The pictures showed are of an Encaustic Cement tiled floor that had been installed in the bathroom of a property in Twickenham. At the time the tiles were installed, they did not seal them and had since accumulated dirt, especially in the grout lines. Encaustic cement tiles have become extremely popular in the last few years with many beautiful artistic often geometric patterns available to choose from. The very nature of the cement-based tile however does make it slightly porous, and if left unsealed dirt will become ingrained in the tile making it difficult to remove and keep clean. Like grout they do therefore need to be sealed in order to keep them looking at their best for longer. Now we normally recommend using diamond encrusted burnishing pads when renovating Encaustic Cement tiles however in this case the face of the tiles were not too bad and it was really the grout that needed the most attention. So, to cut the cost for customer, I advised a straightforward alkaline scrub clean and seal. To clean the tile and grout I sprayed the floor with a strong dilution of Tile Doctor Pro-Clean and left it to soak into the dirt for ten minutes. Space in the bathroom was quite tight so instead of using a mechanical floor scrubber I scrubbed the tile and grout by hand working the alkaline cleaning solution into the pores to release the grout in dirt. After scrubbing the floor was rinsed with a little water and the soil removed with a wet vacuum. Afterwards the floor was inspected, and any stubborn areas retreated with repeat of the process. After a final rinse, the floor was dried as much as possible with the wet vacuum. Fortunately, the weather has been amazing of late and so it did not take long for the floor to dry, being a small space and a little encouragement from a heat gun always helps. Removing excess moisture before sealing is essential as even a small amount can cloud the sealer resulting in an uneven appearance. Once satisfied that the floor was dry, I proceeded to seal it by applying a couple two coats of Tile Doctor Colour Grow across the Encaustic tile and grout. As an impregnating sealer Colour Grow penetrates the pores of the cement occupying the space and thus prevent any dirt from becoming ingrained there. Colour Grow’s colour intensifying properties also helped to deepen the black colour of the tile enhancing the contrast between the tiles and grout. Now the floor has been properly sealed it will be far easier for the customer to keep them clean in future. For maximum longevity of the sealer I recommend maintenance cleaning with Tile Doctor Neutral Cleaner. Don’t be tempted to use supermarket cleaning products without reading the label first, many are simply too strong for cleaning sealed surfaces and will strip off the sealer prematurely leaving the tiles unprotected. Jonathan Oldham South Middlesex Tile Doctor

Ducting Repair

Please RSVP early for our last LUNCH & LEARN in 2016. This marks Kiwi’s 10th CEU Class we have taught over the last four years. Counting for 1 CEU Credit, there are 15 spots available. (now only 8 spots left…also welcome to bring a colleague to event. Please include in your RSVP. ) Reserve your spot now. Here are the details- What: CONTROLLING AND ISOLATING SOUND WITH DESIGN AND CONSTRUCTION Lunch will be catered. This is also a networking event for architects and interior designers. KIWI AUDIO VISUAL’S 10TH Lunch & Learn! When: Thursday, NOVEMBER 17 from 11 AM until 1 PM 10:45 a.m. - check-in 11-12-COURSE- CEU Course 12-1 Lunch & Networking 1:00 p.m. end Where: Kiwi Audio Visual 1950 Kellogg Avenue Carlsbad, CA 92008 Map of Location Cost: It's free. Who?: Interior Designers and Residential Architects & Custom home builders/supers, too! 15 SPOTS ONLY- PLEASE RSVP as soon as you can. ~Click link- or email- MShull@kiwiav.com CEU CLASS DESCRIPTION: LEARNING OBJECTIVES of “Controlling and Isolating Sound with Design & Construction” • Define the importance of controlling sound. • Define how much sound isolation is required in various circumstances. • List the three tools: mass, absorption, and mechanical isolation and the role of each tool. • Outline design considerations related to the construction of specialty rooms. Controlling and Isolating Sound is tricky—without the correct tools, the right people, and the proper design, the results are often disastrous. Participants in this course will review the needs for creating sound for isolated specialty spaces and discuss how much sound isolation is needed in varying circumstances. In addition, attendees will dive into the three tools of sound isolation—mass, absorption and mechanical isolation and the role of each in the design/build process, while discussing the process of designing and constructing the specialty space. This course will also outline the benefits of working as a team with other trades to provide the client the expertise bringing about a well-designed and functional space. ASSOCIATION- AIA, AIBD, IDCEC, NARI Credit: 1.0 LU/HSW, l.0 CEU, 0.1 CEU, 1.0 CEU COURSE NUMBER: CO1O50 –AIA & 5.1-IDEC Designations: Health, Safety, and Welfare

