Search results for "Master banking" in Home Design Ideas

Alcove bathtub - small contemporary master gray tile and ceramic tile beige floor and single-sink alcove bathtub idea in San Francisco with a wall-mount toilet, gray walls, raised-panel cabinets, medium tone wood cabinets, granite countertops, green countertops and a built-in vanity

This gorgeous beach condo sits on the banks of the Pacific ocean in Solana Beach, CA. The previous design was dark, heavy and out of scale for the square footage of the space. We removed an outdated bulit in, a column that was not supporting and all the detailed trim work. We replaced it with white kitchen cabinets, continuous vinyl plank flooring and clean lines throughout. The entry was created by pulling the lower portion of the bookcases out past the wall to create a foyer. The shelves are open to both sides so the immediate view of the ocean is not obstructed. New patio sliders now open in the center to continue the view. The shiplap ceiling was updated with a fresh coat of paint and smaller LED can lights. The bookcases are the inspiration color for the entire design. Sea glass green, the color of the ocean, is sprinkled throughout the home. The fireplace is now a sleek contemporary feel with a tile surround. The mantel is made from old barn wood. A very special slab of quartzite was used for the bookcase counter, dining room serving ledge and a shelf in the laundry room. The kitchen is now white and bright with glass tile that reflects the colors of the water. The hood and floating shelves have a weathered finish to reflect drift wood. The laundry room received a face lift starting with new moldings on the door, fresh paint, a rustic cabinet and a stone shelf. The guest bathroom has new white tile with a beachy mosaic design and a fresh coat of paint on the vanity. New hardware, sinks, faucets, mirrors and lights finish off the design. The master bathroom used to be open to the bedroom. We added a wall with a barn door for privacy. The shower has been opened up with a beautiful pebble tile water fall. The pebbles are repeated on the vanity with a natural edge finish. The vanity received a fresh paint job, new hardware, faucets, sinks, mirrors and lights. The guest bedroom has a custom double bunk with reading lamps for the kiddos. This space now reflects the community it is in, and we have brought the beach inside.

The owners of this 1970s-era split-level on Lake Calhoun recently added a third story bringing the home up-to-date with attractive soffits, angles, and half-walls built to create depth and dimension. But in a house where every room registered a dull white, a healthy dose of color becomes the true force for modernizing this space. The homeowners asked Otogawa-Anschel to bring color into their lives.
The standalone fireplace in the room’s center wears an entirely different chromatic palette on each side. From the sleeping area and looking out toward the lake, cool tones tease out the aqua and dark blue in the slate fireplace surround. From the opposite side, warm hues pick up the rose and violet of the same material. The wall separating the bedroom from the bathroom boasts a rich adobe red, set off by a gold soffit and a rich chocolate panel. The bold, earthy color triad serves as the eye-catching anchor point for the room.
Asymmetrical glass block flanking the bathroom vanity opens up an otherwise restrictive space, allowing it to communicate with the walk-in closet on one side and the natural light spill on the other. Because the green glass block diffuses the light, the room’s colors work to compensate for this softening. A mix of tangerine, pale green, and lemon yellow tile used in the shower find a place on the floor and walls as well for a burst of synthetic sunshine designed to shift and bend depending on vantage point. The gently morphing pattern eliminates the flat sterility of white tile and ordinary glass block.
The transition from the second floor to the third floor features a combination of yellow hues that also appear to shimmer and shift with the movement of natural light through the space. In the intense afternoon sun, the pigments lose their distinction and become a solid glowing wall. As the sun sets, they regain their individual character.
Like any healthy relationship, the living room and dining room work together while maintaining independence. In the living room, a soft suede wall gives way to the room’s large bank of windows and smartly complements the stone fireplace. Muted greens and golds segue effortlessly to the spectacular lake view. Meanwhile, the vibrant tones of the dining room tastefully contrast the cool calm of the living area.
highlights
Fifty-six colors in whole house
Forty-two colors in master suite
Find the right local pro for your project

