This three-story vacation home for a family of ski enthusiasts features 5 bedrooms and a six-bed bunk room, 5 1/2 bathrooms, kitchen, dining room, great room, 2 wet bars, great room, exercise room, basement game room, office, mud room, ski work room, decks, stone patio with sunken hot tub, garage, and elevator. The home sits into an extremely steep, half-acre lot that shares a property line with a ski resort and allows for ski-in, ski-out access to the mountain’s 61 trails. This unique location and challenging terrain informed the home’s siting, footprint, program, design, interior design, finishes, and custom made furniture. Credit: Samyn-D'Elia Architects

Photo by Pedro Marti The client’s hired us to update this small post war apartment which didn’t appear to have ever been renovated since the buildings construction in 1964. The kitchen and bathroom were outdated and were fully gutted. In doing so we decided to open up the apartment in general by removing the wall that separated the kitchen from the living space to create a more open plan. The resulting design is an exercise in ultra-minimalism. The rear wall of the kitchen was outfitted with floor to ceiling cabinetry fit with custom satin lacquer doors and minimal white pulls. The custom paneled refrigerator integrates seamlessly within this wall to create a white backdrop for the kitchen. A peninsula was created opposite to give a work surface and to house the sink and range. Starkly contrasting black metal clad doors were chosen for this run of cabinetry. The unique metal doors have integrated pulls that are cut and folded from the metal cladding. The peninsula is topped in a faux concrete quartz surface. New wide plank walnut flooring was laid throughout the kitchen, living, and bedroom to giving the space a look of continuity. Trim was kept to a minimum, removing from all doors and windows and using only where absolutely necessary at the base of the walls. To achieve the look in the monochromatic bathroom, large format grey porcelain tile was laid in a careful grid; white metal floating shelves and the medicine cabinet were installed to precisely align with both the tile grid and the overhead linear LED fixture.

For this couple, planning to move back to their rambler home in Arlington after living overseas for few years, they were ready to get rid of clutter, clean up their grown-up kids’ boxes, and transform their home into their dream home for their golden years. The old home included a box-like 8 feet x 10 feet kitchen, no family room, three small bedrooms and two back to back small bathrooms. The laundry room was located in a small dark space of the unfinished basement. This home is located in a cul-de-sac, on an uphill lot, of a very secluded neighborhood with lots of new homes just being built around them. The couple consulted an architectural firm in past but never were satisfied with the final plans. They approached Michael Nash Custom Kitchens hoping for fresh ideas. The backyard and side yard are wooded and the existing structure was too close to building restriction lines. We developed design plans and applied for special permits to achieve our client’s goals. The remodel includes a family room, sunroom, breakfast area, home office, large master bedroom suite, large walk-in closet, main level laundry room, lots of windows, front porch, back deck, and most important than all an elevator from lower to upper level given them and their close relative a necessary easier access. The new plan added extra dimensions to this rambler on all four sides. Starting from the front, we excavated to allow a first level entrance, storage, and elevator room. Building just above it, is a 12 feet x 30 feet covered porch with a leading brick staircase. A contemporary cedar rail with horizontal stainless steel cable rail system on both the front porch and the back deck sets off this project from any others in area. A new foyer with double frosted stainless-steel door was added which contains the elevator. The garage door was widened and a solid cedar door was installed to compliment the cedar siding. The left side of this rambler was excavated to allow a storage off the garage and extension of one of the old bedrooms to be converted to a large master bedroom suite, master bathroom suite and walk-in closet. We installed matching brick for a seam-less exterior look. The entire house was furnished with new Italian imported highly custom stainless-steel windows and doors. We removed several brick and block structure walls to put doors and floor to ceiling windows. A full walk in shower with barn style frameless glass doors, double vanities covered with selective stone, floor to ceiling porcelain tile make the master bathroom highly accessible. The other two bedrooms were reconfigured with new closets, wider doorways, new wood floors and wider windows. Just outside of the bedroom, a new laundry room closet was a major upgrade. A second HVAC system was added in the attic for all new areas. The back side of the master bedroom was covered with floor to ceiling windows and a door to step into a new deck covered in trex and cable railing. This addition provides a view to wooded area of the home. By excavating and leveling the backyard, we constructed a two story 15’x 40’ addition that provided the tall ceiling for the family room just adjacent to new deck, a breakfast area a few steps away from the remodeled kitchen. Upscale stainless-steel appliances, floor to ceiling white custom cabinetry and quartz counter top, and fun lighting improved this back section of the house with its increased lighting and available work space. Just below this addition, there is extra space for exercise and storage room. This room has a pair of sliding doors allowing more light inside. The right elevation has a trapezoid shape addition with floor to ceiling windows and space used as a sunroom/in-home office. Wide plank wood floors were installed throughout the main level for continuity. The hall bathroom was gutted and expanded to allow a new soaking tub and large vanity. The basement half bathroom was converted to a full bathroom, new flooring and lighting in the entire basement changed the purpose of the basement for entertainment and spending time with grandkids. Off white and soft tone were used inside and out as the color schemes to make this rambler spacious and illuminated. Final grade and landscaping, by adding a few trees, trimming the old cherry and walnut trees in backyard, saddling the yard, and a new concrete driveway and walkway made this home a unique and charming gem in the neighborhood.

