Trendy detached three-car garage photo in New York

Design ideas for a mid-sized mid-century modern partial sun front yard concrete paver landscaping in Los Angeles for spring.

Large elegant detached guesthouse photo in San Francisco

Sommerhus is a private retreat for two empty-nesters. The clients purchased the previous cabin after falling in love with its location on a private, lakefront peninsula. However, this beautiful site was a challenging site to build on, due to its position sandwiched between the lake and protected wet land. The clients disliked the old cabin because it could only be used in the summer months, due to its lack of both insulation and heat. In addition, it was too small for their needs. They wanted to build a new, larger retreat, but were met with yet another constraint: the new cabin would be limited to the previous cabin’s small footprint. Thus, they decided to approach an architect to design their dream cabin. As the clients described, “We visited Denmark for a family wedding in 2015, and while biking near Gilleleje, a fishing village on the Baltic Sea, we fell in love with the aesthetic of ‘Sommerhus’: dark exteriors, clean, simple lines, and lots of windows.” We set out to design a cabin that fit this aesthetic while also meeting the site’s constraints. The clients were committed to keeping all existing trees on their site. In addition, zoning codes required the new retreat to stay within the previous cabin's small footprint. Thus, to maximize the square footage of the cabin without removing trees or expanding the footprint, the new structure had to grow vertically. At the same time, the clients wanted to be good neighbors. To them, this meant that their cabin should disappear into the woods, especially when viewed from the lake. To accomplish both these requests, the architect selected a dark exterior metal façade that would visually retreat into the trees. The metal siding is a modern, low-maintenance, and cost-effective solution, especially when compared to traditional wood siding. Warm wood on the soffits of the large roof overhang contrast with the metal siding. Sommerhus's resulting exterior is just as the clients’ requested: boldly modern yet respectful of the serene surroundings. The homeowners desired a beach-house-inspired interior, full of light and warmth, in contrast to the dark exterior. As the homeowner explained, “I wanted it to feel like a porch inside.” To achieve this, the living room has two walls of sliding glass doors that connect to the wrap-around porch. This creates a beautiful, indoor-outdoor living space. The crisp and bright kitchen also connects to the porch with the window that opens to an outdoor counter - perfect for passing food and drinks to those lounging on the porch. The kitchen is open to the rest of the first-floor entertaining space, and brings a playful, beach-house feel to the cabin. After the completion of the project, the homeowners remarked, “Working with Christopher and Eric [of CSA] was a wonderful experience. We absolutely love our home, and each season on the lake is more special than the last.”

Elegant 4-Foot Black Ornamental Aluminum Fence by Wiler Fence Company – Elite EFF-20 Model Installed for a New Inground Pool in Medina, OhioWiler Fence Company recently completed a stunning 4-foot tall black ornamental aluminum fence installation in Medina, Ohio, perfectly complementing a brand-new inground swimming pool for a growing family. Manufactured by Elite Fence Products (a trusted American-made brand), the EFF-20 model delivers timeless wrought-iron style with modern durability and zero-maintenance appeal—making it an ideal choice for poolside safety, curb appeal, and long-term value.The EFF-20 is one of Elite's most popular residential-grade styles, featuring a clean, flat top rail with a subtle beveled edge for a sleek, contemporary look that mimics traditional wrought iron without the rust or upkeep. Key specifications include:Height: 4 feet (48 inches) – precisely meeting Medina's minimum 4-foot requirement for residential pool enclosures while keeping the yard feeling open and inviting. Construction: Extruded aluminum panels with 1-1/8" x 1" horizontal rails (three rails total for strength and stability), 5/8" x 5/8" vertical pickets spaced approximately 3-13/16" apart (standard residential spacing that allows visibility while preventing small children or pets from slipping through). Finish: Premium powder-coated black – a durable TGIC polyester coating that resists fading, chipping, and corrosion, backed by Elite's limited lifetime warranty. This rich matte-to-semi-gloss black finish enhances any home's exterior and blends beautifully with modern landscaping. Strength: Residential-grade design supports up to 350 lbs of pressure on the top rail, ensuring it stands up to Ohio's weather extremes and everyday use. Panels: Pre-assembled sections (typically 72.5" wide) for efficient, precise installation with minimal visible hardware (screws on one side only for a cleaner appearance from the street). This installation was specifically chosen for the new inground pool to provide essential safety and code compliance. In Medina, Ohio, local regulations require pool fences to be at least 4 feet tall, with no more than 3 inches of ground clearance, self-closing/latching gates, and spacing that prevents a 4-inch sphere from passing through—standards the Elite EFF-20 easily satisfies (and often exceeds for pool applications). The open picket design maintains great sightlines for supervision while creating a secure barrier that deters unsupervised access.Wiler Fence Company's expert crew handled the full process seamlessly:Coordinated with the City of Medina for the required building permit and zoning certificate (including site plans and pool setback compliance—no front-yard placement, minimum distances from structures, etc.). Called 811 for utility locates and prepared post holes to frost-line depth (typically 36-42 inches in Medina's soil) for rock-solid concrete footings. Installed line, corner, and end posts (2" x 2" or 2-1/2" x 2-1/2" aluminum) with matching black powder coat. Set pre-assembled EFF-20 panels level and plumb, then added self-closing, self-latching gates (with child-proof latches at least 54 inches high) for easy pool access. Left the site spotless, with final walkthrough and city inspection passed on the first try. The homeowners now enjoy a safe, elegant pool area that looks upscale and professional—enhancing their backyard oasis without the ongoing painting, rust worries, or sagging common with other materials. The black aluminum provides a sophisticated contrast against the pool's blue water and surrounding greenery, while the 4-foot height keeps the view open to the house and yard.At Wiler Fence Company, we're proud to bring Elite Fence Products' high-quality craftsmanship to Northeast Ohio homes. If you're adding an inground pool, upgrading your perimeter, or seeking low-maintenance elegance, the EFF-20 in black is a top performer for safety, style, and satisfaction.Ready for your own Elite aluminum fence project in Medina, Brunswick, or surrounding areas? Contact us for a free estimate today! (216) 714-3337 www.wiler.org #WilerFenceCompany #EliteFence #OrnamentalAluminumFence #PoolFence #MedinaOhio #IngroundPool #BlackAluminumFence #NortheastOhioFencing

