As written in Northern Home & Cottage by Elizabeth Edwards In general, Bryan and Connie Rellinger loved the charm of the old cottage they purchased on a Crooked Lake peninsula, north of Petoskey. Specifically, however, the presence of a live-well in the kitchen (a huge cement basin with running water for keeping fish alive was right in the kitchen entryway, seriously), rickety staircase and green shag carpet, not so much. An extreme renovation was the only solution. The downside? The rebuild would have to fit into the smallish nonconforming footprint. The upside? That footprint was built when folks could place a building close enough to the water to feel like they could dive in from the house. Ahhh... Stephanie Baldwin of Edgewater Design helped the Rellingers come up with a timeless cottage design that breathes efficiency into every nook and cranny. It also expresses the synergy of Bryan, Connie and Stephanie, who emailed each other links to products they liked throughout the building process. That teamwork resulted in an interior that sports a young take on classic cottage. Highlights include a brass sink and light fixtures, coffered ceilings with wide beadboard planks, leathered granite kitchen counters and a way-cool floor made of American chestnut planks from an old barn. Thanks to an abundant use of windows that deliver a grand view of Crooked Lake, the home feels airy and much larger than it is. Bryan and Connie also love how well the layout functions for their family - especially when they are entertaining. The kids' bedrooms are off a large landing at the top of the stairs - roomy enough to double as an entertainment room. When the adults are enjoying cocktail hour or a dinner party downstairs, they can pull a sliding door across the kitchen/great room area to seal it off from the kids' ruckus upstairs (or vice versa!). From its gray-shingled dormers to its sweet white window boxes, this charmer on Crooked Lake is packed with ideas! - Jacqueline Southby Photography

This lovely home features an open concept space with the kitchen at its heart. Built in the late 1990's the prior kitchen was cherry, but dark, and the new family needed a fresh update. The back of the raised counter shown here is supported by custom corbels with room for four stools.The center section features and oval wood-topped table with banquette bench seating on two sides. Six can sit on the benches, chairs at the end add two more places... There is plenty of room for the family of five... even with the children's friends or team-mates dropping by; room for 12 if you are keeping count. The show-stopping coffered ceiling was custom designed and features a highlighted central area in a circular design. It's painted in the center section but the outside portions have beaded boards, recessed can lighting and dramatic crown molding. The prior cherry kitchen with Corian counters and appliances was re-invented as a entertainment/auxiliary kitchen in the lower level of the house. This great space was a collaboration between many talented folks including but not limited to the team at Delicious Kitchens & Interiors, LLC, L. Newman and Associates/Paul Mansback, Inc with Leslie Rifkin and Emily Shakra, along with contributions from the homeowners and Belisle Granite. John C. Hession Photographer

Our designer has achieved a stylish look by combining dark cabinets and light-colored marbles.

As written in Northern Home & Cottage by Elizabeth Edwards In general, Bryan and Connie Rellinger loved the charm of the old cottage they purchased on a Crooked Lake peninsula, north of Petoskey. Specifically, however, the presence of a live-well in the kitchen (a huge cement basin with running water for keeping fish alive was right in the kitchen entryway, seriously), rickety staircase and green shag carpet, not so much. An extreme renovation was the only solution. The downside? The rebuild would have to fit into the smallish nonconforming footprint. The upside? That footprint was built when folks could place a building close enough to the water to feel like they could dive in from the house. Ahhh... Stephanie Baldwin of Edgewater Design helped the Rellingers come up with a timeless cottage design that breathes efficiency into every nook and cranny. It also expresses the synergy of Bryan, Connie and Stephanie, who emailed each other links to products they liked throughout the building process. That teamwork resulted in an interior that sports a young take on classic cottage. Highlights include a brass sink and light fixtures, coffered ceilings with wide beadboard planks, leathered granite kitchen counters and a way-cool floor made of American chestnut planks from an old barn. Thanks to an abundant use of windows that deliver a grand view of Crooked Lake, the home feels airy and much larger than it is. Bryan and Connie also love how well the layout functions for their family - especially when they are entertaining. The kids' bedrooms are off a large landing at the top of the stairs - roomy enough to double as an entertainment room. When the adults are enjoying cocktail hour or a dinner party downstairs, they can pull a sliding door across the kitchen/great room area to seal it off from the kids' ruckus upstairs (or vice versa!). From its gray-shingled dormers to its sweet white window boxes, this charmer on Crooked Lake is packed with ideas! - Jacqueline Southby Photography

