We used: Custom cherry cabinetry in Arts & Crafts Shaker style by Kabinart in Boulder and Espresso stains. Liberty Hardware Venetian bronze 1-1/2" cabinet knobs. KitchenAid Architect II Series 22 CF counter-depth French door refrigerator. KitchenAid Architect Series II 27" convection single wall oven. KitchenAid 36" 6-burner dual fuel freestanding commercial-style range. KitchenAid Architect II Series 24" dishwasher. Sharp Insight Pro Series 24" built-in microwave drawer (Model #KB6524PS). Crystorama Solaris 12" wide pendant lights in English bronze. Granite countertops in Brown Fantasy. 3"x6" polished marble backsplash. Paint colors: Walls: Glidden Silver Cloud 30YY 63/024 Ceilings/Trims/Doors: Glidden Swan White GLC23 Robert B. Narod Photography

Custom green roof, vegetable planter, and rain screen design for a Philadelphia rooftop.
Design ideas for a modern full sun rooftop vegetable garden landscape in Philadelphia for spring.

This project began as a design-build proposal to build an addition for an indoor swim spa and exercise room to a ranch style house. The Clients were seeking a functional and inviting space reminiscent of the luxury resorts and space they have visited during their international travels. One of the biggest challenges was to fit the program within the site and buildable area constraints. In order to maximize floor area, the exterior walls of the addition were located parallel to the property lines along the required setbacks, which resulted in a non-orthagonal geometry in plan. The volume of the addition began to take shape with large floor to ceiling openings strengthening the connection to the outdoors with roof line that rises northward to capture daylight. A series of operable skylights ventilate the room and allow more daylight to penetrate into the adjacent existing den. Inspired by modern additions made to historic structures in Europe, we made a conscious decision to not try to blend the addition into the language of the existing ranch house, choosing instead to juxtapose a structure that was layered and felt light next to the cement tile roof and framed picture windows. The interior walls were finished with a marine grade plywood to withstand a humid environment, and the exteriors were clad with a cedar rainscreen to give privacy where needed and gradually reduced to allow for more glass and visibility. The Clients are immersed in the technological environment of Silicon Valley and appreciated the simple geometries and aesthetics of modern design. david wakely

W 22 x D 22 x H 15 Quick Overview Structure in micro embossed MD F worked with laser in order to get a tufted effect definitely soft. A refined program prepared designed paying attention to the smallest details starting from the tempered glass top lacquered in the same colour as the structure. This item is available with a multitude of options and customization's, please call or e-mail to inquire. Manufactured By Tonin Casa.

Single Dresser: W 45 x D 22 x H 22 Double Dresser: W 85 x D 22 x H 22 Quick Overview Structure in micro embossed MD F worked with laser in order to get a tufted effect definitely soft. A refined program prepared designed paying attention to the smallest details starting from the tempered glass top lacquered in the same colour as the structure. This item is available with a multitude of options and customization's, please call or e-mail to inquire. Manufactured By Tonin Casa.

This 2,500 square foot “studio” is located in a neighborhood bisected by alleys and containing charming remnants of indigenous outbuildings common to the region. The desire was to create a clean, open, contemporary interior in a building that outwardly referenced its context. The primary form of the house took shape from the long, narrow lot. On the north end, which faces an alley, a patinated clad steel structure forms a canopy for the entry. This carefully scaled “cabin”, raised above the upper level to access a glimpse of the mountains, pays homage to the many sheds lining the alley. The south end features a terrace above the garage that is an extension of the primary interior space. The masonry west wall of the building provides privacy from the adjacent lot. This functional “spine” contains program elements on both levels and is visible internally and externally. A gently curved wall provides continuity between the floors and shields a bathroom and dressing area. This wall stops short of the ceiling, allowing the uninterrupted plane of maple veneer plywood to form a canopy unifying the spaces. A.I.A. Wyoming Chapter Design Award of Honor 2004

