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German Embassy in Pristina - Kosovo, contracted the architecture office “Ferizi + Ferizi Architects” to plan and implement an Annex Office building for their purposes. As detached part of this building is designed the waiting area, as alone standing structure.
This Office Building is constructed by assembling of Eight used office containers that were delivered on trucks and set up after only a few hours on the basis of the LEGO principle, according to the planning on strip foundations.
By removing the flexible exterior wall panels, a large room of 115 m² was created, with the counter wall as a room partition between two office spaces, each with seven workstations as well as three counters for agents on one side and a room for visitors on the other side.
With this system, room solutions can be easily implemented in all dimensions.
The container, seen as a geometric shape, is a simple, octagonal, solid box.
The standardized perfection of its dimensions is striking: 2.44 meters wide, 2.59 meters high and 6.06 meters or 12.19 meters long.
Since its introduction in 1956 by the American transport entrepreneur Malcom McLean, the container has become a standardized transport module worldwide, whether on ships, trucks or construction sites.
The shipping containers have additionally revolutionized the transport industry, pushed the globalization noticeably, and thus directly or indirectly influenced all our lives.
But after only a few years, when the first overseas containers wore out, many engineers recognized the positive properties of used shipping containers for building houses, especially since they are robust, flexible, multifunctional and second-hand relatively inexpensive to purchase. The time has long passed by to treat containers exclusively as transport objects.
As a "measure of all things", containers can hardly be ignored in construction.
Their use is no longer limited to temporary use since school containers, information containers, office containers or entire residential buildings are now part of our everyday life in the construction industry.
However, current examples of the container architecture prove that even the most demanding solutions for container building are feasible. For their specific aesthetic and spatial qualities, containers also serve as design parameters for the development of new forms of architecture and urbanity.
The office building as an extension of the visa section, characterized by modern materials and contemporary aesthetics has been designed and built mainly as a low-energy building.
Extensive insulation to achieve a comfortable and sustainable constant temperature in the interior, high window quality and low energy consumption make the building energy-efficient.
The sophisticated lighting technology, networks, heating systems and air-conditioning systems are also components of this equipment.
It creates an overall harmonic picture and guarantees the highest standard in sustainable construction, taking into consideration the fact that environmentally friendly recycling and reutilization have become an increasingly important issue in our society.
West and East side of the wooden facade is compact and has few openings, while the southern facade is completely open with lot of glass. Its spatial openness ensures a transparent, friendly work environment, which allows a lot of light into the space.
This openness allows an uninterrupted, pleasant and close-to-nature view from interior spaces into the beautiful garden. During the installation of sophisticated light sources in the garden, emphasis was not only put on functionality and security, but also on the beauty of the garden shown through the illumination in the evening.
Large, horizontal white “brisole” serve as external sun protection systems, mounted on the canopies of the entrance areas of the modular construction and the enclosure, adeptly cast shade on these areas and at the same time shape the entire architectural language.
While on one hand, the two quadratic ledges suspended in the air, are docked with steel stairs and match the wooden façade, lead the staff to their office space, the artful modern interior, on the other hand, perfectly unites the functionality, innovative technology, culture and positive effects on the employees' efficiency and wellbeing.
A lot of white, interjected by warm wooden and colored accents, determines the ambience.
In the case of the lighting solution, the mainly linear ceiling lighting is used as the overlapping design element both for the offices of the visa section as well as for the counters and the waiting area for the visitors.
They underline the puristic design in order to create a pleasant light for a desired general illumination and ensure optimal light conditions without causing disturbing reflections on the computer screens.
In addition, precisely positioned pendant luminaires are installed at the workstations, which ensure pleasant room brightness.
In the entrance area, the harmonic and uniform lighting effect from the ground highlights the integration of photography and architecture.
Photographs of landscapes, people, places, expressing unforgettable, impressive moments and memories have been lovingly engraved on 8 x 8cm square oak blocks.
The idea of an effective, impressive environment that stimulates and inspires the work was the premiss on which the whole design concept was based. Consequently, the modular construction was no longer viewed through its history of utilization and scars, but rather as a structure of work ambiance, art and elegance.
FERIZI + FERIZI Architects
Photo: Arben Llapashtica