The owners of this 1970s-era split-level on Lake Calhoun recently added a third story bringing the home up-to-date with attractive soffits, angles, and half-walls built to create depth and dimension. But in a house where every room registered a dull white, a healthy dose of color becomes the true force for modernizing this space. The homeowners asked Otogawa-Anschel to bring color into their lives.
The standalone fireplace in the room’s center wears an entirely different chromatic palette on each side. From the sleeping area and looking out toward the lake, cool tones tease out the aqua and dark blue in the slate fireplace surround. From the opposite side, warm hues pick up the rose and violet of the same material. The wall separating the bedroom from the bathroom boasts a rich adobe red, set off by a gold soffit and a rich chocolate panel. The bold, earthy color triad serves as the eye-catching anchor point for the room.
Asymmetrical glass block flanking the bathroom vanity opens up an otherwise restrictive space, allowing it to communicate with the walk-in closet on one side and the natural light spill on the other. Because the green glass block diffuses the light, the room’s colors work to compensate for this softening. A mix of tangerine, pale green, and lemon yellow tile used in the shower find a place on the floor and walls as well for a burst of synthetic sunshine designed to shift and bend depending on vantage point. The gently morphing pattern eliminates the flat sterility of white tile and ordinary glass block.
The transition from the second floor to the third floor features a combination of yellow hues that also appear to shimmer and shift with the movement of natural light through the space. In the intense afternoon sun, the pigments lose their distinction and become a solid glowing wall. As the sun sets, they regain their individual character.
Like any healthy relationship, the living room and dining room work together while maintaining independence. In the living room, a soft suede wall gives way to the room’s large bank of windows and smartly complements the stone fireplace. Muted greens and golds segue effortlessly to the spectacular lake view. Meanwhile, the vibrant tones of the dining room tastefully contrast the cool calm of the living area.
highlights
Fifty-six colors in whole house
Forty-two colors in master suite

The owners of this 1970s-era split-level on Lake Calhoun recently added a third story bringing the home up-to-date with attractive soffits, angles, and half-walls built to create depth and dimension. But in a house where every room registered a dull white, a healthy dose of color becomes the true force for modernizing this space. The homeowners asked Otogawa-Anschel to bring color into their lives.
The standalone fireplace in the room’s center wears an entirely different chromatic palette on each side. From the sleeping area and looking out toward the lake, cool tones tease out the aqua and dark blue in the slate fireplace surround. From the opposite side, warm hues pick up the rose and violet of the same material. The wall separating the bedroom from the bathroom boasts a rich adobe red, set off by a gold soffit and a rich chocolate panel. The bold, earthy color triad serves as the eye-catching anchor point for the room.
Asymmetrical glass block flanking the bathroom vanity opens up an otherwise restrictive space, allowing it to communicate with the walk-in closet on one side and the natural light spill on the other. Because the green glass block diffuses the light, the room’s colors work to compensate for this softening. A mix of tangerine, pale green, and lemon yellow tile used in the shower find a place on the floor and walls as well for a burst of synthetic sunshine designed to shift and bend depending on vantage point. The gently morphing pattern eliminates the flat sterility of white tile and ordinary glass block.
The transition from the second floor to the third floor features a combination of yellow hues that also appear to shimmer and shift with the movement of natural light through the space. In the intense afternoon sun, the pigments lose their distinction and become a solid glowing wall. As the sun sets, they regain their individual character.
Like any healthy relationship, the living room and dining room work together while maintaining independence. In the living room, a soft suede wall gives way to the room’s large bank of windows and smartly complements the stone fireplace. Muted greens and golds segue effortlessly to the spectacular lake view. Meanwhile, the vibrant tones of the dining room tastefully contrast the cool calm of the living area.
highlights
Fifty-six colors in whole house
Forty-two colors in master suite