Liatris aspera in a backyard meadow

Covid During Construction and Making Face Masks Dear Houzz Folks, We've started getting back to work and are educating everyone at our projects on how to be safe during COVID, posting signage, and we've been making masks for our employees, colleagues, friends, family etc... Here's some information on what I've learned so far in sewing the best fitting face mask for COVID. 1. Put in a wire at the nose bridge (about 3.5 inches) - it helps with fit and if you wear glasses, it keeps them from fogging up. I found that doorbell wire, available at the hardware store, seems to work well. It isn't too thin or too fat, bends easily and holds its shape. I attach it by using a zigzag stitch on the interior seam of the outside of the mask (so there's a bit more cushion on the inside). 2. For the shaped masks, I make a pocket in case my friends, family, colleagues, want to insert a filter - it also allows for three layers of fabric in the breathing area and less bulk where the ties go. For patterns that don't offer pockets, I just make my own pattern pocket. I also first baste the two inside pieces first and then sew the front on. This way, there's no worries about slipping. No pins are needed and no pins minimizes the number of extra air holes in the fabric. 3. So that the ties/loops can be replaced or modified, I make a channel for rather than sewing it in permanently. Many videos show using a safety pin to pull the elastic through. If you sew much, you might have a bodkin in your sewing box, but it might be a bit too wide. Instead, I use a long hairpin (you could probably make a long loop with a paper clip). I run the hairpin through the channel, loop the elastic through the end of the pin and pull through. That takes much less time than piercing it with a safety-pin. 4. For the inside of the masks, it is nice to have softer fabric inside, so high-thread-count sheets purchased on sale work great. Then you can easily tell what is inside as well. 5. For surgical-style masks, there's a pattern with a pocket on the inside and a wire. I like the ideas in this video but use 2 fabrics and make them bigger. About a 9x9 inch for the outside and 9x8 inch for the inside. 5/8 seam on the nose and 1/4 seam on the bottom. 6. For the fitted masks, there are two patterns that I like. For this one, https://moinliz.de/mundschutz-naehen-mit-schnittmuster it expects you to print on European-sized paper, so if you want to get the size right, print at 100% I also really like this pattern and I added a pocket and lengthened the ends to make channels https://intermountainhealthcare.org/covid19-coronavirus/homemade-cloth-face-coverings/ (scroll down to a link to download the pdf) Lots of folks sew craftpassion, but I like the fit of these patterns better. There are still some other patterns I have left to try! 6. After breaking lots of needles, I realized that I really didn't need to topstich the fitted masks over the bridge, so I just started skipping the bridge. 7. If you're going to wear a face-covering for a really long time, you might want to skip the ear hangers and go for ties behind the head. Instead of two ties, I'll use one long one so that the bottom one is a loop and the top one ties. Bungee cord works nice. Happy Sewing! : ) Rhoda Fry, Bill Fry Construction

