Phases, One Family: Inside a Klopf Eichler Remodel When an executive mom and her two young children moved into their Eichler, she made a deliberate choice: to renovate the home in a way that honored, rather than erased, the qualities that make Eichlers distinctive in the first place. That decision set the tone for what would become a five-year, three-phase collaboration with architecture and interior design firm Klopf Architecture and general contractor Keycon, that touched nearly every room in the house and, along the way, turned a client-architect relationship into something closer. Living Through the Work Unlike many remodels where clients decamp to a rental during construction, this family stayed put through all three phases. That meant the Klopf team didn't just design the home, they watched it get lived in room by room in real time. Phase 1 covered the kitchen and living areas; by the time the team moved into later phases, they had already seen how the family actually used the spaces they'd designed earlier. That feedback loop and conversations with the client shaped the rest of the project directly. She said “throughout the various phases as they were completed, each day I noticed a new detail,” and shared her feedback with the design team. For instance, she loved the countertops chosen for the kitchen in Phase 1, so those same countertops appeared in the bathrooms designed in later phases. She loved the playful backsplash tile in the kitchen, so a similar sense of pattern and play carried into her bathroom in Phase 2 and a second bath in Phase 3. The result is a home where each phase speaks to the ones before it, rather than reading as a series of disconnected updates. Opening Up the Center of the House At the heart of the project was a reorganization of the home's most-used spaces. Klopf reclaimed a former dining area off the great room to build a larger kitchen, opening it directly onto the living space and freeing up room for the family to actually gather for reading, games, meals, TV, and the ordinary business of daily life with two kids and a dog. New floor-to-ceiling glass panels now connect the living space to the home's atrium, pulling light and views in from both directions, doubling down on the indoor-outdoor connection the style is known for. But more glass also meant less privacy, particularly at the entry, where a new wall of glass would otherwise open the courtyard directly to the street. Klopf's solution was a custom-designed slanted wood slat pivot gate at the front of the house: a piece that lets light filter through while blocking sight lines from passersby. It's a small architectural gesture that solves a real problem, creating privacy without sacrificing the light-filled openness the redesign was built around. Each of the children's bedrooms was custom-tailored to its occupant, a detail that mattered more with each passing year as the "young kids" in Phase 1 grew into the teenagers they became by the project's close. Five Years and Increased Capabilities A project of this length rarely survives with the same team intact, and this one didn't. Klopf’s original project leader left the firm part way through, but John Klopf and Elise Webb remained on the project from start to finish for continuity. Instead of shrinking, the Klopf team actually grew when their new interior design department was formed in 2024. The client was excited about Klopf’s new interiors capabilities, and welcomed Justine Alvarez and Ekaterina Nesterova on board to expand what had been an architectural scope into an architecture-plus-interiors effort. In the end Klopf handled the design from exterior envelope and layout down to the materials, colors, furnishings, décor, and finishing touches. What began as an architectural renovation ended up as something more comprehensive: a complete reimagining of the home's interiors as well as its bones, extending down to details as small as the containers on the bathroom counter. Carrying the Vision Through to the Furnishings Klopf's interior design department helped turn good architecture into a place a family actually lives. The interiors team worked closely with the client on furniture, fabrics, lighting, and accessories, sourcing and coordinating with makers and vendors in both the U.S. and Europe. The guiding idea was continuity: every piece needed to feel like it belonged in the house, not added to it. The custom counter stools are a good example. Intended to pick up on the cabinetry materials already in the kitchen, they were designed with carefully selected leather so the seating reads as part of the same architectural language. The sofa, rug, pillows, and other pieces followed the same logic, with material, color, and proportion all considered against the architecture they'd sit inside. Even the playful character of the bathroom tile