This gorgeous beach condo sits on the banks of the Pacific ocean in Solana Beach, CA. The previous design was dark, heavy and out of scale for the square footage of the space. We removed an outdated bulit in, a column that was not supporting and all the detailed trim work. We replaced it with white kitchen cabinets, continuous vinyl plank flooring and clean lines throughout. The entry was created by pulling the lower portion of the bookcases out past the wall to create a foyer. The shelves are open to both sides so the immediate view of the ocean is not obstructed. New patio sliders now open in the center to continue the view. The shiplap ceiling was updated with a fresh coat of paint and smaller LED can lights. The bookcases are the inspiration color for the entire design. Sea glass green, the color of the ocean, is sprinkled throughout the home. The fireplace is now a sleek contemporary feel with a tile surround. The mantel is made from old barn wood. A very special slab of quartzite was used for the bookcase counter, dining room serving ledge and a shelf in the laundry room. The kitchen is now white and bright with glass tile that reflects the colors of the water. The hood and floating shelves have a weathered finish to reflect drift wood. The laundry room received a face lift starting with new moldings on the door, fresh paint, a rustic cabinet and a stone shelf. The guest bathroom has new white tile with a beachy mosaic design and a fresh coat of paint on the vanity. New hardware, sinks, faucets, mirrors and lights finish off the design. The master bathroom used to be open to the bedroom. We added a wall with a barn door for privacy. The shower has been opened up with a beautiful pebble tile water fall. The pebbles are repeated on the vanity with a natural edge finish. The vanity received a fresh paint job, new hardware, faucets, sinks, mirrors and lights. The guest bedroom has a custom double bunk with reading lamps for the kiddos. This space now reflects the community it is in, and we have brought the beach inside.

The owners of this 1970s-era split-level on Lake Calhoun recently added a third story bringing the home up-to-date with attractive soffits, angles, and half-walls built to create depth and dimension. But in a house where every room registered a dull white, a healthy dose of color becomes the true force for modernizing this space. The homeowners asked Otogawa-Anschel to bring color into their lives.
The standalone fireplace in the room’s center wears an entirely different chromatic palette on each side. From the sleeping area and looking out toward the lake, cool tones tease out the aqua and dark blue in the slate fireplace surround. From the opposite side, warm hues pick up the rose and violet of the same material. The wall separating the bedroom from the bathroom boasts a rich adobe red, set off by a gold soffit and a rich chocolate panel. The bold, earthy color triad serves as the eye-catching anchor point for the room.
Asymmetrical glass block flanking the bathroom vanity opens up an otherwise restrictive space, allowing it to communicate with the walk-in closet on one side and the natural light spill on the other. Because the green glass block diffuses the light, the room’s colors work to compensate for this softening. A mix of tangerine, pale green, and lemon yellow tile used in the shower find a place on the floor and walls as well for a burst of synthetic sunshine designed to shift and bend depending on vantage point. The gently morphing pattern eliminates the flat sterility of white tile and ordinary glass block.
The transition from the second floor to the third floor features a combination of yellow hues that also appear to shimmer and shift with the movement of natural light through the space. In the intense afternoon sun, the pigments lose their distinction and become a solid glowing wall. As the sun sets, they regain their individual character.
Like any healthy relationship, the living room and dining room work together while maintaining independence. In the living room, a soft suede wall gives way to the room’s large bank of windows and smartly complements the stone fireplace. Muted greens and golds segue effortlessly to the spectacular lake view. Meanwhile, the vibrant tones of the dining room tastefully contrast the cool calm of the living area.
highlights
Fifty-six colors in whole house
Forty-two colors in master suite

Sponsored
Columbus, OH
Hope Restoration & General Contracting
Columbus Design-Build, Kitchen & Bath Remodeling, Historic Renovations

This gorgeous beach condo sits on the banks of the Pacific ocean in Solana Beach, CA. The previous design was dark, heavy and out of scale for the square footage of the space. We removed an outdated bulit in, a column that was not supporting and all the detailed trim work. We replaced it with white kitchen cabinets, continuous vinyl plank flooring and clean lines throughout. The entry was created by pulling the lower portion of the bookcases out past the wall to create a foyer. The shelves are open to both sides so the immediate view of the ocean is not obstructed. New patio sliders now open in the center to continue the view. The shiplap ceiling was updated with a fresh coat of paint and smaller LED can lights. The bookcases are the inspiration color for the entire design. Sea glass green, the color of the ocean, is sprinkled throughout the home. The fireplace is now a sleek contemporary feel with a tile surround. The mantel is made from old barn wood. A very special slab of quartzite was used for the bookcase counter, dining room serving ledge and a shelf in the laundry room. The kitchen is now white and bright with glass tile that reflects the colors of the water. The hood and floating shelves have a weathered finish to reflect drift wood. The laundry room received a face lift starting with new moldings on the door, fresh paint, a rustic cabinet and a stone shelf. The guest bathroom has new white tile with a beachy mosaic design and a fresh coat of paint on the vanity. New hardware, sinks, faucets, mirrors and lights finish off the design. The master bathroom used to be open to the bedroom. We added a wall with a barn door for privacy. The shower has been opened up with a beautiful pebble tile water fall. The pebbles are repeated on the vanity with a natural edge finish. The vanity received a fresh paint job, new hardware, faucets, sinks, mirrors and lights. The guest bedroom has a custom double bunk with reading lamps for the kiddos. This space now reflects the community it is in, and we have brought the beach inside.

