In this 90's cape cod home, we used the space from an overly large bedroom, an oddly deep but narrow closet and the existing garden-tub focused master bath with two dormers, to create a master suite trio that was perfectly proportioned to the client's needs. They wanted a much larger closet but also wanted a large dual shower, and a better-proportioned tub. We stuck with pedestal sinks but upgraded them to large recessed medicine cabinets, vintage styled. And they loved the idea of a concrete floor and large stone walls with low maintenance. For the walls, we brought in a European product that is new for the U.S. - Porcelain Panels that are an eye-popping 5.5 ft. x 10.5 ft. We used a 2ft x 4ft concrete-look porcelain tile for the floor. This bathroom has a mix of low and high ceilings, but a functional arrangement instead of the dreaded “vault-for-no-purpose-bathroom”. We used 8.5 ft ceiling areas for both the shower and the vanity’s producing a symmetry about the toilet room door. The right runner-rug in the center of this bath (not shown yet unfortunately), completes the functional layout, and will look pretty good too. Of course, no design is close to finished without plenty of well thought out light. The bathroom uses all low-heat, high lumen, LED, 7” low profile surface mounting lighting (whoa that’s a mouthful- but, lighting is critical!). Two 7” LED fixtures light up the shower and the tub and we added two heat lamps for this open shower design. The shower also has a super-quiet moisture-exhaust fan. The customized (ikea) closet has the same lighting and the vanity space has both flanking and overhead LED lighting at 3500K temperature. Natural Light? Yes, and lot’s of it. On the second floor facing the woods, we added custom-sized operable casement windows in the shower, and custom antiqued expansive 4-lite doors on both the toilet room door and the main bath entry which is also a pocket door with a transom over it. We incorporated the trim style: fluted trims and door pediments, that was already throughout the home into these spaces, and we blended vintage and classic elements using modern proportions & patterns along with mix of metal finishes that were in tonal agreement with a simple color scheme. We added teak shower shelves and custom antiqued pine doors, adding these natural wood accents for that subtle warm contrast – and we presented! Oh btw – we also matched the expansive doors we put in the master bath, on the front entry door, and added some gas lanterns on either side. We also replaced all the carpet in the home and upgraded their stairs with metal balusters and new handrails and coloring. This client couple, they’re in love again!

Guest Bedroom Ideas Hunter Douglas Vertical Blinds - Somner custom Vertical Blinds have the largest selection of colors, textures, styles, patterns, including vertical aluminum blinds. Vertical Solutions are affordable Hunter Douglas blinds that are available as fabric blinds or vinyl blinds. Crosswinds Wood Vertical Blinds are vertical hardwood blinds and can be combined with horizontal wood blinds for a coordinated design for any room that has windows and a sliding glass door. Remote control motorized vertical blinds available. Electric or battery operated blinds. This master bedroom has the wood panel and wood tone vertical blinds covering the sliding glass door closely matched. Windows Dressed Up is your Denver window treatment store for custom vertical blinds, shutters shades, custom curtains & drapes, custom valances, custom roman shades as well as curtain hardware & drapery hardware. Hunter Douglas, Graber, Lafayette Interior Fashions, Kirsch. Measuring and installation available. Home decorators dream store! Master bedroom ideas, kitchen, living room, patio, bathroom and nursery ideas. Hunter Douglas Somner Custom Vertical Window Blinds - Master bedroom ideas.

