As a conceptual urban infill project, the Wexley is designed for a narrow lot in the center of a city block. The 26’x48’ floor plan is divided into thirds from front to back and from left to right. In plan, the left third is reserved for circulation spaces and is reflected in elevation by a monolithic block wall in three shades of gray. Punching through this block wall, in three distinct parts, are the main levels windows for the stair tower, bathroom, and patio. The right two-thirds of the main level are reserved for the living room, kitchen, and dining room. At 16’ long, front to back, these three rooms align perfectly with the three-part block wall façade. It’s this interplay between plan and elevation that creates cohesion between each façade, no matter where it’s viewed. Given that this project would have neighbors on either side, great care was taken in crafting desirable vistas for the living, dining, and master bedroom. Upstairs, with a view to the street, the master bedroom has a pair of closets and a skillfully planned bathroom complete with soaker tub and separate tiled shower. Main level cabinetry and built-ins serve as dividing elements between rooms and framing elements for views outside. Architect: Visbeen Architects Builder: J. Peterson Homes Photographer: Ashley Avila Photography

Kiel's woodworking talents are in full effect in the kitchen. Rather than incorporate pre-fabricated cabinets into the newly rebuilt space, he decided to build them himself, affording the home the custom work that it so deserves. "It didn't make sense to put in the same fiberboard cabinetry that was there before", he confesses. Part of the plan called for open shelving up top to show off Chelsea's colorful plate collection. "One of the perks of being married to a wood worker", Chelsea jokes, "is having an entire kitchen worth of cabinets for the cost of wood and paint!" The couple outfitted the antique sink with a modern spray fixture from IKEA. The enameled cast iron sink was not only a steal at $25, but it is certainly made to last. "Often we buy older pieces which have been around for 50+ years because we know that if they have survived this long they will likely survive another 50", she says. Backsplash Tile, Hamilton Parker Photo: Adrienne DeRosa Photography © 2014 Houzz

Located upon a 200-acre farm of rolling terrain in western Wisconsin, this new, single-family sustainable residence implements today’s advanced technology within a historic farm setting. The arrangement of volumes, detailing of forms and selection of materials provide a weekend retreat that reflects the agrarian styles of the surrounding area. Open floor plans and expansive views allow a free-flowing living experience connected to the natural environment.

Charming Old World meets new, open space planning concepts. This Ranch Style home turned English Cottage maintains very traditional detailing and materials on the exterior, but is hiding a more transitional floor plan inside. The 49 foot long Great Room brings together the Kitchen, Family Room, Dining Room, and Living Room into a singular experience on the interior. By turning the Kitchen around the corner, the remaining elements of the Great Room maintain a feeling of formality for the guest and homeowner's experience of the home. A long line of windows affords each space fantastic views of the rear yard. Nyhus Design Group - Architect Ross Pushinaitis - Photography

Charming Old World meets new, open space planning concepts. This Ranch Style home turned English Cottage maintains very traditional detailing and materials on the exterior, but is hiding a more transitional floor plan inside. The 49 foot long Great Room brings together the Kitchen, Family Room, Dining Room, and Living Room into a singular experience on the interior. By turning the Kitchen around the corner, the remaining elements of the Great Room maintain a feeling of formality for the guest and homeowner's experience of the home. A long line of windows affords each space fantastic views of the rear yard. Nyhus Design Group - Architect Ross Pushinaitis - Photography

As a conceptual urban infill project, the Wexley is designed for a narrow lot in the center of a city block. The 26’x48’ floor plan is divided into thirds from front to back and from left to right. In plan, the left third is reserved for circulation spaces and is reflected in elevation by a monolithic block wall in three shades of gray. Punching through this block wall, in three distinct parts, are the main levels windows for the stair tower, bathroom, and patio. The right two-thirds of the main level are reserved for the living room, kitchen, and dining room. At 16’ long, front to back, these three rooms align perfectly with the three-part block wall façade. It’s this interplay between plan and elevation that creates cohesion between each façade, no matter where it’s viewed. Given that this project would have neighbors on either side, great care was taken in crafting desirable vistas for the living, dining, and master bedroom. Upstairs, with a view to the street, the master bedroom has a pair of closets and a skillfully planned bathroom complete with soaker tub and separate tiled shower. Main level cabinetry and built-ins serve as dividing elements between rooms and framing elements for views outside. Architect: Visbeen Architects Builder: J. Peterson Homes Photographer: Ashley Avila Photography