Also known as Seabreeze, this award-winning custom home, in collaboration with Andrea Burrell Design, has been featured in the Spring 2020 edition of Boulevard Magazine. Our Genoa Bay Custom Home sits on a beautiful oceanfront lot in Maple Bay. The house is positioned high atop a steep slope and involved careful tree clearing and excavation. With three bedrooms and two full bathrooms and a powder room for a total of 2,278 square feet, this well-designed home offers plenty of space.
Interior Design was completed by Andrea Burrell Design, and includes many unique features. The hidden pantry and fridge, ship-lap styling, hallway closet for the master bedroom, and reclaimed vanity are all very impressive. But what can’t be beat are the ocean views from the three-tiered deck.
Photos By: Luc Cardinal

This gorgeous beach condo sits on the banks of the Pacific ocean in Solana Beach, CA. The previous design was dark, heavy and out of scale for the square footage of the space. We removed an outdated bulit in, a column that was not supporting and all the detailed trim work. We replaced it with white kitchen cabinets, continuous vinyl plank flooring and clean lines throughout. The entry was created by pulling the lower portion of the bookcases out past the wall to create a foyer. The shelves are open to both sides so the immediate view of the ocean is not obstructed. New patio sliders now open in the center to continue the view. The shiplap ceiling was updated with a fresh coat of paint and smaller LED can lights. The bookcases are the inspiration color for the entire design. Sea glass green, the color of the ocean, is sprinkled throughout the home. The fireplace is now a sleek contemporary feel with a tile surround. The mantel is made from old barn wood. A very special slab of quartzite was used for the bookcase counter, dining room serving ledge and a shelf in the laundry room. The kitchen is now white and bright with glass tile that reflects the colors of the water. The hood and floating shelves have a weathered finish to reflect drift wood. The laundry room received a face lift starting with new moldings on the door, fresh paint, a rustic cabinet and a stone shelf. The guest bathroom has new white tile with a beachy mosaic design and a fresh coat of paint on the vanity. New hardware, sinks, faucets, mirrors and lights finish off the design. The master bathroom used to be open to the bedroom. We added a wall with a barn door for privacy. The shower has been opened up with a beautiful pebble tile water fall. The pebbles are repeated on the vanity with a natural edge finish. The vanity received a fresh paint job, new hardware, faucets, sinks, mirrors and lights. The guest bedroom has a custom double bunk with reading lamps for the kiddos. This space now reflects the community it is in, and we have brought the beach inside.

Collaboration with Canonbury Homes and Frank Neely Design Associates.
Inspiration for a timeless open concept kitchen remodel in Atlanta with beaded inset cabinets and two islands
Inspiration for a timeless open concept kitchen remodel in Atlanta with beaded inset cabinets and two islands

This gorgeous beach condo sits on the banks of the Pacific ocean in Solana Beach, CA. The previous design was dark, heavy and out of scale for the square footage of the space. We removed an outdated bulit in, a column that was not supporting and all the detailed trim work. We replaced it with white kitchen cabinets, continuous vinyl plank flooring and clean lines throughout. The entry was created by pulling the lower portion of the bookcases out past the wall to create a foyer. The shelves are open to both sides so the immediate view of the ocean is not obstructed. New patio sliders now open in the center to continue the view. The shiplap ceiling was updated with a fresh coat of paint and smaller LED can lights. The bookcases are the inspiration color for the entire design. Sea glass green, the color of the ocean, is sprinkled throughout the home. The fireplace is now a sleek contemporary feel with a tile surround. The mantel is made from old barn wood. A very special slab of quartzite was used for the bookcase counter, dining room serving ledge and a shelf in the laundry room. The kitchen is now white and bright with glass tile that reflects the colors of the water. The hood and floating shelves have a weathered finish to reflect drift wood. The laundry room received a face lift starting with new moldings on the door, fresh paint, a rustic cabinet and a stone shelf. The guest bathroom has new white tile with a beachy mosaic design and a fresh coat of paint on the vanity. New hardware, sinks, faucets, mirrors and lights finish off the design. The master bathroom used to be open to the bedroom. We added a wall with a barn door for privacy. The shower has been opened up with a beautiful pebble tile water fall. The pebbles are repeated on the vanity with a natural edge finish. The vanity received a fresh paint job, new hardware, faucets, sinks, mirrors and lights. The guest bedroom has a custom double bunk with reading lamps for the kiddos. This space now reflects the community it is in, and we have brought the beach inside.

