Magnolia is a mid-century house, reclaimed and enlivened for the next hundred years. The house was owned for half a century by husband-and-wife horticulturalists, who built the house in 1954 from Better Homes and Gardens plan book, a warren of rooms now outdated for today’s way of living. The new owners sought to honor them the home and the site. The house is in a temperate zone, surrounded by thriving gorgeous rare species, and with a dramatic view of Mount Hood, the house was completely re-envisioned and carefully expanded to be an elegant place to live, to entertain and to enjoy the comfortable climate and the lovely change of seasons. The foundation was maintained, the roof was raised and a wing was added for master living suite. The top floor of the house was sustainable deconstructed and recycled. Dramatically, the front entrance was moved to the South side of the house, creating an entry sequence that received the guest into the new context through a persimmon tree-lined Tori gate, a nicely designed forecourt, articulated pond and patio, to an entry inspired by the philosophy of Japanese wooden buildings. Only upon entering the foyer, are you first presented with the view of the mountain. The mountain is a guest in every living space of the house: at the hallway desk, you peek out from under the pendulous weeping cherry tree to the slope, at the Library/Guest room the new French doors and balcony present it for elegant dialogue, the guest room below and the master bedroom each have an intimate relationship with the iconic presence. Nowadays, kitchens are the heart of the home and the energy area for entertaining. The main living space is a farmhouse kitchen, dining room and living room in one communal space, bookended by an outdoor living room. A pair of Rumford fireplaces stitch the rooms together and create an edge and hearth to the rooms, the mountain at your side. The Magnolia envelops this corner of the house. Wire frame ‘chimneys’ lighten the load on the roots around the Magnolia tree, it is the largest and oldest specimen of the species known in the western hemisphere outside of Kew Gardens. The tree has developed a unique personality to it’s frame in the last half-century and as odd penile-looking see pods. The ‘chimneys’ are really trellises to allow the plantings to take over the home. The entire home is grounded by Montana Limestone, sustainably gathered on the Takashima’s Montana property. The front door, cabinetry and millwork are all built from knotty Alder. The island butcher-block is made from Madrone. Both are underappreciated understory hardwoods from local forests. The craftsmanship of the millwork was accomplished through collaboration of the architects with local artisans. The cabinet maker, finish carpenter and custom door-maker all influenced the language of sharply stepped kerfs that are repeated throughout via dado cuts and rabbets. This careful detailing brings the elemental quality of the stacked trabiated structure through to the small details of the home. Photos by Jon Jensen

Our client was drawn to the property in Wesley Heights as it was in an established neighborhood of stately homes, on a quiet street with views of park. They wanted a traditional home for their young family with great entertaining spaces that took full advantage of the site. The site was the challenge. The natural grade of the site was far from traditional. The natural grade at the rear of the property was about thirty feet above the street level. Large mature trees provided shade and needed to be preserved. The solution was sectional. The first floor level was elevated from the street by 12 feet, with French doors facing the park. We created a courtyard at the first floor level that provide an outdoor entertaining space, with French doors that open the home to the courtyard.. By elevating the first floor level, we were able to allow on-grade parking and a private direct entrance to the lower level pub "Mulligans". An arched passage affords access to the courtyard from a shared driveway with the neighboring homes, while the stone fountain provides a focus. A sweeping stone stair anchors one of the existing mature trees that was preserved and leads to the elevated rear garden. The second floor master suite opens to a sitting porch at the level of the upper garden, providing the third level of outdoor space that can be used for the children to play. The home's traditional language is in context with its neighbors, while the design allows each of the three primary levels of the home to relate directly to the outside. Builder: Peterson & Collins, Inc Photos © Anice Hoachlander

www.LeichtCA.com MODO | DESIGN OPTIONS A functional vision for the backsplash. The house of LEICHT has designed the MODO system, focusing on the exciting contrast of metal and natural wood. It will enhance every modern kitchen with it's clear lines and puristic form language. It provides easy access to the required cooking utensils and eases the straight lined kitchen architecture at the same time. A horizontal square railing of stainless steel colored aluminium screwed directly onto the niche back wall, provides the basic support element. Several function elements in lacquered solid oak are suspended here in various positions. The choice of instruments: shelves, paper roll holders, hook rail, utensil holder and a knife block. Separate function items can also be used as a shelf for smaller items. All lighting developed and designed by LEICHT demonstrates energy efficiency class A+ UL listed and is thus highly efficient. premium LED light with 4100 K (Kelvin) luminous color.

