Judd Jason Assoc. 'Living Works of Art'. Gravel-lok is an epoxy type mixture that you blend with round aggregate that has been cleaned and dried. We chose a 3/8" riverstone and troweled that around the flagstone on top of a prepared base. When it dries the gravel remains pervious and holds together very nicely.

This ski-in, ski-out condo features a strong Arts and Crafts influence. The interiors feature reclaimed oak floors, mortise-and-tenon carpentry, stone, and custom period details.

Ambassador
Bathroom - traditional bathroom idea in Austin

Fixtures designed and photographed by Attraction Lights, Lyle Braund
Design ideas for a craftsman landscaping in Minneapolis.

CAMBRIA QUARTZ - Charston
Transitional home design photo in Sacramento

Wall: Treasures Bronze Empera

After. We kept the modern finishes in the Powder Room with this “Infinity” oblong mirror from CB2 and these “Deep Ball” vanity lights from MODCREATIONSStudio on Etsy.

Photo of a small modern courtyard landscaping in Orange County.

This Limestone tiled floor installed in a kitchen and family room at a property in Wellingborough is a great example of how this material can lose its appearance without a regular maintenance plan in place. The customer called me as not only was she concerned that the floor had lost its lustre the grey grout had become very stained and almost black in heavy traffic areas, in fact my customer had originally asked about re-grouting but I was confident it could be cleaned. I provided a quote which they were happy to accept. The area was a nice wide 6 metre by 5 metre space and except for a few items of furniture that would need moving around there were relatively few obstacles. I reasoned the most efficient way to restore the polished appearance of the Limestone would be to use a set of diamond encrusted Burnishing Pads. These are fitted to a rotary machine and applied to the stone in sequence from coarse to smooth. It’s an effective process that cuts back the layer of dirt on the floor and then we build back up the polish. We started burnishing the Limestone with a coarse 400-grit pad fitted to a rotary machine and applied with a little water for lubrication. The coarse pad is very good at removing dirt and old sealers from stone and once completed the resultant surface water and loose dirt is removed using a wet vacuum. At this point I turned my attention to the badly stained grout lines, and applied a strong solution of Tile Doctor Pro-Clean which was scrubbed in along the grout lines using a stiff grout brush, this is necessary as the recessed nature of the grout makes it difficult for the rotary pads to reach it. I then repeated the burnishing process with the medium 800-grit pad and fine 1500-grit pad, the 800-grit pad removes any small surface scratches and the 1500-grit further refines the look of the Limestone slowly restoring its polished appearance. After the whole floor had been burnished in this way it was given a further rinse with water and the soil extracted as before. I then inspected the floor to see if more work would be needed. I was not fully happy with how some of the grout lines had responded, some were still slightly stained, and some marks were visible in the high traffic areas. I had already discussed on my initial visit with the client that this might be the case and it was agreed between us that should this be the case I would apply a Tile Doctor Grout Colourant in Light Grey to recolour all the grout lines and achieve a uniform finish. The stone and grout was still damp from cleaning and polishing, so I decided to leave the grout colouring until the following day. On day two I started by grout recolouring all the grout lines, it’s a straight forward process but can be a little tedious where there is a lot of grout to cover. Once complete I allowed the grout colour to dry for a couple of hours before moving onto the next step. The last pad to be applied in the stone burnishing process is the very fine 3000-grit polishing pad which is applied dry to the tiles using a small amount of water sprayed onto the floor and leaves the stone dry and with a polished silk finish. The floor was then sealed using two coats of Tile Doctor Ultra Seal Sealant allowing the first coat to dry before applying the second. Ultra-Seal is an impregnating sealer that works by occupying the pores in the stone thereby preventing dirt from becoming ingrained there. It’s also a natural look sealer that doesn’t affect the appearance of the stone. My customer was very happy with the transformation of her floor and provided the feedback copies below. In-fact she was so impressed with the results that she also used our services to restore the grout and silicon in one of her bathrooms. “Phil was on time & easy to deal with and did an amazing job on my kitchen and bathroom floors and the carpets & sofa. No fuss, just a great job. Liz O.” Phil Vissian Northamptonshire Tile Doctor