Stuart Wade, Envision Virtual Tours
Mountain Reflections on Lake Burton
Recently renovated both inside and out, this 5 bedroom, 5.5 bath home with sweeping views of Lake Burton is fit for entertaining large crowds. The open floor plan features a spacious great room with a 2-story stacked stone fireplace, abundant natural ligthing, dining for 10+ and a large chef's kitchen with granite countertops, custom cabinets to house every utensil, exposed beams and access to a lakeside porch. Three sets of french doors open to a magnificent curved veranda accented by columns. Western sunsets make this the place to be in the cool evenings watching the sun reflect off the jewel tone water. A private master bedroom on the main floor provides access to the covered porch. The master bath features a double vanity with granite countertops, built-in storage drawers and cabinets, jetted tub and seperate shower. Spacious guest bedrooms feature private baths and lake views. Mature landscaping including an incredible array of pink and purple rhododendron, eyebrow windows, columns and curved porches highlight the newly painted exterior.
The terrace level features a second family room/rec room with a stacked stone fireplace, wet bar, and a wall of triple french doors that open to a lakeside stone terrace. Two additional guest bedrooms with full baths also have access to the terrace patio. A large laundry room and gym/art studio with outside entrance, double sink and ample storage completes the terrace level.
Lake Burton is a unique Life Style. Cherry Lane is a paved street accessed by 4 single family homes. This home features a private, gated driveway off Cherry Lane. There is not a homeowner’s association, there are no fees or dues. Over 800 lake properties are managed and leased by the Georgia Power Company.
Location is a major advantage for this property with close proximity to Clayton, the hospital, Waterfall Country Club, the Appalachian Trail, shopping, quaint restaurants and only about a 45 minute drive to Highlands, N.C. This house is located on deep water and has breathtaking lake and mountain views that will capture your heart!
General Information:
• 5 bedrooms and 5 ½ baths
• All bathrooms have new updated granite counter tops.
• 2 fireplaces ( 1 gas non vent logs and 1 wood burning with gas starter and built in wood storage)
• Both fireplaces have raised hearths.
• House has poured concrete walls with reinforced steel.
• All Floor trusses were engineered for proper application.
• During construction the house and grounds were pre-treated for termites. The house is inspected for termites annually. To date, no termites have been found. The termite bond is with American Pest control out of Toccoa, GA.
• The main entrance has double Mahogany leaded glass door. All other exterior doors and windows are deluxe Anderson thermo pane. All Anderson windows are tilt out for easy inside cleaning. Windows have Planter shutter and/or wood blinds.
• All lake side doors are 8 feet. Doors have triple locks and are adjustable for the best fit.
• All exterior walls have house wrap and heavy insulation- R-17 for walls and R 30 in the attic.
• House has 3 levels. Each level has its own Trane High Efficiency Weathertron heat pump XE 1200. The 2 units for the main and basement levels also have dual fuel, propane gas for extra heat if needed.
• Beam Central Vacuum system for all 3 levels.
• All 3 levels are wired for Stereo speakers as well as the main level outside deck.
• All ceilings are 10 ft. or higher.
• Bar sinks have granite counter tops
*Brand new (2014) roof with HD architectural shingles has transferable lifetime warranty
Entry Foyer:
-Double Mahogany lead glass doors
-2 lead glass side windows
-Marble floor, heavy moldings, tray ceiling
Great Room:
-Vaulted wood ceiling with multi light chandelier
-Doors can be adjusted in many different positions for easy operations
-Anderson Windows and doors
-All doors facing lake side are 8 ft. doors
-Planter shutters in all windows on main floor
Kitchen:
-Vaulted ceiling with beadboard and exposed beams
-Custom Gillespie cabinets with space for every utensil
-Large kitchen island with breakfast bar
-Walk-in pantry
-Granite counter tops with plenty of prep space
-Breakfast nook
-Access to lakeside porch
-Central Vac and crumb catcher
-GE Monogram Fridge
-Kitchenaid built in oven and microwave
-Jen-air 4 burner gas stove with exhaust
-Kitchenaid trash compactor
-Scotsman Ice Machine
-Over and under counter accent lighting
Master Bedroom:
-Heavy Molding, hardwood flooring,
-Plantation shutters on bedroom French doors opening to deck
-4 closets
Master Bath:
-Granite counter tops with double sinks
-Separate shower with glass door and delta shower system
-Jetted Tub
-14 drawer built-in cabinets for clothing
Upstairs level:
-Two bedrooms, each with full baths, tile floors, double vanities, granite countertops, ample closets and linen closets
Terrace Level:
-Spacious family room with stone fireplace and wet bar
-Guest bedroom with full bath
-Office with full bath
-Art studio or exercise room with double sink
-Separate tool room
-Laundry room/utility room with tile floors and cabinets
-Covered stone terrace with access to boathouse
Boat House:
-Two stall for up to 25 ft. boat
-2 electric boat lifts
-Large deck on top of boathouse with ½ covered roof
-Large storage area for boat supplies
-Swim dock