Hampton House – NY NY-based BAHND design studio selected reSAWN’s HAI shou sugi ban charred cypress for exterior siding for this private residence in The Hamptons. PRODUCT HAI :: shou sugi ban cypress wall cladding DETAILS Exterior Siding: HAI – #2 common grade shou-sugi-ban charred cypress, burnt and sealed on all 4 sides +/-7/8” thick X 5-1/8” wide X 6-16’ random length Tongue & Groove ABOUT THE PROJECT This private residence off a beautiful, secluded road in The Hamptons features a modern façade clad in reSAWN’s HAI shou sugi ban charred wood specified by BAHND design studio. BAHND DESIGN STUDIO is an architecture and design practice founded by Amanda Beethe to develop thoughtful, modern, sustainable architecture and design. They work with absolute dedication to the context of each project, ensuring that every space speaks to its owner in their own language. Their concepts draw inspiration from the place of each project: the history, nature and culture, and incorporate that into its future form.

Erik Bishoff

Modern Bauhaus inspired kitchen with clean and straightforward design language. The crisp ultra-matte Neon White gives a practical and bright surface that is user-friendly and easy to keep clean. To balance off with a contrast, a light and friendly Grey Stone Ash Laminate brings a warm feeling to the technical layout, that invites friends and family to enjoy the open layout.

Our Pasadena studio gave this bathroom a re-fresh so that our clients could relax and rejuvenate in its serene design language. The white and taupe color palette with hints of pale green creates a calming ambience, and the large tub is ideal for unwinding in and has a tub deck for scented candles and toiletries. A wall-mounted custom vanity offers ample storage and is complemented with a custom mirror. The contemporary flooring looks beautiful and serves a functional purpose, too, as it is slip-resistant.

Our Pasadena studio gave this bathroom a re-fresh so that our clients could relax and rejuvenate in its serene design language. The white and taupe color palette with hints of pale green creates a calming ambience, and the large tub is ideal for unwinding in and has a tub deck for scented candles and toiletries. A wall-mounted custom vanity offers ample storage and is complemented with a custom mirror. The contemporary flooring looks beautiful and serves a functional purpose, too, as it is slip-resistant.

Hampton House – NY NY-based BAHND design studio selected reSAWN’s HAI shou sugi ban charred cypress for exterior siding for this private residence in The Hamptons. PRODUCT HAI :: shou sugi ban cypress wall cladding DETAILS Exterior Siding: HAI – #2 common grade shou-sugi-ban charred cypress, burnt and sealed on all 4 sides +/-7/8” thick X 5-1/8” wide X 6-16’ random length Tongue & Groove ABOUT THE PROJECT This private residence off a beautiful, secluded road in The Hamptons features a modern façade clad in reSAWN’s HAI shou sugi ban charred wood specified by BAHND design studio. BAHND DESIGN STUDIO is an architecture and design practice founded by Amanda Beethe to develop thoughtful, modern, sustainable architecture and design. They work with absolute dedication to the context of each project, ensuring that every space speaks to its owner in their own language. Their concepts draw inspiration from the place of each project: the history, nature and culture, and incorporate that into its future form.

Subsequent additions are covered with living green walls to deemphasize stylistic conflicts imposed on a 1940’s Tudor and become backdrop surrounding a kitchen addition. On the interior, further added architectural inconsistencies are edited away, and the language of the Tudor’s original reclaimed integrity is referenced for the addition. Sympathetic to the home, windows and doors remain untrimmed and stark plaster walls contrast the original black metal windows. Sharp black elements contrast fields of white. With a ceiling pitch matching the existing and chiseled dormers, a stark ceiling hovers over the kitchen space referencing the existing homes plaster walls. Grid members in windows and on saw scored paneled walls and cabinetry mirror the machine age windows as do exposed steel beams. The exaggerated white field is pierced by an equally exaggerated 13 foot black steel tower that references the existing homes steel door and window members. Glass shelves in the tower further the window parallel. Even though it held enough dinner and glassware for eight, its thin members and transparent shelves defy its massive nature, allow light to flow through it and afford the kitchen open views and the feeling of continuous space. The full glass at the end of the kitchen reveres a grouping of 50 year old Hemlocks. At the opposite end, a window close to the peak looks up to a green roof.