The winning entry of the Dwell Home Design Invitational is situated on a hilly site in North Carolina among seven wooded acres. The home takes full advantage of it’s natural surroundings: bringing in the woodland views and natural light through plentiful windows, generously sized decks off the front and rear facades, and a roof deck with an outdoor fireplace. With 2,400 sf divided among five prefabricated modules, the home offers compact and efficient quarters made up of large open living spaces and cozy private enclaves. To meet the necessity of creating a livable floor plan and a well-orchestrated flow of space, the ground floor is an open plan module containing a living room, dining area, and a kitchen that can be entirely open to the outside or enclosed by a curtain. Sensitive to the clients’ desire for more defined communal/private spaces, the private spaces are more compartmentalized making up the second floor of the home. The master bedroom at one end of the volume looks out onto a grove of trees, and two bathrooms and a guest/office run along the same axis. The design of the home responds specifically to the location and immediate surroundings in terms of solar orientation and footprint, therefore maximizing the microclimate. The construction process also leveraged the efficiency of wood-frame modulars, where approximately 80% of the house was built in a factory. By utilizing the opportunities available for off-site construction, the time required of crews on-site was significantly diminished, minimizing the environmental impact on the local ecosystem, the waste that is typically deposited on or near the site, and the transport of crews and materials. The Dwell Home has become a precedent in demonstrating the superiority of prefabricated building technology over site-built homes in terms of environmental factors, quality and efficiency of building, and the cost and speed of construction and design. Architects: Joseph Tanney, Robert Luntz Project Architect: Michael MacDonald Project Team: Shawn Brown, Craig Kim, Jeff Straesser, Jerome Engelking, Catarina Ferreira Manufacturer: Carolina Building Solutions Contractor: Mount Vernon Homes Photographer: © Jerry Markatos, © Roger Davies, © Wes Milholen

Old fixer-uppers often require two competing levels of priorities from their new homeowners. First and foremost is the need to immediately attend to those repairs that ensure the continued functioning and general well being of the house’s structure. By nature, these usually demand “house on fire!” status, especially when compared to other types of remodeling work that simply enhances aesthetics and general comfort. In the case of a Delaware couple, a structural issue with the front of their 125 year old Victorian (it was sinking!), along with some other more pressing challenges, put a 13 year long hold on getting the bathroom for which they had long dreamed. The shower enclosure features a base of hexagon patterned tile, bordered by marble subway tiles. The shower enclosure features a base of hexagon patterned tile, bordered by marble subway tiles. By the time Dave Fox Design Build Remodelers was hired to handle the construction, the couple certainly had put plenty of thought into converting a spare second-floor bedroom into the master bath. Courtney Burnett, Fox’s Interior Design Manager on the project, credits the owners for “having great creative minds, with lots of ideas to contribute.” By the time it came to put a formal design plan into place, the client “drove the look while we devised how the space would function.” It’s worth noting that there are drawbacks in being given too much time for advance planning. Owners’ tastes in design may change, while a steady stream of new fixtures and building products always demand consideration up to the last minute. “We had been collecting ideas for a while…pictures of what we liked, but as it turned out, when it came time to select fixtures, tile, etc., we used little from those pictures,” the owners admit. A framed herringbone pattern of subway tiles provides a perfect focal point for the shower. A framed herringbone pattern of subway tiles provides a perfect focal point for the shower. The finished bath exudes an art deco spirit that isn’t true to the home’s Victorian origins, which Burnett attributes to being more of a reflection of the homeowners’ preferences than the actual era of the structure. Despite that incongruity, everyone feels that they have remained true to the house by selecting vintage style elements, including subway tiles for the walls, hexagonal tile for the floors, and a pedestal sink that served as the focal point for the entire room. But as with all dreams, once one is achieved, a new one soon beckons. With the bathroom’s strikingly beautiful turquoise paint barely dry, the completion of that long-awaited project has served to kick-start plans for finishing off the remainder of the Victorian’s second floor.