The owners of this Washington, D.C. row house wanted an outdoor area where they could entertain and enjoy views of the Washington Monument and Capitol Building. Our design team worked closely with the clients to help them maximize the usable deck space on the roof and create the relaxing vibe they wanted. As the deck is on a historic row house, we had to work with the Historic Review Board to make sure the design met their requirements. We constructed the supports for the new deck, walls, and provided comfortable access through a structure with a full size door. Historic Review. Since the roof deck is on a house in the historic district, the city’s historic review board had to approve the design. Any roof structure could not be visible from the street. The roof pitch of the L-shaped structure at the front of the house is located along the sight lines of the building, so you can’t see it from the street. For the review, we actually framed a mock-up out of the structure and then checked if it was visible from the street. The shape and size of the access structure on the roof was dictated by both the historic rules listed above and structural/code issues. Structural Review/Code. Our designer used every square foot available based on set back and historic requirements. This included creating a two-level deck with steps in between. The roof deck is actually treated as a penthouse, so it has to be set back a certain distance. Structurally, each of side party walls is a bearing wall. The structural beams are excluded as a part of the “structure” and are not included in the setback space. The horizontal setback had to equal the height of the floor above the existing structure. With a pitched roof, that ends up being at 2 levels. The step is as much zoning issue as it is an aesthetic one. HDBros

Dryer Vent Wizard
Urban home design photo in Other

Sommerhus is a private retreat for two empty-nesters. The clients purchased the previous cabin after falling in love with its location on a private, lakefront peninsula. However, this beautiful site was a challenging site to build on, due to its position sandwiched between the lake and protected wet land. The clients disliked the old cabin because it could only be used in the summer months, due to its lack of both insulation and heat. In addition, it was too small for their needs. They wanted to build a new, larger retreat, but were met with yet another constraint: the new cabin would be limited to the previous cabin’s small footprint. Thus, they decided to approach an architect to design their dream cabin. As the clients described, “We visited Denmark for a family wedding in 2015, and while biking near Gilleleje, a fishing village on the Baltic Sea, we fell in love with the aesthetic of ‘Sommerhus’: dark exteriors, clean, simple lines, and lots of windows.” We set out to design a cabin that fit this aesthetic while also meeting the site’s constraints. The clients were committed to keeping all existing trees on their site. In addition, zoning codes required the new retreat to stay within the previous cabin's small footprint. Thus, to maximize the square footage of the cabin without removing trees or expanding the footprint, the new structure had to grow vertically. At the same time, the clients wanted to be good neighbors. To them, this meant that their cabin should disappear into the woods, especially when viewed from the lake. To accomplish both these requests, the architect selected a dark exterior metal façade that would visually retreat into the trees. The metal siding is a modern, low-maintenance, and cost-effective solution, especially when compared to traditional wood siding. Warm wood on the soffits of the large roof overhang contrast with the metal siding. Sommerhus's resulting exterior is just as the clients’ requested: boldly modern yet respectful of the serene surroundings. The homeowners desired a beach-house-inspired interior, full of light and warmth, in contrast to the dark exterior. As the homeowner explained, “I wanted it to feel like a porch inside.” To achieve this, the living room has two walls of sliding glass doors that connect to the wrap-around porch. This creates a beautiful, indoor-outdoor living space. The crisp and bright kitchen also connects to the porch with the window that opens to an outdoor counter - perfect for passing food and drinks to those lounging on the porch. The kitchen is open to the rest of the first-floor entertaining space, and brings a playful, beach-house feel to the cabin. After the completion of the project, the homeowners remarked, “Working with Christopher and Eric [of CSA] was a wonderful experience. We absolutely love our home, and each season on the lake is more special than the last.”