German Embassy in Pristina - Kosovo, contracted the architecture office “Ferizi + Ferizi Architects” to plan and implement an Annex Office building for their purposes. As detached part of this building is designed the waiting area, as alone standing structure.
This Office Building is constructed by assembling of Eight used office containers that were delivered on trucks and set up after only a few hours on the basis of the LEGO principle, according to the planning on strip foundations.
By removing the flexible exterior wall panels, a large room of 115 m² was created, with the counter wall as a room partition between two office spaces, each with seven workstations as well as three counters for agents on one side and a room for visitors on the other side.
With this system, room solutions can be easily implemented in all dimensions.
The container, seen as a geometric shape, is a simple, octagonal, solid box.
The standardized perfection of its dimensions is striking: 2.44 meters wide, 2.59 meters high and 6.06 meters or 12.19 meters long.
Since its introduction in 1956 by the American transport entrepreneur Malcom McLean, the container has become a standardized transport module worldwide, whether on ships, trucks or construction sites.
The shipping containers have additionally revolutionized the transport industry, pushed the globalization noticeably, and thus directly or indirectly influenced all our lives.
But after only a few years, when the first overseas containers wore out, many engineers recognized the positive properties of used shipping containers for building houses, especially since they are robust, flexible, multifunctional and second-hand relatively inexpensive to purchase. The time has long passed by to treat containers exclusively as transport objects.
As a "measure of all things", containers can hardly be ignored in construction.
Their use is no longer limited to temporary use since school containers, information containers, office containers or entire residential buildings are now part of our everyday life in the construction industry.
However, current examples of the container architecture prove that even the most demanding solutions for container building are feasible. For their specific aesthetic and spatial qualities, containers also serve as design parameters for the development of new forms of architecture and urbanity.
The office building as an extension of the visa section, characterized by modern materials and contemporary aesthetics has been designed and built mainly as a low-energy building.
Extensive insulation to achieve a comfortable and sustainable constant temperature in the interior, high window quality and low energy consumption make the building energy-efficient.
The sophisticated lighting technology, networks, heating systems and air-conditioning systems are also components of this equipment.
It creates an overall harmonic picture and guarantees the highest standard in sustainable construction, taking into consideration the fact that environmentally friendly recycling and reutilization have become an increasingly important issue in our society.
West and East side of the wooden facade is compact and has few openings, while the southern facade is completely open with lot of glass. Its spatial openness ensures a transparent, friendly work environment, which allows a lot of light into the space.
This openness allows an uninterrupted, pleasant and close-to-nature view from interior spaces into the beautiful garden. During the installation of sophisticated light sources in the garden, emphasis was not only put on functionality and security, but also on the beauty of the garden shown through the illumination in the evening.
Large, horizontal white “brisole” serve as external sun protection systems, mounted on the canopies of the entrance areas of the modular construction and the enclosure, adeptly cast shade on these areas and at the same time shape the entire architectural language.
While on one hand, the two quadratic ledges suspended in the air, are docked with steel stairs and match the wooden façade, lead the staff to their office space, the artful modern interior, on the other hand, perfectly unites the functionality, innovative technology, culture and positive effects on the employees' efficiency and wellbeing.
A lot of white, interjected by warm wooden and colored accents, determines the ambience.
In the case of the lighting solution, the mainly linear ceiling lighting is used as the overlapping design element both for the offices of the visa section as well as for the counters and the waiting area for the visitors.
They underline the puristic design in order to create a pleasant light for a desired general illumination and ensure optimal light conditions without causing disturbing reflections on the computer screens.
In addition, precisely positioned pendant luminaires are installed at the workstations, which ensure pleasant room brightness.
In the entrance area, the harmonic and uniform lighting effect from the ground highlights the integration of photography and architecture.
Photographs of landscapes, people, places, expressing unforgettable, impressive moments and memories have been lovingly engraved on 8 x 8cm square oak blocks.
The idea of an effective, impressive environment that stimulates and inspires the work was the premiss on which the whole design concept was based. Consequently, the modular construction was no longer viewed through its history of utilization and scars, but rather as a structure of work ambiance, art and elegance.
FERIZI + FERIZI Architects
Photo: Arben Llapashtica

Nestled in a wooded area in the Pacific Northwest, the 1800 sf Passive Cedar Haus was built as a retirement home. The Artisans Group designed the layout of the home, mindful of aging in place, and working to ensure that the home blended in with the surrounding natural beauty. The project meets a complex program, with an unheated sleeping porch for a master bedroom, a screened porch, a 600 sf caretakers apartment/mother in law unit, large wood shop, plus a two car carport. The home seamlessly integrates a floating cedar tongue and groove roof with large sheltering overhangs, clerestory windows, and language of cedar slats for privacy screens and doors inside and out. The warm, natural materials of wood and cork for the interior palette are punctuated by lively accents and stunning fixtures.
This ultra energy efficient home relies on extremely high levels of insulation, air-tight detailing and construction, and the implementation of high performance, custom made European windows and doors by Zola Windows. Zola’s ThermoPlus Clad line, which boasts R-11 triple glazing and is thermally broken with a layer of patented German Purenit®, was selected for the project. Floor-to-ceiling windows in the main living area, gives an expansive view of the surrounding Northwest forest. The tops of these windows reveal the interior cedar clad and the up-swept soffits on the home’s exterior, creating a floating ceiling effect. Slatted spruce wood fly-overs break up the vertical areas of the great room and define separate areas that would otherwise feel like an overwhelmingly expansive space.
Photography by: Cheryl Ramsay of Ramsay Photography
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German Embassy in Pristina - Kosovo, contracted the architecture office “Ferizi + Ferizi Architects” to plan and implement an Annex Office building for their purposes. As detached part of this building is designed the waiting area, as alone standing structure.
This Office Building is constructed by assembling of Eight used office containers that were delivered on trucks and set up after only a few hours on the basis of the LEGO principle, according to the planning on strip foundations.
By removing the flexible exterior wall panels, a large room of 115 m² was created, with the counter wall as a room partition between two office spaces, each with seven workstations as well as three counters for agents on one side and a room for visitors on the other side.
With this system, room solutions can be easily implemented in all dimensions.
The container, seen as a geometric shape, is a simple, octagonal, solid box.
The standardized perfection of its dimensions is striking: 2.44 meters wide, 2.59 meters high and 6.06 meters or 12.19 meters long.
Since its introduction in 1956 by the American transport entrepreneur Malcom McLean, the container has become a standardized transport module worldwide, whether on ships, trucks or construction sites.
The shipping containers have additionally revolutionized the transport industry, pushed the globalization noticeably, and thus directly or indirectly influenced all our lives.
But after only a few years, when the first overseas containers wore out, many engineers recognized the positive properties of used shipping containers for building houses, especially since they are robust, flexible, multifunctional and second-hand relatively inexpensive to purchase. The time has long passed by to treat containers exclusively as transport objects.
As a "measure of all things", containers can hardly be ignored in construction.
Their use is no longer limited to temporary use since school containers, information containers, office containers or entire residential buildings are now part of our everyday life in the construction industry.
However, current examples of the container architecture prove that even the most demanding solutions for container building are feasible. For their specific aesthetic and spatial qualities, containers also serve as design parameters for the development of new forms of architecture and urbanity.
The office building as an extension of the visa section, characterized by modern materials and contemporary aesthetics has been designed and built mainly as a low-energy building.
Extensive insulation to achieve a comfortable and sustainable constant temperature in the interior, high window quality and low energy consumption make the building energy-efficient.
The sophisticated lighting technology, networks, heating systems and air-conditioning systems are also components of this equipment.
It creates an overall harmonic picture and guarantees the highest standard in sustainable construction, taking into consideration the fact that environmentally friendly recycling and reutilization have become an increasingly important issue in our society.
West and East side of the wooden facade is compact and has few openings, while the southern facade is completely open with lot of glass. Its spatial openness ensures a transparent, friendly work environment, which allows a lot of light into the space.
This openness allows an uninterrupted, pleasant and close-to-nature view from interior spaces into the beautiful garden. During the installation of sophisticated light sources in the garden, emphasis was not only put on functionality and security, but also on the beauty of the garden shown through the illumination in the evening.
Large, horizontal white “brisole” serve as external sun protection systems, mounted on the canopies of the entrance areas of the modular construction and the enclosure, adeptly cast shade on these areas and at the same time shape the entire architectural language.
While on one hand, the two quadratic ledges suspended in the air, are docked with steel stairs and match the wooden façade, lead the staff to their office space, the artful modern interior, on the other hand, perfectly unites the functionality, innovative technology, culture and positive effects on the employees' efficiency and wellbeing.
A lot of white, interjected by warm wooden and colored accents, determines the ambience.
In the case of the lighting solution, the mainly linear ceiling lighting is used as the overlapping design element both for the offices of the visa section as well as for the counters and the waiting area for the visitors.
They underline the puristic design in order to create a pleasant light for a desired general illumination and ensure optimal light conditions without causing disturbing reflections on the computer screens.
In addition, precisely positioned pendant luminaires are installed at the workstations, which ensure pleasant room brightness.
In the entrance area, the harmonic and uniform lighting effect from the ground highlights the integration of photography and architecture.
Photographs of landscapes, people, places, expressing unforgettable, impressive moments and memories have been lovingly engraved on 8 x 8cm square oak blocks.
The idea of an effective, impressive environment that stimulates and inspires the work was the premiss on which the whole design concept was based. Consequently, the modular construction was no longer viewed through its history of utilization and scars, but rather as a structure of work ambiance, art and elegance.
FERIZI + FERIZI Architects
Photo: Arben Llapashtica