Photography-Hedrich Blessing Glass House: The design objective was to build a house for my wife and three kids, looking forward in terms of how people live today. To experiment with transparency and reflectivity, removing borders and edges from outside to inside the house, and to really depict “flowing and endless space”. To construct a house that is smart and efficient in terms of construction and energy, both in terms of the building and the user. To tell a story of how the house is built in terms of the constructability, structure and enclosure, with the nod to Japanese wood construction in the method in which the concrete beams support the steel beams; and in terms of how the entire house is enveloped in glass as if it was poured over the bones to make it skin tight. To engineer the house to be a smart house that not only looks modern, but acts modern; every aspect of user control is simplified to a digital touch button, whether lights, shades/blinds, HVAC, communication/audio/video, or security. To develop a planning module based on a 16 foot square room size and a 8 foot wide connector called an interstitial space for hallways, bathrooms, stairs and mechanical, which keeps the rooms pure and uncluttered. The base of the interstitial spaces also become skylights for the basement gallery. This house is all about flexibility; the family room, was a nursery when the kids were infants, is a craft and media room now, and will be a family room when the time is right. Our rooms are all based on a 16’x16’ (4.8mx4.8m) module, so a bedroom, a kitchen, and a dining room are the same size and functions can easily change; only the furniture and the attitude needs to change. The house is 5,500 SF (550 SM)of livable space, plus garage and basement gallery for a total of 8200 SF (820 SM). The mathematical grid of the house in the x, y and z axis also extends into the layout of the trees and hardscapes, all centered on a suburban one-acre lot.

This new home is a study in eclectic contrasts. The client loves modern design yet still wanted to blend a bit of her southern traditional heritage into the overall feel of her new home. The goal and challenge was to combine functionality in a large space with unique details that spoke to the client’s love of artisitic creativity and rich materials. With 14 foot ceilings the challenge was to not let the kitchen space “underwhelm” the rest of the open floor plan as the kitchen, dining and great room all are part of the larger footprint. To this end, we designed a modern enclosure that allowed additional height and heft to help balance the “weight” of the kitchen with the other areas. The long island designed for entertaining features a custom designed iron “table” housing the microwave drawer and topped with a checkboard endgrain cherry and walnut wood top. This second “island” is part of the rich details that define the kitchen. The upper cabinets have unusual triple ring iron inserts, again, designed for the unexpected use of material richness..along with the antique mirror rather than glass as the background. The platter rack on the end of the left side elevation also replicates the iron using it for the dowels. The panels on the Subzero refrigerator are crafted from burled walnut veneer chosen to echo the browns and blacks throughout much of the furnishings. The client did not want or need a large range as we planned a second ancillary oven for the pantry/laundry space around the corner. When I pointed out the capacity of the Wolf 36 inch range was actually larger than a 30 inch oven, it sealed the deal for only one oven in the main cooking center. We did not want the cooking area to be dwarfed however, so used a custom black cold rolled steel hood that is 60 inches long. The panels on the Sub Zero refrigerator are another blend of eclectic materials. Along the left side cabinetry where the cabinets die into the wall, we chose to run the calcutta gold marble 4x16 stone up the wall and utilize thick glass shelves for some visual interest in this corner. Also, this corner would be tough to access with doors. I liked the prep sink area to feel open and airy as well. This beautiful kitchen is quite unique that combines functionality in a large space with one of a kind details!

A stylish blend of cottage living and lavish architectural detail, The Riva Ridge embraces the outdoors in a comfortable and practical floor plan. An exciting ensemble of siding and stone, copper roofing and a detached garage gives this Craftsman home irresistible curb appeal. The interior is immediately welcoming with a large, open foyer. With a rear wall of windows, the great room is bathed in sunlight, which grants widespread illumination. For nature enthusiasts, this home features a rear deck and screened porch with optional fireplace. Completing the first floor is the spacious master suite and a versatile bedroom/study with ceiling treatment and adjacent full bath. The basement level features two bedrooms with full baths, large rec room and outdoor covered patio.

