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Located in the Houston Heights, the Waverly Residence is a modern home on an established street of two story homes boasting front porch typologies. The family’s desire for privacy resulted in a porch that rotates to internalize most of its function while still addressing the street. For this active family, yard activity and it’s visibility from within the home emerged as a priority for approaching the building’s relationship to the lot. Justifying the building mass to the Northern half of the site reinforces the scale of the design to the surrounding buildings and creates a large southern yard dedicated to play and brisket (is a Texas house a house without a barbeque?).
The ground floor is clad in metal panel and a wood rainscreen that peels away from the structure to become both a fence and an entry threshold, blending the registration between the yard's privacy enclosure and the building skin. Variable width fiber-cement siding clads the second floor as a nod to the neighborhood vernacular. The pool and outdoor kitchen sit at the center of the yard, forming an island that divides the open play from private vehicular access at the alley.
Shifted volumes delineate private space from the open public areas. The second floor extends over the public entryway to create a covered procession with cascading steps into the southern yard that traverses the length of the living spaces. The public program expands beyond the building enclosure to encompass the yard and living spaces. A horizontal shift in the ground floor volume produces both a private courtyard away from the lively public spaces and exterior delineation between private vehicular access and public entry.
Within the open, ground floor plan, a change in elevation indicates the boundary between private and public space. Custom millwork provides ample storage for the young family. Playful patterns of enclosed storage with contrasting display boxes creates a cohesive millwork language throughout the home.

New Urban Luxury
Private Residence – Alys Beach, Florida
Architect: Khoury & Vogt Architects
Builder: BRW Builders of Destin
E. F. San Juan supplied all the interior and exterior wood millwork for this expertly designed residence adjacent to the snow-white dunes found in the serene New Urban townscape of Alys Beach, Florida.
Challenges:
The most significant design challenge of this project was to engineer a processing method to fabricate the complex millwork components in mass for the outdoor lounge. Khoury & Vogt Architects created a custom design for an inspiring and elegant outdoor living space. Fortunately, this house had a resourceful and creative team ensuring the vision of the design stayed intact.
Solution:
The intricate design required a creative approach which entailed high-level fabricating skills. “This project stands out in my mind because it required that I personally design and build numerous jigs,” says Edward San Juan. Taking on the challenge, San Juan designed and handcrafted each jig to the exact specification required for the exterior design.
The team at E. F. San Juan continued with the creative approach, integrating and assembling the custom jigs to produce a work of art. The millwork beautifully complements the sleek white design on the deep indoor-outdoor decks, allowing the feel of the surrounding nature to flow inside. The result is a breathtaking and inspiring New Urban home in a luxurious beach town along Scenic Highway 30-A.
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Photography by Jack Gardner

Located in the Houston Heights, the Waverly Residence is a modern home on an established street of two story homes boasting front porch typologies. The family’s desire for privacy resulted in a porch that rotates to internalize most of its function while still addressing the street. For this active family, yard activity and it’s visibility from within the home emerged as a priority for approaching the building’s relationship to the lot. Justifying the building mass to the Northern half of the site reinforces the scale of the design to the surrounding buildings and creates a large southern yard dedicated to play and brisket (is a Texas house a house without a barbeque?).
The ground floor is clad in metal panel and a wood rainscreen that peels away from the structure to become both a fence and an entry threshold, blending the registration between the yard's privacy enclosure and the building skin. Variable width fiber-cement siding clads the second floor as a nod to the neighborhood vernacular. The pool and outdoor kitchen sit at the center of the yard, forming an island that divides the open play from private vehicular access at the alley.
Shifted volumes delineate private space from the open public areas. The second floor extends over the public entryway to create a covered procession with cascading steps into the southern yard that traverses the length of the living spaces. The public program expands beyond the building enclosure to encompass the yard and living spaces. A horizontal shift in the ground floor volume produces both a private courtyard away from the lively public spaces and exterior delineation between private vehicular access and public entry.
Within the open, ground floor plan, a change in elevation indicates the boundary between private and public space. Custom millwork provides ample storage for the young family. Playful patterns of enclosed storage with contrasting display boxes creates a cohesive millwork language throughout the home.
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An office designed for a Hollywood producer who wanted a space that was warm and inviting, but still strong and masculine. Marilynn incorporated deep saturated blue on the wall with leather and plaid accents. Vintage pieces, brass and a tufted sofa add sophistication to this space with mostly industrial elements.
Designed and Photographed by Marilynn Taylor, The Taylored Home.

