Opera Prima Cubicle, Mirror, Wall Lamps. Lightness of line for aesthetic incisiveness, classic but contemporary. A recurrent theme, the irregular octagon, is the conceptual protagonist in this composition comprising a cubicle, mirror, and wall lamps. Octagons can be found in the shape of the side surface, the mirror frame, in the refined details of the signature seals. It is also original in the exclusive use of a single material, forged brass in different shapes, tubular and flat, the results of the highest Italian craft skills. A refined style striking for the effect of tension between a classical confidence of line and the futuristic allusions of the metal. Every item is made in compliance with the strictest sanitary standards and so guaranteed lead free. It is available in four surface finishes: chrome, nickel, gold, and bronze in combination with an equal number of marble varieties for the side surface, Carrara white, Marquinia black, Paonazzo, and Portoro. Visit our showroom at 1180 Coney Island Ave., Brooklyn, NY 11230 or call us at 718-434-2111 for more details.

Eichler X-100 Kitchen: A Futuristic Vision of Function and Design The kitchen of the Eichler X-100 is not just a place to cook—it is a designed system, a forward-thinking experiment in how everyday living could be streamlined, modernized, and elevated through architecture. Envisioned by A. Quincy Jones and Frederick Emmons for Joseph Eichler, the space reflects a bold reimagining of the American kitchen in the mid-20th century. A Central Hub of the Home Positioned within the home’s central utility core, the kitchen is strategically located to connect all major living zones. Rather than being tucked away, it becomes a functional anchor, allowing for seamless interaction between cooking, dining, and gathering spaces. This layout reinforces Eichler’s philosophy: the kitchen is not separate—it’s part of everyday life. Innovation Built In What sets the X-100 kitchen apart is its integration of experimental, built-in features that were far ahead of their time. Highlights include: A sliding dining table with integrated electric burners, blending cooking and dining into one continuous experience Built-in appliances and systems, designed to reduce clutter and maximize efficiency Thoughtful ergonomic planning that simplifies daily routines These elements reflect a larger idea: that the home should work for you—not the other way around. Material as Modern Expression The kitchen showcases extensive use of laminate surfaces (Formica)—a material that, in the 1950s, symbolized innovation, durability, and modern living. Clean, smooth, and easy to maintain, these surfaces reinforce the home’s futuristic identity. Paired with steel structure and clean lines, the material palette creates a space that feels both industrial and approachable. Open, Light-Filled Design True to the X-100’s overall concept, the kitchen is fully integrated into the open-plan layout. Sightlines extend outward to living areas, glass walls, and even interior gardens, ensuring the space never feels enclosed. Natural light filters in from multiple directions, enhanced by skylights and reflective surfaces, giving the kitchen a bright, uplifting atmosphere throughout the day. A Prototype for Modern Living In many ways, the X-100 kitchen anticipated how we live today: Open-concept layouts Multi-functional islands and dining spaces Integrated appliances Clean, minimal design What feels standard now was radical in 1956. Where Design Meets Daily Life The kitchen of the Eichler X-100 is a perfect example of how architecture can elevate the everyday. It transforms routine into experience—where cooking, gathering, and living all happen within a single, beautifully orchestrated space. It’s not just a kitchen. It’s a glimpse into the future—designed decades ahead of its time.

This weekend retreat, nestled in a grove of aspens in Lizard Head Pass, Colorado, embodies the words of Henri Poincaré: “Ideas rose in clouds; I felt them collide until pairs interlocked, so to speak, making a stable combination.” It directly challenges many of our ideas about home. Rather than a place offering the illusion of protection from the outside world through solid structure, its openness, light and reflectivity make it arguably more transparent than even Philip Johnson’s iconic Glass House. Featuring a floorplan that is an abstract interpretation of a cumulus cloud, the home’s five rotated, elliptically shaped glass pods approach invisibility at certain times of the year. Each pod serves a distinct programmatic function, though together they facilitate an easy and fluid flow accomplished by minimalist doors placed at the interstices where the pods meet. It functions as an ethereal meeting place between earth and sky. Total Area: 2200 sq. ft., 600 sq. ft. exterior deck Major Materials: Steel structure, curved architectural glass, anodized aluminum, epoxy flooring, and wood decking. Design Team: John Beckmann, with Jacob George Renderings: Jacob George Diagrams and model: Jacob George and Jessica Marvin © Axis Mundi Design LLC

