All photographs of this project are copyright Robin Lee Reed.
Inspiration for a modern landscaping in Milwaukee.

One of the most prestigious projects we have supplied is the Martin House in Buffalo NY. Designed by Frank Lloyd Wright in 1904 it was the largest residential complex of his career and one of the most expensive. Although the house had fallen in to disrepair and a number of the buildings demolished, the Darwin Martin House Corporation have over seen its re-birth and return to its former glory. Northern became involved in 1994 and supplied tiles for the main house in 1996 and the Barton house a year later. Once the Pergola and Garage had been re-created we again supplied tiles, finishing out a 14 year involvement with the project. This is a true masterpiece of American design and heritage and you owe yourself a visit.

Meandering paths of pebble and oyster shell link the main house, pool and spa area, and the guest house on this Kiawah Island property. Regionally sourced granite steps set into the slope are repeated throughout the site. Wes Fredsell Photography

The Half Arc House, located in one of the most opulent skyscrapers in the heart of South Bombay, is rewarded with a stunning uninterrupted view of the Arabian sea on one end and the city on the other. The tower, complete with a lavish swimming pool and gym, captures the essence of luxury living. The Half Arc House is mindfully designed to magnify the luxury living experience. The selected furniture and furnishings are all sourced from Europe, from the most covetable brands in the world. Think Boca Do Lobo, Tom Dixon, Baxter, Serip, and Reflex Angelo, to name a few—all of which are unabashedly luxurious. These global luxury brands have been paired with indigenous local.

A former auto repair garage. Designed as a private aircraft destination Steakhouse restaurant in South Dakota. The restaurant plays homage to indigenous materials from South Dakota but with a twist. Cow Skulls, river rock from the foothills, homage to the Indians with the feather chandelier and no walls in the restaurant, just drapery which allows the floor plan to be adaptable depending on the occasion or event. The space lends itself to community dining, amongst the diners there is private aircraft owners and pilots. This town ‘s notorious history is being one of the most wild in the wild west.

Guest bedroom with tropical trimmings and a stainless steel four poster king bed.
Large trendy guest carpeted and brown floor bedroom photo in Hawaii with multicolored walls and no fireplace

Nestled in Dallas, Texas, our remote design team based out of Washington, D.C. has transformed a backyard into a serene haven—all without stepping foot in the Lone Star State! With a newly constructed ADU, our client sought a seamless blend of Texan beauty and modern convenience. Through our remote design process, we curated a landscape featuring native Texan plants, a timeless flagstone patio, meandering walkways, and a personalized garden area. Our selection of indigenous plants ensures year-round vibrancy with minimal upkeep. The rustic flagstone patio beckons relaxation under the Texan sun, while the custom garden area offers the joy of cultivating favorite herbs and blooms at home. Despite the miles between us, our design ethos resonates with Texan tranquility. And while we may hail from D.C., we're all for fostering camaraderie—even with Dallas Cowboys fans!

Perched on a ridge 20 feet above a private lake in Stillwater, Minnesota, the clients wanted an age-in-place home where strong design influenced by the natural surroundings informed the space and shape of the project. CITYDESKSTUDIO carefully sited the home in one of the many natural clearings within their wooded property alongside a private lake, maximizing connection to the land, while preserving trees and natural topography. The home is distinguished by a light-filled, vaulted living area, a continuous timber loggia forming the entry court and connection to the garage, and a landscape design filled with rain gardens and indigenous rocks and plantings. The home features one-level living with a walk-out lower level which maintains a low profile upon approach, allowing the home to fit gracefully within its context. Sustainable features include landscaping with rain gardens to control rainwater, thermal mass concrete, geothermal in-floor heating, and a 10 kilowatt photovoltaic array with home batteries to allow fully off-grid living. Locally sourced building materials were used where possible for cedar siding and patio paving, including re-used soapstone counters. Select trees were harvested directly off the land for the staircase, interior wall finishes and the 10-foot dining table. Project Team: Ben Awes AIA, Principal-In-Charge

Set amongst a splendid display of forty-one oaks, the design for this family residence demanded an intimate knowledge and respectful acceptance of the trees as the indigenous inhabitants of the space. Crafted from this symbiotic relationship, the architecture found natural placement in the beautiful spaces between the forty-one, acknowledging their presence and pedagogy. Conceived as a series of interconnected pavilions, the home hovers slightly above the native grasslands as it settles down amongst the oaks. Broad overhanging flat plate roofs cantilever out, connecting indoor living space to the nature beyond. Large windows are strategically placed to capture views of particularly well-sculptured trees, and enhance the connection of the grove and the home to the valley surround.

