Heidi Pribell Interiors puts a fresh twist on classic design serving the major Boston metro area. By blending grandeur with bohemian flair, Heidi creates inviting interiors with an elegant and sophisticated appeal. Confident in mixing eras, style and color, she brings her expertise and love of antiques, art and objects to every project.

Custom Surface Solutions (www.css-tile.com) - Owner Craig Thompson (512) 430-1215. This project shows the remodel of a small 1950's vintage home master bathroom. 8"" x 18" Calcutta gold marble tile was used on the shower walls and floor wall base and ceramic gray penny tile on the floor. Shower includes curbless pan / floor, dual shower boxes, frameless glass slider, trough duel fixture sink and chrome fixtures.

Location: New York, NY, United States This Loft was tastefully renovated back in the '90s, but was due for an update and an expansion of the kitchen and dining areas to accommodate the client's cooking skills and entertaining needs. EnlargIing the island and adding cabinetry to delineate the office, bar and dining areas was a priority. The bathroom was updated to feel like a tranquil spa with beautiful new tile, plumbing fixtures and cabinets. Our biggest challenge was coordinating the entire renovation while our client was out of town for the Summer! Photographed by: James Salomon

Exposed aggregate driveway after cleaning & sealing with Paver Gloss Sealer.
Photo of a mid-sized front yard driveway in Detroit.

Photography by Wing Wong
Mid-sized elegant u-shaped linoleum floor enclosed kitchen photo in Newark with a double-bowl sink, flat-panel cabinets, white cabinets, wood countertops, white backsplash, ceramic backsplash, stainless steel appliances and an island

Custom Steel Canale Cover + Rain Chain Waterfall installed over an existing wooden canale. Kason Group Inc.

Mid-sized trendy white two-story brick house exterior photo in Birmingham with a hip roof and a shingle roof

Valerie Holland
Eat-in kitchen - large cottage u-shaped medium tone wood floor eat-in kitchen idea in Wichita with a double-bowl sink, recessed-panel cabinets, distressed cabinets, granite countertops, white backsplash, ceramic backsplash, stainless steel appliances and an island

Inspiration for a timeless home design remodel in Los Angeles

Example of a large classic u-shaped dark wood floor eat-in kitchen design in Minneapolis with a double-bowl sink, recessed-panel cabinets, white cabinets, white backsplash, stainless steel appliances, an island and black countertops

Custom Surface Solutions (www.css-tile.com) - Owner Craig Thompson (512) 430-1215. This project shows before and after pictures of master bathroom remodel including the following: - 12 x 24 shower wall tile (gray) with 1/3 offset layout pattern. - 12 x 24 bathroom floor tile (taupe) with 1/3 offset layout pattern. - Tile shower niche / box - Granite (River White) floating seat / bench - 2" x 2" mosaic shower floor tile - Semi-custom dark wood dual sink vanity recessed panel dual sink vanity with recessed panel doors. - Granite vanity counter / backsplash (Riiver White) - Moen chrome plumbing fixtures and hardware accessories - Kohler rectangular under mount sinks - Kohler one-piece elongated seat - Frameless sliding glass door - Kichler brushed metal vanity mirrors - Frameless sliding glass door - Kichler brushed metal vanity mirrors