Beautiful layers of purple geometric structures blend together. This modern geometric abstract art print has many shapes and forms for you to escape into. A diverse assortment of royal purple and metallic textures mix together with black. Bring this abstract artwork on your wall and give your space a refreshing ultra contemporary feel. Premium metallic print with a sharp, vibrant and exceptionally rich color. It provides the depth and pop of color you are looking for. Limited to 10 editions in this style. This artwork may be found on other online galleries, but not of this quality print. • Premium metallic print • Includes print only (no frame) • limited to 10 editions • Colorful, vibrant shades of purple Art is a premium metallic print, face mounted under a sleek and modern ⅛” acrylic glass. Art arrives ready to hang with a sturdy aluminum cleat hanging system and floats ¾” off the wall for a contemporary look. The acrylic glass provides UV protection. Sunlight will not damage the art. The inks used are rated to last 100 years. All art includes hanging material with instructions for your wall.

This weekend retreat, nestled in a grove of aspens in Lizard Head Pass, Colorado, embodies the words of Henri Poincaré: “Ideas rose in clouds; I felt them collide until pairs interlocked, so to speak, making a stable combination.” It directly challenges many of our ideas about home. Rather than a place offering the illusion of protection from the outside world through solid structure, its openness, light and reflectivity make it arguably more transparent than even Philip Johnson’s iconic Glass House. Featuring a floorplan that is an abstract interpretation of a cumulus cloud, the home’s five rotated, elliptically shaped glass pods approach invisibility at certain times of the year. Each pod serves a distinct programmatic function, though together they facilitate an easy and fluid flow accomplished by minimalist doors placed at the interstices where the pods meet. It functions as an ethereal meeting place between earth and sky. Total Area: 2200 sq. ft., 600 sq. ft. exterior deck Major Materials: Steel structure, curved architectural glass, anodized aluminum, epoxy flooring, and wood decking. Design Team: John Beckmann, with Jacob George Renderings: Jacob George Diagrams and model: Jacob George and Jessica Marvin © Axis Mundi Design LLC

Eichler X-100 Kitchen: A Futuristic Vision of Function and Design The kitchen of the Eichler X-100 is not just a place to cook—it is a designed system, a forward-thinking experiment in how everyday living could be streamlined, modernized, and elevated through architecture. Envisioned by A. Quincy Jones and Frederick Emmons for Joseph Eichler, the space reflects a bold reimagining of the American kitchen in the mid-20th century. A Central Hub of the Home Positioned within the home’s central utility core, the kitchen is strategically located to connect all major living zones. Rather than being tucked away, it becomes a functional anchor, allowing for seamless interaction between cooking, dining, and gathering spaces. This layout reinforces Eichler’s philosophy: the kitchen is not separate—it’s part of everyday life. Innovation Built In What sets the X-100 kitchen apart is its integration of experimental, built-in features that were far ahead of their time. Highlights include: A sliding dining table with integrated electric burners, blending cooking and dining into one continuous experience Built-in appliances and systems, designed to reduce clutter and maximize efficiency Thoughtful ergonomic planning that simplifies daily routines These elements reflect a larger idea: that the home should work for you—not the other way around. Material as Modern Expression The kitchen showcases extensive use of laminate surfaces (Formica)—a material that, in the 1950s, symbolized innovation, durability, and modern living. Clean, smooth, and easy to maintain, these surfaces reinforce the home’s futuristic identity. Paired with steel structure and clean lines, the material palette creates a space that feels both industrial and approachable. Open, Light-Filled Design True to the X-100’s overall concept, the kitchen is fully integrated into the open-plan layout. Sightlines extend outward to living areas, glass walls, and even interior gardens, ensuring the space never feels enclosed. Natural light filters in from multiple directions, enhanced by skylights and reflective surfaces, giving the kitchen a bright, uplifting atmosphere throughout the day. A Prototype for Modern Living In many ways, the X-100 kitchen anticipated how we live today: Open-concept layouts Multi-functional islands and dining spaces Integrated appliances Clean, minimal design What feels standard now was radical in 1956. Where Design Meets Daily Life The kitchen of the Eichler X-100 is a perfect example of how architecture can elevate the everyday. It transforms routine into experience—where cooking, gathering, and living all happen within a single, beautifully orchestrated space. It’s not just a kitchen. It’s a glimpse into the future—designed decades ahead of its time.

