Search results for "Float painters" in Home Design Ideas

Yup, your eyes do not deceive you. This is a real fishing boat cut in half and mounted on the ceiling. The hand painted mural/ artwork conveys a peaceful afternoon in the ocean from the perspective of a fish. The client has spent many a fine day fishing with his family, and wanted to celebrate his hobby in a big way. The ceiling includes my client catching a big marlin, with the end of a pole and actual line going to the Marlin mounted on the wall. His wife Peggy is enjoying the breeze and his daughter is dangling her feet in the water. His son has a snorkel mask on, peering down into the great room.

When I began this kitchen project, the space was constrained by an awkward peninsula and a dropped ceiling that compressed the room both physically and visually. Fluorescent fixtures sat behind a plastic diffuser, and the refrigerator was wedged beside the range, leaving the kitchen feeling crowded while also making poor use of the available space. The transformation began by taking things away. The dropped ceiling was removed, the fluorescent tubes went with it, and the room suddenly gained height and light. The peninsula was removed too, opening the floor plan and allowing the cabinetry to continue down an adjacent wall and incorporate a second window. What had been a small, enclosed kitchen became a generous working space with room for a slim, functional L-shaped island, additional cabinetry and, perhaps most importantly, a much more natural relationship between the different parts of the kitchen.
The palette is quiet, but there is a lot happening within it. Soft sage cabinetry grounds the room, while warm white upper cabinets and pantry cabinetry lift the space. A pure white quartz countertop provides a crisp surface against the cabinetry, and soft brass hardware adds just enough warmth. The new Sub Zero refrigerator was given its own wall, beside a full pantry, freeing the range wall to become a strong focal point. A Monogram range now sits centered beneath an angular stainless-steel Zephyr hood, framed by the kitchen's most distinctive element: a graphite backsplash made from WOW Design's Pottery tile. Inspired by Japanese handmade ceramics, the tiles have a wonderfully tactile, imperfect character. Most are deep graphite, but here and there the surface breaks into strokes of camel, dusty peach and deep blue-gunmetal glaze. There is an almost painterly quality to the way those colors move across the wall, giving the kitchen something that is difficult to achieve with a more uniform material—the feeling that someone actually made it.
The rest of the room was designed around that same balance of simplicity and warmth. New pale oak flooring runs throughout the ground floor, bringing a natural material and a soft golden tone beneath the cooler sage and graphite. Floating oak shelves flank the windows and provide a home for plants, ceramics and a few favorite objects, while another pair of shelves beside the refrigerator creates a small landing place for the things that inevitably arrive with you at the end of the day—keys, mail, bags and whatever else happens to be in your hands. The island occupies a surprisingly small footprint, yet its L-shaped form provides both additional work surface and seating without interrupting the flow of the room. A deep sink with an integrated cutting board and roll-up drying rack, a commercial-style faucet and under-cabinet LED lighting bring the practical details up to the same level of thoughtfulness as the larger design decisions. In the end, the renovation did more than just enlarge the kitchen; it created a space that feels calm, contemporary, warm, and a little unexpected … and, most importantly, we created a kitchen that finally makes sense for the way my clients live.
AFTER photos: Bernardo Grijalva
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When I began this kitchen project, the space was constrained by an awkward peninsula and a dropped ceiling that compressed the room both physically and visually. Fluorescent fixtures sat behind a plastic diffuser, and the refrigerator was wedged beside the range, leaving the kitchen feeling crowded while also making poor use of the available space. The transformation began by taking things away. The dropped ceiling was removed, the fluorescent tubes went with it, and the room suddenly gained height and light. The peninsula was removed too, opening the floor plan and allowing the cabinetry to continue down an adjacent wall and incorporate a second window. What had been a small, enclosed kitchen became a generous working space with room for a slim, functional L-shaped island, additional cabinetry and, perhaps most importantly, a much more natural relationship between the different parts of the kitchen.
The palette is quiet, but there is a lot happening within it. Soft sage cabinetry grounds the room, while warm white upper cabinets and pantry cabinetry lift the space. A pure white quartz countertop provides a crisp surface against the cabinetry, and soft brass hardware adds just enough warmth. The new Sub Zero refrigerator was given its own wall, beside a full pantry, freeing the range wall to become a strong focal point. A Monogram range now sits centered beneath an angular stainless-steel Zephyr hood, framed by the kitchen's most distinctive element: a graphite backsplash made from WOW Design's Pottery tile. Inspired by Japanese handmade ceramics, the tiles have a wonderfully tactile, imperfect character. Most are deep graphite, but here and there the surface breaks into strokes of camel, dusty peach and deep blue-gunmetal glaze. There is an almost painterly quality to the way those colors move across the wall, giving the kitchen something that is difficult to achieve with a more uniform material—the feeling that someone actually made it.
The rest of the room was designed around that same balance of simplicity and warmth. New pale oak flooring runs throughout the ground floor, bringing a natural material and a soft golden tone beneath the cooler sage and graphite. Floating oak shelves flank the windows and provide a home for plants, ceramics and a few favorite objects, while another pair of shelves beside the refrigerator creates a small landing place for the things that inevitably arrive with you at the end of the day—keys, mail, bags and whatever else happens to be in your hands. The island occupies a surprisingly small footprint, yet its L-shaped form provides both additional work surface and seating without interrupting the flow of the room. A deep sink with an integrated cutting board and roll-up drying rack, a commercial-style faucet and under-cabinet LED lighting bring the practical details up to the same level of thoughtfulness as the larger design decisions. In the end, the renovation did more than just enlarge the kitchen; it created a space that feels calm, contemporary, warm, and a little unexpected … and, most importantly, we created a kitchen that finally makes sense for the way my clients live.
AFTER photos: Bernardo Grijalva