Nestled in an undeveloped thicket between two homes on Monmouth road, the Eastern corner of this client’s lot plunges ten feet downward into a city-designated stormwater collection ravine. Our client challenged us to design a home, referencing the Scandinavian modern style, that would account for this lot’s unique terrain and vegetation.
Through iterative design, we produced four house forms angled to allow rainwater to naturally flow off of the roof and into a gravel-lined runoff area that drains into the ravine. Completely foregoing downspouts and gutters, the chosen design reflects the site’s topography, its mass changing in concert with the slope of the land.
This two-story home is oriented around a central stacked staircase that descends into the basement and ascends to a second floor master bedroom with en-suite bathroom and walk-in closet. The main entrance—a triangular form subtracted from this home’s rectangular plan—opens to a kitchen and living space anchored with an oversized kitchen island. On the far side of the living space, a solid void form projects towards the backyard, referencing the entryway without mirroring it. Ground floor amenities include a bedroom, full bathroom, laundry area, office and attached garage.
Among Architecture Office’s most conceptually rigorous projects, exterior windows are isolated to opportunities where natural light and a connection to the outdoors is desired. The Monmouth home is clad in black corrugated metal, its exposed foundations extending from the earth to highlight its form.

Rosalinda® is the most vigorous and robust hawthorne available. This large evergreen shrub is good for screening or as a small tree. New foliage is bright and bronzy, and adult leaves are large in size. Best suited to coastal climates, this plant produces large, dark pink, fragrant blooms in the spring.
FEATURES
Bloom/Feature Pink blooms late spring/early summer
Plant Type Shrubs
Evergreen or Deciduous Evergreen
USDA Zones 8,9,10
Zone Detail Hardy to 10°F
Key Features Disease/pest resistance, Heat/drought tolerance, salt tolerant
Use Accent, hedge, mass planting, privacy planting
Exposure Full sun to part shade
Bloom Season Spring, summer
Dimension 12-14' H x 10' W
Growth Rate Moderate to fast growth
CARE
Water Water as needed
Soil Type Well-drained garden soil
Fertilizer Early spring
Pruning Shape after spring bloom
PLANTING INSTRUCTIONS
water before planting
plant in full sun to part shade
dig hole 3X the width of pot,
backfill and plant 1”-2” above soil level
water and add more soil if needed
mulch plants

The photograph is composed as a deliberate enfilade study, framing the dining room through a deep, mahogany-cased cased opening that functions as both proscenium and threshold. This heavy portal — with its substantial reveal, plinth-like jambs and crisply mitered head casing — establishes a strong rectilinear armature that compresses the foreground and, by contrast, releases the eye into the luminous volume beyond. The plan reads as a classic pre-war apartment sequence: an axial sightline runs from the gallery floor, across the field of the dining room, and terminates at the window wall, where a curtained bay borrows daylight from the street. The ceiling is articulated by shallow beam drops or applied soffits — a coffer-adjacent treatment that registers the building's structural grid while lending the room a subtle sense of enclosure and datum. Geometry is orchestrated around opposing figures: the orthogonal rigor of casings, valance, beam lines and picture frames set against the centralized circular table, whose radial symmetry anchors the room's midpoint directly beneath the chandelier. Furnishings are held in a loose, non-touching arrangement, with generous circulation clearance at the perimeter, so that the room's volume — rather than its contents — remains the primary subject. Secondary sightlines to the left, toward a mirrored console and gilt-framed panel, and to the right, toward a picture-lit artwork, quietly widen the perceived footprint and imply adjacent rooms beyond the frame.
The material narrative is built on a controlled tonal ascent from dark to light. The foreground is dominated by richly figured, warm-red mahogany millwork and a chevron-laid oak parquet whose bleached, honeyed grain reads with a slight gray wash — a directional pattern that visually propels the viewer toward the interior. Within the dining room, the palette shifts to a low-saturation envelope of chalky off-white plaster walls and putty-toned textiles: floor-length linen or silk-blend drapery panels with a faint slubbed weave, gathered beneath a tailored, flat-front upholstered valance whose crisp horizontal band imparts an atelier precision. Underfoot, a natural sisal or seagrass rug with a linen tape border introduces a coarse, granular tactility that grounds the refined upholstery above; its woven, matte texture is deliberately calibrated against the smoother satin sheen of the dining chairs' subtly striped fabric. The room's tonal fulcrum is the antique carved pedestal table — a near-black, deeply modeled Anglo-Indian or Colonial Revival piece whose pierced apron, scrolled tripod base and paw feet supply the composition's only ornamental exuberance and its darkest value. Accents are chosen for restraint: silvered leaf on the console's fretwork facing, water-gilt on the framed panel, polished nickel or silver on the chandelier and the flower vessel, and the cool white of massed oriental lilies. Undertones remain uniformly warm — greige, ecru, taupe, oatmeal — with cool relief supplied only by the metals and the daylight itself.
Lighting is layered with quiet discipline. Natural light enters as a diffused, north-facing wash through a sheer-veiled window, its intensity softened by roller or Roman shading so that the glazing reads as a luminous plane rather than a view; this creates a gentle contre-jour that silhouettes the chandelier and the table's carved base. The multi-arm chandelier — a silvered, pagoda-crested fixture with slender candle sleeves and faceted drops — serves as sculptural punctuation more than as a working source, its warm 2700K glow registering as ambient sparkle. Accent illumination is deployed with curatorial intent: a picture light grazes the framed work at right, while the recessed downlights and the darkened foreground casings produce a chiaroscuro that heightens the sense of arrival. The cumulative atmosphere is one of hushed formality — composed, aerated, and almost monastic in its refusal of visual noise. Stylistically, the room synthesizes into what might be termed Transitional Classicism, or Warm Neutral Modern Traditional: the bones and millwork are unmistakably pre-war Beaux-Arts-derived, yet the flat-front valances, unadorned wall planes, natural-fiber flooring and simplified parson-back chairs reflect a contemporary editorial sensibility. The single antique table operates as a considered anachronism — a note of patinated gravitas within an otherwise pared-back, texturally driven interior — demonstrating a designer's confidence in restraint punctuated by one authoritative gesture.