found its way into the furnishings, translating into fun, playful accents in the textiles and finishes while staying period-appropriate to the Eichler itself. Benefitting from the feedback loop that shaped the architecture from phase to phase, the interiors team took cues from material and design decisions made in earlier phases when selecting the furnishings, so that the finished home reads as one continuous idea rather than a set of separate decisions layered on top of each other. That continuity came with its own hardships. A few months after furniture purchasing began, new tariffs took effect, affecting the overall furniture budget and adding complexity to ordering and expediting pieces. Developing custom furniture added a further layer of coordination on top of that: aligning fabric and leather samples and wood finishes with the architecture meant close, ongoing communication with makers throughout fabrication. With some pieces produced internationally, lead times, shipping, and customs all had to be carefully managed; in a few instances, that pushed the timeline out further still. In the end, the extra time was worth it: it's what allowed the team to get the materials and details right and keep the design cohesive throughout the home. A Relationship, Not Just a Project Ask the Klopf team what made this project unique, and the answer isn't really about square footage or finishes. It's about time. Over five years, the team got to know the family in a way a shorter project never allows — watching the kids head off to summer camp, meeting the foster kittens that passed through the house, getting to know the dog walker's daily routine. It became a professional relationship that was also a personal one. That closeness extended into the design process itself once the interiors team came on board. The client made a point of involving her kids in meetings about their own rooms, letting them weigh in on the vision and hopes they had for the spaces. Her daughter, in particular, was thrilled at the chance to work with an interior designer and help build her dream room, a small detail that speaks to how thoroughly this project became a family effort, not just a service delivered to one. That closeness shows up in the house itself. During Phase 1, the client asked everyone involved to sign the pony wall in the new kitchen. The Klopf team, the client, her kids, and the Keycon crew all left their names there, a permanent record of the people who built the house together. The Client said: “I am filled with joy and gratitude to be able to live in such a beautiful space and to have gotten the chance to work with such a talented team. The mark of true artistry is the attention to detail that allows one to experience the design in different ways. One might be looking at the same view, but because of the way the light moves, it’s a totally different perspective.” By the time the third phase wrapped, there was a running joke on site: nobody actually wanted the project to end, and the team half-seriously floated the idea of a "Phase 4." It's a fitting note for a project defined less by any single renovation than by five years of a family and their architects growing, quite literally, alongside one another. Klopf Architecture Team: John Klopf, AIA, Elise Webb, Yegvenia Torres-Zavala, Justine Alvarez, and Ekaterina Nesterova
Interior Design and FF&E: Klopf Architecture
Structural Engineer: BASE Design Inc.
Contractor: Keycon Inc.
Photography: ©2026 Mariko Reed
Year Completed: 2026
Location: Palo Alto, CA

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Sunday, September 14, 2014 Is Your Interior Design Depressing You? By Joseph Pubillones (DailyHerald.com http://www.dailyherald.com/article/20140913/entlife/140919600) From time to time, someone will corner me and confess to me that they are depressed; they whisper that they believe their decorating is making them sick. They tell me that their interiors are not to their liking because of choices made by their spouse, their designer, or because of their own misguided attempts at decorating. Is it possible for their environment to make them feel sick? Yes (as I think about it), it is possible for design to alter moods. In the mid-1950s, Norbett Mintz, a researcher at Brandeis University, and his mentor, the renowned psychologist Abraham Maslow, decided to conduct research about the effects of "beauty" on behavior. Mintz had already conducted experiments about the effects of color on human behavior and concluded that color selection has a palpable effect on personal behavior. A room's design can have an impact on your mood. Mismatched colors or an overstuffed room can affect your ability to relax and feel comfortable. In their experiment about beauty, they designed three rooms. The first was "the ugly room", replete with clashing colors and