Description: In early 1994, the architects began work on the project and while in construction (demolition, grading and foundations) the owner, due to circumstances beyond his control, halted all construction of the project. Seven years later the owner returned to the architects and asked them to complete the partially constructed house. Due to code changes, city ordinances and a wide variety of obstacles it was determined that the house was unable to be completed as originally designed. After much consideration the client asked the architect if it were possible to alter/remodel the partially constructed house, which was a remodel/addition to a 1970’s ranch style house, into a project that fit into current zoning and structural codes. The owner also requested that the house’s footprint and partially constructed foundations remain to avoid the need for further entitlements and delays on an already long overdue and difficult hillside site. The architects’ main challenge was how to alter the design that reflected an outdated philosophical approach to architecture that was nearly a decade old. How could the house be re-conceived reflecting the architect and client’s maturity on a ten-year-old footprint? The answer was to remove almost all of the previously proposed existing interior walls and transform the existing footprint into a pavilion-like structure that allows the site to in a sense “pass through the house”. This allowed the client to take better advantage of a limited and restricted building area while capturing extraordinary panoramic views of the San Fernando Valley and Hollywood Hills. Large 22-foot high custom sliding glass doors allow the interior and exterior to become one. Even the studio is separated from the house and connected only by an exterior bridge. Private spaces are treated as loft-like spaces capturing volume and views while maintaining privacy. Limestone floors extend from inside to outside and into the lap pool that runs the entire length of the house creating a horizon line at the edge of the view. Other natural materials such as board formed concrete, copper, steel and cherry provides softness to the objects that seem to float within the interior volume. By placing objects and materials "outside the frame," a new frame of reference deepens our sense of perception. Art does not reproduce what we see; rather it makes us see.

Water/Flood Damage- Whole House Renovation - Maynard MA Home was flooded due to a broken water line on the second floor. Entire house was gutted to the studs. All electrical, plumbing and insulation was updated to code. All new plaster, window and door trim and mouldings. New kitchen installed, Wolf Maple Cabinets with Honey Finish. Pergo Natural Oak Laminate Flooring Laminate Countertops, new bathroom installed, all other rooms renovated. New Pergo flooring and carpet throughout.

Description: In early 1994, the architects began work on the project and while in construction (demolition, grading and foundations) the owner, due to circumstances beyond his control, halted all construction of the project. Seven years later the owner returned to the architects and asked them to complete the partially constructed house. Due to code changes, city ordinances and a wide variety of obstacles it was determined that the house was unable to be completed as originally designed. After much consideration the client asked the architect if it were possible to alter/remodel the partially constructed house, which was a remodel/addition to a 1970’s ranch style house, into a project that fit into current zoning and structural codes. The owner also requested that the house’s footprint and partially constructed foundations remain to avoid the need for further entitlements and delays on an already long overdue and difficult hillside site. The architects’ main challenge was how to alter the design that reflected an outdated philosophical approach to architecture that was nearly a decade old. How could the house be re-conceived reflecting the architect and client’s maturity on a ten-year-old footprint? The answer was to remove almost all of the previously proposed existing interior walls and transform the existing footprint into a pavilion-like structure that allows the site to in a sense “pass through the house”. This allowed the client to take better advantage of a limited and restricted building area while capturing extraordinary panoramic views of the San Fernando Valley and Hollywood Hills. Large 22-foot high custom sliding glass doors allow the interior and exterior to become one. Even the studio is separated from the house and connected only by an exterior bridge. Private spaces are treated as loft-like spaces capturing volume and views while maintaining privacy. Limestone floors extend from inside to outside and into the lap pool that runs the entire length of the house creating a horizon line at the edge of the view. Other natural materials such as board formed concrete, copper, steel and cherry provides softness to the objects that seem to float within the interior volume. By placing objects and materials "outside the frame," a new frame of reference deepens our sense of perception. Art does not reproduce what we see; rather it makes us see.