If you're looking for a unique dining table with a mid-century modern design, look no further. The raw beauty of this African Mahogany tree is highlighted in this one of a kind dining table designed by Jamar Simien. All of our work is handmade of repurposed indigenous materials. The character of the grain pattern on this Mahogany slab is stunning. Dimensions for the table: Height: 30" x Width: 36" x Length: 72" x Thickness: 1.5" Dimensions for the benches: Height: 18" x Width: 16” x Length: 60" x Thickness: 1.5"

Cape Courtyard is a vacation house in the Greek Revival tradition so richly characteristic of Cape Cod. A temple-like entry portico in an enigmatic shingled wall is one’s first view on approaching the house. The view of the water is to the north, but there was a desire for a sunny, wind-sheltered southern courtyard. The house looks inward to the courtyard and outward to the bay. Set behind dunes, preserving indigenous plantings, the house is approached from the south. The wall with the entry portico screens the courtyard from the driveway. Only after passing through the portico does one discover the courtyard. The house is arrayed around the court like a village of small Greek Revival houses, connected by an intimately-scaled colonnade. The main block of the house is two stories, one room wide, running east–west, open both to the north water view and the southern courtyard. A wing containing service functions and garage defines the east side of the courtyard. The shape of the compact lot gave rise to the angled plan and dynamic courtyard geometry. Photography by Robert Benson

Stuart Wade, Envision Virtual Tours Envision Virtual Tours and High Resolution Photography is your best choice to find just what you are looking for in the Ellijay, Ga. area .Ellijay, Georgia, known as the “Apple Capital” of Georgia, is located between the Ellijay and Cartecay Rivers where they join to make the Coosawattee River and is the county seat of Gilmer County, Georgia. The origin of the city’s name is not certain but thought to be the English derivative of an Indian word(s) meaning “many waters”, “place of green things” or “new ground”. Some histories say it may have been named for an Indian chief. Inhabited for countless years by the Cherokee people indigenous to the North Georgia, the area was first mentioned as a village and trade center before the onslaught of white settlers inhabited the region. During the 1830’s both white settlers and Indians occupied Ellijay. During the original land lottery in 1832, Martin Scalf acquired the 160 acre lot where the town now stands. In 1833, Clemonds Quinland bought 10 acres from Scalf, retained one acre for himself and donated the rest of the purchase to the County. A plan for twenty town lots, streets and a public square was created and the streets were oriented to allow maximum sunlight exposure to the buildings. Proceeds from lot sales were used to build a jail and courthouse and pay other city expenses. During this same year, Gilmer County was appropriated $800.00 from the State to build a school, and a three-acre lot was donated for the city cemetery. On December 29, l834, Ellijay was incorporated and designated as the County seat of Gilmer County. By 1837, the town had twenty dwellings, three stores and one attorney. Most of these early buildings were of log construction. Many roads led to Ellijay by 1849. The population had grown to 150 by 1850 and the town at five stores. Some wood-frame buildings were being constructed at this time and in 1854, a new courthouse was built in the center of the square, replacing the earlier building. The County’s first newspaper was the Ellijay Courier, started in 1875, and during this time period, Ellijay was a stop on the stagecoach line. The railroad bridge over the Cartecay River was completed in 1884 and the town now had rail service. With the arrival of the railroad and subsequent tracks to White Path, Ellijay began to grow much faster. Many hotels were constructed and land was donated for a depot east of town. More industries, such as a cheese factory and the Shippen Brothers Lumber Mill, located in Ellijay. By 1898, the city had expanded its limits in every direction and now included the depot. By 1900, all the buildings on the town square were brick. This included the recently completed Hyatt Hotel. Most of the other buildings in town were still of log construction, but new wood-frame buildings were being built. The Shippen Brothers Lumber Company production was expanding and exporting their lumber to Europe. Within the next few decades, this company grew to be one of the largest employers in Ellijay, often with five to six million feet of lumber in the yard at one time. The population of Ellijay grew to 659 by 1910, and began to acquire many new modern conveniences such as electric lights and power, a telephone company and many new businesses. Then in 1912, a fire ravaged the city, destroying 23 buildings. As a result, many new buildings were constructed under new and stricter fire and safety guidelines. The population, however, decreased slightly at this time to 632 in 1920. During the 1920’s the town’s population began to grow again and, by this time, apples were being shipped out of the county and new storage facilities were built. Chickens were also shipped to markets outside of Ellijay and Gilmer County. From the mid 1930’s to 1950, Ellijay received much assistance from the Federal WPA Programs. The old courthouse was removed from the center of town square and the Hyatt Hotel was remodeled to be the new courthouse. A park was created on the site of the old courthouse and the streets around the square were paved. A new street was built at this time entering town from the northeast. Other new roads, bridges, sidewalks and gutters were constructed to improve the city. A school and gymnasium were also built and other structures improved. This growth began to impact the city’s infrastructure and in the l950’s and l960’s, a period of upgrading water systems, roads, and power supplies began. New low-rent housing appeared in l960 and a new hospital was built in l957. Georgia Highway 5 was widened in l962, new buildings around the square replaced old ones and some were remodeled. In 1974, the hospital was enlarged. Currently, Ellijay attracts tourists who love the small-town feel and friendly atmosphere. Hotels and restaurants, unique shops, antiques and art galleries lend their charms to those who visit. A new courthouse constructed to resemble the old one, new streetscaping, family-oriented downtown events and the beautification of the square have stepped up the social and economic activity and have made Ellijay a popular destination.

