Search results for "Manipulation" in Home Design Ideas
Dale Cohen DesignstudioAsked by her client to review a typically mundane South Hampton ‘50s saltbox because “the last designer they talked to said they would have to add on to make the house anything,” Ms. Cohen approached the renovation in exactly the opposite manner. To refine the small building footprint, precise architectural gestures were used with a series of finely calibrated moments make the space more gracious and welcoming. Architectural acts were bold in concept but not in actual construction work; such as capturing the car garage to add a hyper modern sunroom/den along with a powder room and laundry. Reconfiguring one side of the house’s roofline to manipulate the space into a sensational master suite saved the north side of the house from remaining an un-useful attic space. This inner sanctum of bedroom and master bath is reminiscent of a Hampton’s beachscape in all its elegance and minimalism. The only square footage actually added was a tiny 4X4 corner as an addition to the front entry, oddly an essential piece of real estate to make an actual vestibule. All these refinements make for a crafted, articulate result rather than bowing to the bigger is better theme, which is more prevalent in the Hamptons.
The function of the plan and the accompanying finishes are impressive. The Jack and Jill bathroom, an invention of the American post-war housing boom, was outfitted in handsome walnut Duravit vanity cabinets and neutral finishes. The master bath, with its expansive skylights, might be mistaken for a conceptual art installation due to its evocative marble countertop in striped ethereal hues. Finally, Ms. Cohen uses wallpaper like a museum curator, hanging an iconic Knoll pattern to punctuate the dining/media space.
Each room in the house was sculpted via a palette of watercolor blue of varying saturations. Fabrics were culled from the greats of modernist textiles, Maharam’s Quatrefoil pattern in blue and Knoll classic Sway pattern in sea shades. The blue on white “beach” scheme runs from a soft cotton candy sky in the girl’s room to an immersive David Sutherland Park Bark wallpaper in the powder room. This intellectual inquiry as to what are the true colors at the beach belays the sophistication that surpasses the usual nautical curse of the average beach house. Out of the corner of your eye, in almost every quadrant of the house, is a burst of colorful expression and delight; this serves as Ms. Cohen’s painterly gift to the client.
Ms. Cohen’s hidden strength is her ability to choreograph a seating area. Whether it is a formal living room or the ultimate hang out spot, each space has the right amount of distance, intimacy and dare I say intrigue to make the arrangements inviting. Each conversation, because it really looks like a fine chat can be had, has an elegant side table ready for duty and all tête-à-têtes are regulated to a sumptuous area rugs. Habitants in Ms. Cohen’s world only work through deep discourse.
Building Designers Association of AustraliaGavin Dale is a registered building designer of works primarily focused within the rural landscape of western New South Wales. Origami House looks at the core idea of the iconic Australian rural shed in an exposed environment. Open spaces that contain the necessary activities of daily life that can be easily manipulated to provide for large family gatherings or quieter spaces of reflection. The residence sets out primarily to achieve the expectations of the clients and reinforce the rural context of corrugated iron and raw and robust building materials. Two rectangular ‘tubes’ were aligned to the North then slid apart. This provided for unobstructed views combined with effective cross ventilation. The gabled roof line folds along a branched ridge, which in turn creates a vanishing point for the internal timber lined ceilings. The simple palette of grey metal, Barestone and radial sawn timber blends with the subdued basalt geology and agricultural landscape. This robust exterior is warmed internally by local crushed granite rammed earth thermal mass spline walls. These walls separate bedroom and living spaces that reach out beyond the façade to integrate with the landscaping and provide the robust shelter and protection from the elements.
Collaborative DesignworksThe project is a single-family home designed to amplify the awareness of nature through the manipulation of key viewpoints.
Photo credit: Ben Hill
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VPWdesignsThis stand alone cabinet was designed to house stereo equipment. It features a 360 degree rotating top to allow access to the backs of stereo components and tall legs to stand over a subwoofer. Alaskan hemlock, dovetailed walnut and raw steel legs. The design can be manipulated to fit your exact needs!