As the Donum name means “Gift of the Land,” the 150 acre site serves as the generator of the program and building forms. Located in Sonoma County’s Carneros wine-growing region, Donum Estate’s primary design objective was to create an elegant set of dispersed winery buildings which frame an open-air sculpture garden featuring artists such as Ai Weiwei, Keith Haring and Fernando Botero. Donum Estate produces only single-vineyard, estate wines from vineyards in Carneros, Russian River Valley and Anderson Valley. The bayside site is surrounded by rolling hills with views of the coastal range in the distance. The winemaking program takes advantage of the site’s high exposure to humid marine air by focusing on Pinot Noir and Chardonnay varietals. The new Production and Hospitality Buildings pay homage to a dairy previously located on the site by observing a pattern of relatively small, white structures with gable roofs. While both buildings nestle themselves amongst the world-class art in the landscape, the Hospitality Building carries the art theme within the gallery-like interior. A series of enormous skylites define the north side of the vaulted ceiling of the Great Room and generous floor-to-ceiling sliding glass doors capitalize on the surrounding views. The exterior is characterized by board-and-batten siding that vary in width and spacing, lending an appearance of undulating topography upon otherwise flat walls. Like the Hospitality Building, the Production Building was locating on the footprint of a previous building to minimize impact on the site. The hillside footprint encouraged a traditional gravity-assisted program for winemaking with the Fermentation Room and Crush Pad housed above and the Barrel Storage Rooms contained within an elongated underground concrete box below. As the Fermentation Room is not conditioned, the skin of the building is delineated by staggered courses of horizontal metal panels with different patterns of perforations. The ethereal nature of the building perimeter generates playful light patterns within the building and evokes a dematerialized surface on the exterior. While both the Production Building and Hospitality Building have been designed to augment any visitor’s experience at the Donum Estate, the structures also strive to focus attention outward to the immediate landscape and surrounding horizon. As wine ultimately comes from the grapes grown on the land, the vineyards are celebrated through framed vignettes and backdrops to world-class art.

This 2,500 square foot “studio” is located in a neighborhood bisected by alleys and containing charming remnants of indigenous outbuildings common to the region. The desire was to create a clean, open, contemporary interior in a building that outwardly referenced its context. The primary form of the house took shape from the long, narrow lot. On the north end, which faces an alley, a patinated clad steel structure forms a canopy for the entry. This carefully scaled “cabin”, raised above the upper level to access a glimpse of the mountains, pays homage to the many sheds lining the alley. The south end features a terrace above the garage that is an extension of the primary interior space. The masonry west wall of the building provides privacy from the adjacent lot. This functional “spine” contains program elements on both levels and is visible internally and externally. A gently curved wall provides continuity between the floors and shields a bathroom and dressing area. This wall stops short of the ceiling, allowing the uninterrupted plane of maple veneer plywood to form a canopy unifying the spaces. A.I.A. Wyoming Chapter Design Award of Honor 2004

As the Donum name means “Gift of the Land,” the 150 acre site serves as the generator of the program and building forms. Located in Sonoma County’s Carneros wine-growing region, Donum Estate’s primary design objective was to create an elegant set of dispersed winery buildings which frame an open-air sculpture garden featuring artists such as Ai Weiwei, Keith Haring and Fernando Botero. Donum Estate produces only single-vineyard, estate wines from vineyards in Carneros, Russian River Valley and Anderson Valley. The bayside site is surrounded by rolling hills with views of the coastal range in the distance. The winemaking program takes advantage of the site’s high exposure to humid marine air by focusing on Pinot Noir and Chardonnay varietals. The new Production and Hospitality Buildings pay homage to a dairy previously located on the site by observing a pattern of relatively small, white structures with gable roofs. While both buildings nestle themselves amongst the world-class art in the landscape, the Hospitality Building carries the art theme within the gallery-like interior. A series of enormous skylites define the north side of the vaulted ceiling of the Great Room and generous floor-to-ceiling sliding glass doors capitalize on the surrounding views. The exterior is characterized by board-and-batten siding that vary in width and spacing, lending an appearance of undulating topography upon otherwise flat walls. Like the Hospitality Building, the Production Building was locating on the footprint of a previous building to minimize impact on the site. The hillside footprint encouraged a traditional gravity-assisted program for winemaking with the Fermentation Room and Crush Pad housed above and the Barrel Storage Rooms contained within an elongated underground concrete box below. As the Fermentation Room is not conditioned, the skin of the building is delineated by staggered courses of horizontal metal panels with different patterns of perforations. The ethereal nature of the building perimeter generates playful light patterns within the building and evokes a dematerialized surface on the exterior. While both the Production Building and Hospitality Building have been designed to augment any visitor’s experience at the Donum Estate, the structures also strive to focus attention outward to the immediate landscape and surrounding horizon. As wine ultimately comes from the grapes grown on the land, the vineyards are celebrated through framed vignettes and backdrops to world-class art.