patterns, disorganization and too much furniture for the size of the space. The second was "the average room", arranged with a monochromatic scheme, basic furniture pieces and subtly colored nondescript art. The third was "the beautiful room", decorated with quality case-goods, and fashionable fabrics and colors. Overwhelmingly, the test group rejected "the ugly room". "The average room" and "the beautiful room" were tied as the preferred room. When asked to describe the rooms, the test group was best able to describe "the beautiful room". As a designer, this is not news to me. There are rooms, especially those that I like, that I can describe with remarkable detail. Although our notion of what is beautiful varies from person to person, it can be said that beautiful design is more memorable. We can deduce that each person prefers the beautiful. From the time we are born, there are foods that are preferred -- some love sweets; others prefer more savory flavors. Over time, our taste buds evolve, and what was once a favorite food can become insipid or nauseating. The same is true for interior design. Over time, everyone develops preferences about what makes us feel comfortable and at home. When I hear that someone's home is depressing, I am concerned. I suggest immediate action to change what is most bothersome. If it is wall color: a painting party is overdue. If it is furniture: I ask them to consider new upholstery; a new furniture arrangement; or substituting new pieces for those that offend. And for those too timid or dismayed to tackle their problems head-on and alone, I suggest hiring a professional interior designer. ( Joseph Pubillones is the owner of Joseph Pubillones Interiors, an award-winning interior design firm based in Palm Beach, Fla. © 2014 Creators.com) [Comment by Brandon Oriental Rugs: Good quality is evident in the words we use when we appreciate its presence: beauty, harmony, integrity, excellence. These are appealing impressions it makes upon our minds and spirits. It can't be faked. Attempts to put a stamp of "quality" -- as in "good quality" -- upon things which possess or convey "bad quality" doesn't fool anyone who appreciates quality and the benefits it inherently brings.] Related articles Is your interior design depressing you? Why Our Brains Love Colorful Interiors A Little Spent on a Well Chosen Oriental Rug Can Save You a Lot on the Remaining Furnishings for Your Home How Can Interior Design Inspire Fashion Design? | L' Essenziale Home Designs Interior Design Pet Peeves Hand-Knotted Oriental Rugs Are Best Friends With Leather Furniture And Arts & Crafts (especially Stickley (tm)) Furnishings of Every Kind Homeowners Select Persian Kashan Rug from Bucks County Oriental Rug Store Brandon Oriental Rugs (www.BrandonRugs.com) for Family Room of Their Upper Montgomery County Farmhouse There Is Nothing New Under The Sun - Opposites Attract - The Truth Does Not Change - Quality IS Forever Manifesting Itself - REAL Is Now ShareThisFacebookTweetLinkedInPinterestEmail Posted by brandon rugs at 6:06 PM No comments: Links to this post Email This BlogThis! Share to Twitter Share to Facebook Share to Pinterest Labels: Brandon, Brandonrugs.com, Bucks County oriental rugs, colorful rugs, designing for mood, environment, interior design, personal expression, rug store Bucks County, rugs and design Saturday, September 13, 2014 Bucks County Rug Store Helps Bethlehem, PA Homeowners Select Rugs to Complete Newly Furnished Living Room and Dining Room Our customers purchased new living room and dining room furniture from Hendrixson's Fine Furnishings in Shimersville, PA. With most of both rooms finished, they asked Brandon Oriental Rugs to help them find two fine quality oriental rugs that would coordinate with each other, and serve as the last puzzle pieces to complete their decorating. Both rugs are finely detailed, hand-knotted, antique reproduction Persian Tabriz design oriental rugs made in India. The living room rug has a golden-maize color background with an antique gold border that subtly complements the fabrics and floor color in the room. The small scale motifs add color and interest while not defeating the supporting role the rug plays in the room to the customer's collection of fine original artworks. The dining room rug is an unusual "Hasht-guli" design with berry-red background and golden-maize border that complements the living room rug, the rich mahogany wood-tones of the dining room suite, and the fabrics used in the custom window treatments designed and installed by Hendrixson's. The wonderful result wrought by our customers expressing their good taste in an unswerving commitment to quality is proof that a modestly sized home can look and feel as elegant and luxurious as any palace. Related articles Lehigh Valley: Bucks County Oriental Rug Store, Brandon