Nestled in an undeveloped thicket between two homes on Monmouth road, the Eastern corner of this client’s lot plunges ten feet downward into a city-designated stormwater collection ravine. Our client challenged us to design a home, referencing the Scandinavian modern style, that would account for this lot’s unique terrain and vegetation.
Through iterative design, we produced four house forms angled to allow rainwater to naturally flow off of the roof and into a gravel-lined runoff area that drains into the ravine. Completely foregoing downspouts and gutters, the chosen design reflects the site’s topography, its mass changing in concert with the slope of the land.
This two-story home is oriented around a central stacked staircase that descends into the basement and ascends to a second floor master bedroom with en-suite bathroom and walk-in closet. The main entrance—a triangular form subtracted from this home’s rectangular plan—opens to a kitchen and living space anchored with an oversized kitchen island. On the far side of the living space, a solid void form projects towards the backyard, referencing the entryway without mirroring it. Ground floor amenities include a bedroom, full bathroom, laundry area, office and attached garage.
Among Architecture Office’s most conceptually rigorous projects, exterior windows are isolated to opportunities where natural light and a connection to the outdoors is desired. The Monmouth home is clad in black corrugated metal, its exposed foundations extending from the earth to highlight its form. Construction is scheduled to begin in the spring of 2020.

A masterclass in resolving the formal tension between monolithic mass and concealed functionality. Precision-milled to freestanding vanity proportions (30"x20"x34"), this solid stone basin features seamlessly integrated drawer cavities that offer modern utility without interrupting the continuous polished surface plane.
The dense geological layering of the Calacatta Viola marble produces deep burgundy and violet veining, amplified by a high-gloss finish. Designed to occupy vertical and horizontal space with deliberate visual weight, it stands as the ultimate architectural anchor for any minimalist interior.
For current availability, structural specifications, and direct ordering of this freestanding model, visit our LUCE SPACES official website

Nestled in an undeveloped thicket between two homes on Monmouth road, the Eastern corner of this client’s lot plunges ten feet downward into a city-designated stormwater collection ravine. Our client challenged us to design a home, referencing the Scandinavian modern style, that would account for this lot’s unique terrain and vegetation.
Through iterative design, we produced four house forms angled to allow rainwater to naturally flow off of the roof and into a gravel-lined runoff area that drains into the ravine. Completely foregoing downspouts and gutters, the chosen design reflects the site’s topography, its mass changing in concert with the slope of the land.
This two-story home is oriented around a central stacked staircase that descends into the basement and ascends to a second floor master bedroom with en-suite bathroom and walk-in closet. The main entrance—a triangular form subtracted from this home’s rectangular plan—opens to a kitchen and living space anchored with an oversized kitchen island. On the far side of the living space, a solid void form projects towards the backyard, referencing the entryway without mirroring it. Ground floor amenities include a bedroom, full bathroom, laundry area, office and attached garage.
Among Architecture Office’s most conceptually rigorous projects, exterior windows are isolated to opportunities where natural light and a connection to the outdoors is desired. The Monmouth home is clad in black corrugated metal, its exposed foundations extending from the earth to highlight its form. Construction is scheduled to begin in the spring of 2020.