When I began this kitchen project, the space was constrained by an awkward peninsula and a dropped ceiling that compressed the room both physically and visually. Fluorescent fixtures sat behind a plastic diffuser, and the refrigerator was wedged beside the range, leaving the kitchen feeling crowded while also making poor use of the available space. The transformation began by taking things away. The dropped ceiling was removed, the fluorescent tubes went with it, and the room suddenly gained height and light. The peninsula was removed too, opening the floor plan and allowing the cabinetry to continue down an adjacent wall and incorporate a second window. What had been a small, enclosed kitchen became a generous working space with room for a slim, functional L-shaped island, additional cabinetry and, perhaps most importantly, a much more natural relationship between the different parts of the kitchen.
The palette is quiet, but there is a lot happening within it. Soft sage cabinetry grounds the room, while warm white upper cabinets and pantry cabinetry lift the space. A pure white quartz countertop provides a crisp surface against the cabinetry, and soft brass hardware adds just enough warmth. The new Sub Zero refrigerator was given its own wall, beside a full pantry, freeing the range wall to become a strong focal point. A Monogram range now sits centered beneath an angular stainless-steel Zephyr hood, framed by the kitchen's most distinctive element: a graphite backsplash made from WOW Design's Pottery tile. Inspired by Japanese handmade ceramics, the tiles have a wonderfully tactile, imperfect character. Most are deep graphite, but here and there the surface breaks into strokes of camel, dusty peach and deep blue-gunmetal glaze. There is an almost painterly quality to the way those colors move across the wall, giving the kitchen something that is difficult to achieve with a more uniform material—the feeling that someone actually made it.
The rest of the room was designed around that same balance of simplicity and warmth. New pale oak flooring runs throughout the ground floor, bringing a natural material and a soft golden tone beneath the cooler sage and graphite. Floating oak shelves flank the windows and provide a home for plants, ceramics and a few favorite objects, while another pair of shelves beside the refrigerator creates a small landing place for the things that inevitably arrive with you at the end of the day—keys, mail, bags and whatever else happens to be in your hands. The island occupies a surprisingly small footprint, yet its L-shaped form provides both additional work surface and seating without interrupting the flow of the room. A deep sink with an integrated cutting board and roll-up drying rack, a commercial-style faucet and under-cabinet LED lighting bring the practical details up to the same level of thoughtfulness as the larger design decisions. In the end, the renovation did more than just enlarge the kitchen; it created a space that feels calm, contemporary, warm, and a little unexpected … and, most importantly, we created a kitchen that finally makes sense for the way my clients live.
AFTER photos: Bernardo Grijalva