German Embassy in Pristina - Kosovo, contracted the architecture office “Ferizi + Ferizi Architects” to plan and implement an Annex Office building for their purposes. As detached part of this building is designed the waiting area, as alone standing structure.
This Office Building is constructed by assembling of Eight used office containers that were delivered on trucks and set up after only a few hours on the basis of the LEGO principle, according to the planning on strip foundations.
By removing the flexible exterior wall panels, a large room of 115 m² was created, with the counter wall as a room partition between two office spaces, each with seven workstations as well as three counters for agents on one side and a room for visitors on the other side.
With this system, room solutions can be easily implemented in all dimensions.
The container, seen as a geometric shape, is a simple, octagonal, solid box.
The standardized perfection of its dimensions is striking: 2.44 meters wide, 2.59 meters high and 6.06 meters or 12.19 meters long.
Since its introduction in 1956 by the American transport entrepreneur Malcom McLean, the container has become a standardized transport module worldwide, whether on ships, trucks or construction sites.
The shipping containers have additionally revolutionized the transport industry, pushed the globalization noticeably, and thus directly or indirectly influenced all our lives.
But after only a few years, when the first overseas containers wore out, many engineers recognized the positive properties of used shipping containers for building houses, especially since they are robust, flexible, multifunctional and second-hand relatively inexpensive to purchase. The time has long passed by to treat containers exclusively as transport objects.
As a "measure of all things", containers can hardly be ignored in construction.
Their use is no longer limited to temporary use since school containers, information containers, office containers or entire residential buildings are now part of our everyday life in the construction industry.
However, current examples of the container architecture prove that even the most demanding solutions for container building are feasible. For their specific aesthetic and spatial qualities, containers also serve as design parameters for the development of new forms of architecture and urbanity.
The office building as an extension of the visa section, characterized by modern materials and contemporary aesthetics has been designed and built mainly as a low-energy building.
Extensive insulation to achieve a comfortable and sustainable constant temperature in the interior, high window quality and low energy consumption make the building energy-efficient.
The sophisticated lighting technology, networks, heating systems and air-conditioning systems are also components of this equipment.
It creates an overall harmonic picture and guarantees the highest standard in sustainable construction, taking into consideration the fact that environmentally friendly recycling and reutilization have become an increasingly important issue in our society.
West and East side of the wooden facade is compact and has few openings, while the southern facade is completely open with lot of glass. Its spatial openness ensures a transparent, friendly work environment, which allows a lot of light into the space.
This openness allows an uninterrupted, pleasant and close-to-nature view from interior spaces into the beautiful garden. During the installation of sophisticated light sources in the garden, emphasis was not only put on functionality and security, but also on the beauty of the garden shown through the illumination in the evening.
Large, horizontal white “brisole” serve as external sun protection systems, mounted on the canopies of the entrance areas of the modular construction and the enclosure, adeptly cast shade on these areas and at the same time shape the entire architectural language.
While on one hand, the two quadratic ledges suspended in the air, are docked with steel stairs and match the wooden façade, lead the staff to their office space, the artful modern interior, on the other hand, perfectly unites the functionality, innovative technology, culture and positive effects on the employees' efficiency and wellbeing.
A lot of white, interjected by warm wooden and colored accents, determines the ambience.
In the case of the lighting solution, the mainly linear ceiling lighting is used as the overlapping design element both for the offices of the visa section as well as for the counters and the waiting area for the visitors.
They underline the puristic design in order to create a pleasant light for a desired general illumination and ensure optimal light conditions without causing disturbing reflections on the computer screens.
In addition, precisely positioned pendant luminaires are installed at the workstations, which ensure pleasant room brightness.
In the entrance area, the harmonic and uniform lighting effect from the ground highlights the integration of photography and architecture.
Photographs of landscapes, people, places, expressing unforgettable, impressive moments and memories have been lovingly engraved on 8 x 8cm square oak blocks.
The idea of an effective, impressive environment that stimulates and inspires the work was the premiss on which the whole design concept was based. Consequently, the modular construction was no longer viewed through its history of utilization and scars, but rather as a structure of work ambiance, art and elegance.
FERIZI + FERIZI Architects
Photo: Arben Llapashtica