Graybox is a 950 sq. ft. studio environment designed and built by NILES to redefine what a home-based creative space can be. The client wanted a light-filled, timeless studio that balanced aesthetic warmth with the precision and durability of a commercial facility. Our team handled the full scope—from architectural acoustics and mechanical planning to framing, treatments, electrical distribution, and final integration. The Control Room is a compact, golden-ratio mix suite engineered for accuracy, featuring a finely tuned treatment plan and a Barefoot monitor system. The Live Room gains surprising scale from its 16’ ceiling, delivering sonic depth and natural ambience ideal for full-band tracking, ensemble sessions, or detailed acoustic work. Expansive glass and natural light shape the visual character of the studio while maintaining controlled isolation and proper acoustic performance. This space was built to function as a dual-purpose creative hub for music recording and video production. The open layout supports multi-camera film shoots, quick-turn content capture, and flexible session flow. Engineers, producers, and artists can walk in, sit down, and work immediately thanks to intuitive wiring paths, plug-and-play audio infrastructure, and a layout designed for seamless movement between rooms. Graybox has become a go-to destination for both recording and visual content, hosting sessions and video work for Capitol Records, Meinl Cymbals, The Dove Awards, Gibson, and many others. The result is a studio that feels as inspiring as it sounds—purpose-built, timeless, and engineered for long-term creative use.

Does your iron fence look like Chicago winters have been winning the battle for years? That slow orange spread across pickets and rails is not just an eyesore - it is active corrosion undermining the structural integrity of metalwork that frames some of Chicago's most architecturally significant residential properties. Windy City Painters addresses iron fence rust at the source, using professional-grade rust conversion chemistry and direct-to-metal coatings engineered for the specific abuse Chicago's climate delivers. PROJECT OVERVIEW This project involved a heavily rusted ornamental iron fence on a Chicago North Side residential property. Rust had progressed beyond surface oxidation into moderate pitting on lower rails, a pattern Windy City Painters sees frequently on properties within blocks of treated roadways where salt drift accelerates corrosion. The scope included mechanical descaling, chemical rust conversion, DTM priming, and a durable gloss topcoat matched to the original fence color. MATERIALS AND PRODUCTS Ospho Rust Converter: A phosphoric acid-based treatment that chemically reacts with iron oxide, converting it to iron phosphate - a stable, paintable compound. Corroseal Water-Based Rust Converter is an alternative for situations requiring lower VOC handling. Rust-Oleum Professional DTM Primer and Sherwin-Williams DTM Acrylic Coating serve as the primary coating system, formulated for direct metal adhesion with built-in rust inhibitors. For structurally compromised sections, welding is coordinated before any chemical or coating work begins. THE PROCESS Step 1 - Mechanical Preparation: Wire wheel grinding on an angle grinder removes loose rust scale, mill scale, and flaking paint. For advanced pitting, Windy City Painters deploys a needle gun descaler, which impacts the metal surface thousands of times per minute to drive scale from deep cavities. This step determines whether the fence can be coated or needs welding first. Step 2 - Chemical Rust Conversion: Ospho or Corroseal is brushed onto all remaining rust surface. These products do not simply seal rust - they react with it. The conversion process takes 24 hours to fully cure before topcoating. Skipping this step is the single most common reason iron fence paint jobs fail prematurely. Step 3 - DTM Priming: Sherwin-Williams DTM or Rust-Oleum DTM primer is applied by brush to ensure full penetration around decorative elements, picket tips, and weld joints. Spray application is used on open sections for even film build. DTM formulations bond directly to prepared metal without a separate shop primer. Step 4 - Finish Coating: A DTM topcoat in gloss or semi-gloss provides the final weather barrier. Gloss is preferred for iron fencing because the harder surface sheds water more effectively and resists dirt adhesion between maintenance cycles. Windy City Painters applies two finish coats for maximum film thickness. CHICAGO-SPECIFIC CHALLENGES Chicago's freeze-thaw cycle is the primary enemy of iron fence coatings. Water infiltrates micro-cracks in paint film, freezes, expands, and delaminate coating from beneath. Properties on the North Side and Near West Side also contend with lake-effect humidity that keeps metal surfaces damp for extended periods, slowing cure times and promoting under-film corrosion if preparation is inadequate. Greystones and Victorian brownstones typically feature ornate cast iron or wrought iron fencing with complex geometries that trap moisture and demand hand-brush application to fully coat recesses. WHAT TO EXPECT LONG-TERM A properly prepared and coated iron fence in Chicago should hold 5-8 years before requiring recoating. Annual inspection of weld joints, picket tips, and base rails closest to grade will identify early rust return. Addressing small spots with touch-up converter and primer extends service life significantly between full recoats. PRO TIPS Tip 1: Never pressure wash a rusted iron fence immediately before painting. Water drives moisture into pits and delays the surface drying needed for chemical converter adhesion. Allow 48 hours of dry weather before prep begins. Tip 2: Picket tips and rail ends are the first failure points. These end-grain equivalent areas on metal concentrate corrosion. Ask your painter to apply an extra brush coat to every tip and terminus. Tip 3: Black is the traditional and most durable color choice for iron fencing. Dark pigments absorb UV rather than reflecting it, reducing thermal cycling stress on the paint film at color change boundaries. FAQ Q: What does iron fence painting cost in Chicago? A: Most residential iron fence painting in Chicago ranges from $400 to $1,200 depending on linear footage, rust severity, prep method required, and whether structural welding is needed before Windy City Painters can coat the surface. Q: How do I know if my fence needs a welder before painting? A: If you can press a screwdriver through a rail or picket, the metal wall has failed. Windy City Painters inspects all fencing before quoting and identifies weld-required sections so repairs happen before any coating investment. Q: Is Ospho or Corroseal better for my fence? A: Both convert rust effectively. Ospho is solvent-based and fast-acting, preferred for heavy rust. Corroseal is water-based with lower odor, preferred in enclosed or residential settings where off-gassing is a concern. Windy City Painters selects based on site conditions. Q: Can iron fence painting be done in winter in Chicago? A: Application requires temperatures above 50 degrees Fahrenheit for DTM coatings to cure properly. Most iron fence painting in Chicago runs April through October, with scheduling flexibility based on extended warm stretches. Q: How do I maintain my fence between professional recoats? A: Inspect annually in spring. Sand any rust spots to bare metal with 80-grit paper, apply Ospho, let cure 24 hours, then spot-prime with DTM primer and touch up with finish coat. Windy City Painters offers maintenance inspections. Q: Do you paint courtyard building fences and coach house gates? A: Yes. Multi-unit courtyard buildings and coach houses are common in the North Side neighborhoods Windy City Painters serves. We coordinate with property managers and HOAs for larger perimeter fence projects. Q: How long after painting can I touch the fence? A: DTM coatings are typically dry to touch in 2-4 hours and hard dry in 24 hours. Full cure for maximum hardness takes 7 days. Windy City Painters advises against pressure washing or heavy contact during that cure window. Visit windypainters.com to request your free iron fence assessment and project quote.

