Small transitional l-shaped beige floor enclosed kitchen photo in New York with an undermount sink, raised-panel cabinets, brown cabinets, quartzite countertops, stainless steel appliances, an island, beige countertops and gray backsplash

It'll be hard for you to tell from a distance that this is an artificial aloe plant. It is expertly reproduced with the right bluish green hues typically found on agave plants, and this faux plant comes potted in a brown fishbowl pot. It is ready to go to be displayed in your store window, or to be part of a retail store display. For a summer or outdoor wedding or party, mix this aloe with our potted lavender and other succulents on your tablescapes for an easy and unique tablescape that does not use flowers. Sold individually, Aloe In Brown Pot measures 5in Diameter x 13.5in High. As with all products made by Serene Spaces Living, you can be assured of quality and design for this aloe as well!

Closet - scandinavian closet idea in Other

CASA Photography
Inspiration for a huge contemporary single-wall dark wood floor open concept kitchen remodel in Toronto with an integrated sink, distressed cabinets, marble countertops, white backsplash, porcelain backsplash, stainless steel appliances and an island

This home is located in an area of Little Rock we call the upper heights by the Little Rock Country Club. What was difficult about this project, was it had been under construction for one year. The house roof was installed and the rough-in framing almost complete. On a nice spring day, I just happened to see the builder Jack Hartsell in the front yard. We have worked together on several projects and I inquired as to the status of the interior lighting design. Jack informed me the lighting plans had not been finalized. Jack gave me the architectural firm's name, Lindsey Yeary Architects in Little Rock. I have worked with the firm before but not with this architect, Carolyn Lindsey. We met and she introduced me to the owner who has a vast art collection that they rotate. In review of my lighting design portfolio with my focus on art lighting I was hired. Now the lighting design became the project priority. The builder was a month away from needing recessed can lighting housings and I had to produce the lighting plans, with lighting specifications, in two weeks. I met their schedule, lighting was ordered. To accent art, furnishings and architectural features, the recessed lighting distance placement from the wall is critical. All good lighting designers show in their lighting plans the recessed cans measurements from the walls. This helps the electricians know exactly where to place the art accent lighting. Once the house is completed, the recessed cans cannot be relocated without creating a mess and extra cost. I worked with the architect to re-layout the dining room coffered ceiling placement in order to place the lighting according to my lighting plan. All the recessed cans featured ceiling trims with a four inch diameter opening, rotated 360 degrees and a forty-five degree vertical adjustability. Recessed can fixtures must have the ability to adjust. it is the key to accent lighting. This was the typical lighting approach for all the rooms in the house with art. Credits: Client: DES Rogers , AR Contracted JRD https://www.des3s.com/ Architects : Yeary Lindsey Architects Little Rock, Ar https://www.yearylindsey.com Builder: Jack Hartsell Constuction Little Rock, AR Electrician: Jacobs Electric & Communications LLC Little Rock, AR