View from the Northwest. This home is built with high performance walls and roofs, resulting in a very well insulated and tightly sealed home. We implemented a combined heating approach of passive solar and radiant hydronic floor heating, which we call “Sun Smart Radiant Heating.” This system sensibly captures the sun’s energy on sunny days and has two added benefits. The radiant system distributes the sun’s heat uniformly throughout the home and also produces heat during long stretches of cloudy days or extreme cold. This dual heating method is not only incredibly energy efficient, it relieves any worries homeowners may have about living in a home that is heated with passive solar alone.
During the warmer months, the Quinn Creek Home is designed to benefit from passive cooling, a free home air-conditioning strategy. Also, carefully designed roof overhangs and awnings prevent unwanted solar heat gain in the summer.
The windows used for both passive solar heating and passive cooling, provide beautiful views and connect the inhabits to the ephemeral qualities of the outdoors. The experience of living in a passive solar home changes from day to day, season to season. The windows also provide ample natural day lighting, even on cloudy days, which significantly reduces electric lighting costs and reduces the occurrence of falls and depression within the home.
The surrounding mountain and hillside slopes of the Quinn Creek Home were carefully analyzed and integrated into the design and roof pitches. Even though this photo is in color, winter light conditions often create a black-and-white-like effect. The darker and lighter colored metal siding and roofing colors were purposefully chosen to help the home blend with the environment during the changing seasons.
Greenovision Home Design

Originally built in 1972, these eight interlocked residential units and the accompanying House Master’s Residence won an AIA award for their unique spatial complexity, balancing standard units of construction with volumetric interplay, all while bringing natural light into living spaces. However, nearly 40 years later
These 1970’s era, interlocked faculty housing units won an AIA award when first completed. They were unique in spatial complexity, By early 2,000’s they were showing signs of age, and had become outdated on many levels. Working with project management for the Faculty of Arts & Sciences, we prepared one prototype design to bring the buildings into the 21st century. New insulated skylights, standing seam metal siding, cedar decks and trellises, exchanging black roofs for well insulated white roofs, were all part of a larger planning program to renovate all nine units. The prototype was implemented in 2012, to great approval and result. In 2013 a few more units were done. In 2014 the “House Masters” unit was done, with the remaining four units planned for future budgets.
Sustainable features include re-use of most materials on site, (former siding was able to become sheathing below metal panels), implementing the Stretch Energy Code for insulation, and putting new white roof membranes in place. Using FSC certified wood for decks and trellises, and using Rheinzink siding, a “200 year material” according to the manufacturer.
After nearly 40 years, Ronald Gourley’s AIA award winning Faculty Housing (1972) was beginning to show its age – plywood siding was delaminating, wooden decks splintering, and custom windows failing. Therefore, the opportunity to reinvent a piece of Mid-Century Modernism presented itself when two of the building’s eight alternating rooftop designs were to be rebuilt as prototypes for the remainder of the structure.
The strength of the original design was its rectilinear and symmetrical arrangement of internal and external spaces, but the difference between the two had become blurred over the decades. New zinc siding, mahogany decking, and stainless steel railings accentuate the defining elements and more clearly articulate the living spaces, breathing new life into the building and reinvigorating the surrounding campus.
Furthermore, the renovation also provided a chance to bring the structure up to modern energy standards and help meet Harvard’s lofty environmental goals. Insulation within the ceilings was more than tripled, white TPO roofing reduces the heat island effect, construction waste was minimized by recasting the siding as sheathing, and materials were selected not only for aesthetics, but for their longevity and ability to be recycled as well.
Harvard’s energy standards brought an uncharacteristic level of environmental care to this building. Roof structures are triple insulated, allowing separating interior from exterior in the most thermally efficient manner. North facing triple insulated skylights and white TPO roofing reduces the heat gain, but allows natural light to pour in. Materials were selected not only for aesthetics, but for their longevity. Zinc, for example, is made of 100% recycled material, and has duration of 200 years. Uncharacteristic levels of environmental care were common on this project.

Originally built in 1972, these eight interlocked residential units and the accompanying House Master’s Residence won an AIA award for their unique spatial complexity, balancing standard units of construction with volumetric interplay, all while bringing natural light into living spaces. However, nearly 40 years later
These 1970’s era, interlocked faculty housing units won an AIA award when first completed. They were unique in spatial complexity, By early 2,000’s they were showing signs of age, and had become outdated on many levels. Working with project management for the Faculty of Arts & Sciences, we prepared one prototype design to bring the buildings into the 21st century. New insulated skylights, standing seam metal siding, cedar decks and trellises, exchanging black roofs for well insulated white roofs, were all part of a larger planning program to renovate all nine units. The prototype was implemented in 2012, to great approval and result. In 2013 a few more units were done. In 2014 the “House Masters” unit was done, with the remaining four units planned for future budgets.
Sustainable features include re-use of most materials on site, (former siding was able to become sheathing below metal panels), implementing the Stretch Energy Code for insulation, and putting new white roof membranes in place. Using FSC certified wood for decks and trellises, and using Rheinzink siding, a “200 year material” according to the manufacturer.
After nearly 40 years, Ronald Gourley’s AIA award winning Faculty Housing (1972) was beginning to show its age – plywood siding was delaminating, wooden decks splintering, and custom windows failing. Therefore, the opportunity to reinvent a piece of Mid-Century Modernism presented itself when two of the building’s eight alternating rooftop designs were to be rebuilt as prototypes for the remainder of the structure.
The strength of the original design was its rectilinear and symmetrical arrangement of internal and external spaces, but the difference between the two had become blurred over the decades. New zinc siding, mahogany decking, and stainless steel railings accentuate the defining elements and more clearly articulate the living spaces, breathing new life into the building and reinvigorating the surrounding campus.
Furthermore, the renovation also provided a chance to bring the structure up to modern energy standards and help meet Harvard’s lofty environmental goals. Insulation within the ceilings was more than tripled, white TPO roofing reduces the heat island effect, construction waste was minimized by recasting the siding as sheathing, and materials were selected not only for aesthetics, but for their longevity and ability to be recycled as well.
Harvard’s energy standards brought an uncharacteristic level of environmental care to this building. Roof structures are triple insulated, allowing separating interior from exterior in the most thermally efficient manner. North facing triple insulated skylights and white TPO roofing reduces the heat gain, but allows natural light to pour in. Materials were selected not only for aesthetics, but for their longevity. Zinc, for example, is made of 100% recycled material, and has duration of 200 years. Uncharacteristic levels of environmental care were common on this project.