Oriental Rugs - www.BrandonRugs.com - Finds and Delivers Rugs for Lehigh Valley Home in Bethlehem, PA New Homeowners in Doylestown, PA (Bucks County) Find Handmade Oriental Rug That Complements Everything in the Entry Hall to Their Home with Help from Brandon Oriental Rugs (www.BrandonRugs.com) Brandon Oriental Rugs in Bucks County, PA helps Lehigh Valley Homeowner ( Bethlehem, PA ) Find a Fine Quality Oriental Rug to Complete Family Room Aesthetic pieces RUG SALE REALITY -- What Kind of Rug Sale Are You Looking For: "Biggest Discount" or "Best Quality at the Best Price"? Bucks County Oriental Rug Store - Brandon Oriental Rugs (BrandonRugs.com) - Helps You Understand the Difference Brandon Oriental Rugs Helps Newtown, PA Homeowner Prepare for Holiday Entertaining with new Hand-knotted Oriental Rugs for the Living Room and Dining Room Is That Really an Antique Rug? Antique Rugs Might Not Always Be As Old As You Think. ShareThisFacebookTweetLinkedInPinterestEmail Posted by brandon rugs at 2:47 PM No comments: Links to this post Email This BlogThis! Share to Twitter Share to Facebook Share to Pinterest Labels: Bethlehem, Brandon, choosing an area rug, Doylestown, interior design, Lehigh Valley home furnishings, oriental rugs bucks county Tuesday, September 9, 2014 Oriental Rugs: What More Can You Say? (BrandonRugs.com) Sometimes when there's a lot to be said, saying it quietly commands more attention. You almost want to invite the oriental rugs to speak up, but they are always content playing a supporting role. Related articles New Homeowners in Doylestown, PA (Bucks County) Find Handmade Oriental Rug That Complements Everything in the Entry Hall to Their Home with Help from Brandon Oriental Rugs (www.BrandonRugs.com) Bucks County Rug Store and Rug Search Service (Brandon Oriental Rugs - www.BrandonRugs.com) Helps Upper Bucks County Homeowner to Select Living Room Rugs for Old Farmhouse Renovation A Little Spent on a Well Chosen Oriental Rug Can Save You a Lot on the Remaining Furnishings for Your Home 5 Things That Take a Room from Good to Great RUG SALE REALITY -- What Kind of Rug Sale Are You Looking For: "Biggest Discount" or "Best Quality at the Best Price"? Bucks County Oriental Rug Store - Brandon Oriental Rugs (BrandonRugs.com) - Helps You Understand the Difference Rug Shopping in Princeton - Hopewell - Skillman New Jersey Region Made Easier with Help From Bucks County Oriental Rug Store Brandon Oriental Rugs - www.BrandonRugs.com - as Proven by Customer's Experience Video: All About Persian Rugs from Their Source ( with commentary from Bucks County Oriental Rug Store Brandon Oriental Rugs - www.BrandonRugs.com ) Advice For Maintaining Oriental Rugs ShareThisFacebookTweetLinkedInPinterestEmail Posted by brandon rugs at 4:07 PM No comments: Links to this post Email This BlogThis! Share to Twitter Share to Facebook Share to Pinterest Labels: Brandon, Bucks County oriental rugs, choose an oriental rug, Doylestown, Huntingdon Valley, layered rugs, New Hope, Newtown, oriental rug store Bucks County, Pinterest, rug sale, rug size, rugs and decor Rug Placement Helps Determine Room Function and Where Rooms Begin and End (BrandonRugs.com) If feel that your decorating is neither here nor there; the appropriate use of handmade oriental rugs will definitely help you to figure out where here is. http://www.pinterest.com/pin/133348838942090547/ Related articles New Homeowners in Doylestown, PA (Bucks County) Find Handmade Oriental Rug That Complements Everything in the Entry Hall to Their Home with Help from Brandon Oriental Rugs (www.BrandonRugs.com) Bucks County Rug Store and Rug Search Service (Brandon Oriental Rugs - www.BrandonRugs.com) Helps Upper Bucks County Homeowner to Select Living Room Rugs for Old Farmhouse Renovation Homeowners Select Persian Kashan Rug from Bucks County Oriental Rug Store Brandon Oriental Rugs (www.BrandonRugs.com) for Family Room of Their Upper Montgomery County Farmhouse Oriental Rugs and Rugged Individualism: The World at Your Feet Is An Expression of You Rug Shopping in Princeton - Hopewell - Skillman New Jersey Region Made Easier with Help From Bucks County Oriental Rug Store Brandon Oriental Rugs - www.BrandonRugs.com - as Proven by Customer's Experience One-of-a-Kind Oriental Rugs Are Something Special for Those Blazing a Trail of Exquisite Taste That Can Be Admired But Not Duplicated ShareThisFacebookTweetLinkedInPinterestEmail Posted by brandon rugs at 3:22 PM No comments: Links to this post Email This BlogThis! Share to Twitter Share to Facebook Share to Pinterest Labels: Brandon, Bucks County oriental rugs, choose an oriental rug, Doylestown, Huntingdon Valley, layered rugs, New Hope, Newtown, oriental rug store Bucks County, Pinterest, rug sale, rug size, rugs and decor Saturday, September 6, 2014 Why You Should Hire a Professional Interior