As the Donum name means “Gift of the Land,” the 150 acre site serves as the generator of the program and building forms. Located in Sonoma County’s Carneros wine-growing region, Donum Estate’s primary design objective was to create an elegant set of dispersed winery buildings which frame an open-air sculpture garden featuring artists such as Ai Weiwei, Keith Haring and Fernando Botero. Donum Estate produces only single-vineyard, estate wines from vineyards in Carneros, Russian River Valley and Anderson Valley. The bayside site is surrounded by rolling hills with views of the coastal range in the distance. The winemaking program takes advantage of the site’s high exposure to humid marine air by focusing on Pinot Noir and Chardonnay varietals. The new Production and Hospitality Buildings pay homage to a dairy previously located on the site by observing a pattern of relatively small, white structures with gable roofs. While both buildings nestle themselves amongst the world-class art in the landscape, the Hospitality Building carries the art theme within the gallery-like interior. A series of enormous skylites define the north side of the vaulted ceiling of the Great Room and generous floor-to-ceiling sliding glass doors capitalize on the surrounding views. The exterior is characterized by board-and-batten siding that vary in width and spacing, lending an appearance of undulating topography upon otherwise flat walls. Like the Hospitality Building, the Production Building was locating on the footprint of a previous building to minimize impact on the site. The hillside footprint encouraged a traditional gravity-assisted program for winemaking with the Fermentation Room and Crush Pad housed above and the Barrel Storage Rooms contained within an elongated underground concrete box below. As the Fermentation Room is not conditioned, the skin of the building is delineated by staggered courses of horizontal metal panels with different patterns of perforations. The ethereal nature of the building perimeter generates playful light patterns within the building and evokes a dematerialized surface on the exterior. While both the Production Building and Hospitality Building have been designed to augment any visitor’s experience at the Donum Estate, the structures also strive to focus attention outward to the immediate landscape and surrounding horizon. As wine ultimately comes from the grapes grown on the land, the vineyards are celebrated through framed vignettes and backdrops to world-class art.

As the Donum name means “Gift of the Land,” the 150 acre site serves as the generator of the program and building forms. Located in Sonoma County’s Carneros wine-growing region, Donum Estate’s primary design objective was to create an elegant set of dispersed winery buildings which frame an open-air sculpture garden featuring artists such as Ai Weiwei, Keith Haring and Fernando Botero. Donum Estate produces only single-vineyard, estate wines from vineyards in Carneros, Russian River Valley and Anderson Valley. The bayside site is surrounded by rolling hills with views of the coastal range in the distance. The winemaking program takes advantage of the site’s high exposure to humid marine air by focusing on Pinot Noir and Chardonnay varietals. The new Production and Hospitality Buildings pay homage to a dairy previously located on the site by observing a pattern of relatively small, white structures with gable roofs. While both buildings nestle themselves amongst the world-class art in the landscape, the Hospitality Building carries the art theme within the gallery-like interior. A series of enormous skylites define the north side of the vaulted ceiling of the Great Room and generous floor-to-ceiling sliding glass doors capitalize on the surrounding views. The exterior is characterized by board-and-batten siding that vary in width and spacing, lending an appearance of undulating topography upon otherwise flat walls. Like the Hospitality Building, the Production Building was locating on the footprint of a previous building to minimize impact on the site. The hillside footprint encouraged a traditional gravity-assisted program for winemaking with the Fermentation Room and Crush Pad housed above and the Barrel Storage Rooms contained within an elongated underground concrete box below. As the Fermentation Room is not conditioned, the skin of the building is delineated by staggered courses of horizontal metal panels with different patterns of perforations. The ethereal nature of the building perimeter generates playful light patterns within the building and evokes a dematerialized surface on the exterior. While both the Production Building and Hospitality Building have been designed to augment any visitor’s experience at the Donum Estate, the structures also strive to focus attention outward to the immediate landscape and surrounding horizon. As wine ultimately comes from the grapes grown on the land, the vineyards are celebrated through framed vignettes and backdrops to world-class art.

This 2,500 square foot “studio” is located in a neighborhood bisected by alleys and containing charming remnants of indigenous outbuildings common to the region. The desire was to create a clean, open, contemporary interior in a building that outwardly referenced its context. The primary form of the house took shape from the long, narrow lot. On the north end, which faces an alley, a patinated clad steel structure forms a canopy for the entry. This carefully scaled “cabin”, raised above the upper level to access a glimpse of the mountains, pays homage to the many sheds lining the alley. The south end features a terrace above the garage that is an extension of the primary interior space. The masonry west wall of the building provides privacy from the adjacent lot. This functional “spine” contains program elements on both levels and is visible internally and externally. A gently curved wall provides continuity between the floors and shields a bathroom and dressing area. This wall stops short of the ceiling, allowing the uninterrupted plane of maple veneer plywood to form a canopy unifying the spaces. A.I.A. Wyoming Chapter Design Award of Honor 2004

Photo: A Darling Felicity Photography © 2015 Houzz
Example of a mid-sized country porcelain tile mudroom design in Seattle with green walls

This previously unused attic space is now a sauna/yoga room. The left sauna wall follows the attic rafters down diagonally to allow a wider space for leg room on the twin sauna benches.