In this 90's cape cod home, we used the space from an overly large bedroom, an oddly deep but narrow closet and the existing garden-tub focused master bath with two dormers, to create a master suite trio that was perfectly proportioned to the client's needs. They wanted a much larger closet but also wanted a large dual shower, and a better-proportioned tub. We stuck with pedestal sinks but upgraded them to large recessed medicine cabinets, vintage styled. And they loved the idea of a concrete floor and large stone walls with low maintenance. For the walls, we brought in a European product that is new for the U.S. - Porcelain Panels that are an eye-popping 5.5 ft. x 10.5 ft. We used a 2ft x 4ft concrete-look porcelain tile for the floor. This bathroom has a mix of low and high ceilings, but a functional arrangement instead of the dreaded “vault-for-no-purpose-bathroom”. We used 8.5 ft ceiling areas for both the shower and the vanity’s producing a symmetry about the toilet room door. The right runner-rug in the center of this bath (not shown yet unfortunately), completes the functional layout, and will look pretty good too. Of course, no design is close to finished without plenty of well thought out light. The bathroom uses all low-heat, high lumen, LED, 7” low profile surface mounting lighting (whoa that’s a mouthful- but, lighting is critical!). Two 7” LED fixtures light up the shower and the tub and we added two heat lamps for this open shower design. The shower also has a super-quiet moisture-exhaust fan. The customized (ikea) closet has the same lighting and the vanity space has both flanking and overhead LED lighting at 3500K temperature. Natural Light? Yes, and lot’s of it. On the second floor facing the woods, we added custom-sized operable casement windows in the shower, and custom antiqued expansive 4-lite doors on both the toilet room door and the main bath entry which is also a pocket door with a transom over it. We incorporated the trim style: fluted trims and door pediments, that was already throughout the home into these spaces, and we blended vintage and classic elements using modern proportions & patterns along with mix of metal finishes that were in tonal agreement with a simple color scheme. We added teak shower shelves and custom antiqued pine doors, adding these natural wood accents for that subtle warm contrast – and we presented! Oh btw – we also matched the expansive doors we put in the master bath, on the front entry door, and added some gas lanterns on either side. We also replaced all the carpet in the home and upgraded their stairs with metal balusters and new handrails and coloring. This client couple, they’re in love again!

The master bath and kid's bathroom were the last things to change in this Lakes of Blaine 2-story with the built-in, space-robbing Jacuzzi. The owners had previously updated the kitchen and expanded the footprint of the home with an addition for office and other uses. Now it was time to complete the decades-long renovation and modernize the bathrooms. Getting rid of the Jacuzzi was at the top of the list, followed by a complete redesign of how the rest of the space operates. That included whether to keep the single sink in the Master or give up some counter space and go for the dual sink, which is the more traditional approach. They opted for more sinks and mirrors. Just goes to show that every remodel is custom and totally dependent on what homeowners want to meet their lifestyle. They liked the wood but wanted a lighter tone and anything but oak! They also wanted some amenities, such as heated floors in the master. In the kid's bathroom, they focused on a thematic shift in color. In both bathrooms, patterns, and textures chosen from our design center showroom were used to catch up and even surpass today’s trends.

In this 90's cape cod home, we used the space from an overly large bedroom, an oddly deep but narrow closet and the existing garden-tub focused master bath with two dormers, to create a master suite trio that was perfectly proportioned to the client's needs. They wanted a much larger closet but also wanted a large dual shower, and a better-proportioned tub. We stuck with pedestal sinks but upgraded them to large recessed medicine cabinets, vintage styled. And they loved the idea of a concrete floor and large stone walls with low maintenance. For the walls, we brought in a European product that is new for the U.S. - Porcelain Panels that are an eye-popping 5.5 ft. x 10.5 ft. We used a 2ft x 4ft concrete-look porcelain tile for the floor. This bathroom has a mix of low and high ceilings, but a functional arrangement instead of the dreaded “vault-for-no-purpose-bathroom”. We used 8.5 ft ceiling areas for both the shower and the vanity’s producing a symmetry about the toilet room door. The right runner-rug in the center of this bath (not shown yet unfortunately), completes the functional layout, and will look pretty good too. Of course, no design is close to finished without plenty of well thought out light. The bathroom uses all low-heat, high lumen, LED, 7” low profile surface mounting lighting (whoa that’s a mouthful- but, lighting is critical!). Two 7” LED fixtures light up the shower and the tub and we added two heat lamps for this open shower design. The shower also has a super-quiet moisture-exhaust fan. The customized (ikea) closet has the same lighting and the vanity space has both flanking and overhead LED lighting at 3500K temperature. Natural Light? Yes, and lot’s of it. On the second floor facing the woods, we added custom-sized operable casement windows in the shower, and custom antiqued expansive 4-lite doors on both the toilet room door and the main bath entry which is also a pocket door with a transom over it. We incorporated the trim style: fluted trims and door pediments, that was already throughout the home into these spaces, and we blended vintage and classic elements using modern proportions & patterns along with mix of metal finishes that were in tonal agreement with a simple color scheme. We added teak shower shelves and custom antiqued pine doors, adding these natural wood accents for that subtle warm contrast – and we presented! Oh btw – we also matched the expansive doors we put in the master bath, on the front entry door, and added some gas lanterns on either side. We also replaced all the carpet in the home and upgraded their stairs with metal balusters and new handrails and coloring. This client couple, they’re in love again!