Glacier Falls by Jon Allen - a stunning, handmade abstract metal wall painting that spans five panels in silver with blue and turquoise jewel tones. It measures 64" x 24" x 2" (162.56 cm x 60.96 cm x 5.08 cm) including suggested 1" spacing between the panels.
'Glacier Falls' is a unique, brightly colored metal painting is the perfect abstract metal accent to add excitement and intrigue to your decor. It's a handmade piece of original artwork that features beautiful blue tones and is a three-dimensional wall sculpture that will be that modern touch every home needs. My hand textured intricacies and carvings into the metal capture and reflect surrounding light sources creating enhanced interaction with dramatic illusions of depth and 3D movement as viewed from different angles. Hang it in your living room, bedroom, kitchen, bathroom, office, or outdoors under covered areas like your patio or pool area. This abstract metal art will delight your guests!

When I began this kitchen project, the space was constrained by an awkward peninsula and a dropped ceiling that compressed the room both physically and visually. Fluorescent fixtures sat behind a plastic diffuser, and the refrigerator was wedged beside the range, leaving the kitchen feeling crowded while also making poor use of the available space. The transformation began by taking things away. The dropped ceiling was removed, the fluorescent tubes went with it, and the room suddenly gained height and light. The peninsula was removed too, opening the floor plan and allowing the cabinetry to continue down an adjacent wall and incorporate a second window. What had been a small, enclosed kitchen became a generous working space with room for a slim, functional L-shaped island, additional cabinetry and, perhaps most importantly, a much more natural relationship between the different parts of the kitchen.
The palette is quiet, but there is a lot happening within it. Soft sage cabinetry grounds the room, while warm white upper cabinets and pantry cabinetry lift the space. A pure white quartz countertop provides a crisp surface against the cabinetry, and soft brass hardware adds just enough warmth. The new Sub Zero refrigerator was given its own wall, beside a full pantry, freeing the range wall to become a strong focal point. A Monogram range now sits centered beneath an angular stainless-steel Zephyr hood, framed by the kitchen's most distinctive element: a graphite backsplash made from WOW Design's Pottery tile. Inspired by Japanese handmade ceramics, the tiles have a wonderfully tactile, imperfect character. Most are deep graphite, but here and there the surface breaks into strokes of camel, dusty peach and deep blue-gunmetal glaze. There is an almost painterly quality to the way those colors move across the wall, giving the kitchen something that is difficult to achieve with a more uniform material—the feeling that someone actually made it.
The rest of the room was designed around that same balance of simplicity and warmth. New pale oak flooring runs throughout the ground floor, bringing a natural material and a soft golden tone beneath the cooler sage and graphite. Floating oak shelves flank the windows and provide a home for plants, ceramics and a few favorite objects, while another pair of shelves beside the refrigerator creates a small landing place for the things that inevitably arrive with you at the end of the day—keys, mail, bags and whatever else happens to be in your hands. The island occupies a surprisingly small footprint, yet its L-shaped form provides both additional work surface and seating without interrupting the flow of the room. A deep sink with an integrated cutting board and roll-up drying rack, a commercial-style faucet and under-cabinet LED lighting bring the practical details up to the same level of thoughtfulness as the larger design decisions. In the end, the renovation did more than just enlarge the kitchen; it created a space that feels calm, contemporary, warm, and a little unexpected … and, most importantly, we created a kitchen that finally makes sense for the way my clients live.
AFTER photos: Bernardo Grijalva