The Leicht Kitchen and tiled stair treads featuring a stainless steel edge finish and railing. The light coming from the south facing glass and steel elevation illuminates the Kitchen/Dining Room to complement the Graypants Drum 36 Lights in Natural. All images © Thomas Allen

This weekend retreat, nestled in a grove of aspens in Lizard Head Pass, Colorado, embodies the words of Henri Poincaré: “Ideas rose in clouds; I felt them collide until pairs interlocked, so to speak, making a stable combination.” It directly challenges many of our ideas about home. Rather than a place offering the illusion of protection from the outside world through solid structure, its openness, light and reflectivity make it arguably more transparent than even Philip Johnson’s iconic Glass House. Featuring a floorplan that is an abstract interpretation of a cumulus cloud, the home’s five rotated, elliptically shaped glass pods approach invisibility at certain times of the year. Each pod serves a distinct programmatic function, though together they facilitate an easy and fluid flow accomplished by minimalist doors placed at the interstices where the pods meet. It functions as an ethereal meeting place between earth and sky. Total Area: 2200 sq. ft., 600 sq. ft. exterior deck Major Materials: Steel structure, curved architectural glass, anodized aluminum, epoxy flooring, and wood decking. Design Team: John Beckmann, with Jacob George Renderings: Jacob George Diagrams and model: Jacob George and Jessica Marvin © Axis Mundi Design LLC

Where can a line lead you? The Surrealists believed automatically drawing one continuous line could take you into your subconscious. Many artists also use one unbroken line to create two-dimensional portraits or to limn recognizable forms. For Axis Mundi, one uninterrupted line leads to home. Or, more intriguingly, to the rhythmic underlying structure of this concept house for a successful digital entrepreneur in the Palm Springs desert. An homage to Austrian architect Frederick Kiesler’s 1950 “Endless House,” the basic footprint and floor plan derives from a single ribbon looped repeatedly in a single continuous line. The home is enclosed with rammed-earth exterior walls built up along the undulating contours formed by the ribbon, while interior walls are erected around selected voids defined by some of the loops. A faceted tent-like Cor-Ten steel roof—out of which the shape of the floor plan is cut out and replaced with glass—tops the structure. It is both a line of intellectual questioning posed by the designers and a line of continuity that brings fluidity to a living plan for the client in question. Size: 8,000 sq. ft. Design Team: John Beckmann, Audrey Leduc, Nastasia Giraud and Silvia Tosques Renderings and Diagrams: Audrey Leduc and Nastasia Giraud Interior Rendering: Silvia Tosques © Axis Mundi Design LLC

Opera Prima Cubicle, Mirror, Wall Lamps. Lightness of line for aesthetic incisiveness, classic but contemporary. A recurrent theme, the irregular octagon, is the conceptual protagonist in this composition comprising a cubicle, mirror, and wall lamps. Octagons can be found in the shape of the side surface, the mirror frame, in the refined details of the signature seals. It is also original in the exclusive use of a single material, forged brass in different shapes, tubular and flat, the results of the highest Italian craft skills. A refined style striking for the effect of tension between a classical confidence of line and the futuristic allusions of the metal. Every item is made in compliance with the strictest sanitary standards and so guaranteed lead free. It is available in four surface finishes: chrome, nickel, gold, and bronze in combination with an equal number of marble varieties for the side surface, Carrara white, Marquinia black, Paonazzo, and Portoro. Visit our showroom at 1180 Coney Island Ave., Brooklyn, NY 11230 or call us at 718-434-2111 for more details.