This 2,500 square foot “studio” is located in a neighborhood bisected by alleys and containing charming remnants of indigenous outbuildings common to the region. The desire was to create a clean, open, contemporary interior in a building that outwardly referenced its context. The primary form of the house took shape from the long, narrow lot. On the north end, which faces an alley, a patinated clad steel structure forms a canopy for the entry. This carefully scaled “cabin”, raised above the upper level to access a glimpse of the mountains, pays homage to the many sheds lining the alley. The south end features a terrace above the garage that is an extension of the primary interior space. The masonry west wall of the building provides privacy from the adjacent lot. This functional “spine” contains program elements on both levels and is visible internally and externally. A gently curved wall provides continuity between the floors and shields a bathroom and dressing area. This wall stops short of the ceiling, allowing the uninterrupted plane of maple veneer plywood to form a canopy unifying the spaces. A.I.A. Wyoming Chapter Design Award of Honor 2004

This 2,500 square foot “studio” is located in a neighborhood bisected by alleys and containing charming remnants of indigenous outbuildings common to the region. The desire was to create a clean, open, contemporary interior in a building that outwardly referenced its context. The primary form of the house took shape from the long, narrow lot. On the north end, which faces an alley, a patinated clad steel structure forms a canopy for the entry. This carefully scaled “cabin”, raised above the upper level to access a glimpse of the mountains, pays homage to the many sheds lining the alley. The south end features a terrace above the garage that is an extension of the primary interior space. The masonry west wall of the building provides privacy from the adjacent lot. This functional “spine” contains program elements on both levels and is visible internally and externally. A gently curved wall provides continuity between the floors and shields a bathroom and dressing area. This wall stops short of the ceiling, allowing the uninterrupted plane of maple veneer plywood to form a canopy unifying the spaces. A.I.A. Wyoming Chapter Design Award of Honor 2004

As a huge supporter of our veteran’s, JFF Design Architects is thrilled to have the opportunity serve one of our local American Legion facilities. Ironically, I worked on this very building at the beginning of my career, some 35 years ago. We drew inspiration and reference from Maya Lin's 1982 amazing design for the National Vietnam War Memorial. JFF Design Architects & Planners put together a conceptual redesign for the American Legion Post #156, which pays homage to its members, many of whom are from this generation of veterans and their guests. This 2,200 SF ground floor space was in dire need of renovation from the original late 1970’s motif including the bar, lounge and game room adorned with dark brown paneling. As the design unfolded, we dissolved these three separate programs into one large room that can be divided as the use changes. The bar was relocated to the west end offering a better view and servicing to the centralized lounge. The game room remains in the original location but can be combined with the lounge space with the use a retractable wall for larger functions. In the closed position, it offers the space for gaming tournaments such as darts and pool. References to the Vietnam Memorial can be found within the design of the bar and a 125 degree angle accent tile design in the flooring. Construction has already begun and Post #156 is looking forward to the reopening for members and guests.

This 2,500 square foot “studio” is located in a neighborhood bisected by alleys and containing charming remnants of indigenous outbuildings common to the region. The desire was to create a clean, open, contemporary interior in a building that outwardly referenced its context. The primary form of the house took shape from the long, narrow lot. On the north end, which faces an alley, a patinated clad steel structure forms a canopy for the entry. This carefully scaled “cabin”, raised above the upper level to access a glimpse of the mountains, pays homage to the many sheds lining the alley. The south end features a terrace above the garage that is an extension of the primary interior space. The masonry west wall of the building provides privacy from the adjacent lot. This functional “spine” contains program elements on both levels and is visible internally and externally. A gently curved wall provides continuity between the floors and shields a bathroom and dressing area. This wall stops short of the ceiling, allowing the uninterrupted plane of maple veneer plywood to form a canopy unifying the spaces. A.I.A. Wyoming Chapter Design Award of Honor 2004

Home office - contemporary built-in desk wallpaper home office idea with multicolored walls