Top 10 house planning mistakes Mistake # 1: placing wet areas away from communications. Architects always foresee in advance the placement of wet areas in the immediate vicinity of communications, so you should not move the kitchen or bathrooms to more distant distances. Mistake # 2: arrangement of living rooms and kitchens in rooms without natural light. A person needs natural light when he is reading, studying or preparing food. Therefore, you should not plan living spaces, including the kitchen, in rooms without windows. Premises without natural light are mainly dressing rooms, storage rooms and bathrooms. Mistake # 3: exit the bathroom to the living room or dining room. Doors to bathrooms and utility rooms cannot open into public areas - living room or dining room. With such a planning decision, you will inconvenience guests and households, because no one will be able to enter or leave the premises unnoticed. Mistake # 4: having one entrance to the house. Plan 2-3 entrances to your home with each one serving a specific role. For example, through the front door you will meet guests, the entrance from the courtyard facade - to exit to the site in order to go around the house. The third entrance should lead from the street to the boiler room. Technicians enter through it and the equipment is replaced. Mistake # 5: neglecting entrance hallways. Do not plan grand halls and lounges when entering a house. Be sure to organize hallways with dressing rooms or spacious wardrobes. Mistake # 6: placing a guest bathroom far from the entrance. The concept of "guest bathroom" speaks for itself. To get into it, your friends do not need to go through all the rooms on the ground floor. Therefore, do not place it far from the front door. Mistake # 7: Insufficient number of bathrooms on the floor. One bathroom is not enough for a floor, especially if it is a bedroom. For the convenience of households and guests, each bedroom should be equipped with a separate bathroom. Mistake #8: lack of an economic block. In houses of any number of stores on the first or basement floor, a pantry with a sink should be provided for storing cleaning equipment, for storing vegetables or solid fuel. In this case, the exit from the storeroom to the floor must be isolated from the living rooms. Mistake # 9: arrangement of walk-through living rooms. Do not make the living room a walk-through, even if you plan to equip an office or living room in it. You and your guests will feel uncomfortable because the multiple doors leading to other rooms make the room look like a reception. Mistake # 10: the wrong size of the corridors. The width of the passage corridors should be at least 120 cm. First of all, the rule should be observed for the safety of residents and according to the rules of fire safety measures. An important role is played by ensuring sufficient ventilation of the premises: if the corridor is narrow and long, then there will be either a constant draft or stale air. Also, in a narrow aisle, it will be extremely difficult to bring in and take out large-sized furniture or equipment. And the doors that open into the corridor should not block the passage, as a traumatic situation may arise. If you have any polls that are not covered by this topic - write to us, we will be happy to advise you. https://www.ferriss.co/

This is a project that we worked on in a gorgeous home located in Carmel, Indiana. The style is a mix of transitional, Restoration Hardware and glamour. The interior design of the home flows from each room providing a style connection within the spaces. This is accomplished with the use of similar color palette and furniture style. The sofa is from Restoration Hardware. SOHO TUFTEDCOLLECTION Shown in sand Belgian Linen. The window shades are Hunter Douglas Pirouettes. Our Pirouette shadings feature soft fabric vanes attached to a sheer backing that appear to be floating, drawing natural light into your room. When closed, they look just like a contemporary shade. Invis-Lift™ allows you to view through the sheer fabric and floating vanes with no obstructing cords or tapes, while maintaining a discreet level of privacy. We’re known for our attention to detail, great quality and outstanding service. We work with clients in the Central Indiana Area. Contact us today to get started on your project. 317-273-8343

Up the ante of your bachelor's retreat (and alternative rooms) aesthetic by adding a meticulously stylised cornice boards. The cornice boards in this house includes (2) different materials, an upholstered wood top molding and absolutely symmetrical handicraft on the curtains. Also, the (4) animal skin wing-backed chairs square measure superbly adorned with nail-heads that are carried throughout the design. This bachelor retreat features a stunning pendant and hand-tufted ottoman table. This house is warm and welcoming and perfect for intimate conversations amongst family and friends for years to come. Please take note - when using cornices, one should decide what proportion return is required. Return is the distance your material hangs away from the wall. Yes, this additionally affects the proportion. Usually, return is 3½ inches. However, larger or taller windows might need a deeper return to avoid the fabric from getting squashed against the wall. An example of a mid-sized transitional formal dining area in Houston, Texas with dark hardwood floors, more, however totally different, large damask wallpaper on the ceiling, (6) custom upholstered striped fabric, scroll back chairs surrounding a gorgeous, glass top dining table, chandelier, artwork and foliage pull this area along for a really elegant, yet masculine space. As for the guest chambers, we carried the inspiration from the bachelor retreat into the space and fabricated (2) more upholstered cornices and custom window treatments, bedding, pillows, upholstered (with nail-heads used in the dining area chairs) headboard, giant damask wallpaper and brown paint. Styling tips: (A) Use nail-heads on furnishings within the alternative rooms to display a reoccurring motif among the house. (B) Use a similar material from one amongst your upholstered furnishing items on the cornice board for visual uniformity. Photo by: Kenny Fenton