Originally built in 1972, these eight interlocked residential units and the accompanying House Master’s Residence won an AIA award for their unique spatial complexity, balancing standard units of construction with volumetric interplay, all while bringing natural light into living spaces. However, nearly 40 years later
These 1970’s era, interlocked faculty housing units won an AIA award when first completed. They were unique in spatial complexity, By early 2,000’s they were showing signs of age, and had become outdated on many levels. Working with project management for the Faculty of Arts & Sciences, we prepared one prototype design to bring the buildings into the 21st century. New insulated skylights, standing seam metal siding, cedar decks and trellises, exchanging black roofs for well insulated white roofs, were all part of a larger planning program to renovate all nine units. The prototype was implemented in 2012, to great approval and result. In 2013 a few more units were done. In 2014 the “House Masters” unit was done, with the remaining four units planned for future budgets.
Sustainable features include re-use of most materials on site, (former siding was able to become sheathing below metal panels), implementing the Stretch Energy Code for insulation, and putting new white roof membranes in place. Using FSC certified wood for decks and trellises, and using Rheinzink siding, a “200 year material” according to the manufacturer.
After nearly 40 years, Ronald Gourley’s AIA award winning Faculty Housing (1972) was beginning to show its age – plywood siding was delaminating, wooden decks splintering, and custom windows failing. Therefore, the opportunity to reinvent a piece of Mid-Century Modernism presented itself when two of the building’s eight alternating rooftop designs were to be rebuilt as prototypes for the remainder of the structure.
The strength of the original design was its rectilinear and symmetrical arrangement of internal and external spaces, but the difference between the two had become blurred over the decades. New zinc siding, mahogany decking, and stainless steel railings accentuate the defining elements and more clearly articulate the living spaces, breathing new life into the building and reinvigorating the surrounding campus.
Furthermore, the renovation also provided a chance to bring the structure up to modern energy standards and help meet Harvard’s lofty environmental goals. Insulation within the ceilings was more than tripled, white TPO roofing reduces the heat island effect, construction waste was minimized by recasting the siding as sheathing, and materials were selected not only for aesthetics, but for their longevity and ability to be recycled as well.
Harvard’s energy standards brought an uncharacteristic level of environmental care to this building. Roof structures are triple insulated, allowing separating interior from exterior in the most thermally efficient manner. North facing triple insulated skylights and white TPO roofing reduces the heat gain, but allows natural light to pour in. Materials were selected not only for aesthetics, but for their longevity. Zinc, for example, is made of 100% recycled material, and has duration of 200 years. Uncharacteristic levels of environmental care were common on this project.

Originally built in 1972, these eight interlocked residential units and the accompanying House Master’s Residence won an AIA award for their unique spatial complexity, balancing standard units of construction with volumetric interplay, all while bringing natural light into living spaces. However, nearly 40 years later
These 1970’s era, interlocked faculty housing units won an AIA award when first completed. They were unique in spatial complexity, By early 2,000’s they were showing signs of age, and had become outdated on many levels. Working with project management for the Faculty of Arts & Sciences, we prepared one prototype design to bring the buildings into the 21st century. New insulated skylights, standing seam metal siding, cedar decks and trellises, exchanging black roofs for well insulated white roofs, were all part of a larger planning program to renovate all nine units. The prototype was implemented in 2012, to great approval and result. In 2013 a few more units were done. In 2014 the “House Masters” unit was done, with the remaining four units planned for future budgets.
Sustainable features include re-use of most materials on site, (former siding was able to become sheathing below metal panels), implementing the Stretch Energy Code for insulation, and putting new white roof membranes in place. Using FSC certified wood for decks and trellises, and using Rheinzink siding, a “200 year material” according to the manufacturer.
After nearly 40 years, Ronald Gourley’s AIA award winning Faculty Housing (1972) was beginning to show its age – plywood siding was delaminating, wooden decks splintering, and custom windows failing. Therefore, the opportunity to reinvent a piece of Mid-Century Modernism presented itself when two of the building’s eight alternating rooftop designs were to be rebuilt as prototypes for the remainder of the structure.
The strength of the original design was its rectilinear and symmetrical arrangement of internal and external spaces, but the difference between the two had become blurred over the decades. New zinc siding, mahogany decking, and stainless steel railings accentuate the defining elements and more clearly articulate the living spaces, breathing new life into the building and reinvigorating the surrounding campus.
Furthermore, the renovation also provided a chance to bring the structure up to modern energy standards and help meet Harvard’s lofty environmental goals. Insulation within the ceilings was more than tripled, white TPO roofing reduces the heat island effect, construction waste was minimized by recasting the siding as sheathing, and materials were selected not only for aesthetics, but for their longevity and ability to be recycled as well.
Harvard’s energy standards brought an uncharacteristic level of environmental care to this building. Roof structures are triple insulated, allowing separating interior from exterior in the most thermally efficient manner. North facing triple insulated skylights and white TPO roofing reduces the heat gain, but allows natural light to pour in. Materials were selected not only for aesthetics, but for their longevity. Zinc, for example, is made of 100% recycled material, and has duration of 200 years. Uncharacteristic levels of environmental care were common on this project.