Nestled in an undeveloped thicket between two homes on Monmouth road, the Eastern corner of this client’s lot plunges ten feet downward into a city-designated stormwater collection ravine. Our client challenged us to design a home, referencing the Scandinavian modern style, that would account for this lot’s unique terrain and vegetation.
Through iterative design, we produced four house forms angled to allow rainwater to naturally flow off of the roof and into a gravel-lined runoff area that drains into the ravine. Completely foregoing downspouts and gutters, the chosen design reflects the site’s topography, its mass changing in concert with the slope of the land.
This two-story home is oriented around a central stacked staircase that descends into the basement and ascends to a second floor master bedroom with en-suite bathroom and walk-in closet. The main entrance—a triangular form subtracted from this home’s rectangular plan—opens to a kitchen and living space anchored with an oversized kitchen island. On the far side of the living space, a solid void form projects towards the backyard, referencing the entryway without mirroring it. Ground floor amenities include a bedroom, full bathroom, laundry area, office and attached garage.
Among Architecture Office’s most conceptually rigorous projects, exterior windows are isolated to opportunities where natural light and a connection to the outdoors is desired. The Monmouth home is clad in black corrugated metal, its exposed foundations extending from the earth to highlight its form. Construction is scheduled to begin in the spring of 2020.

New York Laminated Glass Floors
Laminated glass flooring is produced by bonding two or more layers of heat treated pressured glass together with a plastic resin interlayer, which is known as Polyvinyl Butyral (PVB). Multiple PVB glass sheets are more popularly used by the automobile industry and the airline industry for designing windshields. The PVB interlayer makes glass floors impervious to water damage, it offers sound reduction and blocks 99% of UV rays. PVB interlayers can be customized into different colored sheets to be used by glass manufactures for architects and construction engineers.
The pictures shown below are our projects,some of them we replaced and other we design and install new glass floors.

The Producer TV Stand offers a seductive low-profile design. With IR-friednly glass you are able to use your remote control even throug glass, large media drawer and shelves to store your media. The stand finished in smooth grey lacquer Producer Collection is designed in Los Angeles, CA.
https://www.ba-stores.com/product/producer-tv-stand-grey-high-gloss

Nestled in an undeveloped thicket between two homes on Monmouth road, the Eastern corner of this client’s lot plunges ten feet downward into a city-designated stormwater collection ravine. Our client challenged us to design a home, referencing the Scandinavian modern style, that would account for this lot’s unique terrain and vegetation.
Through iterative design, we produced four house forms angled to allow rainwater to naturally flow off of the roof and into a gravel-lined runoff area that drains into the ravine. Completely foregoing downspouts and gutters, the chosen design reflects the site’s topography, its mass changing in concert with the slope of the land.
This two-story home is oriented around a central stacked staircase that descends into the basement and ascends to a second floor master bedroom with en-suite bathroom and walk-in closet. The main entrance—a triangular form subtracted from this home’s rectangular plan—opens to a kitchen and living space anchored with an oversized kitchen island. On the far side of the living space, a solid void form projects towards the backyard, referencing the entryway without mirroring it. Ground floor amenities include a bedroom, full bathroom, laundry area, office and attached garage.
Among Architecture Office’s most conceptually rigorous projects, exterior windows are isolated to opportunities where natural light and a connection to the outdoors is desired. The Monmouth home is clad in black corrugated metal, its exposed foundations extending from the earth to highlight its form.