Building Designers Association of AustraliaGavin Dale is a registered building designer of works primarily focused within the rural landscape of western New South Wales. Origami House looks at the core idea of the iconic Australian rural shed in an exposed environment. Open spaces that contain the necessary activities of daily life that can be easily manipulated to provide for large family gatherings or quieter spaces of reflection. The residence sets out primarily to achieve the expectations of the clients and reinforce the rural context of corrugated iron and raw and robust building materials. Two rectangular ‘tubes’ were aligned to the North then slid apart. This provided for unobstructed views combined with effective cross ventilation. The gabled roof line folds along a branched ridge, which in turn creates a vanishing point for the internal timber lined ceilings. The simple palette of grey metal, Barestone and radial sawn timber blends with the subdued basalt geology and agricultural landscape. This robust exterior is warmed internally by local crushed granite rammed earth thermal mass spline walls. These walls separate bedroom and living spaces that reach out beyond the façade to integrate with the landscaping and provide the robust shelter and protection from the elements.
AH Design StudioAt times, the most remarkable spaces emerge when we begin with a clean slate. In this particular project, we had the privilege to design a completely custom home, starting from scratch for our client. They simply entrusted us with a piece of land, and from that point forward, we handled everything. Our primary objective for this project was to craft an exceptional, contemporary, and practical dream home for a family of four. By creatively manipulating height variations at the front of the house, we conceived the standout element of the home: the impressive windows that showcase the bespoke steel spinal staircase.
AH Design StudioAt times, the most remarkable spaces emerge when we begin with a clean slate. In this particular project, we had the privilege to design a completely custom home, starting from scratch for our client. They simply entrusted us with a piece of land, and from that point forward, we handled everything. Our primary objective for this project was to craft an exceptional, contemporary, and practical dream home for a family of four. By creatively manipulating height variations at the front of the house, we conceived the standout element of the home: the impressive windows that showcase the bespoke steel spinal staircase.
Kadlec Architecture + DesignNatural modernism for a home on the park.
A prominent Chicago lawyer and his beloved dogs live in this Modern Chicago Greystone. We consulted with Wheeler Kearns Architecture to create a warm and welcoming interior architecture that integrates seamlessly with the home’s modernist exterior and natural surroundings. Natural light and earthy materials, such as active limestones, warm woods, and reflective glass tiles, are used to comforting effect in the interior spaces. Wood window frames manipulate the play of light and highlight unobstructed views to Lincoln Park and Lake Michigan. The result is a uniquely integrated experience—from exterior to interior, modern to traditional.
Acme Brick CompanyThe perfect paints for masonry are now available through Acme Brick. Visit https://brick.com/where-buy for your nearest Acme Brick Tile & Stone sales office for more information on Romabio products.
Romabio offers both limewash and masonry paint for those that want to change the look of their brickwork.
Classico Limewash creates that charming old world feel with a freshly painted look, but because some of the brick remains exposed, the warmth and quality endues. All it takes is a single coat for absorbent, unpainted brick, stone or other masonry, with no primer needed. Specially formulated to be easily manipulated in the first 5 days of application, you can test the product and see the results with no risk. Once it calcifies to the surface, it is breathable and will not seal the brick or stone, ensuring that it doesn’t peel, chip, or flake off.
BioDomus I & II are mineral based, breathable paints that will not seal the masonry surface. Unlike acrylic or latex, they will not peel, chip, or flake off. Both BioDomus I and BioDomus II are high performing paints that are inherently the same except for the finish they create. BioDomus I produces a flat finish, and BioDomus II has a slight aggregate in it to create a textured look on smooth brick, or a smoother finish on a rough surface. Color possibilities are almost unlimited as you can math other color palettes or choose from over 200 colors in the Romabio color deck. With a high UV resistance, a breathable wall, and a 20 year warranty, the performance of these products is made to last.
Dale Cohen DesignstudioAsked by her client to review a typically mundane South Hampton ‘50s saltbox because “the last designer they talked to said they would have to add on to make the house anything,” Ms. Cohen approached the renovation in exactly the opposite manner. To refine the small building footprint, precise architectural gestures were used with a series of finely calibrated moments make the space more gracious and welcoming. Architectural acts were bold in concept but not in actual construction work; such as capturing the car garage to add a hyper modern sunroom/den along with a powder room and laundry. Reconfiguring one side of the house’s roofline to manipulate the space into a sensational master suite saved the north side of the house from remaining an un-useful attic space. This inner sanctum of bedroom and master bath is reminiscent of a Hampton’s beachscape in all its elegance and minimalism. The only square footage actually added was a tiny 4X4 corner as an addition to the front entry, oddly an essential piece of real estate to make an actual vestibule. All these refinements make for a crafted, articulate result rather than bowing to the bigger is better theme, which is more prevalent in the Hamptons.