Open concept kitchen - mid-sized transitional l-shaped dark wood floor and brown floor open concept kitchen idea in Kansas City with a double-bowl sink, shaker cabinets, white cabinets, granite countertops, gray backsplash, subway tile backsplash, stainless steel appliances, an island and black countertops

white kitchen with cambria quartz
Example of a large classic kitchen design in Philadelphia

This home is located in an area of Little Rock we call the upper heights by the Little Rock Country Club. What was difficult about this project, was it had been under construction for one year. The house roof was installed and the rough-in framing almost complete. On a nice spring day, I just happened to see the builder Jack Hartsell in the front yard. We have worked together on several projects and I inquired as to the status of the interior lighting design. Jack informed me the lighting plans had not been finalized. Jack gave me the architectural firm's name, Lindsey Yeary Architects in Little Rock. I have worked with the firm before but not with this architect, Carolyn Lindsey. We met and she introduced me to the owner who has a vast art collection that they rotate. In review of my lighting design portfolio with my focus on art lighting I was hired. Now the lighting design became the project priority. The builder was a month away from needing recessed can lighting housings and I had to produce the lighting plans, with lighting specifications, in two weeks. I met their schedule, lighting was ordered. To accent art, furnishings and architectural features, the recessed lighting distance placement from the wall is critical. All good lighting designers show in their lighting plans the recessed cans measurements from the walls. This helps the electricians know exactly where to place the art accent lighting. Once the house is completed, the recessed cans cannot be relocated without creating a mess and extra cost. I worked with the architect to re-layout the dining room coffered ceiling placement in order to place the lighting according to my lighting plan. All the recessed cans featured ceiling trims with a four inch diameter opening, rotated 360 degrees and a forty-five degree vertical adjustability. Recessed can fixtures must have the ability to adjust. it is the key to accent lighting. This was the typical lighting approach for all the rooms in the house with art. Credits: Client: DES Rogers , AR Contracted JRD https://www.des3s.com/ Architects : Yeary Lindsey Architects Little Rock, Ar https://www.yearylindsey.com Builder: Jack Hartsell Constuction Little Rock, AR Electrician: Jacobs Electric & Communications LLC Little Rock, AR

This customer had just moved into a property in Chesham around eighteen months ago. During that time, they had completely renovated the property and in the process had pulled up the hallway carpet to discover a lovely Victorian tiled floor which appeared to be in good condition but very dirty. Period features like these can add a lot of value to a house these days and so they decided to investigate having it professionally cleaned and contacted me for a quote. Although I can give some indication of price over the phone you never know exactly what to expect so my preference is to visit the property a conduct a test clean. It’s a little trickier to do this now due to COVID-19 but using a combination of PPE, maximum ventilation and social distancing measures I was able to work on the floor. The tiles were in good order with no replacements needed so my focus would be removing carpet adhesive and ingrained dirt. The test went well, and I followed up with a quotation which was accepted, and a date arranged to do the work. I had worked out previously that the quickest was to deep clean the floor and remove the glue and any old seal was to apply Tile Doctor Remove and Go which as its name suggests is a coatings removed designed for Tiled floors. My method was to spray strong a dilution of Remove and Go onto the Victorian tiles and leave it to soak in for fifteen minutes. Then it was scrubbed in with a black scrubbing pad fitted to a rotary machine. The soil was rinsed off using a minimal of water and extracted with a wet vacuum. Once the floor had dried, I inspected the tiles and could see more work would be needed to get the white tiles really sparkling. For this I went over the floor using a 200-grit resurfacing pad using water to lubricate the process, I also used handheld burnishing blocks of different grits to do the edges. With this extra effort and another rinse with water to remove the soil the floor looked great, and so I left for the day so it could dry out ready for sealing. I came back the next day and started by taking moisture readings with a damp meter to ensure the tiles were dry and ready for sealing. This is important as you don’t want to apply sealer to a damp tile and old floors can suffer from damp issues due to the lack of a damp proof membrane. All was well with the floor, so I was able to move straight onto sealing which started with the application of a single coat of Tile Doctor Colour Grow. This is an impregnating sealer that soaks into the pores of the tile enhancing colour and adding protection. Once this had dried, I followed up with another seven coats of Tile Doctor Seal and Go which adds further protection and leaves a nice subtle sheen to the tiles. This product works really well on old Victorian Tiles like these and being water based it doesn’t leave a smell as it dries. Andrew Newstead South Buckinghamshire Tile Doctor