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Lincoln Farmhouse LEED-H Platinum, Net-Positive Energy OVERVIEW. This LEED Platinum certified modern farmhouse ties into the cultural landscape of Lincoln, Massachusetts - a town known for its rich history, farming traditions, conservation efforts, and visionary architecture. The goal was to design and build a new single family home on 1.8 acres that respects the neighborhood’s agrarian roots, produces more energy than it consumes, and provides the family with flexible spaces to live-play-work-entertain. The resulting 2,800 SF home is proof that families do not need to compromise on style, space or comfort in a highly energy-efficient and healthy home. CONNECTION TO NATURE. The attached garage is ubiquitous in new construction in New England’s cold climate. This home’s barn-inspired garage is intentionally detached from the main dwelling. A covered walkway connects the two structures, creating an intentional connection with the outdoors between auto and home. FUNCTIONAL FLEXIBILITY. With a modest footprint, each space must serve a specific use, but also be flexible for atypical scenarios. The Mudroom serves everyday use for the couple and their children, but is also easy to tidy up to receive guests, eliminating the need for two entries found in most homes. A workspace is conveniently located off the mudroom; it looks out on to the back yard to supervise the children and can be closed off with a sliding door when not in use. The Away Room opens up to the Living Room for everyday use; it can be closed off with its oversized pocket door for secondary use as a guest bedroom with en suite bath. NET POSITIVE ENERGY. The all-electric home consumes 70% less energy than a code-built house, and with measured energy data produces 48% more energy annually than it consumes, making it a 'net positive' home. Thick walls and roofs lack thermal bridging, windows are high performance, triple-glazed, and a continuous air barrier yields minimal leakage (0.27ACH50) making the home among the tightest in the US. Systems include an air source heat pump, an energy recovery ventilator, and a 13.1kW photovoltaic system to offset consumption and support future electric cars. ACTUAL PERFORMANCE. -6.3 kBtu/sf/yr Energy Use Intensity (Actual monitored project data reported for the firm’s 2016 AIA 2030 Commitment. Average single family home is 52.0 kBtu/sf/yr.) o 10,900 kwh total consumption (8.5 kbtu/ft2 EUI) o 16,200 kwh total production o 5,300 kwh net surplus, equivalent to 15,000-25,000 electric car miles per year. 48% net positive. WATER EFFICIENCY. Plumbing fixtures and water closets consume a mere 60% of the federal standard, while high efficiency appliances such as the dishwasher and clothes washer also reduce consumption rates. FOOD PRODUCTION. After clearing all invasive species, apple, pear, peach and cherry trees were planted. Future plans include blueberry, raspberry and strawberry bushes, along with raised beds for vegetable gardening. The house also offers a below ground root cellar, built outside the home's thermal envelope, to gain the passive benefit of long term energy-free food storage. RESILIENCY. The home's ability to weather unforeseen challenges is predictable - it will fare well. The super-insulated envelope means during a winter storm with power outage, heat loss will be slow - taking days to drop to 60 degrees even with no heat source. During normal conditions, reduced energy consumption plus energy production means shelter from the burden of utility costs. Surplus production can power electric cars & appliances. The home exceeds snow & wind structural requirements, plus far surpasses standard construction for long term durability planning. ARCHITECT: ZeroEnergy Design http://zeroenergy.com/lincoln-farmhouse CONTRACTOR: Thoughtforms http://thoughtforms-corp.com/ PHOTOGRAPHER: Chuck Choi http://www.chuckchoi.com/

This new home is a study in eclectic contrasts. The client loves modern design yet still wanted to blend a bit of her southern traditional heritage into the overall feel of her new home. The goal and challenge was to combine functionality in a large space with unique details that spoke to the client’s love of artisitic creativity and rich materials. With 14 foot ceilings the challenge was to not let the kitchen space “underwhelm” the rest of the open floor plan as the kitchen, dining and great room all are part of the larger footprint. To this end, we designed a modern enclosure that allowed additional height and heft to help balance the “weight” of the kitchen with the other areas. The long island designed for entertaining features a custom designed iron “table” housing the microwave drawer and topped with a checkboard endgrain cherry and walnut wood top. This second “island” is part of the rich details that define the kitchen. The upper cabinets have unusual triple ring iron inserts, again, designed for the unexpected use of material richness..along with the antique mirror rather than glass as the background. The platter rack on the end of the left side elevation also replicates the iron using it for the dowels. The panels on the Subzero refrigerator are crafted from burled walnut veneer chosen to echo the browns and blacks throughout much of the furnishings. The client did not want or need a large range as we planned a second ancillary oven for the pantry/laundry space around the corner. When I pointed out the capacity of the Wolf 36 inch range was actually larger than a 30 inch oven, it sealed the deal for only one oven in the main cooking center. We did not want the cooking area to be dwarfed however, so used a custom black cold rolled steel hood that is 60 inches long. The panels on the Sub Zero refrigerator are another blend of eclectic materials. Along the left side cabinetry where the cabinets die into the wall, we chose to run the calcutta gold marble 4x16 stone up the wall and utilize thick glass shelves for some visual interest in this corner. Also, this corner would be tough to access with doors. I liked the prep sink area to feel open and airy as well. This beautiful kitchen is quite unique that combines functionality in a large space with one of a kind details!