Originally built in 1972, these eight interlocked residential units and the accompanying House Master’s Residence won an AIA award for their unique spatial complexity, balancing standard units of construction with volumetric interplay, all while bringing natural light into living spaces. However, nearly 40 years later
These 1970’s era, interlocked faculty housing units won an AIA award when first completed. They were unique in spatial complexity, By early 2,000’s they were showing signs of age, and had become outdated on many levels. Working with project management for the Faculty of Arts & Sciences, we prepared one prototype design to bring the buildings into the 21st century. New insulated skylights, standing seam metal siding, cedar decks and trellises, exchanging black roofs for well insulated white roofs, were all part of a larger planning program to renovate all nine units. The prototype was implemented in 2012, to great approval and result. In 2013 a few more units were done. In 2014 the “House Masters” unit was done, with the remaining four units planned for future budgets.
Sustainable features include re-use of most materials on site, (former siding was able to become sheathing below metal panels), implementing the Stretch Energy Code for insulation, and putting new white roof membranes in place. Using FSC certified wood for decks and trellises, and using Rheinzink siding, a “200 year material” according to the manufacturer.
After nearly 40 years, Ronald Gourley’s AIA award winning Faculty Housing (1972) was beginning to show its age – plywood siding was delaminating, wooden decks splintering, and custom windows failing. Therefore, the opportunity to reinvent a piece of Mid-Century Modernism presented itself when two of the building’s eight alternating rooftop designs were to be rebuilt as prototypes for the remainder of the structure.
The strength of the original design was its rectilinear and symmetrical arrangement of internal and external spaces, but the difference between the two had become blurred over the decades. New zinc siding, mahogany decking, and stainless steel railings accentuate the defining elements and more clearly articulate the living spaces, breathing new life into the building and reinvigorating the surrounding campus.
Furthermore, the renovation also provided a chance to bring the structure up to modern energy standards and help meet Harvard’s lofty environmental goals. Insulation within the ceilings was more than tripled, white TPO roofing reduces the heat island effect, construction waste was minimized by recasting the siding as sheathing, and materials were selected not only for aesthetics, but for their longevity and ability to be recycled as well.
Harvard’s energy standards brought an uncharacteristic level of environmental care to this building. Roof structures are triple insulated, allowing separating interior from exterior in the most thermally efficient manner. North facing triple insulated skylights and white TPO roofing reduces the heat gain, but allows natural light to pour in. Materials were selected not only for aesthetics, but for their longevity. Zinc, for example, is made of 100% recycled material, and has duration of 200 years. Uncharacteristic levels of environmental care were common on this project.

Originally built in 1972, these eight interlocked residential units and the accompanying House Master’s Residence won an AIA award for their unique spatial complexity, balancing standard units of construction with volumetric interplay, all while bringing natural light into living spaces. However, nearly 40 years later
These 1970’s era, interlocked faculty housing units won an AIA award when first completed. They were unique in spatial complexity, By early 2,000’s they were showing signs of age, and had become outdated on many levels. Working with project management for the Faculty of Arts & Sciences, we prepared one prototype design to bring the buildings into the 21st century. New insulated skylights, standing seam metal siding, cedar decks and trellises, exchanging black roofs for well insulated white roofs, were all part of a larger planning program to renovate all nine units. The prototype was implemented in 2012, to great approval and result. In 2013 a few more units were done. In 2014 the “House Masters” unit was done, with the remaining four units planned for future budgets.
Sustainable features include re-use of most materials on site, (former siding was able to become sheathing below metal panels), implementing the Stretch Energy Code for insulation, and putting new white roof membranes in place. Using FSC certified wood for decks and trellises, and using Rheinzink siding, a “200 year material” according to the manufacturer.
After nearly 40 years, Ronald Gourley’s AIA award winning Faculty Housing (1972) was beginning to show its age – plywood siding was delaminating, wooden decks splintering, and custom windows failing. Therefore, the opportunity to reinvent a piece of Mid-Century Modernism presented itself when two of the building’s eight alternating rooftop designs were to be rebuilt as prototypes for the remainder of the structure.
The strength of the original design was its rectilinear and symmetrical arrangement of internal and external spaces, but the difference between the two had become blurred over the decades. New zinc siding, mahogany decking, and stainless steel railings accentuate the defining elements and more clearly articulate the living spaces, breathing new life into the building and reinvigorating the surrounding campus.
Furthermore, the renovation also provided a chance to bring the structure up to modern energy standards and help meet Harvard’s lofty environmental goals. Insulation within the ceilings was more than tripled, white TPO roofing reduces the heat island effect, construction waste was minimized by recasting the siding as sheathing, and materials were selected not only for aesthetics, but for their longevity and ability to be recycled as well.
Harvard’s energy standards brought an uncharacteristic level of environmental care to this building. Roof structures are triple insulated, allowing separating interior from exterior in the most thermally efficient manner. North facing triple insulated skylights and white TPO roofing reduces the heat gain, but allows natural light to pour in. Materials were selected not only for aesthetics, but for their longevity. Zinc, for example, is made of 100% recycled material, and has duration of 200 years. Uncharacteristic levels of environmental care were common on this project.

Photo: A Darling Felicity Photography © 2015 Houzz
Example of a mid-sized country porcelain tile mudroom design in Seattle with green walls
Example of a mid-sized country porcelain tile mudroom design in Seattle with green walls

Sponsored
Sunbury, OH
J.Holderby - Renovations
Franklin County's Leading General Contractors - 2X Best of Houzz!

How Planning Leads to Successful Construction
Construction projects, whether small residential jobs or large commercial builds, require more than just skilled labor and high-quality materials. The foundation of a successful project lies in effective planning. Proper planning ensures efficiency, minimizes risks, and keeps the project within budget and on schedule. Here’s how thorough planning leads to successful construction:
1. Clear Project Scope and Objectives
Defining the project scope early on helps prevent scope creep and miscommunication. Establishing clear goals, deliverables, and timelines ensures that everyone involved understands the expectations. This prevents delays and unnecessary changes during construction.
2. Accurate Budgeting and Cost Control
A well-planned project includes a detailed cost estimation. This accounts for labor, materials, permits, and unexpected contingencies. Without proper budgeting, costs can spiral out of control, leading to financial strain and potential project failure.
3. Efficient Resource Management
Proper planning helps allocate resources effectively, including manpower, equipment, and materials. Scheduling workers and ordering materials at the right time avoids delays caused by shortages or logistical issues.
4. Risk Identification and Mitigation
Every construction project comes with risks—weather delays, supply chain issues, safety hazards, or regulatory compliance concerns. Planning ahead allows for risk assessment and the implementation of strategies to mitigate potential problems before they occur.
5. Compliance with Regulations and Permits
Failing to secure the necessary permits or adhere to building codes can halt a project indefinitely. Planning ensures that all legal requirements are met in advance, avoiding costly fines and legal complications.
6. Seamless Communication and Coordination
A structured plan includes clear communication protocols between contractors, architects, engineers, and clients. When everyone is on the same page, mistakes are reduced, and the workflow remains smooth.
7. Improved Project Scheduling
A construction schedule outlines each phase of the project, from site preparation to finishing touches. A well-planned schedule helps keep tasks on track, prevents unnecessary delays, and ensures timely project completion.
8. Higher Quality Workmanship
Planning allows for a structured approach to quality control. By setting benchmarks, conducting inspections, and using the right materials, projects meet industry standards and client expectations.
9. Better Client Satisfaction
When a project is completed on time, within budget, and meets quality expectations, client satisfaction increases. A satisfied client is more likely to recommend your services and return for future projects.
Conclusion
In construction, planning isn’t just a step—it’s the backbone of success. From budgeting and resource management to compliance and scheduling, thorough planning prevents costly errors, improves efficiency, and ensures a high-quality outcome. Whether you're working on a small driveway installation or a large-scale commercial project, investing time in planning will always pay off in the long run.
Do you need expert concrete construction services that prioritize planning and quality? Contact us today!