The function of the plan and the accompanying finishes are impressive. The Jack and Jill bathroom, an invention of the American post-war housing boom, was outfitted in handsome walnut Duravit vanity cabinets and neutral finishes. The master bath, with its expansive skylights, might be mistaken for a conceptual art installation due to its evocative marble countertop in striped ethereal hues. Finally, Ms. Cohen uses wallpaper like a museum curator, hanging an iconic Knoll pattern to punctuate the dining/media space.
Each room in the house was sculpted via a palette of watercolor blue of varying saturations. Fabrics were culled from the greats of modernist textiles, Maharam’s Quatrefoil pattern in blue and Knoll classic Sway pattern in sea shades. The blue on white “beach” scheme runs from a soft cotton candy sky in the girl’s room to an immersive David Sutherland Park Bark wallpaper in the powder room. This intellectual inquiry as to what are the true colors at the beach belays the sophistication that surpasses the usual nautical curse of the average beach house. Out of the corner of your eye, in almost every quadrant of the house, is a burst of colorful expression and delight; this serves as Ms. Cohen’s painterly gift to the client.
Ms. Cohen’s hidden strength is her ability to choreograph a seating area. Whether it is a formal living room or the ultimate hang out spot, each space has the right amount of distance, intimacy and dare I say intrigue to make the arrangements inviting. Each conversation, because it really looks like a fine chat can be had, has an elegant side table ready for duty and all tête-à-têtes are regulated to a sumptuous area rugs. Habitants in Ms. Cohen’s world only work through deep discourse.
Building Designers Association of AustraliaMaking a real impression by designing & building with exceptional people is exactly the effect JL Design & the client as owner-builder have achieved with “Scarborough House” in Scarborough, NSW. The brief required the dwelling to take maximum advantage of stunning views over the ocean & nearby escarpment cliffs. The residence was also to be a contemporary modernist four bedroom family dwelling, maximising built external living & pool areas. The client was extensively involved with the overall design, & carried out material selection, interior detailing and selection of fixtures and fittings. This collective method guaranteed a result where the client as the builder, through continued personal investment throughout the design and construction achieved a stunning result. The concrete, steelwork, windows, timber & various forms of cladding, joinery and concealed lighting are all custom made hand crafted elements. The design called for minimal tolerances, requiring a high level of skill and cooperation between trades. “Scarborough House” features BlueScope Colorbond monument matt ribbed wall cladding with rendered & ‘rendered look’ areas in off-white. A vertical feature hardwood timber screen to the side of the entry softens the ‘industrial’ feel, giving a modernist external appearance. Carefully calculated overhangs allow a passive solar solution to heating & cooling, with efficient reverse-cycle air conditioning required only during weather extremes. Internally, timber floors to the upper living areas give a feel of comfort & warmth. The warm, substantial character of the dwelling is carefully composed by means of the clarity of the detailing, a palette of tactical natural materials and the careful manipulation of light.
Laney LA, Inc.This home is dedicated to the idea that beauty can be found in the artistic expression of hand-made processes. The project included rigorous material research and close partnership with local craftspeople in order to realize the final architecture. The timeless quality of this collaboration is most visible in the ribbon stair and the raked stucco walls on the exterior facade. Working hand in hand with local artisans, layers of wood and plaster were stapled, raked, sanded, bent, and laminated in order to realize the curve of the stair and the precise lines of the facade.
In contrast to the manipulation of materials, a garden courtyard and spa add an intimate experience of nature within the heart of the home. The concealed space is a case study in contrast from the lush vegetation against the stark steel, to the shallow hot plunge and six-foot deep cold plunge. The result is a home that elevates the integrity of local craft and the refreshment of nature’s touch to augment a lifestyle dedicated to health, artistry, and authenticity.
Field ArchitectureThe architecture of the Karoo Wilderness Center is a result of a thorough process of investigation into the origins and character of the Karoo landscape and the flora and fauna that result from its particular qualities. The tectonic events that produced the specific topography of the site, trajectories of water runoff, wind movement, soil composition, and effects of plant and animal species on the landscape have converged to create the conditions of the site chosen for the Center. Each of these factors have in turn been subject to the impact of human inhabitation and vernacular building practices, amplified in recent generations to a harmful degree by shortsighted agricultural strategies and their associated effects of overgrazing, water over-manipulation and erosion.