Beautiful layers of indigo purple geometric structures blend together. This modern geometric abstract art print has many shapes and forms for you to escape into. A diverse assortment of vivid deep indigo, purple and violets mix together with black. Bring this abstract artwork on your wall and give your space a refreshing ultra contemporary feel. Premium metallic print with a sharp, vibrant and exceptionally rich color. It provides the depth and pop of color you are looking for. Limited to 10 editions in this style. This artwork may be found on other online galleries, but not of this quality print. • Premium metallic print • Includes print only (no frame) • limited to 10 editions • Colorful, vibrant shades of blue Art is a premium metallic print, face mounted under a sleek and modern ⅛” acrylic glass. Art arrives ready to hang with a sturdy aluminum cleat hanging system and floats ¾” off the wall for a contemporary look. The acrylic glass provides UV protection. Sunlight will not damage the art. The inks used are rated to last 100 years. All art includes hanging material with instructions for your wall.

DC Fine Homes & Interiors
Inspiration for a mid-sized contemporary built-in desk light wood floor home design remodel in Portland with white walls

Pale Blue and White Christmas Tree - Christmas Decorations - San Diego Furniture Store | Le Dimora

**I. Spatial Composition & Architectural Volume** This vignette operates as a masterclass in the choreography of compressed urban space, deploying a classic enfilade strategy to extract depth from a modest footprint. The composition is organized around a cased opening — flanked by heavy, mitered pilaster-style jambs and a substantial crown-capped header — that frames the kitchen beyond like a proscenium, establishing a telescoping sightline from the foreground banquette nook through to the range wall and its marble backsplash. The immediate volume is a canted, faceted room; the angled corner walls and the polygonal ceiling perimeter generate a subtle rotational geometry that is echoed, with deliberate rhyme, in the octagonal tabletop and its faceted plinth base. Architectural discipline is supplied by comprehensive millwork: recessed applied-molding wall panels calibrated to the wall heights, a built-in bibliothèque with adjustable shelving and integrated media niche on the left, and a bench base detailed as cabinetry with a plinth and reveal, so the seating reads as architecture rather than furniture. The crowning gesture is a stone-clad soffit and cove above the multi-part cornice, which visually lifts the ceiling plane and dissolves the corner conditions of the canted plan into a continuous, luminous band. **II. Materiality, Color & Texture** The palette is a study in low-chroma tonal layering, structured on a base of dove-grey lacquered joinery whose cool, faintly greige undertone reads as both patrician and contemporary. Against this, book-matched white marble with grey and taupe veining appears in three registers — the ceiling cove, the kitchen backsplash, and the honed tabletop — creating a vertical and horizontal continuity of stone that binds the two rooms into one material narrative. Underfoot, wide-plank white oak laid in a herringbone pattern is finished in a wire-brushed, cerused grey-brown, its open grain supplying essential tactility and directional energy that counteracts the smoothness of the cabinetry. The tonal reserve is punctured by a single decisive chromatic move: the oxblood-to-cognac aniline leather banquette, its capitonné-adjacent piping and channeled seat cushion delivering saturated warmth and a supple, patinating counterpoint to the cool minerals. Metals are deliberately stratified — brushed stainless on the appliance suite, polished nickel on the cabinet hardware and pendant collars, and a high-mirror chromed column and base on the table that pulls reflected fragments of the room into itself. Textile relief arrives through a heather-grey wool bolster and the woven, honeycomb-textured sconce shades, while the sunflowers and pantry provisions behind glazed muntin doors introduce a curated, humanizing note of the quotidian. **III. Lighting, Atmosphere & Style Profile** The lighting scheme is layered and hierarchical. Ambient illumination is borrowed rather than direct: the kitchen functions as a light well, its own concealed under-cabinet lighting and cove-washed ceiling projecting a cool, diffuse glow forward through the cased opening, so the brighter volume beyond reads as both destination and light source. In the foreground, symmetrically paired wall sconces with textured drum shades cast a warm, amber-filtered ellipse of light onto the paneling — providing intimate, low-level modeling that emphasizes the millwork's shadow lines and flatters the leather's depth. The kitchen's aligned trio of spun-metal dome pendants, with polished collars and diffused lenses, reinforce the axial perspective and supply task-appropriate downlight, while the marble cove above serves as an indirect reflector, softening any residual harshness. The cumulative atmosphere is hushed, refined, and slightly cinematic — a quiet formality more contemplative than performative. Stylistically, the project synthesizes into a form of Transitional Classicism, or more precisely a tailored American Neoclassicism recalibrated for contemporary living: the vocabulary of paneled millwork, crown profiles, and cased openings is retained, but stripped of ornament, flattened in profile, and rendered in a monochrome envelope, then energized by faceted geometries, mirror-finish metal, and a single confident stroke of leather. It is restraint deployed as luxury.