Perched high above the desert floor, this exclusive community of homes was designed specifically to take full advantage of close indoor/outdoor relationships, to showcase panoramic views and directional breezes. Adjacent mountains sweep across the site, and varied massing combined with rustic stone and wood beams recall historic European hill-towns. Each of the three plans incorporates multiple courtyards and porticos with a centralized, formal entry experience. The interplay of interior volumes articulates natural light and dramatic textures. Public and private spaces have been carefully zoned, to provide pockets of seclusion, balanced with generous entertainment areas. Inclusion of multiple water features combined with indigenous landscape seamlessly blend with the architecture to create a stunning sense of place among the rugged desert terrain. Eldorado Stone featured: Veneto Fieldledge Eldorado Brick featured: Brolio RomaBrick Architect: Steve Sennikoff Architecture Firm: Mark Scheurer Architect Mason: Dan Stringer Masonry

This ranch type home underwent a whole house transformation, giving it a classic-California Mediterranean blend. The exterior was given a heightened look with El Dorado Stone accents. New entry walls were crafted and lined with sweet water flagstone to coordinate with the stone walkways. Walking through the native landscaping layered with a vast array of indigenous succulents provides a delightful flow to the custom arched entry door by Jeld Wen. The existing driveway has been replaced in favor of new concrete pavers supplied by Belgard, which contrast beautifully with a light yet muted smooth troweled stucco. This home remodel brings a unique personality, contrast, and sophistication for a complete home remodel. Photographer: J.R. Maddox

Master shower walls of full slab beautiful stone. Body sprays. Outdoor private shower entry door connects the two spaces.
Inspiration for a contemporary master doorless shower remodel in Hawaii

Located on an extraordinary hillside site above the San Fernando Valley, the Sherman Residence was designed to unite indoors and outdoors. The house is made up of as a series of board-formed concrete, wood and glass pavilions connected via intersticial gallery spaces that together define a central courtyard. From each room one can see the rich and varied landscape, which includes indigenous large oaks, sycamores, “working” plants such as orange and avocado trees, palms and succulents. A singular low-slung wood roof with deep overhangs shades and unifies the overall composition. CLIENT: Jerry & Zina Sherman PROJECT TEAM: Peter Tolkin, John R. Byram, Christopher Girt, Craig Rizzo, Angela Uriu, Eric Townsend, Anthony Denzer ENGINEERS: Joseph Perazzelli (Structural), John Ott & Associates (Civil), Brian A. Robinson & Associates (Geotechnical) LANDSCAPE: Wade Graham Landscape Studio CONSULTANTS: Tree Life Concern Inc. (Arborist), E&J Engineering & Energy Designs (Title-24 Energy) GENERAL CONTRACTOR: A-1 Construction PHOTOGRAPHER: Peter Tolkin, Grant Mudford AWARDS: 2001 Excellence Award Southern California Ready Mixed Concrete Association

The Owners of a home that had been consumed by the moving dunes of Lake Michigan wanted a home that would not only stand the test of aesthetic time, but survive the vicissitudes of the environment. With the assistance of the Michigan Department of Environmental Quality as well as the consulting civil engineer and the City of Grand Haven Zoning Department, a soil stabilization site plan was developed based on raising the new home’s main floor elevation by almost three feet, implementing erosion studies, screen walls and planting indigenous, drought tolerant xeriscaping. The screen walls, as well as the low profile of the home and the use of sand trapping marrum beachgrass all help to create a wind shadow buffer around the home and reduce blowing sand erosion and accretion. The Owners wanted to minimize the stylistic baggage which consumes most “cottage” residences, and with the Architect created a home with simple lines focused on the view and the natural environment. Sustainable energy requirements on a budget directed the design decisions regarding the SIPs panel insulation, energy systems, roof shading, other insulation systems, lighting and detailing. Easily constructed and linear, the home harkens back to mid century modern pavilions with present day environmental sensitivities and harmony with the site. James Yochum

CORE Decor used for privacy, delineation and art, at an RV park. Can also be used at campsites, Tiny home communities, Modular sites and more. CORE Screens can be used for gates, fencing, privacy, cultural awareness and so much more. As they are made from PVC, they are designed for outdoors and easy to maintain