The cooking area features clean line symmetry and drawer within a drawer front functionality. The Miele 5 burner induction cooktop is flush mounted into a Krion countertop that wraps a low backsplash and windowsills for ease of cleaning. Seamless matt glass back panels behind the cook area complete the look and make for easy cleanup. We developed and patented a special receptacle to meet the visual demands as well as current electrical codes. The veselbrand™ Powerport™ remains completely flush and hidden in the splash until it is required, then with the use of a simple removal tool these receptacles’ can be reveled for full functionality. This eliminates all the clutter of standard receptacles’ normally required by code. The veselbrand™ Jewel Box Hood features white back painted glass and an integrated LED lighting system to provide the best in functionality and exquisite design.

Description: In early 1994, the architects began work on the project and while in construction (demolition, grading and foundations) the owner, due to circumstances beyond his control, halted all construction of the project. Seven years later the owner returned to the architects and asked them to complete the partially constructed house. Due to code changes, city ordinances and a wide variety of obstacles it was determined that the house was unable to be completed as originally designed. After much consideration the client asked the architect if it were possible to alter/remodel the partially constructed house, which was a remodel/addition to a 1970’s ranch style house, into a project that fit into current zoning and structural codes. The owner also requested that the house’s footprint and partially constructed foundations remain to avoid the need for further entitlements and delays on an already long overdue and difficult hillside site. The architects’ main challenge was how to alter the design that reflected an outdated philosophical approach to architecture that was nearly a decade old. How could the house be re-conceived reflecting the architect and client’s maturity on a ten-year-old footprint? The answer was to remove almost all of the previously proposed existing interior walls and transform the existing footprint into a pavilion-like structure that allows the site to in a sense “pass through the house”. This allowed the client to take better advantage of a limited and restricted building area while capturing extraordinary panoramic views of the San Fernando Valley and Hollywood Hills. Large 22-foot high custom sliding glass doors allow the interior and exterior to become one. Even the studio is separated from the house and connected only by an exterior bridge. Private spaces are treated as loft-like spaces capturing volume and views while maintaining privacy. Limestone floors extend from inside to outside and into the lap pool that runs the entire length of the house creating a horizon line at the edge of the view. Other natural materials such as board formed concrete, copper, steel and cherry provides softness to the objects that seem to float within the interior volume. By placing objects and materials "outside the frame," a new frame of reference deepens our sense of perception. Art does not reproduce what we see; rather it makes us see.

Arley Wholesale, Inc. Happy House Ceramiche
Transitional wine cellar photo in Other

This basketball court was installed in Syosset Long Island NY by Gappsi. Starting with the location to best fit the 30 x 60 court and the swimming pool area within the already landscaped yard. The construction of the base for the court consists of 6 inches of recycled concrete base and 2 inches of compacted asphalt. It was then sealed, with a 6 x 9 masonry border around the edges. A full size adjustable hoop was also installed. Mateflex tiles modular outdoor flooring tiles were installed over the asphalt, stretched, and then secured all around the perimeter to create an expandable and contracting court floor. A combination of blue and gray colors are selected for the tiles with white striping to outline the Basketball and the pickle ball court., a complete key, a 3-point line, and a capital "S" is printed in the center of the court that stands for the owner's last name. Volleyball/pickle ball lines are also marked on the tile and the adjustable net was installed in the middle of the court. The court was installed in a section of the backyard that was not utilized by the homeowner for any other use. The basketball court fit perfectly and turned this area into a very active sports area for the whole family to enjoy. The Mateflex tiles are the best in the industry. They are manufactured in 12 x 12 inch tiles that are then divided into 16 individual 3 x 3 sections attached to each other with an expansion joint system allowing the court to flex and prevent the tiles from warping in hot and cold weather situation. Gappsi provides basketball and many other types of sports court installations such as bocce courts, putting greens, shuffle boards, and many others for residential and commercial use in Syosset, NY 11773 and 11791 zip code areas.