A couple relocating to Lisbon found a property in a recently upgraded building with open layouts and modernized features. Our studio was entrusted to bring elegant comfort to the interior with carefully curated, custom-designed furniture and decor. From a blank canvas, the home was enlivened with walnut furnishings by Portuguese producers, warm-hued textiles in botanical motifs, and accents of delicate brass lighting. The entryway leads toward a spacious living room, where hand-woven rugs delineate areas for different activities. The first features a dining collection with upholstered shell chairs that comfortably envelop end-of-evening conversation. Midway, a daybed and display shelving system nestled under the lowered ceiling offer an intimate, yet versatile space. Stepping into the lounge, theatrical curtains reveal the pastel medley of Lisbon’s built landscape, the river, and hills in the distance. The dialogue of the room continues around a multi-tiered center table and featherweight pendant: a Brazilian modernist armchair faces a bespoke tufted-leather sofa, its throw cushions tailored to the palette of the media cabinet. Outside, the balcony’s slate lacquered dining set caters to convivial meals. Private appreciation is found in a pair of leisurely chairs adjacent to the bedroom, with a side table quoting the terracotta background. The main suite is endued with a crafted spindle bed dressed in deep blue linens and a lively made-to-measure embroidered bedspread. White Estremoz marble nightstands were designed to organize reading material and provide cable management. Circular ceramic lamps and bedside tables complement an ample upholstered bed to accommodate guests, and a floating console offers a discreet solution for remote meetings.

This home is located in an area of Little Rock we call the upper heights by the Little Rock Country Club. What was difficult about this project, was it had been under construction for one year. The house roof was installed and the rough-in framing almost complete. On a nice spring day, I just happened to see the builder Jack Hartsell in the front yard. We have worked together on several projects and I inquired as to the status of the interior lighting design. Jack informed me the lighting plans had not been finalized. Jack gave me the architectural firm's name, Lindsey Yeary Architects in Little Rock. I have worked with the firm before but not with this architect, Carolyn Lindsey. We met and she introduced me to the owner who has a vast art collection that they rotate. In review of my lighting design portfolio with my focus on art lighting I was hired. Now the lighting design became the project priority. The builder was a month away from needing recessed can lighting housings and I had to produce the lighting plans, with lighting specifications, in two weeks. I met their schedule, lighting was ordered. To accent art, furnishings and architectural features, the recessed lighting distance placement from the wall is critical. All good lighting designers show in their lighting plans the recessed cans measurements from the walls. This helps the electricians know exactly where to place the art accent lighting. Once the house is completed, the recessed cans cannot be relocated without creating a mess and extra cost. I worked with the architect to re-layout the dining room coffered ceiling placement in order to place the lighting according to my lighting plan. All the recessed cans featured ceiling trims with a four inch diameter opening, rotated 360 degrees and a forty-five degree vertical adjustability. Recessed can fixtures must have the ability to adjust. it is the key to accent lighting. This was the typical lighting approach for all the rooms in the house with art. Credits: Client: DES Rogers , AR Contracted JRD https://www.des3s.com/ Architects : Yeary Lindsey Architects Little Rock, Ar https://www.yearylindsey.com Builder: Jack Hartsell Constuction Little Rock, AR Electrician: Jacobs Electric & Communications LLC Little Rock, AR