A modern interpretation of Italianate architecture, this home is located on the ocean cliffs in Shell Beach, California. Interior spaces include three bedrooms, 3 1/2 baths, wine cellar and an exercise room. The basement level has a home theater and billiards room.

The original house, built in the early 18th century, was moved to this location two hundred years later. This whole house project includes an outdoor stage, a library, two barns, an exercise complex and extensive landscaping with tennis court and pools. A new stair winds upward to the study built as a widow's walk on the roof. A large window provides a view to the sea-wall at the bottom of the garden and Buzzard's Bay beyond. The new stair allows views from the central front hall into the Living Room, which spans the waterside. The bluestone-edged swimming pool and hot pool merge with the landscape, creating the illusion that the pool and the sea are continuous.

**I. Spatial Composition & Architectural Volume** The image frames a primary bathroom vanity zone through a deliberately compressed aperture — the vertical edge of a rift-sawn oak door jamb occupying the left third of the frame, functioning as a proscenium that stages the composition beyond. This device establishes a layered sightline sequence: foreground threshold, mid-ground vanity plane, and a tertiary reflected depth revealed in the mirrored cabinetry, where a travertine-clad shower enclosure and polished nickel showerhead appear as a spatial echo. The result is an interior that reads as considerably more expansive than its actual footprint, a classic strategy of volumetric borrowing through specular surfaces. Architecturally, the wall is resolved as a single continuous joinery composition — a full-height run of flush-fronted oak millwork with mirrored upper cabinet fronts, articulated only by hairline reveals rather than applied hardware or framing. This shadow-gap detailing establishes rhythm through negation, allowing the plane to remain monolithic while acknowledging its constituent modules. The vanity itself is conceived as a solid stone monolith, a thick-slab plinth with a generous mitred apron that cantilevers over recessed oak drawer fronts below, the base set back to create a shadowed float line. Geometry throughout is orthogonal and rectilinear: the square undermount basin, the deck's stepped perimeter, the horizontal datum of the backsplash terminating precisely at the mirror's lower edge. The only curvilinear intrusions are the capsule-form sconces and the ceramic vessel, deliberate soft counterpoints within an otherwise strictly Cartesian field. **II. Materiality, Color & Texture** The palette is a study in tonal adjacency rather than contrast — a restrained duet of oak and veined stone, held within a narrow chromatic band of taupe, greige, and warm sand. The joinery appears to be quarter- or rift-sawn white oak in a matte, open-grain finish, its tight vertical figure reading as a subtle striation that lends verticality and tactile warmth without pattern-making. Against this, the stone — a silver travertine or vein-cut quartzite with pronounced linear striation — provides the composition's dominant graphic energy. Crucially, the fabricator has book-matched and continued the veining from backsplash to deck to apron, so the stone's fluvial banding reads as a single geological event rather than assembled panels. This vein-matching is the project's most consequential craft decision. Textural interplay is calibrated across three registers: the low-sheen absorbency of the oak, the honed, slightly chalky matte of the stone, and the high-specularity of polished nickel fittings. The wall-mounted lever taps and spout, with their crisp escutcheons and knurl-free tapered levers, introduce a jewel-like precision — cool-toned metal against warm mineral. The white porcelain basin functions as a chromatic pause, the palette's only true neutral. Accent moments are equally disciplined: a ribbed ceramic soap dish holding a block of butter-yellow soap, and a matte bone-white bottle vase carrying hellebores in acid-green — a single saturated note that activates the surrounding earth tones through complementary tension. **III. Lighting, Atmosphere & Style Profile** Natural light enters obliquely and is largely inferred rather than depicted: a soft, diffuse wash across the upper mirror and a pale ceiling plane glimpsed in reflection suggest a clerestory or adjacent glazing beyond the frame. The primary illumination is architectural and task-oriented — two opal glass capsule sconces in polished nickel, surface-mounted directly to the mirrored fronts. Their pill-shaped diffusers emit a soft, omnidirectional glow that flatters skin tones and, critically, provides cross-lighting at facial height rather than the unflattering top-down wash of downlights. The reflected sconce in the mirror doubles the light count perceptually, reinforcing the sense of symmetry and depth. Shadow is used compositionally: the recessed toe of the vanity, the reveal lines in the joinery, and the raking light across the stone's striation all rely on controlled darkness to describe form. The resulting atmosphere is one of hushed, tactile luxury — sensory rather than declarative. Stylistically, the project sits within a contemporary Warm Minimalism, inflected with the material gravity of Milanese modernism and traces of a Japandi sensibility in its reverence for grain, joinery reveals, and the studied placement of a single floral gesture. There is nothing decorative in the additive sense; ornament is entirely subsumed into material and detail. The design's authority derives from restraint and fabrication rigor — the mitre, the reveal, the vein-match — positioning it as a mature exercise in what might be called quiet monumentality: a small room made consequential through the discipline of its surfaces.