In this 90's cape cod home, we used the space from an overly large bedroom, an oddly deep but narrow closet and the existing garden-tub focused master bath with two dormers, to create a master suite trio that was perfectly proportioned to the client's needs. They wanted a much larger closet but also wanted a large dual shower, and a better-proportioned tub. We stuck with pedestal sinks but upgraded them to large recessed medicine cabinets, vintage styled. And they loved the idea of a concrete floor and large stone walls with low maintenance. For the walls, we brought in a European product that is new for the U.S. - Porcelain Panels that are an eye-popping 5.5 ft. x 10.5 ft. We used a 2ft x 4ft concrete-look porcelain tile for the floor. This bathroom has a mix of low and high ceilings, but a functional arrangement instead of the dreaded “vault-for-no-purpose-bathroom”. We used 8.5 ft ceiling areas for both the shower and the vanity’s producing a symmetry about the toilet room door. The right runner-rug in the center of this bath (not shown yet unfortunately), completes the functional layout, and will look pretty good too. Of course, no design is close to finished without plenty of well thought out light. The bathroom uses all low-heat, high lumen, LED, 7” low profile surface mounting lighting (whoa that’s a mouthful- but, lighting is critical!). Two 7” LED fixtures light up the shower and the tub and we added two heat lamps for this open shower design. The shower also has a super-quiet moisture-exhaust fan. The customized (ikea) closet has the same lighting and the vanity space has both flanking and overhead LED lighting at 3500K temperature. Natural Light? Yes, and lot’s of it. On the second floor facing the woods, we added custom-sized operable casement windows in the shower, and custom antiqued expansive 4-lite doors on both the toilet room door and the main bath entry which is also a pocket door with a transom over it. We incorporated the trim style: fluted trims and door pediments, that was already throughout the home into these spaces, and we blended vintage and classic elements using modern proportions & patterns along with mix of metal finishes that were in tonal agreement with a simple color scheme. We added teak shower shelves and custom antiqued pine doors, adding these natural wood accents for that subtle warm contrast – and we presented! Oh btw – we also matched the expansive doors we put in the master bath, on the front entry door, and added some gas lanterns on either side. We also replaced all the carpet in the home and upgraded their stairs with metal balusters and new handrails and coloring. This client couple, they’re in love again!

In this 90's cape cod home, we used the space from an overly large bedroom, an oddly deep but narrow closet and the existing garden-tub focused master bath with two dormers, to create a master suite trio that was perfectly proportioned to the client's needs. They wanted a much larger closet but also wanted a large dual shower, and a better-proportioned tub. We stuck with pedestal sinks but upgraded them to large recessed medicine cabinets, vintage styled. And they loved the idea of a concrete floor and large stone walls with low maintenance. For the walls, we brought in a European product that is new for the U.S. - Porcelain Panels that are an eye-popping 5.5 ft. x 10.5 ft. We used a 2ft x 4ft concrete-look porcelain tile for the floor. This bathroom has a mix of low and high ceilings, but a functional arrangement instead of the dreaded “vault-for-no-purpose-bathroom”. We used 8.5 ft ceiling areas for both the shower and the vanity’s producing a symmetry about the toilet room door. The right runner-rug in the center of this bath (not shown yet unfortunately), completes the functional layout, and will look pretty good too. Of course, no design is close to finished without plenty of well thought out light. The bathroom uses all low-heat, high lumen, LED, 7” low profile surface mounting lighting (whoa that’s a mouthful- but, lighting is critical!). Two 7” LED fixtures light up the shower and the tub and we added two heat lamps for this open shower design. The shower also has a super-quiet moisture-exhaust fan. The customized (ikea) closet has the same lighting and the vanity space has both flanking and overhead LED lighting at 3500K temperature. Natural Light? Yes, and lot’s of it. On the second floor facing the woods, we added custom-sized operable casement windows in the shower, and custom antiqued expansive 4-lite doors on both the toilet room door and the main bath entry which is also a pocket door with a transom over it. We incorporated the trim style: fluted trims and door pediments, that was already throughout the home into these spaces, and we blended vintage and classic elements using modern proportions & patterns along with mix of metal finishes that were in tonal agreement with a simple color scheme. We added teak shower shelves and custom antiqued pine doors, adding these natural wood accents for that subtle warm contrast – and we presented! Oh btw – we also matched the expansive doors we put in the master bath, on the front entry door, and added some gas lanterns on either side. We also replaced all the carpet in the home and upgraded their stairs with metal balusters and new handrails and coloring. This client couple, they’re in love again!