Sommerhus is a private retreat for two empty-nesters. The clients purchased the previous cabin after falling in love with its location on a private, lakefront peninsula. However, this beautiful site was a challenging site to build on, due to its position sandwiched between the lake and protected wet land. The clients disliked the old cabin because it could only be used in the summer months, due to its lack of both insulation and heat. In addition, it was too small for their needs. They wanted to build a new, larger retreat, but were met with yet another constraint: the new cabin would be limited to the previous cabin’s small footprint. Thus, they decided to approach an architect to design their dream cabin. As the clients described, “We visited Denmark for a family wedding in 2015, and while biking near Gilleleje, a fishing village on the Baltic Sea, we fell in love with the aesthetic of ‘Sommerhus’: dark exteriors, clean, simple lines, and lots of windows.” We set out to design a cabin that fit this aesthetic while also meeting the site’s constraints. The clients were committed to keeping all existing trees on their site. In addition, zoning codes required the new retreat to stay within the previous cabin's small footprint. Thus, to maximize the square footage of the cabin without removing trees or expanding the footprint, the new structure had to grow vertically. At the same time, the clients wanted to be good neighbors. To them, this meant that their cabin should disappear into the woods, especially when viewed from the lake. To accomplish both these requests, the architect selected a dark exterior metal façade that would visually retreat into the trees. The metal siding is a modern, low-maintenance, and cost-effective solution, especially when compared to traditional wood siding. Warm wood on the soffits of the large roof overhang contrast with the metal siding. Sommerhus's resulting exterior is just as the clients’ requested: boldly modern yet respectful of the serene surroundings. The homeowners desired a beach-house-inspired interior, full of light and warmth, in contrast to the dark exterior. As the homeowner explained, “I wanted it to feel like a porch inside.” To achieve this, the living room has two walls of sliding glass doors that connect to the wrap-around porch. This creates a beautiful, indoor-outdoor living space. The crisp and bright kitchen also connects to the porch with the window that opens to an outdoor counter - perfect for passing food and drinks to those lounging on the porch. The kitchen is open to the rest of the first-floor entertaining space, and brings a playful, beach-house feel to the cabin. After the completion of the project, the homeowners remarked, “Working with Christopher and Eric [of CSA] was a wonderful experience. We absolutely love our home, and each season on the lake is more special than the last.”

The owners of this Washington, D.C. row house wanted an outdoor area where they could entertain and enjoy views of the Washington Monument and Capitol Building. Our design team worked closely with the clients to help them maximize the usable deck space on the roof and create the relaxing vibe they wanted. As the deck is on a historic row house, we had to work with the Historic Review Board to make sure the design met their requirements. We constructed the supports for the new deck, walls, and provided comfortable access through a structure with a full size door. Historic Review. Since the roof deck is on a house in the historic district, the city’s historic review board had to approve the design. Any roof structure could not be visible from the street. The roof pitch of the L-shaped structure at the front of the house is located along the sight lines of the building, so you can’t see it from the street. For the review, we actually framed a mock-up out of the structure and then checked if it was visible from the street. The shape and size of the access structure on the roof was dictated by both the historic rules listed above and structural/code issues. Structural Review/Code. Our designer used every square foot available based on set back and historic requirements. This included creating a two-level deck with steps in between. The roof deck is actually treated as a penthouse, so it has to be set back a certain distance. Structurally, each of side party walls is a bearing wall. The structural beams are excluded as a part of the “structure” and are not included in the setback space. The horizontal setback had to equal the height of the floor above the existing structure. With a pitched roof, that ends up being at 2 levels. The step is as much zoning issue as it is an aesthetic one. HDBros

The owners of this Washington, D.C. row house wanted an outdoor area where they could entertain and enjoy views of the Washington Monument and Capitol Building. Our design team worked closely with the clients to help them maximize the usable deck space on the roof and create the relaxing vibe they wanted. As the deck is on a historic row house, we had to work with the Historic Review Board to make sure the design met their requirements. We constructed the supports for the new deck, walls, and provided comfortable access through a structure with a full size door. Historic Review. Since the roof deck is on a house in the historic district, the city’s historic review board had to approve the design. Any roof structure could not be visible from the street. The roof pitch of the L-shaped structure at the front of the house is located along the sight lines of the building, so you can’t see it from the street. For the review, we actually framed a mock-up out of the structure and then checked if it was visible from the street. The shape and size of the access structure on the roof was dictated by both the historic rules listed above and structural/code issues. Structural Review/Code. Our designer used every square foot available based on set back and historic requirements. This included creating a two-level deck with steps in between. The roof deck is actually treated as a penthouse, so it has to be set back a certain distance. Structurally, each of side party walls is a bearing wall. The structural beams are excluded as a part of the “structure” and are not included in the setback space. The horizontal setback had to equal the height of the floor above the existing structure. With a pitched roof, that ends up being at 2 levels. The step is as much zoning issue as it is an aesthetic one. HDBros