**Spatial Composition & Architectural Volume** The room is organized around a single, decisive architectural gesture: a full-height sliding glazed wall that dissolves the boundary between the sleeping chamber and an enclosed garden court. The composition is fundamentally horizontal — a low-slung bed platform anchoring the right-hand foreground, a seating vignette calibrated to the left, and between them an uninterrupted sightline drawn through the aperture to the ivy-clad boundary wall beyond. This lateral emphasis is reinforced overhead by a recessed shadow-gap ceiling detail and a stepped perimeter cove that reads as a floating plane, subtly compressing the volume at its edges while lifting it at centre. The glazing itself is elegantly restrained: slim black-framed sliders set within a warm timber reveal, the sill deep enough to function as a threshold rather than a mere junction — an architectural pause between interior and exterior. Circulation is generous and diagonal, the ottoman and lounge chair angled to acknowledge both the bed and the view, establishing a soft triangulation of use. The tall marquetry armoire at the right terminates the composition vertically, providing the single strong axis of ascent in an otherwise recumbent plan, and its sculptural crown — a bronze group of standing figures — punctuates the ceiling zone with deliberate counterpoint. **Materiality, Color & Texture** The palette is an exercise in tonal modulation within a narrow chromatic band: greige, taupe, dove, mushroom, all carried on warm grey undertones with no true white and no true black save the slender window mullions. Textural variation, rather than colour contrast, performs the compositional work. The curtains — likely a slubbed silk or textured linen-viscose blend — hang in deep pinch-pleat falls whose vertical striation animates the flanking walls, while the grasscloth wallcovering behind the armoire introduces a fine, dry, horizontal weave. Against these soft-focus surfaces, the armoire delivers the room's most emphatic tactile statement: a hand-carved, faceted diamond-relief pattern in pale limed oak, bleached almost to bone, whose faceted geometry catches and fragments light. Upholstery in supple dove-grey leather on the chair and bench is offset by a crushed-velvet cushion and a finely pleated bolster at the bedhead, layering matte against lustre. Metallics are used sparingly and warmly — antiqued brass sabots on the furniture legs, a brushed bronze plinth-form side table — while the bed's pale coverlet, incised with a fine embroidered arabesque and studded buttoning, contributes a subtle graphic line. Underfoot, a hand-knotted rug in mottled silver-sage over honed stone completes a gradient from cool floor to warm wall. **Lighting, Atmosphere & Style Profile** Natural light is the primary luminous instrument here, admitted as a broad, diffuse northern wash through the glazed wall and rendered soft by the surrounding foliage, which filters and greens the light before it enters. The absence of visible decorative fixtures is intentional: illumination is concealed within the ceiling cove and shadow gaps, implying an evening register of low, indirect ambient light supplemented by discreet task sources. This restraint sustains an atmosphere of hushed, cloistered calm — a sanctuary sensibility in which the garden functions as a living tapestry, its verdant saturation supplying the room's only chromatic release. Stylistically, the scheme reads as Soft Minimalism inflected with Contemporary Continental luxury: a lineage traceable to mid-century French decorative tradition — Jean-Michel Frank's plinths, Royère's rounded silhouettes — reinterpreted through a modernist discipline of tonal reduction and planar clarity. The result is neither austere nor decorative but precisely balanced: a quiet, artisanal luxe in which craft (the carved oak, the cast bronze, the hand-finished textiles) supplies the ornament that colour deliberately withholds.

Bathroom - huge transitional master beige tile bathroom idea in Houston with shaker cabinets, medium tone wood cabinets, beige walls, a drop-in sink and quartz countertops

The original house, built in the early 18th century, was moved to this location two hundred years later. This whole house project includes an outdoor stage, a library, two barns, an exercise complex and extensive landscaping with tennis court and pools. A new stair winds upward to the study built as a widow's walk on the roof. A large window provides a view to the sea-wall at the bottom of the garden and Buzzard's Bay beyond. The new stair allows views from the central front hall into the Living Room, which spans the waterside. The bluestone-edged swimming pool and hot pool merge with the landscape, creating the illusion that the pool and the sea are continuous.