This home is located on a one acre parcel of land near the banks of the Milwaukee River in the older established subdivision of Sleepy Hollow Estates in Mequon, Wisconsin. The inspiration for this Glen Cove Residence was to bring the desired by many, contemporary and modern lifestyle of a down town loft and establish it in a neighborhood in the suburbs amongst traditional style homes.
Sleepy Hollow Estates like many older established neighborhoods throughout the North shore and Westside communities of Milwaukee had great local architects such as John Randall McDonald and Russell Barr Williamson, who built contemporary master pieces amongst very traditional style homes. This created diversity in the style of homes in these neighborhoods which for the people living in them and the people just passing by, an experience of harmony and cultural lifestyle.
Unfortunately today, many new neighborhood developments lack harmony and cultural lifestyle and don’t allow for homes such as this Glen Cove Residence to be built. And for that matter many of the homes built by John Randall McDonald and Russell Barr Williamson back in the 1950’s. When driving through these new developments, one would experience beautiful traditional style homes, but all the homes tend to look the same. There is no diversity in the styles of homes thus these neighborhoods lack the harmony and a cultural life style for the people who live there or what people are looking for when buying a home that reflects their lifestyle. This Glen Cove Residence is an example that a contemporary home which offers a modern lifestyle that many desires can be established amongst traditional homes while blending in with the neighborhood.
Don’t be fooled by the flat roof of this home, building technology has come a long way since Frank Lloyd Wright! The roof system on this home is more energy efficient than most roof systems builders are putting on traditional homes today and it doesn’t leak! This Glen Cove Residence was built using all traditional building materials that you would see in homes being built in new developments today. There is a misconception out there that modern homes are expensive to build. That is not true! This Glen Cove Residence was built for roughly $130 per square foot which is the same price one would pay for a similar builder’s model traditional style home with the same upgrades.
This Glen Cove Residence consists of three bedrooms and three and one half baths. All bedrooms are located on second floor with laundry, guest bath and a master suite. Located between the first and second floors off of the landing is an office/den space. The first floor is open concept with the kitchen, dining and living areas located at the rear of the home with expansive windows allowing a great connection to back yard area and outdoors. On the back of the home is a covered deck area allowing for outdoor entertaining without the worry of the elements. The first floor also offers a powder room, mudroom and walk-in pantry off the kitchen area. From the mudroom there is access to an attached four car tandem garage. From the first floor to the finished basement is an open stair allowing the basement area to feel as part of the house and not just a basement? The basement consists of a main living area, game area with wet bar, exercise room, kids play room with 14’ ceilings, full bathroom and mechanical room with storage closets throughout.