Brick Pier
Elegant exterior home photo in Boston

Transitional home theater photo in Dallas

Fantasy Brown Leathered dolomite went into this West Columbia kitchen, and it's the kind of stone that changes how a room feels the second the light hits it. Leathered finish instead of polished, so you get texture under your hand instead of a mirror flat surface. It softens the brown and cream movement in the stone, gives it a low sheen, and hides fingerprints and water spots a lot better than a honed or polished slab would in a kitchen that actually gets used. Dolomite has that soft, warm background movement, browns and creams drifting through each other, and it holds up well against everyday acids and scratching in a working kitchen. It's still a natural stone, so we sealed it properly, and the leathered texture actually helps there, it hides the wear that would show up fast on a glass-smooth surface. Getting the veining to read right across the seams is the real work on a stone like this. We template the room, lay the slabs out, and take our time matching the movement across the corners and the seams before anything gets cut, so the pattern keeps flowing instead of jumping when you walk from one stretch of counter to the next. It's slower than pushing straight into fabrication, but it's the difference between a kitchen that looks like one slab and one that looks like pieces. Edge came out eased, clean and simple, which is the right call on a stone with this much going on in the surface. You don't need a fancy profile competing with the leathering and the movement in the dolomite, the material carries the room on its own. Day to day it lives well. Set a hot pan down and it takes it fine, though a trivet never hurts. It'll take the knocks of a working kitchen better than people expect, and the leathered texture keeps it looking good years in instead of showing every little scuff. That's the kind of project we like doing around West Columbia and the rest of the Midlands, matching the right stone to a kitchen that's going to get lived in, not just looked at.

Blue Dunes granite is a striking choice for a bathroom vanity, and this one in Columbia shows why. The stone carries a deep blue-gray base with movement that shifts from soft charcoal to cooler blue tones depending on the light in the room. It's the kind of slab that reads almost like natural stone artwork more than a countertop, which matters in a bathroom where you're standing close to it every morning and evening. Granite works well here because a vanity top takes a real beating over the years. Water sits on it, makeup and skincare products get set down and wiped up, and it needs to hold up without staining or dulling. Blue Dunes has the density and low porosity you want in that spot. Sealed properly, it resists moisture and everyday spills without much fuss, and it keeps its polish for years with basic care. Fabricating a double or single vanity top out of a stone like this means paying attention to the slab before it's ever cut. We template the vanity to the exact cabinet dimensions, then lay out the cut so the veining and color movement land where they'll actually be seen, not just where they happen to fall. With a stone that has as much personality as Blue Dunes, that layout work makes the difference between a top that looks intentional and one that looks like an afterthought. The edge on this one is eased, which keeps the look clean and doesn't fight with the stone's natural pattern. It's a small detail but it's the right call for a vanity where the visual weight should sit with the granite itself. Day to day, this top will handle exactly what a bathroom throws at it. It won't scratch from normal use, it wipes clean easily, and the color stays consistent whether the bathroom's lit by daylight or a vanity light at night. For a Columbia home, it's a solid, good-looking upgrade that fits right into the kind of work we do across the Midlands, matching the right stone to the right room and making sure it's built to last.

Fantasy Brown Leathered dolomite went into this West Columbia kitchen, and it's the kind of stone that changes how a room feels the second the light hits it. Leathered finish instead of polished, so you get texture under your hand instead of a mirror flat surface. It softens the brown and cream movement in the stone, gives it a low sheen, and hides fingerprints and water spots a lot better than a honed or polished slab would in a kitchen that actually gets used. Dolomite has that soft, warm background movement, browns and creams drifting through each other, and it holds up well against everyday acids and scratching in a working kitchen. It's still a natural stone, so we sealed it properly, and the leathered texture actually helps there, it hides the wear that would show up fast on a glass-smooth surface. Getting the veining to read right across the seams is the real work on a stone like this. We template the room, lay the slabs out, and take our time matching the movement across the corners and the seams before anything gets cut, so the pattern keeps flowing instead of jumping when you walk from one stretch of counter to the next. It's slower than pushing straight into fabrication, but it's the difference between a kitchen that looks like one slab and one that looks like pieces. Edge came out eased, clean and simple, which is the right call on a stone with this much going on in the surface. You don't need a fancy profile competing with the leathering and the movement in the dolomite, the material carries the room on its own. Day to day it lives well. Set a hot pan down and it takes it fine, though a trivet never hurts. It'll take the knocks of a working kitchen better than people expect, and the leathered texture keeps it looking good years in instead of showing every little scuff. That's the kind of project we like doing around West Columbia and the rest of the Midlands, matching the right stone to a kitchen that's going to get lived in, not just looked at.

Customer Photo: "Wanted a new papasan cushion and we figured Cushion Source was the best place to go to. Amazing quality and even better pattern than we expected. Love it!" Featured Fabric Premier Prints Isadella Premier Navy/Slub