Overview:
Wing-like roofline houses a dramatic white villa in Costa Rica jungle.
Studio Saxe was commissioned to design a villa on the hilltops of Santiago in Santa Teresa, Costa Rica. The primary objective was not only to provide dwellers with a connection with its jungle surroundings but also to generate an intimate relationship with an amazing view of the shoreline which brings its dwellers back to a more profound appreciation of the natural world.
Concept
Studio Saxe decided to create a large roof that would house within a series of bedrooms and living spaces that would all be turned sideways in order to face the prominent views. Interstitial spaces within the living volumes create gaps that enhance a deeper connection to the natural surroundings whilst moving about the dwelling.
Design
Every space in the home has been angled to view the ocean, and this twist creates a geometric relationship between the roofline and the spaces that became the primary element of design that both addresses the need for large overhangs (for climate control and comfort) but also generates a literal connection between the view and every space.
This white house in the jungle acts as a canvas so that morning and sunset light reflect on its surfaces creating an array of colors that vary throughout the day. The angled surfaces also allow for the reflection of shadows and the textures of nature to play within the interstitial spaces that exist between the living spaces.
Construction
Due to the remoteness of the location and difficult access, Studio Saxe decided to create a light steel frame that could be prefabricated off-site, brought, and assembled in a fast and effective way. This not only ensured the quality of the construction in a very remote location, but it also allowed the process of construction to be very light touch and the intervention on the site to be very minimal while creating the sensation of large open spaces that bring the view in and at the same time are protected by a large roof held by steel “I” beams.
Sustainability
At Studio Saxe we believe that proper design with nature should be the first focus of sustainability and thus, this villa has been oriented properly to take advantage of predominant winds for cooling. Also, long overhangs protect from the sun and the rain in the most critical parts of the day creating comfort without the use of energy. A light touch construction method meant that the impact on the site was minimal during the implementation of the villa and the extended roofline also serves as a means to collect water and energy generation.

Overview:
Wing-like roofline houses a dramatic white villa in Costa Rica jungle.
Studio Saxe was commissioned to design a villa on the hilltops of Santiago in Santa Teresa, Costa Rica. The primary objective was not only to provide dwellers with a connection with its jungle surroundings but also to generate an intimate relationship with an amazing view of the shoreline which brings its dwellers back to a more profound appreciation of the natural world.
Concept
Studio Saxe decided to create a large roof that would house within a series of bedrooms and living spaces that would all be turned sideways in order to face the prominent views. Interstitial spaces within the living volumes create gaps that enhance a deeper connection to the natural surroundings whilst moving about the dwelling.
Design
Every space in the home has been angled to view the ocean, and this twist creates a geometric relationship between the roofline and the spaces that became the primary element of design that both addresses the need for large overhangs (for climate control and comfort) but also generates a literal connection between the view and every space.
This white house in the jungle acts as a canvas so that morning and sunset light reflect on its surfaces creating an array of colors that vary throughout the day. The angled surfaces also allow for the reflection of shadows and the textures of nature to play within the interstitial spaces that exist between the living spaces.
Construction
Due to the remoteness of the location and difficult access, Studio Saxe decided to create a light steel frame that could be prefabricated off-site, brought, and assembled in a fast and effective way. This not only ensured the quality of the construction in a very remote location, but it also allowed the process of construction to be very light touch and the intervention on the site to be very minimal while creating the sensation of large open spaces that bring the view in and at the same time are protected by a large roof held by steel “I” beams.
Sustainability
At Studio Saxe we believe that proper design with nature should be the first focus of sustainability and thus, this villa has been oriented properly to take advantage of predominant winds for cooling. Also, long overhangs protect from the sun and the rain in the most critical parts of the day creating comfort without the use of energy. A light touch construction method meant that the impact on the site was minimal during the implementation of the villa and the extended roofline also serves as a means to collect water and energy generation.

Overview:
Wing-like roofline houses a dramatic white villa in Costa Rica jungle.
Studio Saxe was commissioned to design a villa on the hilltops of Santiago in Santa Teresa, Costa Rica. The primary objective was not only to provide dwellers with a connection with its jungle surroundings but also to generate an intimate relationship with an amazing view of the shoreline which brings its dwellers back to a more profound appreciation of the natural world.
Concept
Studio Saxe decided to create a large roof that would house within a series of bedrooms and living spaces that would all be turned sideways in order to face the prominent views. Interstitial spaces within the living volumes create gaps that enhance a deeper connection to the natural surroundings whilst moving about the dwelling.
Design
Every space in the home has been angled to view the ocean, and this twist creates a geometric relationship between the roofline and the spaces that became the primary element of design that both addresses the need for large overhangs (for climate control and comfort) but also generates a literal connection between the view and every space.
This white house in the jungle acts as a canvas so that morning and sunset light reflect on its surfaces creating an array of colors that vary throughout the day. The angled surfaces also allow for the reflection of shadows and the textures of nature to play within the interstitial spaces that exist between the living spaces.
Construction
Due to the remoteness of the location and difficult access, Studio Saxe decided to create a light steel frame that could be prefabricated off-site, brought, and assembled in a fast and effective way. This not only ensured the quality of the construction in a very remote location, but it also allowed the process of construction to be very light touch and the intervention on the site to be very minimal while creating the sensation of large open spaces that bring the view in and at the same time are protected by a large roof held by steel “I” beams.
Sustainability
At Studio Saxe we believe that proper design with nature should be the first focus of sustainability and thus, this villa has been oriented properly to take advantage of predominant winds for cooling. Also, long overhangs protect from the sun and the rain in the most critical parts of the day creating comfort without the use of energy. A light touch construction method meant that the impact on the site was minimal during the implementation of the villa and the extended roofline also serves as a means to collect water and energy generation.