In this 90's cape cod home, we used the space from an overly large bedroom, an oddly deep but narrow closet and the existing garden-tub focused master bath with two dormers, to create a master suite trio that was perfectly proportioned to the client's needs. They wanted a much larger closet but also wanted a large dual shower, and a better-proportioned tub. We stuck with pedestal sinks but upgraded them to large recessed medicine cabinets, vintage styled. And they loved the idea of a concrete floor and large stone walls with low maintenance. For the walls, we brought in a European product that is new for the U.S. - Porcelain Panels that are an eye-popping 5.5 ft. x 10.5 ft. We used a 2ft x 4ft concrete-look porcelain tile for the floor. This bathroom has a mix of low and high ceilings, but a functional arrangement instead of the dreaded “vault-for-no-purpose-bathroom”. We used 8.5 ft ceiling areas for both the shower and the vanity’s producing a symmetry about the toilet room door. The right runner-rug in the center of this bath (not shown yet unfortunately), completes the functional layout, and will look pretty good too. Of course, no design is close to finished without plenty of well thought out light. The bathroom uses all low-heat, high lumen, LED, 7” low profile surface mounting lighting (whoa that’s a mouthful- but, lighting is critical!). Two 7” LED fixtures light up the shower and the tub and we added two heat lamps for this open shower design. The shower also has a super-quiet moisture-exhaust fan. The customized (ikea) closet has the same lighting and the vanity space has both flanking and overhead LED lighting at 3500K temperature. Natural Light? Yes, and lot’s of it. On the second floor facing the woods, we added custom-sized operable casement windows in the shower, and custom antiqued expansive 4-lite doors on both the toilet room door and the main bath entry which is also a pocket door with a transom over it. We incorporated the trim style: fluted trims and door pediments, that was already throughout the home into these spaces, and we blended vintage and classic elements using modern proportions & patterns along with mix of metal finishes that were in tonal agreement with a simple color scheme. We added teak shower shelves and custom antiqued pine doors, adding these natural wood accents for that subtle warm contrast – and we presented! Oh btw – we also matched the expansive doors we put in the master bath, on the front entry door, and added some gas lanterns on either side. We also replaced all the carpet in the home and upgraded their stairs with metal balusters and new handrails and coloring. This client couple, they’re in love again!