Designer by Cindy Beyer — August 27, 2014 at 1:00 pm ( http://www.restonnow.com/2014/08/27/why-you-should-hire-a-professional-interior-designer) The interior of your home says a lot about you. Your home is your castle. Many of my clients have said they couldn’t imagine the results after their project was completed. They say it was the WOW factor. I say, that is why you hired a professional designer. There are many situations that warrant the hiring a professional interior designer. This includes something as simple as choosing paint and window covering to full scale renovation work such as a new kitchen, bath or lower level. In addition to achieving that WOW factor, a professional interior designer will save their clients’ money in many ways, most importantly the avoidance of costly mistakes. Not only will a professional designer understand the context of the project, they will have access to many resources and their trained eye can make a world of difference in the final result. And those final results also will improve the value of your home. Professional interior designers are able to work closely with architects and contractors and are comfortable with drawing floor plans, as well as understanding the implications of how interiors will be used as it relates to structural and available floor space. Beyond floor plans, program management, installation and understanding how structural design will be used in a practical setting, a professional interior designer will also be knowledgeable in color and fabric design, space planning, window coverings, furniture design, architecture and much more. So when you see the initials ASID and NCIDQ next to an interior designer’s name, know they have been through significant amount of formal certification. When hiring a professional interior designer, it is important to have an understanding of the scope of the work to be done. Before my initial meeting with a new client, I ask them to spend some time making a list of their needs as well as any pictures they saved of items or rooms they like. Upon our first meeting, I take photos and measurements. Together,we then develop a detailed itemized list covering all areas of concern. The next step is to draw up and present a floor plan. Depending on the type of project this could include floor plans and furniture placement as well as construction and lighting if needed. Once the plan is approved appropriate furnishings and finishes are selected. This can be fun - and exhausting as well. I often present my clients with many samples from which to choose. After the furniture choices, I develop a comprehensive budget itemizing all purchases. I also may call on several of the contractors I work with such as electricians, plumbers, cabinet wholesalers and cabinet makers, painters, as well as drapery workrooms and installers. It has taken many years to compile trusted associates, which is an important part of being a good designer. Lead times for good furniture and furnishings can take from 6-12 weeks depending on availability. This extra time gives sufficient time to finish the required preparatory work, and allows clients time to dispose of old furniture. Related articles Interior Design Pet Peeves A Little Spent on a Well Chosen Oriental Rug Can Save You a Lot on the Remaining Furnishings for Your Home Analysis of Initial Reaction to the New Furniture Exhibition 1901 - an 'exceedingly vulgar show' - (Curated by The Victoria and Albert Museum) with Lessons for Today (extending to the use of handmade area rugs) Regarding Evolution of Tastes and Styles Hand-Knotted Oriental Rugs Are Best Friends With Leather Furniture And Arts & Crafts (especially Stickley (tm)) Furnishings of Every Kind How Can Interior Design Inspire Fashion Design? | L' Essenziale Home Designs Brandon Oriental Rugs Helps Homeowner in Doylestown, PA (Bucks County) Find Rug to Complete Newly Furnished Study Fine Quality Area Rugs - Naturally Including Oriental Rugs - Are A Step In the Right Direction As Designers and Homeowners Plan Improvements: What's Under Foot for 2014? | ASID Icon Bucks County Interior Designer Able to Find Oriental Rug for Her Project Through Brandon Oriental Rugs (www.BrandonRugs.com) ShareThisFacebookTweetLinkedInPinterestEmail Posted by brandon rugs at 11:28 PM No comments: Links to this post Email This BlogThis! Share to Twitter Share to Facebook Share to Pinterest Labels: Brandon, Bucks County oriental rugs, floorplan, home fashion, interior design, lifestyle, oriental rugs, rug store Bucks County Thursday, September 4, 2014 Homeowners Select Persian Kashan Rug from Bucks County Oriental Rug Store Brandon Oriental Rugs (www.BrandonRugs.com) for Family Room of Their Upper Montgomery County Farmhouse - See more at: http://brandonrugs.blogspot.com/#sthash.QMFruxxC.dpuf (Pamela Ward/ Brandon Oriental Rugs)