Stuart Wade, Envision Virtual Tours
The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents.
Early History
The earliest
St. Simons Island Village
record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini.
Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned.
Colonial History
As
Fort Frederica
early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat.
Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service.
Plantation Era
By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war.
Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton.
Between
Ebos Landing
the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing.
One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863).
Another
Retreat Plantation
large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves.
The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall.
The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church.
Civil War and Beyond
The
St. Simons Island Lighthouse
outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned.
After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations.
By
St. Simons Lumber Mills
1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross.
The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island.
Twentieth Century
The
St. Simons Island Pier and Village
opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development.
In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s.
The
St. Simons Island
outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents.
Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa.
Since
Epworth by the Sea
1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant.
Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

As written in Northern Home & Cottage by Elizabeth Edwards
Sara and Paul Matthews call their head-turning home, located in a sweet neighborhood just up the hill from downtown Petoskey, “a very human story.” Indeed it is. Sara and her husband, Paul, have a special-needs son as well as an energetic middle-school daughter. This home has an answer for everyone. Located down the street from the school, it is ideally situated for their daughter and a self-contained apartment off the great room accommodates all their son’s needs while giving his caretakers privacy—and the family theirs. The Matthews began the building process by taking their thoughts and
needs to Stephanie Baldwin and her team at Edgewater Design Group. Beyond the above considerations, they wanted their new home to be low maintenance and to stand out architecturally, “But not so much that anyone would complain that it didn’t work in our neighborhood,” says Sara. “We
were thrilled that Edgewater listened to us and were able to give us a unique-looking house that is meeting all our needs.” Lombardy LLC built this handsome home with Paul working alongside the construction crew throughout the project. The low maintenance exterior is a cutting-edge blend of stacked stone, black corrugated steel, black framed windows and Douglas fir soffits—elements that add up to an organic contemporary look. The use of black steel, including interior beams and the staircase system, lend an industrial vibe that is courtesy of the Matthews’ friend Dan Mello of Trimet Industries in Traverse City. The couple first met Dan, a metal fabricator, a number of years ago, right around the time they found out that their then two-year-old son would never be able to walk. After the couple explained to Dan that they couldn’t find a solution for a child who wasn’t big enough for a wheelchair, he designed a comfortable, rolling chair that was just perfect. They still use it. The couple’s gratitude for the chair resulted in a trusting relationship with Dan, so it was natural for them to welcome his talents into their home-building process. A maple floor finished to bring out all of its color-tones envelops the room in warmth. Alder doors and trim and a Doug fir ceiling reflect that warmth. Clearstory windows and floor-to-ceiling window banks fill the space with light—and with views of the spacious grounds that will
become a canvas for Paul, a retired landscaper. The couple’s vibrant art pieces play off against modernist furniture and lighting that is due to an inspired collaboration between Sara and interior designer Kelly Paulsen. “She was absolutely instrumental to the project,” Sara says. “I went through
two designers before I finally found Kelly.” The open clean-lined kitchen, butler’s pantry outfitted with a beverage center and Miele coffee machine (that allows guests to wait on themselves when Sara is cooking), and an outdoor room that centers around a wood-burning fireplace, all make for easy,
fabulous entertaining. A den just off the great room houses the big-screen television and Sara’s loom—
making for relaxing evenings of weaving, game watching and togetherness. Tourgoers will leave understanding that this house is everything great design should be. Form following function—and solving very human issues with soul-soothing style.

Perectly balanced, this dramatic black and white bathroom is a stunner. Thoughtful design was top of mind for these clients as they approached the Renovisions team to help narrow down their choices and bring it to life. Finding balance while mixing darker, heavier black finishes and lighter, white finishes was the task at hand and the goal was to create a modern look with an industrial/rustic feel.
The challenge on this project was incorporating all the desired elements and products in a tight spatial constraint of 9’ x 7.5’. The clients biggest concern in the old bathroom was inadequate storage, tired and under-utilized bathtub and they also needed an additional sink for their two daughters who often share this space. Renovisions recommended removing the wall between the shower and closet to gain additional floor space as you enter the bath, while providing wall space for the three towel bars.
Collaborating with the clients and searching to find the right fixtures paid off nicely. This newly remodeled Renovision accommodated two rectangular sinks, a walk-in shower with hand-held shower, wall-mounted shower head and two soft spray body jets. The oil-rubbed bronze fixtures not only provided a luxurious spa experience, but also added warmth and softness to the vintage feel. The glass shower enclosure is trimmed in a matte black grid that boasts an industrial aesthetic with retro feel while delivering modernistic function. It’s unique in appearance while allowing the chic white subway and black and white diamond tile to peek through.
The beautifully designed cabinetry in a matte black painted finish provides plenty of storage. This smart configuration included two banks of three drawers for toiletries and accessories, two towers with adjustable shelves for towels and two ‘garage’ doors for hair dryers.
Another unique design detail to capture attention was the black and white curvy geometric floor tile which plays off the straight lines of the cabinets and square grids of the shower enclosure.
The clients are thrilled with the results and their modern, high-contrast styled digs – a true customized relaxation sanctuary for the entire family.