When I began this kitchen project, the space was constrained by an awkward peninsula and a dropped ceiling that compressed the room both physically and visually. Fluorescent fixtures sat behind a plastic diffuser, and the refrigerator was wedged beside the range, leaving the kitchen feeling crowded while also making poor use of the available space. The transformation began by taking things away. The dropped ceiling was removed, the fluorescent tubes went with it, and the room suddenly gained height and light. The peninsula was removed too, opening the floor plan and allowing the cabinetry to continue down an adjacent wall and incorporate a second window. What had been a small, enclosed kitchen became a generous working space with room for a slim, functional L-shaped island, additional cabinetry and, perhaps most importantly, a much more natural relationship between the different parts of the kitchen.
The palette is quiet, but there is a lot happening within it. Soft sage cabinetry grounds the room, while warm white upper cabinets and pantry cabinetry lift the space. A pure white quartz countertop provides a crisp surface against the cabinetry, and soft brass hardware adds just enough warmth. The new Sub Zero refrigerator was given its own wall, beside a full pantry, freeing the range wall to become a strong focal point. A Monogram range now sits centered beneath an angular stainless-steel Zephyr hood, framed by the kitchen's most distinctive element: a graphite backsplash made from WOW Design's Pottery tile. Inspired by Japanese handmade ceramics, the tiles have a wonderfully tactile, imperfect character. Most are deep graphite, but here and there the surface breaks into strokes of camel, dusty peach and deep blue-gunmetal glaze. There is an almost painterly quality to the way those colors move across the wall, giving the kitchen something that is difficult to achieve with a more uniform material—the feeling that someone actually made it.
The rest of the room was designed around that same balance of simplicity and warmth. New pale oak flooring runs throughout the ground floor, bringing a natural material and a soft golden tone beneath the cooler sage and graphite. Floating oak shelves flank the windows and provide a home for plants, ceramics and a few favorite objects, while another pair of shelves beside the refrigerator creates a small landing place for the things that inevitably arrive with you at the end of the day—keys, mail, bags and whatever else happens to be in your hands. The island occupies a surprisingly small footprint, yet its L-shaped form provides both additional work surface and seating without interrupting the flow of the room. A deep sink with an integrated cutting board and roll-up drying rack, a commercial-style faucet and under-cabinet LED lighting bring the practical details up to the same level of thoughtfulness as the larger design decisions. In the end, the renovation did more than just enlarge the kitchen; it created a space that feels calm, contemporary, warm, and a little unexpected … and, most importantly, we created a kitchen that finally makes sense for the way my clients live.
AFTER photos: Bernardo Grijalva

When I began this kitchen project, the space was constrained by an awkward peninsula and a dropped ceiling that compressed the room both physically and visually. Fluorescent fixtures sat behind a plastic diffuser, and the refrigerator was wedged beside the range, leaving the kitchen feeling crowded while also making poor use of the available space. The transformation began by taking things away. The dropped ceiling was removed, the fluorescent tubes went with it, and the room suddenly gained height and light. The peninsula was removed too, opening the floor plan and allowing the cabinetry to continue down an adjacent wall and incorporate a second window. What had been a small, enclosed kitchen became a generous working space with room for a slim, functional L-shaped island, additional cabinetry and, perhaps most importantly, a much more natural relationship between the different parts of the kitchen.
The palette is quiet, but there is a lot happening within it. Soft sage cabinetry grounds the room, while warm white upper cabinets and pantry cabinetry lift the space. A pure white quartz countertop provides a crisp surface against the cabinetry, and soft brass hardware adds just enough warmth. The new Sub Zero refrigerator was given its own wall, beside a full pantry, freeing the range wall to become a strong focal point. A Monogram range now sits centered beneath an angular stainless-steel Zephyr hood, framed by the kitchen's most distinctive element: a graphite backsplash made from WOW Design's Pottery tile. Inspired by Japanese handmade ceramics, the tiles have a wonderfully tactile, imperfect character. Most are deep graphite, but here and there the surface breaks into strokes of camel, dusty peach and deep blue-gunmetal glaze. There is an almost painterly quality to the way those colors move across the wall, giving the kitchen something that is difficult to achieve with a more uniform material—the feeling that someone actually made it.
The rest of the room was designed around that same balance of simplicity and warmth. New pale oak flooring runs throughout the ground floor, bringing a natural material and a soft golden tone beneath the cooler sage and graphite. Floating oak shelves flank the windows and provide a home for plants, ceramics and a few favorite objects, while another pair of shelves beside the refrigerator creates a small landing place for the things that inevitably arrive with you at the end of the day—keys, mail, bags and whatever else happens to be in your hands. The island occupies a surprisingly small footprint, yet its L-shaped form provides both additional work surface and seating without interrupting the flow of the room. A deep sink with an integrated cutting board and roll-up drying rack, a commercial-style faucet and under-cabinet LED lighting bring the practical details up to the same level of thoughtfulness as the larger design decisions. In the end, the renovation did more than just enlarge the kitchen; it created a space that feels calm, contemporary, warm, and a little unexpected … and, most importantly, we created a kitchen that finally makes sense for the way my clients live.
AFTER photos: Bernardo Grijalva