This dream bathroom has everything one can wish for an ideal bathroom escape. It doesn’t just look fabulous – it works well and it is built to stand the test of time. This bathroom was designed as a private oasis, a place to relax and unwind. Spa-like environment is created by expansive double-sink custom vanity, an elegant free standing tub, and a spacious two-person barrier-free shower with a floating bench. Toilet is concealed within a separate nook behind a pocket door. Main bathroom area is outlined by a tray ceiling perimeter. The room looks open, airy and spacious. Nothing interferes with the ceiling design and overall space configuration. It hasn’t always been that way. Former layout had serious pitfalls that made the room look much smaller. The shower concealed behind solid walls protruded into the main area clashing with the tray ceiling geometry. Massive shower stall took up significant amount of the room leaving no continuous wall space for a double sink vanity. There were two separate vanities with a dead corner space between them. At the same time, the toilet room was quite spacious with just one fixture in the far end. New layout not only looks better, it allows for a better functionality and fully reveals the space potential. The toilet was relocated to occupy the former linen closet space slightly expanded into adjacent walk-in closet. Shower was moved into the bigger alcove, away from the tray ceiling area. It opened up the room while giving space for a gorgeous wall-to-wall vanity. Having a full glass wall, the shower extends the space even further. Sparkling glass creates no barrier to the eyesight. The room feels clean, breezy and extra spacious. Gorgeous frameless shower enclosure with glass-to-glass clamps and hinges shows off premium tile designs of the accent shower wall. Free standing tub remained in its original place in front of the window. With no solid shower walls nearby, it became a focal point adorned with the new crystal chandelier above it. This two-tier gorgeous chandelier makes the bathroom feel incredibly grand. A touch of luxury is showing up in timeless polished chrome faucet finish selections as well. New expansive custom vanity has his and her full height linen towers, his and her sink cabinets with two individual banks of drawers on the sides and one shared drawer cabinet in the middle containing a charging station in the upper drawer. Vanity counter tops and floating shower seat top are made of high-end quartz. Vessel sinks resemble the shape and style of the free-standing tub. To make the room feel even more spacious and to showcase the shower area in the reflection, a full size mirror is installed over the vanity. Crystal sconces are installed directly into the mirror. Crisp classic white tile gives the room a timeless sense of polish and luxury. Walls around the perimeter of the entire bathroom are tiled half way. Three rows of 12”x 24” porcelain tile resembling white marble are crowned with a thin row of intricate glass tiles with marble accents, and a chair rail tile. Tile design flows into a spacious barrier-free two-person walk-in shower. Two more tile patterns of the same tile collection are brought into play. Rear wall is adorned with a picture frame made out of 12”x12” tiles laid at 45 degree angle within the same chair rail and glass tile border. Shower floor is made of small hexagon tiles for proper drainage. Shower area has two hidden from plain sight niches to contain shampoo bottles and toiletries. The rear side of the niches is made of glass mosaics for a waterfall effect. To showcase the picture frame inside the shower, the accent shower wall is washed with cascading light from a discrete LED strip tucked in a cove behind “floating” shower ceiling platform. Multiple shower heads (two ceiling-mount rain heads, one multi-functional wall mount shower head, and a handheld shower) are able to provide a fully customizable shower experience. Despite of many hard surfaces and shiny finishes, which can sometimes lead to a cold impersonal feeling, this bathroom is cozy and truly welcoming. This sense of warms is maintained by exclusive multi-functional layered lighting. Carefully designed groups of lights (all having a dimmer control) can be used simultaneously, in various combinations, or separately to create numerous different effects and perfect atmosphere for every mood and occasion. Some lights have smart controls and can be operated remotely. Amazing effect can be achieved by dimmable toe kick perimeter lighting. With the ceiling lights turned off, the vanity looks as if it is floating in the air. Multifaceted crystal fixtures produce cascades of sparkling rainbow reflections dancing around the room and creating an illusion of a starry sky. Programmable radiant heating floor offers additional warmth and comfort to the room. This bathroom is well suited for either a quick morning shower or a night in for ultimate relaxation with a champagne toast and a long soak in the freestanding tub.

Jay Greene Photography
Kitchen - transitional l-shaped light wood floor kitchen idea in Baltimore with an undermount sink, gray cabinets, marble countertops, white backsplash, stone tile backsplash, paneled appliances, an island and white countertops

Custom glass shower enclosures and glass shower doors can add beauty and brighten up any bathroom and come in a variety of options. Whether you choose framed or frameless shower glass, the possibilities are endless. Arrow Glass and Mirror is an industry leader providing custom glass shower doors and enclosures for homeowners and contractors in Central Texas. We offer a wide variety of glass and hardware options allowing you to design the custom glass shower enclosure that fits your bathroom perfectly. Whatever your vision, our residential team has the expertise to guide you in the selection of glass and hardware that will work best for your shower project. For more information on ordering a custom glass shower enclosure please contact Arrow Glass and Mirror's Residential Team today at 512-339-4888.