Sponsored
Sunbury, OH
J.Holderby - Renovations
Franklin County's Leading General Contractors - 2X Best of Houzz!

Overview:
Wing-like roofline houses a dramatic white villa in Costa Rica jungle.
Studio Saxe was commissioned to design a villa on the hilltops of Santiago in Santa Teresa, Costa Rica. The primary objective was not only to provide dwellers with a connection with its jungle surroundings but also to generate an intimate relationship with an amazing view of the shoreline which brings its dwellers back to a more profound appreciation of the natural world.
Concept
Studio Saxe decided to create a large roof that would house within a series of bedrooms and living spaces that would all be turned sideways in order to face the prominent views. Interstitial spaces within the living volumes create gaps that enhance a deeper connection to the natural surroundings whilst moving about the dwelling.
Design
Every space in the home has been angled to view the ocean, and this twist creates a geometric relationship between the roofline and the spaces that became the primary element of design that both addresses the need for large overhangs (for climate control and comfort) but also generates a literal connection between the view and every space.
This white house in the jungle acts as a canvas so that morning and sunset light reflect on its surfaces creating an array of colors that vary throughout the day. The angled surfaces also allow for the reflection of shadows and the textures of nature to play within the interstitial spaces that exist between the living spaces.
Construction
Due to the remoteness of the location and difficult access, Studio Saxe decided to create a light steel frame that could be prefabricated off-site, brought, and assembled in a fast and effective way. This not only ensured the quality of the construction in a very remote location, but it also allowed the process of construction to be very light touch and the intervention on the site to be very minimal while creating the sensation of large open spaces that bring the view in and at the same time are protected by a large roof held by steel “I” beams.
Sustainability
At Studio Saxe we believe that proper design with nature should be the first focus of sustainability and thus, this villa has been oriented properly to take advantage of predominant winds for cooling. Also, long overhangs protect from the sun and the rain in the most critical parts of the day creating comfort without the use of energy. A light touch construction method meant that the impact on the site was minimal during the implementation of the villa and the extended roofline also serves as a means to collect water and energy generation.

Overview:
Wing-like roofline houses a dramatic white villa in Costa Rica jungle.
Studio Saxe was commissioned to design a villa on the hilltops of Santiago in Santa Teresa, Costa Rica. The primary objective was not only to provide dwellers with a connection with its jungle surroundings but also to generate an intimate relationship with an amazing view of the shoreline which brings its dwellers back to a more profound appreciation of the natural world.
Concept
Studio Saxe decided to create a large roof that would house within a series of bedrooms and living spaces that would all be turned sideways in order to face the prominent views. Interstitial spaces within the living volumes create gaps that enhance a deeper connection to the natural surroundings whilst moving about the dwelling.
Design
Every space in the home has been angled to view the ocean, and this twist creates a geometric relationship between the roofline and the spaces that became the primary element of design that both addresses the need for large overhangs (for climate control and comfort) but also generates a literal connection between the view and every space.
This white house in the jungle acts as a canvas so that morning and sunset light reflect on its surfaces creating an array of colors that vary throughout the day. The angled surfaces also allow for the reflection of shadows and the textures of nature to play within the interstitial spaces that exist between the living spaces.
Construction
Due to the remoteness of the location and difficult access, Studio Saxe decided to create a light steel frame that could be prefabricated off-site, brought, and assembled in a fast and effective way. This not only ensured the quality of the construction in a very remote location, but it also allowed the process of construction to be very light touch and the intervention on the site to be very minimal while creating the sensation of large open spaces that bring the view in and at the same time are protected by a large roof held by steel “I” beams.
Sustainability
At Studio Saxe we believe that proper design with nature should be the first focus of sustainability and thus, this villa has been oriented properly to take advantage of predominant winds for cooling. Also, long overhangs protect from the sun and the rain in the most critical parts of the day creating comfort without the use of energy. A light touch construction method meant that the impact on the site was minimal during the implementation of the villa and the extended roofline also serves as a means to collect water and energy generation.

Overview:
Wing-like roofline houses a dramatic white villa in Costa Rica jungle.
Studio Saxe was commissioned to design a villa on the hilltops of Santiago in Santa Teresa, Costa Rica. The primary objective was not only to provide dwellers with a connection with its jungle surroundings but also to generate an intimate relationship with an amazing view of the shoreline which brings its dwellers back to a more profound appreciation of the natural world.
Concept
Studio Saxe decided to create a large roof that would house within a series of bedrooms and living spaces that would all be turned sideways in order to face the prominent views. Interstitial spaces within the living volumes create gaps that enhance a deeper connection to the natural surroundings whilst moving about the dwelling.
Design
Every space in the home has been angled to view the ocean, and this twist creates a geometric relationship between the roofline and the spaces that became the primary element of design that both addresses the need for large overhangs (for climate control and comfort) but also generates a literal connection between the view and every space.
This white house in the jungle acts as a canvas so that morning and sunset light reflect on its surfaces creating an array of colors that vary throughout the day. The angled surfaces also allow for the reflection of shadows and the textures of nature to play within the interstitial spaces that exist between the living spaces.
Construction
Due to the remoteness of the location and difficult access, Studio Saxe decided to create a light steel frame that could be prefabricated off-site, brought, and assembled in a fast and effective way. This not only ensured the quality of the construction in a very remote location, but it also allowed the process of construction to be very light touch and the intervention on the site to be very minimal while creating the sensation of large open spaces that bring the view in and at the same time are protected by a large roof held by steel “I” beams.
Sustainability
At Studio Saxe we believe that proper design with nature should be the first focus of sustainability and thus, this villa has been oriented properly to take advantage of predominant winds for cooling. Also, long overhangs protect from the sun and the rain in the most critical parts of the day creating comfort without the use of energy. A light touch construction method meant that the impact on the site was minimal during the implementation of the villa and the extended roofline also serves as a means to collect water and energy generation.
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