When I began this kitchen project, the space was constrained by an awkward peninsula and a dropped ceiling that compressed the room both physically and visually. Fluorescent fixtures sat behind a plastic diffuser, and the refrigerator was wedged beside the range, leaving the kitchen feeling crowded while also making poor use of the available space. The transformation began by taking things away. The dropped ceiling was removed, the fluorescent tubes went with it, and the room suddenly gained height and light. The peninsula was removed too, opening the floor plan and allowing the cabinetry to continue down an adjacent wall and incorporate a second window. What had been a small, enclosed kitchen became a generous working space with room for a slim, functional L-shaped island, additional cabinetry and, perhaps most importantly, a much more natural relationship between the different parts of the kitchen.
The palette is quiet, but there is a lot happening within it. Soft sage cabinetry grounds the room, while warm white upper cabinets and pantry cabinetry lift the space. A pure white quartz countertop provides a crisp surface against the cabinetry, and soft brass hardware adds just enough warmth. The new Sub Zero refrigerator was given its own wall, beside a full pantry, freeing the range wall to become a strong focal point. A Monogram range now sits centered beneath an angular stainless-steel Zephyr hood, framed by the kitchen's most distinctive element: a graphite backsplash made from WOW Design's Pottery tile. Inspired by Japanese handmade ceramics, the tiles have a wonderfully tactile, imperfect character. Most are deep graphite, but here and there the surface breaks into strokes of camel, dusty peach and deep blue-gunmetal glaze. There is an almost painterly quality to the way those colors move across the wall, giving the kitchen something that is difficult to achieve with a more uniform material—the feeling that someone actually made it.
The rest of the room was designed around that same balance of simplicity and warmth. New pale oak flooring runs throughout the ground floor, bringing a natural material and a soft golden tone beneath the cooler sage and graphite. Floating oak shelves flank the windows and provide a home for plants, ceramics and a few favorite objects, while another pair of shelves beside the refrigerator creates a small landing place for the things that inevitably arrive with you at the end of the day—keys, mail, bags and whatever else happens to be in your hands. The island occupies a surprisingly small footprint, yet its L-shaped form provides both additional work surface and seating without interrupting the flow of the room. A deep sink with an integrated cutting board and roll-up drying rack, a commercial-style faucet and under-cabinet LED lighting bring the practical details up to the same level of thoughtfulness as the larger design decisions. In the end, the renovation did more than just enlarge the kitchen; it created a space that feels calm, contemporary, warm, and a little unexpected … and, most importantly, we created a kitchen that finally makes sense for the way my clients live.
AFTER photos: Bernardo Grijalva