This kitchen was part of the construction of an entire new house. The clients were looking for a classic, simple design on a budget. We used simple detailing and careful planning to create this space. The moldings and panels are simple, with straight edges. The kitchen opens up to the great room to create one big open space. The ceiling is vaulted to create a feeling of grandeur. Photo by: Daniel Contelmo Jr.

Large trendy master gray tile, white tile and marble tile marble floor and white floor doorless shower photo with gray walls

The owner of this period cottage in the old market town of Tadcaster near Leeds, had what was once a beautiful Yorkshire stone floor in the kitchen. It has been a long time since it had been given a proper clean so over the years and with the Kitchen being a high traffic area the whole floor including the grout had darkened and he now wanted it refurbished in time for Christmas. I visited the property to assess what needed to be done and could see straight away that any protective sealer that was once on the floor had long since worn off. In fact, it was so consistently dirty with years of built-up grease and dirt I had to wonder if one had ever been applied. I explained what the floor needed was a really deep intensive clean and then a sealer applied to make it easy to keep clean. The problem with most tile and stone is its porosity and if left unprotected dirt easily becomes lodged into its pores making cleaning a struggle. To prove the difference that can be achieved and to allow me to work out a process on which I could base an accurate quote I ran a test clean on part of the kitchen floor. The test clean went very well, the difference was remarkable, and the cleaned section really stood out. Pleased with the potential of a clean floor they accepted my quote, and we pencilled a date in the diary. I returned on the appointed date and began by removing the kickboards from under the kitchen units to protect them from splashing. Next, I set about spaying the floor with a strong dilution of Tile Doctor Pro-Clean, this is a purpose made tile and grout cleaner that eats into the grease and dirt so it can be removed. This product works best if you leave it for ten minutes before scrubbing in using a heavy-duty machine fitted with a heavy-duty brush. The soil released from the floor was then extracted using a wet vacuum. The Pro-Clean did a good job on the grout however it was clear something stronger was required to really get the stone clean, so I stepped up a gear and applied Tile Doctor Remove and Go using the same process as before. This is a really good product for removing deeply ingrained grease and dirt. The final step of the cleaning process was to give the stone and acid wash using Tile Doctor Grout Clean-Up to remove old grout haze and other mineral deposits; additionally, being an acidic product, it counters the alkaline cleaning products used earlier neutralising the pH level of the floor and leaving it ready for sealing. Before sealing I like to discuss the different products available and the finishes they can provide. In this case my clients’ main concerns were that they wanted the stone to look natural and easy to maintain going forward. With this in mind, Tile Doctor Seal & Go Extra was chosen, it’s a modern acrylic-based sealer that brings out the natural colours in the stone and gives a very slight smooth finish. The protection it provides will prevent dirt becoming ingrained int the pores of the stone and ensure the floor is easier to maintain. Several coats were applied, until we achieved the required finish. The deep cleaning process and fresh sealer transformed the stone floor bringing out its original beauty and my customer couldn’t believe the difference in the floor and was highly delighted. For aftercare I gave the client a bottle of Tile Doctor Neutral Cleaner, this product is pH neutral so it will clean the floor but won’t damage the sealer. Often people use household cleaners for cleaning tiled floors, but due to the strong chemicals they contain, they can do more harm than good by slowly stripping away the protective sealer and taking the floor back to square one. Tile Doctor Neutral Tile Cleaner is reasonably priced, and the concentrated formula means a small amount goes a long way so it’s well worth using. This was a pleasurable job for me as it was good to see the floor transform from dull and lifeless to clean and showing the natural colour and beauty of the York stone, and always lovely to have another satisfied client. Simon Testa North East Yorkshire Tile Doctor

Example of a transitional laundry room design in Orange County

Home design - industrial home design idea in Boston