Empire Contracting Inc 707.884.9789 Photos By: Sea Ranch Images www.searanchimages.com 707.653.6866
Inspiration for a 1950s exterior home remodel in San Francisco

Photo credit: Scott McDonald @ Hedrich Blessing 7RR-Ecohome: The design objective was to build a house for a couple recently married who both had kids from previous marriages. How to bridge two families together? The design looks forward in terms of how people live today. The home is an experiment in transparency and solid form; removing borders and edges from outside to inside the house, and to really depict “flowing and endless space”. The house floor plan is derived by pushing and pulling the house’s form to maximize the backyard and minimize the public front yard while welcoming the sun in key rooms by rotating the house 45-degrees to true north. The angular form of the house is a result of the family’s program, the zoning rules, the lot’s attributes, and the sun’s path. We wanted to construct a house that is smart and efficient in terms of construction and energy, both in terms of the building and the user. We could tell a story of how the house is built in terms of the constructability, structure and enclosure, with a nod to Japanese wood construction in the method in which the siding is installed and the exposed interior beams are placed in the double height space. We engineered the house to be smart which not only looks modern but acts modern; every aspect of user control is simplified to a digital touch button, whether lights, shades, blinds, HVAC, communication, audio, video, or security. We developed a planning module based on a 6-foot square room size and a 6-foot wide connector called an interstitial space for hallways, bathrooms, stairs and mechanical, which keeps the rooms pure and uncluttered. The house is 6,200 SF of livable space, plus garage and basement gallery for a total of 9,200 SF. A large formal foyer celebrates the entry and opens up to the living, dining, kitchen and family rooms all focused on the rear garden. The east side of the second floor is the Master wing and a center bridge connects it to the kid’s wing on the west. Second floor terraces and sunscreens provide views and shade in this suburban setting. The playful mathematical grid of the house in the x, y and z axis also extends into the layout of the trees and hard-scapes, all centered on a suburban one-acre lot. Many green attributes were designed into the home; Ipe wood sunscreens and window shades block out unwanted solar gain in summer, but allow winter sun in. Patio door and operable windows provide ample opportunity for natural ventilation throughout the open floor plan. Minimal windows on east and west sides to reduce heat loss in winter and unwanted gains in summer. Open floor plan and large window expanse reduces lighting demands and maximizes available daylight. Skylights provide natural light to the basement rooms. Durable, low-maintenance exterior materials include stone, ipe wood siding and decking, and concrete roof pavers. Design is based on a 2' planning grid to minimize construction waste. Basement foundation walls and slab are highly insulated. FSC-certified walnut wood flooring was used. Light colored concrete roof pavers to reduce cooling loads by as much as 15%. 2x6 framing allows for more insulation and energy savings. Super efficient windows have low-E argon gas filled units, and thermally insulated aluminum frames. Permeable brick and stone pavers reduce the site’s storm-water runoff. Countertops use recycled composite materials. Energy-Star rated furnaces and smart thermostats are located throughout the house to minimize duct runs and avoid energy loss. Energy-Star rated boiler that heats up both radiant floors and domestic hot water. Low-flow toilets and plumbing fixtures are used to conserve water usage. No VOC finish options and direct venting fireplaces maintain a high interior air quality. Smart home system controls lighting, HVAC, and shades to better manage energy use. Plumbing runs through interior walls reducing possibilities of heat loss and freezing problems. A large food pantry was placed next to kitchen to reduce trips to the grocery store. Home office reduces need for automobile transit and associated CO2 footprint. Plan allows for aging in place, with guest suite than can become the master suite, with no need to move as family members mature.

Trendy gray tile gray floor and double-sink bathroom photo in Los Angeles with flat-panel cabinets, black cabinets, white walls, an undermount sink, white countertops and a hinged shower door