This project was a long labor of love. The clients adored this eclectic farm home from the moment they first opened the front door. They knew immediately as well that they would be making many careful changes to honor the integrity of its old architecture. The original part of the home is a log cabin built in the 1700’s. Several additions had been added over time. The dark, inefficient kitchen that was in place would not serve their lifestyle of entertaining and love of cooking well at all. Their wish list included large pro style appliances, lots of visible storage for collections of plates, silverware, and cookware, and a magazine-worthy end result in terms of aesthetics. After over two years into the design process with a wonderful plan in hand, construction began. Contractors experienced in historic preservation were an important part of the project. Local artisans were chosen for their expertise in metal work for one-of-a-kind pieces designed for this kitchen – pot rack, base for the antique butcher block, freestanding shelves, and wall shelves. Floor tile was hand chipped for an aged effect. Old barn wood planks and beams were used to create the ceiling. Local furniture makers were selected for their abilities to hand plane and hand finish custom antique reproduction pieces that became the island and armoire pantry. An additional cabinetry company manufactured the transitional style perimeter cabinetry. Three different edge details grace the thick marble tops which had to be scribed carefully to the stone wall. Cable lighting and lamps made from old concrete pillars were incorporated. The restored stone wall serves as a magnificent backdrop for the eye- catching hood and 60” range. Extra dishwasher and refrigerator drawers, an extra-large fireclay apron sink along with many accessories enhance the functionality of this two cook kitchen. The fabulous style and fun-loving personalities of the clients shine through in this wonderful kitchen. If you don’t believe us, “swing” through sometime and see for yourself! Matt Villano Photography

SeaBend is sited dramatically on a bluff, embracing a commanding view of a New England. The house is long and narrow, mostly one room deep, so that all the major rooms are open to both the north water views and the south sun, with breezes blowing through. The plan is geared to informal living, with the kitchen in the center to serve both indoor and outdoor living areas. Part of the fun was in seeing what happened when a broad gabled volume was bent to respond to the contours of the site and to begin to suggest an outdoor space on the water side. Keeping the gable roof un-bent while putting a crook in the plan resulted in some curious volumes and unexpected shapes, which you discover as you move around the house. Photography by Robert Benson

The renovation of the Woodland Residence centered around two basic ideas. The first was to open the house to light and views of the surrounding woods. The second, due to a limited budget, was to minimize the amount of new footprint while retaining as much of the existing structure as possible. The existing house was in dire need of updating. It was a warren of small rooms with long hallways connecting them. This resulted in dark spaces that had little relationship to the exterior. Most of the non bearing walls were demolished in order to allow for a more open concept while dividing the house into clearly defined private and public areas. The new plan is organized around a soaring new cathedral space that cuts through the center of the house, containing the living and family room spaces. A new screened porch extends the family room through a large folding door - completely blurring the line between inside and outside. The other public functions (dining and kitchen) are located adjacently. A massive, off center pivoting door opens to a dramatic entry with views through a new open staircase to the trees beyond. The new floor plan allows for views to the exterior from virtually any position in the house, which reinforces the connection to the outside. The open concept was continued into the kitchen where the decision was made to eliminate all wall cabinets. This allows for oversized windows, unusual in most kitchens, to wrap the corner dissolving the sense of containment. A large, double-loaded island, capped with a single slab of stone, provides the required storage. A bar and beverage center back up to the family room, allowing for graceful gathering around the kitchen. Windows fill as much wall space as possible; the effect is a comfortable, completely light-filled room that feels like it is nestled among the trees. It has proven to be the center of family activity and the heart of the residence. Hoachlander Davis Photography

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