When I began this kitchen project, the space was constrained by an awkward peninsula and a dropped ceiling that compressed the room both physically and visually. Fluorescent fixtures sat behind a plastic diffuser, and the refrigerator was wedged beside the range, leaving the kitchen feeling crowded while also making poor use of the available space. The transformation began by taking things away. The dropped ceiling was removed, the fluorescent tubes went with it, and the room suddenly gained height and light. The peninsula was removed too, opening the floor plan and allowing the cabinetry to continue down an adjacent wall and incorporate a second window. What had been a small, enclosed kitchen became a generous working space with room for a slim, functional L-shaped island, additional cabinetry and, perhaps most importantly, a much more natural relationship between the different parts of the kitchen.
The palette is quiet, but there is a lot happening within it. Soft sage cabinetry grounds the room, while warm white upper cabinets and pantry cabinetry lift the space. A pure white quartz countertop provides a crisp surface against the cabinetry, and soft brass hardware adds just enough warmth. The new Sub Zero refrigerator was given its own wall, beside a full pantry, freeing the range wall to become a strong focal point. A Monogram range now sits centered beneath an angular stainless-steel Zephyr hood, framed by the kitchen's most distinctive element: a graphite backsplash made from WOW Design's Pottery tile. Inspired by Japanese handmade ceramics, the tiles have a wonderfully tactile, imperfect character. Most are deep graphite, but here and there the surface breaks into strokes of camel, dusty peach and deep blue-gunmetal glaze. There is an almost painterly quality to the way those colors move across the wall, giving the kitchen something that is difficult to achieve with a more uniform material—the feeling that someone actually made it.
The rest of the room was designed around that same balance of simplicity and warmth. New pale oak flooring runs throughout the ground floor, bringing a natural material and a soft golden tone beneath the cooler sage and graphite. Floating oak shelves flank the windows and provide a home for plants, ceramics and a few favorite objects, while another pair of shelves beside the refrigerator creates a small landing place for the things that inevitably arrive with you at the end of the day—keys, mail, bags and whatever else happens to be in your hands. The island occupies a surprisingly small footprint, yet its L-shaped form provides both additional work surface and seating without interrupting the flow of the room. A deep sink with an integrated cutting board and roll-up drying rack, a commercial-style faucet and under-cabinet LED lighting bring the practical details up to the same level of thoughtfulness as the larger design decisions. In the end, the renovation did more than just enlarge the kitchen; it created a space that feels calm, contemporary, warm, and a little unexpected … and, most importantly, we created a kitchen that finally makes sense for the way my clients live.
AFTER photos: Bernardo Grijalva

id4u studio
Mid-sized trendy master medium tone wood floor bedroom photo with gray walls and no fireplace
Mid-sized trendy master medium tone wood floor bedroom photo with gray walls and no fireplace

Sponsored
Sunbury, OH
J.Holderby - Renovations
Franklin County's Leading General Contractors - 2X Best of Houzz!

This Fish in Water (JAC 211) has a lot of beautiful and bold colors woven together harmoniously. It will complement a variety of decors whether thy be ultra modern, contemporary, or traditional.
Medium: High grade aluminum
Edition: Original one of a kind gallery painting that is signed by the artist.
Dimensions: 24" wide x 43" long x 2" off the wall
Care & Cleaning: Clean gently with a soft cloth and plain soap & water
Other Features: Hardware is pre-installed for simple hanging and art will “float” 2” off the wall

Stunning Sicis Glass tile custom blend pool interior. When the light hits it right the tan tiles turn iridescent, absolutely gorgeous. Custom pool has Roman/Turkish Bath entry steps, Thermal ledge, Limestone coping and Copper Scupper water feature. Pool and surrounding landscape & LED lighting by Michael Given Environments, LLC

MGilardoni Photography
Bedroom - small contemporary guest carpeted bedroom idea in San Francisco with beige walls and no fireplace
Bedroom - small contemporary guest carpeted bedroom idea in San Francisco with beige walls and no fireplace

Sponsored
Plain City, OH
Kuhns Contracting, Inc.
Central Ohio's Trusted Home Remodeler Specializing in Kitchens & Baths

Modern Bathroom Design.
By using Carrera Polished White Porcelain Tiles on the floor you will get the most "wow" reaction from any guest.
You also can use another two selections which are Statuario White Polished and Astoria White Polished porcelain tiles.
Designer & Builder #Alireza Ghanbari
Provided by #Dizeh Design Build
Tile Supplier #VIVA TILES INC

Tile design and Installation: www.alpentile.com
www.michaelwoodall.com
Trendy pool photo in Phoenix
Trendy pool photo in Phoenix
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