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The living room is more formal then family room but still a place one can relax. The sofa and chairs as well as the console and sofa table were custom made. I love the way the navy and cream are accentuated by the warm reds and tangerines in the pillows and art.

Brad Haines knows a thing or two about building things. The intensely creative and innovative founder of Oklahoma City-based Haines Capital is the driving force behind numerous successful companies including Bank 7 (NASDAQ BSVN), which proudly reported record year-end earnings since going public in September of last year. He has beautifully built, renovated, and personally thumb printed all of his commercial spaces and residences. “Our theory is to keep things sophisticated but comfortable,” Brad says.
That’s the exact approach he took in his personal haven in Nichols Hills, Oklahoma. Painstakingly renovated over the span of two years by Candeleria Foster Design-Build of Oklahoma City, his home boasts museum-white, authentic Venetian plaster walls and ceilings; charcoal tiled flooring; imported marble in the master bath; and a pretty kitchen you’ll want to emulate.
Reminiscent of an edgy luxury hotel, it is a vibe conjured by Cantoni designer Nicole George. “The new remodel plan was all about opening up the space and layering monochromatic color with lots of texture,” says Nicole, who collaborated with Brad on two previous projects. “The color palette is minimal, with charcoal, bone, amber, stone, linen and leather.”
“Sophisticated“Sophisticated“Sophisticated“Sophisticated“Sophisticated
Nicole helped oversee space planning and selection of interior finishes, lighting, furnishings and fine art for the entire 7,000-square-foot home. It is now decked top-to-bottom in pieces sourced from Cantoni, beginning with the custom-ordered console at entry and a pair of Glacier Suspension fixtures over the stairwell. “Every angle in the house is the result of a critical thought process,” Nicole says. “We wanted to make sure each room would be purposeful.”
To that end, “we reintroduced the ‘parlor,’ and also redefined the formal dining area as a bar and drink lounge with enough space for 10 guests to comfortably dine,” Nicole says. Brad’s parlor holds the Swing sectional customized in a silky, soft-hand charcoal leather crafted by prominent Italian leather furnishings company Gamma. Nicole paired it with the Kate swivel chair customized in a light grey leather, the sleek DK writing desk, and the Black & More bar cabinet by Malerba. “Nicole has a special design talent and adapts quickly to what we expect and like,” Brad says.
To create the restaurant-worthy dining space, Nicole brought in a black-satin glass and marble-topped dining table and mohair-velvet chairs, all by Italian maker Gallotti & Radice. Guests can take a post-dinner respite on the adjoining room’s Aston sectional by Gamma.
In the formal living room, Nicole paired Cantoni’s Fashion Affair club chairs with the Black & More cocktail table, and sofas sourced from Désirée, an Italian furniture upholstery company that creates cutting-edge yet comfortable pieces. The color-coordinating kitchen and breakfast area, meanwhile, hold a set of Guapa counter stools in ash grey leather, and the Ray dining table with light-grey leather Cattelan Italia chairs. The expansive loggia also is ideal for entertaining and lounging with the Versa grand sectional, the Ido cocktail table in grey aged walnut and Dolly chairs customized in black nubuck leather. Nicole made most of the design decisions, but, “she took my suggestions seriously and then put me in my place,” Brad says.
She had the master bedroom’s Marlon bed by Gamma customized in a remarkably soft black leather with a matching stitch and paired it with onyx gloss Black & More nightstands. “The furnishings absolutely complement the style,” Brad says. “They are high-quality and have a modern flair, but at the end of the day, are still comfortable and user-friendly.”
The end result is a home Brad not only enjoys, but one that Nicole also finds exceptional. “I honestly love every part of this house,” Nicole says. “Working with Brad is always an adventure but a privilege that I take very seriously, from the beginning of the design process to installation.”

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