Nestled in an undeveloped thicket between two homes on Monmouth road, the Eastern corner of this client’s lot plunges ten feet downward into a city-designated stormwater collection ravine. Our client challenged us to design a home, referencing the Scandinavian modern style, that would account for this lot’s unique terrain and vegetation.
Through iterative design, we produced four house forms angled to allow rainwater to naturally flow off of the roof and into a gravel-lined runoff area that drains into the ravine. Completely foregoing downspouts and gutters, the chosen design reflects the site’s topography, its mass changing in concert with the slope of the land.
This two-story home is oriented around a central stacked staircase that descends into the basement and ascends to a second floor master bedroom with en-suite bathroom and walk-in closet. The main entrance—a triangular form subtracted from this home’s rectangular plan—opens to a kitchen and living space anchored with an oversized kitchen island. On the far side of the living space, a solid void form projects towards the backyard, referencing the entryway without mirroring it. Ground floor amenities include a bedroom, full bathroom, laundry area, office and attached garage.
Among Architecture Office’s most conceptually rigorous projects, exterior windows are isolated to opportunities where natural light and a connection to the outdoors is desired. The Monmouth home is clad in black corrugated metal, its exposed foundations extending from the earth to highlight its form.

The Mass Solid Walnut Wood TV Stand combines rich walnut texture, strong metal details, and a bold industrial design for modern living rooms, offices, and lounge spaces. Handcrafted from selected solid walnut wood, it offers a durable and stylish media console solution with open storage areas for media devices, books, decor, and everyday essentials.
Available in length options from 55" to 79", with a 16" depth and 22" height, Mass can fit both compact rooms and wider entertainment walls. Its solid walnut construction, sturdy metal parts, made-to-order production, easy assembly, and customization options make it suitable for industrial, rustic-modern, contemporary, minimalist, and warm modern interiors.

Nestled in an undeveloped thicket between two homes on Monmouth road, the Eastern corner of this client’s lot plunges ten feet downward into a city-designated stormwater collection ravine. Our client challenged us to design a home, referencing the Scandinavian modern style, that would account for this lot’s unique terrain and vegetation.
Through iterative design, we produced four house forms angled to allow rainwater to naturally flow off of the roof and into a gravel-lined runoff area that drains into the ravine. Completely foregoing downspouts and gutters, the chosen design reflects the site’s topography, its mass changing in concert with the slope of the land.
This two-story home is oriented around a central stacked staircase that descends into the basement and ascends to a second floor master bedroom with en-suite bathroom and walk-in closet. The main entrance—a triangular form subtracted from this home’s rectangular plan—opens to a kitchen and living space anchored with an oversized kitchen island. On the far side of the living space, a solid void form projects towards the backyard, referencing the entryway without mirroring it. Ground floor amenities include a bedroom, full bathroom, laundry area, office and attached garage.
Among Architecture Office’s most conceptually rigorous projects, exterior windows are isolated to opportunities where natural light and a connection to the outdoors is desired. The Monmouth home is clad in black corrugated metal, its exposed foundations extending from the earth to highlight its form.

Nestled in an undeveloped thicket between two homes on Monmouth road, the Eastern corner of this client’s lot plunges ten feet downward into a city-designated stormwater collection ravine. Our client challenged us to design a home, referencing the Scandinavian modern style, that would account for this lot’s unique terrain and vegetation.
Through iterative design, we produced four house forms angled to allow rainwater to naturally flow off of the roof and into a gravel-lined runoff area that drains into the ravine. Completely foregoing downspouts and gutters, the chosen design reflects the site’s topography, its mass changing in concert with the slope of the land.
This two-story home is oriented around a central stacked staircase that descends into the basement and ascends to a second floor master bedroom with en-suite bathroom and walk-in closet. The main entrance—a triangular form subtracted from this home’s rectangular plan—opens to a kitchen and living space anchored with an oversized kitchen island. On the far side of the living space, a solid void form projects towards the backyard, referencing the entryway without mirroring it. Ground floor amenities include a bedroom, full bathroom, laundry area, office and attached garage.
Among Architecture Office’s most conceptually rigorous projects, exterior windows are isolated to opportunities where natural light and a connection to the outdoors is desired. The Monmouth home is clad in black corrugated metal, its exposed foundations extending from the earth to highlight its form.

Design de cuisine & Salle à dîner par Lorraine Masse Design - photographier par Vincent Provost
Small trendy medium tone wood floor kitchen/dining room combo photo in Montreal with white walls and no fireplace
Small trendy medium tone wood floor kitchen/dining room combo photo in Montreal with white walls and no fireplace

Critical Mass - Collaboration Between Artist and Landscape Architect. Tim Swanky, Photographer
Design ideas for a large contemporary partial sun stone outdoor basketball/tennis/multi-game court in Vancouver.
Design ideas for a large contemporary partial sun stone outdoor basketball/tennis/multi-game court in Vancouver.
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