Double shower is huge!
Example of a huge transitional master beige tile bathroom design in Houston with shaker cabinets, medium tone wood cabinets, beige walls, a drop-in sink and quartz countertops

Huge transitional master beige tile bathroom photo in Houston with shaker cabinets, medium tone wood cabinets, beige walls, a drop-in sink and quartz countertops

The Sea Breeze | Master Sitting Room or Exercise Room | New Home Builders in Tampa Florida
Example of a mid-sized transitional guest light wood floor and beige floor bedroom design in Tampa with blue walls and no fireplace

The Grand Palm | Master Sunroom / Exercise Room / Office | New Home Builders in Tampa Florida
Sunroom - mid-sized contemporary guest dark wood floor and brown floor sunroom idea in Tampa with blue walls and no fireplace

Example of a huge transitional master beige tile bathroom design in Houston with shaker cabinets, medium tone wood cabinets, beige walls and quartz countertops

Double shower is huge!
Example of a huge transitional master beige tile bathroom design in Houston with shaker cabinets, medium tone wood cabinets, beige walls, a drop-in sink and quartz countertops

Heated towel racks
Example of a huge transitional master beige tile bathroom design in Houston with shaker cabinets, medium tone wood cabinets, beige walls, a drop-in sink and quartz countertops

Example of a huge transitional master beige tile bathroom design in Houston with shaker cabinets, medium tone wood cabinets, beige walls and quartz countertops

Double shower is huge!
Huge transitional master beige tile bathroom photo in Houston with shaker cabinets, medium tone wood cabinets, beige walls, a drop-in sink and quartz countertops

For this couple, planning to move back to their rambler home in Arlington after living overseas for few years, they were ready to get rid of clutter, clean up their grown-up kids’ boxes, and transform their home into their dream home for their golden years. The old home included a box-like 8 feet x 10 feet kitchen, no family room, three small bedrooms and two back to back small bathrooms. The laundry room was located in a small dark space of the unfinished basement. This home is located in a cul-de-sac, on an uphill lot, of a very secluded neighborhood with lots of new homes just being built around them. The couple consulted an architectural firm in past but never were satisfied with the final plans. They approached Michael Nash Custom Kitchens hoping for fresh ideas. The backyard and side yard are wooded and the existing structure was too close to building restriction lines. We developed design plans and applied for special permits to achieve our client’s goals. The remodel includes a family room, sunroom, breakfast area, home office, large master bedroom suite, large walk-in closet, main level laundry room, lots of windows, front porch, back deck, and most important than all an elevator from lower to upper level given them and their close relative a necessary easier access. The new plan added extra dimensions to this rambler on all four sides. Starting from the front, we excavated to allow a first level entrance, storage, and elevator room. Building just above it, is a 12 feet x 30 feet covered porch with a leading brick staircase. A contemporary cedar rail with horizontal stainless steel cable rail system on both the front porch and the back deck sets off this project from any others in area. A new foyer with double frosted stainless-steel door was added which contains the elevator. The garage door was widened and a solid cedar door was installed to compliment the cedar siding. The left side of this rambler was excavated to allow a storage off the garage and extension of one of the old bedrooms to be converted to a large master bedroom suite, master bathroom suite and walk-in closet. We installed matching brick for a seam-less exterior look. The entire house was furnished with new Italian imported highly custom stainless-steel windows and doors. We removed several brick and block structure walls to put doors and floor to ceiling windows. A full walk in shower with barn style frameless glass doors, double vanities covered with selective stone, floor to ceiling porcelain tile make the master bathroom highly accessible. The other two bedrooms were reconfigured with new closets, wider doorways, new wood floors and wider windows. Just outside of the bedroom, a new laundry room closet was a major upgrade. A second HVAC system was added in the attic for all new areas. The back side of the master bedroom was covered with floor to ceiling windows and a door to step into a new deck covered in trex and cable railing. This addition provides a view to wooded area of the home. By excavating and leveling the backyard, we constructed a two story 15’x 40’ addition that provided the tall ceiling for the family room just adjacent to new deck, a breakfast area a few steps away from the remodeled kitchen. Upscale stainless-steel appliances, floor to ceiling white custom cabinetry and quartz counter top, and fun lighting improved this back section of the house with its increased lighting and available work space. Just below this addition, there is extra space for exercise and storage room. This room has a pair of sliding doors allowing more light inside. The right elevation has a trapezoid shape addition with floor to ceiling windows and space used as a sunroom/in-home office. Wide plank wood floors were installed throughout the main level for continuity. The hall bathroom was gutted and expanded to allow a new soaking tub and large vanity. The basement half bathroom was converted to a full bathroom, new flooring and lighting in the entire basement changed the purpose of the basement for entertainment and spending time with grandkids. Off white and soft tone were used inside and out as the color schemes to make this rambler spacious and illuminated. Final grade and landscaping, by adding a few trees, trimming the old cherry and walnut trees in backyard, saddling the yard, and a new concrete driveway and walkway made this home a unique and charming gem in the neighborhood.