2009 © GAILE GUEVARA | INTERIOR DESIGN & CREATIVE™ ALL RIGHTS RESERVED. Photo Credit: Jonathan Cruz Photography Architect: Lamoureux Architect Inc. | http://www.lamoureuxarchitect.ca Interior Renovation & Styling Interior Design: Gaile Guevara Design Team: Michelle Bikic + Dominic Design + Ravi Design Lighting: Gilda Floor Lamp by Enrico Franzolini's Gilda Floor Lamp (1997) available at Livingspace Lighting: Calma suspended pendant by Anta Germany available at Spencer Interiors Furniture Systems: Flexform Italy, B&B Italia, Herman Miller available through Inform Interiors Area Rug: Felt Quadri area rug by Paola Lenti available at Livingspace Home Accessories: Rina Menardi available at Provide Home Media & Audio Visual Systems by C.G.M. Electronics Specialty Window Coverings & Custom Upholstery: Ravi Design

The Womb Chair & Ottoman by Barcelona Designs originally designed by Eero Saarinen continues to be one of the most recognized representations of mid-century modernism. This Saarinen-inspired womb lounge chair and ottoman set has both pieces attached with cushions for maximum comfort and support. Sitting down has never looked so stylish before. The womb chair is the bastion of neo-futuristic artwork, for which designer Eero Saarinen was well-established for. Additionally, the Saarinen Womb Chair and Ottoman provides unmatched comfort with molded foam over a fiberglass shell. The designer was able to create a piece that provides a relaxed sitting posture. Introduced in 1948, the Womb Chair and Ottoman is one of the most popular designs to come out of the 1940s. Saarinen realized that people sit in many different ways; he designed a chair that is comfortable whether lounging, slouching, or sitting with a leg thrown over the armrest. Paired with the Womb Ottoman, you may find yourself in the lap of luxury. Our high-quality reproduction is crafted of a wool mixed fabric in a variety of colors

A perfect accent light for any space, the fresh and futuristic design of Globe Electric's Ramezay 1-Light Plug-In or Hardwire Task Wall Light is an elegant update for traditional and modern homes alike. Leave it as a plug-in to move it easily and create unique looks in different rooms or hardwire it to your wall for a long-lasting look. When hardwired, this light is fully compatible with dimmable bulbs and a dimmer switch to easily create lighting ambiance and different moods (dimmer switch sold separately). Includes all mounting hardware for quick and easy installation and requires one 60W equivalent E26 light bulb (sold separately).

Kitchen table & family room space with outstanding views of rouge valley & wildlife. *jac jacobson photographics
Example of a huge minimalist open concept light wood floor family room design in Toronto with white walls, a ribbon fireplace and a wall-mounted tv

Where can a line lead you? The Surrealists believed automatically drawing one continuous line could take you into your subconscious. Many artists also use one unbroken line to create two-dimensional portraits or to limn recognizable forms. For Axis Mundi, one uninterrupted line leads to home. Or, more intriguingly, to the rhythmic underlying structure of this concept house for a successful digital entrepreneur in the Palm Springs desert. An homage to Austrian architect Frederick Kiesler’s 1950 “Endless House,” the basic footprint and floor plan derives from a single ribbon looped repeatedly in a single continuous line. The home is enclosed with rammed-earth exterior walls built up along the undulating contours formed by the ribbon, while interior walls are erected around selected voids defined by some of the loops. A faceted tent-like Cor-Ten steel roof—out of which the shape of the floor plan is cut out and replaced with glass—tops the structure. It is both a line of intellectual questioning posed by the designers and a line of continuity that brings fluidity to a living plan for the client in question. Size: 8,000 sq. ft. Design Team: John Beckmann, Audrey Leduc, Nastasia Giraud and Silvia Tosques Renderings and Diagrams: Audrey Leduc and Nastasia Giraud Interior Rendering: Silvia Tosques © Axis Mundi Design LLC