Up the ante of your bachelor's retreat (and alternative rooms) aesthetic by adding a meticulously stylised cornice boards. The cornice boards in this house includes (2) different materials, an upholstered wood top molding and absolutely symmetrical handicraft on the curtains. Also, the (4) animal skin wing-backed chairs square measure superbly adorned with nail-heads that are carried throughout the design. This bachelor retreat features a stunning pendant and hand-tufted ottoman table. This house is warm and welcoming and perfect for intimate conversations amongst family and friends for years to come. Please take note - when using cornices, one should decide what proportion return is required. Return is the distance your material hangs away from the wall. Yes, this additionally affects the proportion. Usually, return is 3½ inches. However, larger or taller windows might need a deeper return to avoid the fabric from getting squashed against the wall. An example of a mid-sized transitional formal dining area in Houston, Texas with dark hardwood floors, more, however totally different, large damask wallpaper on the ceiling, (6) custom upholstered striped fabric, scroll back chairs surrounding a gorgeous, glass top dining table, chandelier, artwork and foliage pull this area along for a really elegant, yet masculine space. As for the guest chambers, we carried the inspiration from the bachelor retreat into the space and fabricated (2) more upholstered cornices and custom window treatments, bedding, pillows, upholstered (with nail-heads used in the dining area chairs) headboard, giant damask wallpaper and brown paint. Styling tips: (A) Use nail-heads on furnishings within the alternative rooms to display a reoccurring motif among the house. (B) Use a similar material from one amongst your upholstered furnishing items on the cornice board for visual uniformity. Photo by: Kenny Fenton

We only have the one close up photo... but they turned out really terrific. Sorry we could not put these cabinet inserts into their proper perspective to be seen at a distance. In this photo, each panel measures - 11-7/8" x 23-7/8", so as you can see, we can create very detailed panels.... The glass colors and textures that were used were, the Blue Accents are Spectrum Glass - 533-3RR Deep Aqua Rough Rolled. The Gold Accents were Spectrum Glass - 111RR Dark Amber Rough Rolled. And the Background Glass was all Spectrum Glass - 100SN Seedy Clear Satin Seedy, which was run vertically. We used our Dark Antique Patina Tiffany Leading to make the panel look a bit lighter in design... otherwise a traditional Lead Came, would have meant either a much " heavier " looking design, or we would have to eliminate some of the design..

Darren Sinnett
Example of a transitional bathroom design in Cleveland

A couple relocating to Lisbon found a property in a recently upgraded building with open layouts and modernized features. Our studio was entrusted to bring elegant comfort to the interior with carefully curated, custom-designed furniture and decor. From a blank canvas, the home was enlivened with walnut furnishings by Portuguese producers, warm-hued textiles in botanical motifs, and accents of delicate brass lighting. The entryway leads toward a spacious living room, where hand-woven rugs delineate areas for different activities. The first features a dining collection with upholstered shell chairs that comfortably envelop end-of-evening conversation. Midway, a daybed and display shelving system nestled under the lowered ceiling offer an intimate, yet versatile space. Stepping into the lounge, theatrical curtains reveal the pastel medley of Lisbon’s built landscape, the river, and hills in the distance. The dialogue of the room continues around a multi-tiered center table and featherweight pendant: a Brazilian modernist armchair faces a bespoke tufted-leather sofa, its throw cushions tailored to the palette of the media cabinet. Outside, the balcony’s slate lacquered dining set caters to convivial meals. Private appreciation is found in a pair of leisurely chairs adjacent to the bedroom, with a side table quoting the terracotta background. The main suite is endued with a crafted spindle bed dressed in deep blue linens and a lively made-to-measure embroidered bedspread. White Estremoz marble nightstands were designed to organize reading material and provide cable management. Circular ceramic lamps and bedside tables complement an ample upholstered bed to accommodate guests, and a floating console offers a discreet solution for remote meetings.

View from the lounge chairs of the outdoor bathroom
Pool - mid-sized traditional backyard stone and custom-shaped pool idea in New York