Fundamental to the architectural response is the premise that the human species is an inherent part of the conditions that comprise and affect the landscape. The significance of the Center, enhanced and informed by the activities that occur within and as an extension of it, lies in the co-dependence of the Center and the ecosystem as inherently bound entities. The architecture of the Center is intended to make evident the natural processes of the Karoo and establish a new precedent for building within and through an ecosystem defined by dynamic flux.
Langhorne Carpet CompanyActivity at our mill seems to increase in autumn. This season is no exception: Langhorne Carpets family has been busy making our new Pixels, awaiting the installation of a new historic reproduction in a grand government building, and ramping up our collaborations with cutting-edge designers.
Still, we wanted to stop to recognize the creativity of longtime Morrow family friend Edward Murphy, a Buckingham, Pennsylvania-based artist who re-purposed a box of our hand-punched cardboard Jacquards in his studio.
Murphy is a sculptor known for his exploration and manipulation of geometric shapes, and his use of found natural objects such as bark and old wood. He shares studio space with his wife, a painter. The couple works side by side in a late-19th century blacksmith’s barn on their countryside property. Years ago, Ed brought home a box of unused Jacquards—the traditional, rectangular hole-perforated cards that run through our looms, dictating the pattern of each of our carpets—from the mill, envisioning using them for a future project. For eight years, those Jacquards sat idle. Then he decided to renovate the barn, turn the second floor into an office, and use the cards as a window treatment.
A large window looks southwesterly onto the artists’ property, offering a stunning view of nearby farms. But this summer was a hot one. The Murphys needed relief from the sun streaming into their office. That’s when Ed remembered his already-strung cards. “I just flashed on it. The cards were exactly the right size,” he recalled. He screwed them in place, and, behold: “A beautiful pattern of dots that are just random enough let in just enough light, and disperses the pattern into the room.”
Langhorne Carpets applauds our friend Ed Murphy’s creative reuse—and always welcomes creative thinkers and makers to our Penndel, Bucks County mill for tours and inspiration.
Nancy Dyer DesignsThis is the very elegant, yet tropical, faux bamboo lantern by Currey & Company. The design for this bay window was created with the main goal of embellishing the customer's great Florida view. The logistics of the design was much more complicated as each window was a different size. The sizes and shapes of each element were manipulated to conceal the variations in the windows.
CRB InteriorsIn order to infuse a modern experience at the entryway, the standard enclosed stairway, featuring oak risers, treads and railing, was replaced with a more industrial railing system. Laminated lumber beams were used to create the new stair treads. The thickness of the material was carefully manipulated to meet standard stair code regulations.
C. O 'Brien Architects, INC.All images appearing in the C. O'Brien Architects Inc. web site are the exclusive property of Cheryl A. O'Brien and are protected under the United States and International Copyright laws.
The images may not be reproduced, copied, transmitted or manipulated without the written permission of Cheryl A. O'Brien.
Use of any image as the basis for another photographic concept or illustration (digital, artist rendering or alike) is a violation of the United States and International Copyright laws. All images are copyrighted © 2001 - 2014 Cheryl A. O'Brien.
Beltway BlindsPlantation shutters are a type of window treatment. It may be made of wood or faux wood.
The louvers mounted in a solid frame and are manipulated by a tilt rod which could is mostly be hidden at the back or in the middle of the shutter.
Know more about this product by visiting our website www.beltwayblinds.com
PaloformExtensive contemporary outdoor renovation featuring a pool, hot tub outdoor kitchen and dining and a Miso fire pit.
Wildflower is a major project by Flintstones Masonry & Home Improvements and is located on a hillside in Victoria, BC. The backyard of the home was so steeply sloping prior to the project, that is was virtually unusable. Extensive manipulation of grades allowed for a raised pool deck and kitchen area resulting in an expansive area for the clients to enjoy and entertain on. The project features a complementary combination of materials with varying and contrasting textures: coloured concrete, pre-cast concrete, flamed basalt, ledge stone, and pairs beautifully with the ideally situated, hand cast concrete, Paloform Miso firepit.
Photos courtesy of Flintsones Masonry
HMWhiteThrough the combination of modest topographic manipulations and the layering of high-performing native plant communities, the landscape was designed to fully exploit the site’s 270 degree ocean-front exposure. A selection of strategically placed mature native trees and shrubs were integrated within this expanded landscape fabric to improve and visually anchor the scale of the architecture to its landscape context. With the landscape viewed and experienced from multiple levels and points of view, its composition and spatial structure required a unique visual and functional resiliency.
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