With the help of 3D Architectural Rendering Service, You can provide clients with clear and concise images that depict their ideas for the design of a space. This assists clients in decision-making and helps to avoid costly errors. Commercial exteriors are always challenging to articulate but have done a fantastic job with the facade design of the Modern Commercial Building Design in Orlando, Florida. Featuring a bold, modernistic aesthetic, the sleek lines of this building make the Single-story midrise seem like a futuristic masterpiece. Yantram is here to help with its high-quality commercial building’s 3D Architectural Rendering Service. From simple general renders for flyers and websites, to fully interactive 3d models for games and programs, they have what you need. Architectural Design Studio will provide the perfect Rendering services for your product in whatever format you need it. The high quality of their professional architectural design studio comes as a result of their dedication to the creation of high-quality renders and the knowledge about rendering software that’s needed to create them.

DESIGN + INNOVATION: Award of Excellence PROJECT: The Prairie House CLIENT: Name Withheld ARCHITECTURE FIRM: Fisher ARCHitecture PHOTOGRAPHER: Fisher ARCHitecture DESCRIPTION: Designed to relate directly to its location, the Prairie House recontextualizes Midwestern building motifs from the 1950s and ’60s, simultaneously old fashioned and tough yet ambiguously futuristic. Interior spaces are nestled in the ground, with earth sheltered construction protecting from high winds and variable temperatures that characterize this part of the country; rooms have a direct relationship with one of three partially enclosed courtyards that are carved from the solid mass of earth. JURY COMMENTS: The interesting aspect of this project is the self-imposed exploration of contextualizing a Midwest site where there are only roads and cornfields. The iconographic images remind us of Venturi’s Learning from Las Vegas, from the large-scale billboard and letters to the symbolic buffalo on the renderings. The design gestures all seem responsive to its site both in terms of its cultural heritage and to its environmental realities.

Modern Wall Unit Leaves F by Tonin Casa Made in Italy The Leaves Modern Wall Unit by Tonin Casa features a simple, outward shape with a more unique trim on the face of the unit somewhat resembling a leaf, hence the products name. The base unit, as well as the hanging unit, are made of a lacquered MDF available in a white, beige, mud or graphite matt finish. Each unit can also be ordered without the molded leaf design and the base unit can be ordered, for an extra charge, with a glass top available in an extra clear white, beige, mud or graphite color. The starting price is for the Wall Unit Composition as shown in the main picture. (TV Base Unit 8493 + TV Base Unit 8502 + Two Vertical Hanging Units 8450 + Vertical Hanging Unit 8451). Please contact our office about details on customization of this wall unit. Dimensions: Wall Unit: W126 x D21.7" x H88.6" Individual Components: TV Base Unit 8493: W47.5" x D19.7" x H16.9" TV Base Unit 8502: W63.3" x D21.7" x H16.9" Vertical Hanging Unit (right opening) 8450: W15.8" x D15" x H47.5" Vertical Hanging Unit (left opening) 8451: W15.8" x D15" x H47.5"

This weekend retreat, nestled in a grove of aspens in Lizard Head Pass, Colorado, embodies the words of Henri Poincaré: “Ideas rose in clouds; I felt them collide until pairs interlocked, so to speak, making a stable combination.” It directly challenges many of our ideas about home. Rather than a place offering the illusion of protection from the outside world through solid structure, its openness, light and reflectivity make it arguably more transparent than even Philip Johnson’s iconic Glass House. Featuring a floorplan that is an abstract interpretation of a cumulus cloud, the home’s five rotated, elliptically shaped glass pods approach invisibility at certain times of the year. Each pod serves a distinct programmatic function, though together they facilitate an easy and fluid flow accomplished by minimalist doors placed at the interstices where the pods meet. It functions as an ethereal meeting place between earth and sky. Total Area: 2200 sq. ft., 600 sq. ft. exterior deck Major Materials: Steel structure, curved architectural glass, anodized aluminum, epoxy flooring, and wood decking. Design Team: John Beckmann, with Jacob George Renderings: Jacob George Diagrams and model: Jacob George and Jessica Marvin © Axis Mundi Design LLC