Subsequent additions are covered with living green walls to deemphasize stylistic conflicts imposed on a 1940’s Tudor and become backdrop surrounding a kitchen addition. On the interior, further added architectural inconsistencies are edited away, and the language of the Tudor’s original reclaimed integrity is referenced for the addition. Sympathetic to the home, windows and doors remain untrimmed and stark plaster walls contrast the original black metal windows. Sharp black elements contrast fields of white. With a ceiling pitch matching the existing and chiseled dormers, a stark ceiling hovers over the kitchen space referencing the existing homes plaster walls. Grid members in windows and on saw scored paneled walls and cabinetry mirror the machine age windows as do exposed steel beams. The exaggerated white field is pierced by an equally exaggerated 13 foot black steel tower that references the existing homes steel door and window members. Glass shelves in the tower further the window parallel. Even though it held enough dinner and glassware for eight, its thin members and transparent shelves defy its massive nature, allow light to flow through it and afford the kitchen open views and the feeling of continuous space. The full glass at the end of the kitchen reveres a grouping of 50 year old Hemlocks. At the opposite end, a window close to the peak looks up to a green roof.

This bathroom is a beautiful example of how Santa Fe Style Architecture integrates art, craft, and natural light into everyday spaces. The room highlights: Hand-painted Talavera tiles with playful, colorful motifs lining the tub and counters — bringing in folk-art vibrancy and regional storytelling. Earth-toned plaster walls in warm golden hues, maintaining the signature adobe softness and glow. Viga and latilla ceiling with decorative painting, tying the bathroom into the home’s overall historic design language. Natural light and garden view through the deep-set window, blending indoor comfort with the outdoor landscape. Artwork as centerpiece, adding a bold, personal, and artistic touch to a utilitarian space. This makes the bathroom more than functional — it’s an immersive cultural and artistic experience, true to Historic Preservation Santa Fe and Custom Residential Design traditions.

Masculine home office showcases this home owner's skills and personality with his original work of art amongst numerous computer language books scattered about on the shelves, which he can access easily with his rolling ladder. Michael John Lewis with Photography4MLS

Our Indiana design studio gave this Centerville Farmhouse an urban-modern design language with a clean, streamlined look that exudes timeless, casual sophistication with industrial elements and a monochromatic palette. Photographer: Sarah Shields http://www.sarahshieldsphotography.com/ Project completed by Wendy Langston's Everything Home interior design firm, which serves Carmel, Zionsville, Fishers, Westfield, Noblesville, and Indianapolis. For more about Everything Home, click here: https://everythinghomedesigns.com/ To learn more about this project, click here: https://everythinghomedesigns.com/portfolio/urban-modern-farmhouse/

Located in Palo Alto's flood zone, this Eichler home underwent a phased renovation thoughtfully redesigned to accommodate a growing family of five, with an emphasis on school proximity and nearby grandparents. The bedroom wing was completely reconfigured, including a new front addition as a guest suite for grandparents, expanding the house to five bedrooms and three baths. Taller 9-foot ceilings were introduced in some areas, enhancing the overall openness—a lofty goal for an Eichler. The tranquil courtyard, a favorite spot for the family, was redesigned to allow parents to watch the kids while cooking. The backyard became a relaxing lounging area connected to the living room. Once dark living spaces were modernized by removing a low-hanging beam in the kitchen, adding skylights for natural light, and eliminating the fireplace to create a more functional entertainment space. Finally, new landscaping reflecting the client's heritage and some of the home's architectural elements, creates a harmonious indoor-outdoor flow. Klopf Architecture Project Team: John Klopf, AIA and Angela Alexander Interior Architecture: Klopf Architecture Bathroom Materials and Light Fixture Selection: Lucile Glessner Landscape Architect: Thuilot and Associates Photography: ©2024 Mariko Reed Year Completed: 2024 Location: Palo Alto, CA