Photo credit: Scott McDonald @ Hedrich Blessing 7RR-Ecohome: The design objective was to build a house for a couple recently married who both had kids from previous marriages. How to bridge two families together? The design looks forward in terms of how people live today. The home is an experiment in transparency and solid form; removing borders and edges from outside to inside the house, and to really depict “flowing and endless space”. The house floor plan is derived by pushing and pulling the house’s form to maximize the backyard and minimize the public front yard while welcoming the sun in key rooms by rotating the house 45-degrees to true north. The angular form of the house is a result of the family’s program, the zoning rules, the lot’s attributes, and the sun’s path. We wanted to construct a house that is smart and efficient in terms of construction and energy, both in terms of the building and the user. We could tell a story of how the house is built in terms of the constructability, structure and enclosure, with a nod to Japanese wood construction in the method in which the siding is installed and the exposed interior beams are placed in the double height space. We engineered the house to be smart which not only looks modern but acts modern; every aspect of user control is simplified to a digital touch button, whether lights, shades, blinds, HVAC, communication, audio, video, or security. We developed a planning module based on a 6-foot square room size and a 6-foot wide connector called an interstitial space for hallways, bathrooms, stairs and mechanical, which keeps the rooms pure and uncluttered. The house is 6,200 SF of livable space, plus garage and basement gallery for a total of 9,200 SF. A large formal foyer celebrates the entry and opens up to the living, dining, kitchen and family rooms all focused on the rear garden. The east side of the second floor is the Master wing and a center bridge connects it to the kid’s wing on the west. Second floor terraces and sunscreens provide views and shade in this suburban setting. The playful mathematical grid of the house in the x, y and z axis also extends into the layout of the trees and hard-scapes, all centered on a suburban one-acre lot. Many green attributes were designed into the home; Ipe wood sunscreens and window shades block out unwanted solar gain in summer, but allow winter sun in. Patio door and operable windows provide ample opportunity for natural ventilation throughout the open floor plan. Minimal windows on east and west sides to reduce heat loss in winter and unwanted gains in summer. Open floor plan and large window expanse reduces lighting demands and maximizes available daylight. Skylights provide natural light to the basement rooms. Durable, low-maintenance exterior materials include stone, ipe wood siding and decking, and concrete roof pavers. Design is based on a 2' planning grid to minimize construction waste. Basement foundation walls and slab are highly insulated. FSC-certified walnut wood flooring was used. Light colored concrete roof pavers to reduce cooling loads by as much as 15%. 2x6 framing allows for more insulation and energy savings. Super efficient windows have low-E argon gas filled units, and thermally insulated aluminum frames. Permeable brick and stone pavers reduce the site’s storm-water runoff. Countertops use recycled composite materials. Energy-Star rated furnaces and smart thermostats are located throughout the house to minimize duct runs and avoid energy loss. Energy-Star rated boiler that heats up both radiant floors and domestic hot water. Low-flow toilets and plumbing fixtures are used to conserve water usage. No VOC finish options and direct venting fireplaces maintain a high interior air quality. Smart home system controls lighting, HVAC, and shades to better manage energy use. Plumbing runs through interior walls reducing possibilities of heat loss and freezing problems. A large food pantry was placed next to kitchen to reduce trips to the grocery store. Home office reduces need for automobile transit and associated CO2 footprint. Plan allows for aging in place, with guest suite than can become the master suite, with no need to move as family members mature.

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

Re-arranging the furniture layout was a huge step in opening up the space. Changing out the bedding and adding fresh flowers helped to create a zen-like retreat.

A Kirkwood, MO couple needed to remodel their condo bathroom to be easily accessible for the husband in his power chair. The original bathroom had become an obstacle course and they needed a streamlined, efficient space. The new design moves all plumbing fixtures to one wall, which creates a large, open space to maneuver in. A wall-mounted sink works nicely whether standing or sitting. A standard toilet is outfitted with a bidet seat with remote control operation. The barrier-free, walk-in shower has two impressive accessibility features. The shower faucet panel incorporates a hand held shower, a rainfall head and 8 adjustable nozzles in one convenient, temperature-controlled package. In the opposite corner is a full body dryer with manual or timer control. Add two kinds of durable and easy to clean floor tile (the blue shower tile also appears on the sink backsplash!), serene grey onyx shower surround and wall paint, and they have a bathroom that makes a beautiful and productive difference in their lives. Photo by Toby Weiss for Mosby Building Arts

Shower in master bathroom showing operable window that lets in nice light and breezes Photo by Caroline Allison
Example of a mid-sized minimalist master gray tile and porcelain tile porcelain tile bathroom design in Nashville with gray cabinets