Covid During Construction and Making Face Masks Dear Houzz Folks, We've started getting back to work and are educating everyone at our projects on how to be safe during COVID, posting signage, and we've been making masks for our employees, colleagues, friends, family etc... Here's some information on what I've learned so far in sewing the best fitting face mask for COVID. 1. Put in a wire at the nose bridge (about 3.5 inches) - it helps with fit and if you wear glasses, it keeps them from fogging up. I found that doorbell wire, available at the hardware store, seems to work well. It isn't too thin or too fat, bends easily and holds its shape. I attach it by using a zigzag stitch on the interior seam of the outside of the mask (so there's a bit more cushion on the inside). 2. For the shaped masks, I make a pocket in case my friends, family, colleagues, want to insert a filter - it also allows for three layers of fabric in the breathing area and less bulk where the ties go. For patterns that don't offer pockets, I just make my own pattern pocket. I also first baste the two inside pieces first and then sew the front on. This way, there's no worries about slipping. No pins are needed and no pins minimizes the number of extra air holes in the fabric. 3. So that the ties/loops can be replaced or modified, I make a channel for rather than sewing it in permanently. Many videos show using a safety pin to pull the elastic through. If you sew much, you might have a bodkin in your sewing box, but it might be a bit too wide. Instead, I use a long hairpin (you could probably make a long loop with a paper clip). I run the hairpin through the channel, loop the elastic through the end of the pin and pull through. That takes much less time than piercing it with a safety-pin. 4. For the inside of the masks, it is nice to have softer fabric inside, so high-thread-count sheets purchased on sale work great. Then you can easily tell what is inside as well. 5. For surgical-style masks, there's a pattern with a pocket on the inside and a wire. I like the ideas in this video but use 2 fabrics and make them bigger. About a 9x9 inch for the outside and 9x8 inch for the inside. 5/8 seam on the nose and 1/4 seam on the bottom. 6. For the fitted masks, there are two patterns that I like. For this one, https://moinliz.de/mundschutz-naehen-mit-schnittmuster it expects you to print on European-sized paper, so if you want to get the size right, print at 100% I also really like this pattern and I added a pocket and lengthened the ends to make channels https://intermountainhealthcare.org/covid19-coronavirus/homemade-cloth-face-coverings/ (scroll down to a link to download the pdf) Lots of folks sew craftpassion, but I like the fit of these patterns better. There are still some other patterns I have left to try! 6. After breaking lots of needles, I realized that I really didn't need to topstich the fitted masks over the bridge, so I just started skipping the bridge. 7. If you're going to wear a face-covering for a really long time, you might want to skip the ear hangers and go for ties behind the head. Instead of two ties, I'll use one long one so that the bottom one is a loop and the top one ties. Bungee cord works nice. Happy Sewing! : ) Rhoda Fry, Bill Fry Construction

Concrete can be made to look like any substance. Tile, stone, wood, brick, etc. With unlimited color options, Ky-Kan Coatings can transform any room in your home or business using lightweight, beautiful concrete.

We used: Custom cherry cabinetry in Arts & Crafts Shaker style by Kabinart in Boulder and Espresso stains. Liberty Hardware Venetian bronze 1-1/2" cabinet knobs. KitchenAid Architect II Series 22 CF counter-depth French door refrigerator. KitchenAid Architect Series II 27" convection single wall oven. KitchenAid 36" 6-burner dual fuel freestanding commercial-style range. KitchenAid Architect II Series 24" dishwasher. Sharp Insight Pro Series 24" built-in microwave drawer (Model #KB6524PS). Crystorama Solaris 12" wide pendant lights in English bronze. Granite countertops in Brown Fantasy. 3"x6" polished marble backsplash. Paint colors: Walls: Glidden Silver Cloud 30YY 63/024 Ceilings/Trims/Doors: Glidden Swan White GLC23 Robert B. Narod Photography

Gorgeous master bath with dramatic retro "wave" tile. Peak Photography
Example of a 1950s bathroom design in Los Angeles

Engineered cedar siding creates beautiful gray-blue tones at the exterior of the home, while adding a textural element to activate the simple exterior design.

Example of a large classic hallway design in Tampa with yellow walls

Photo: A Darling Felicity Photography © 2015 Houzz
Example of a mid-sized country porcelain tile mudroom design in Seattle with green walls

This previously unused attic space is now a sauna/yoga room. The left sauna wall follows the attic rafters down diagonally to allow a wider space for leg room on the twin sauna benches.

Two Birds Photography
Kids' room - transitional kids' room idea in Chicago

TruCedar Steel Siding shown in 10" Board & Batten in Napa Vine.
Beige two-story metal exterior home idea in Grand Rapids

This bedroom and full bathroom are part of an adventuresome project my wife and I embarked upon to create a complete apartment in the basement of our townhouse. We designed a floor plan that creatively and efficiently used all of the 385-square-foot-space, without sacrificing beauty, comfort or function – and all without breaking the bank! To maximize our budget, we did the work ourselves and added everything from thrift store finds to DIY wall art to bring it all together. A partial double closet bar adds a little extra space while still leaving room for longer hanging clothes.

Full-overlay Rustic Beech cabinets in the "Charleston" door style and "Briarwood" finish. Village Home Stores
Example of a large mountain style kitchen design in Chicago