Wolf 24" Convection Microwave Oven Stainless Steel | MC24 Available at Universal Appliance and Kitchen Center | uakc.com Sleek, black glass design: An all-glass front - from the door to the touch control panel to the large, convenient open button - gives Wolf standard and convection microwaves a look that coordinates seamlessly other Wolf products. Flexible design and installation options: All 24” microwaves can be freestanding or installed into surrounding cabinetry with accessory trim kits that coordinate with other Wolf built-in ovens and warming drawers. Gourmet mode: The intelligent Gourmet mode delivers deliciousness by detecting moisture and humidity levels and automatically adjusting cook time and power level for several preset recipes. Quick-start controls for popular items: Soften, melt, reheat, defrost and, of course, prepare popcorn using a broad range of quick-start options. Keep Warm mode: The Keep Warm mode turns your microwave into a warming drawer that keeps cooked food at a ready-to-serve temperature for up to 90 minutes. 900 watts of power: Wolf convection microwaves deliver 900 watts of power and a roomy 1.5-cu.-ft. of cooking capacity. Technical Features: Dimensions: 24 3/8"W x 14 7/8"H x 19"D 110/120 V AC 60 Hz, 15 amp dedicated circuit Overall Width with 30" Trim: 29 7/8" Overall Width with 36" Trim: 35 5/8" Multi-language—English, French and Spanish Sensor cooking Menu label and recipe guide Safety door latches—oven will not operate unless the door is securely closed Removable ceramic turntable and turntable support

Our client was drawn to the property in Wesley Heights as it was in an established neighborhood of stately homes, on a quiet street with views of park. They wanted a traditional home for their young family with great entertaining spaces that took full advantage of the site. The site was the challenge. The natural grade of the site was far from traditional. The natural grade at the rear of the property was about thirty feet above the street level. Large mature trees provided shade and needed to be preserved. The solution was sectional. The first floor level was elevated from the street by 12 feet, with French doors facing the park. We created a courtyard at the first floor level that provide an outdoor entertaining space, with French doors that open the home to the courtyard.. By elevating the first floor level, we were able to allow on-grade parking and a private direct entrance to the lower level pub "Mulligans". An arched passage affords access to the courtyard from a shared driveway with the neighboring homes, while the stone fountain provides a focus. A sweeping stone stair anchors one of the existing mature trees that was preserved and leads to the elevated rear garden. The second floor master suite opens to a sitting porch at the level of the upper garden, providing the third level of outdoor space that can be used for the children to play. The home's traditional language is in context with its neighbors, while the design allows each of the three primary levels of the home to relate directly to the outside. Builder: Peterson & Collins, Inc Photos © Anice Hoachlander

The client’s brief was to create a space reminiscent of their beloved downtown Chicago industrial loft, in a rural farm setting, while incorporating their unique collection of vintage and architectural salvage. The result is a custom designed space that blends life on the farm with an industrial sensibility. The new house is located on approximately the same footprint as the original farm house on the property. Barely visible from the road due to the protection of conifer trees and a long driveway, the house sits on the edge of a field with views of the neighbouring 60 acre farm and creek that runs along the length of the property. The main level open living space is conceived as a transparent social hub for viewing the landscape. Large sliding glass doors create strong visual connections with an adjacent barn on one end and a mature black walnut tree on the other. The house is situated to optimize views, while at the same time protecting occupants from blazing summer sun and stiff winter winds. The wall to wall sliding doors on the south side of the main living space provide expansive views to the creek, and allow for breezes to flow throughout. The wrap around aluminum louvered sun shade tempers the sun. The subdued exterior material palette is defined by horizontal wood siding, standing seam metal roofing and large format polished concrete blocks. The interiors were driven by the owners’ desire to have a home that would properly feature their unique vintage collection, and yet have a modern open layout. Polished concrete floors and steel beams on the main level set the industrial tone and are paired with a stainless steel island counter top, backsplash and industrial range hood in the kitchen. An old drinking fountain is built-in to the mudroom millwork, carefully restored bi-parting doors frame the library entrance, and a vibrant antique stained glass panel is set into the foyer wall allowing diffused coloured light to spill into the hallway. Upstairs, refurbished claw foot tubs are situated to view the landscape. The double height library with mezzanine serves as a prominent feature and quiet retreat for the residents. The white oak millwork exquisitely displays the homeowners’ vast collection of books and manuscripts. The material palette is complemented by steel counter tops, stainless steel ladder hardware and matte black metal mezzanine guards. The stairs carry the same language, with white oak open risers and stainless steel woven wire mesh panels set into a matte black steel frame. The overall effect is a truly sublime blend of an industrial modern aesthetic punctuated by personal elements of the owners’ storied life. Photography: James Brittain

Photography by Barend Roberts and Victoria Pilcher