Graybox is a 950 sq. ft. studio environment designed and built by NILES to redefine what a home-based creative space can be. The client wanted a light-filled, timeless studio that balanced aesthetic warmth with the precision and durability of a commercial facility. Our team handled the full scope—from architectural acoustics and mechanical planning to framing, treatments, electrical distribution, and final integration. The Control Room is a compact, golden-ratio mix suite engineered for accuracy, featuring a finely tuned treatment plan and a Barefoot monitor system. The Live Room gains surprising scale from its 16’ ceiling, delivering sonic depth and natural ambience ideal for full-band tracking, ensemble sessions, or detailed acoustic work. Expansive glass and natural light shape the visual character of the studio while maintaining controlled isolation and proper acoustic performance. This space was built to function as a dual-purpose creative hub for music recording and video production. The open layout supports multi-camera film shoots, quick-turn content capture, and flexible session flow. Engineers, producers, and artists can walk in, sit down, and work immediately thanks to intuitive wiring paths, plug-and-play audio infrastructure, and a layout designed for seamless movement between rooms. Graybox has become a go-to destination for both recording and visual content, hosting sessions and video work for Capitol Records, Meinl Cymbals, The Dove Awards, Gibson, and many others. The result is a studio that feels as inspiring as it sounds—purpose-built, timeless, and engineered for long-term creative use.

Graybox is a 950 sq. ft. studio environment designed and built by NILES to redefine what a home-based creative space can be. The client wanted a light-filled, timeless studio that balanced aesthetic warmth with the precision and durability of a commercial facility. Our team handled the full scope—from architectural acoustics and mechanical planning to framing, treatments, electrical distribution, and final integration. The Control Room is a compact, golden-ratio mix suite engineered for accuracy, featuring a finely tuned treatment plan and a Barefoot monitor system. The Live Room gains surprising scale from its 16’ ceiling, delivering sonic depth and natural ambience ideal for full-band tracking, ensemble sessions, or detailed acoustic work. Expansive glass and natural light shape the visual character of the studio while maintaining controlled isolation and proper acoustic performance. This space was built to function as a dual-purpose creative hub for music recording and video production. The open layout supports multi-camera film shoots, quick-turn content capture, and flexible session flow. Engineers, producers, and artists can walk in, sit down, and work immediately thanks to intuitive wiring paths, plug-and-play audio infrastructure, and a layout designed for seamless movement between rooms. Graybox has become a go-to destination for both recording and visual content, hosting sessions and video work for Capitol Records, Meinl Cymbals, The Dove Awards, Gibson, and many others. The result is a studio that feels as inspiring as it sounds—purpose-built, timeless, and engineered for long-term creative use.

Tony Colangelo
Example of an arts and crafts living room design in Vancouver

Graybox is a 950 sq. ft. studio environment designed and built by NILES to redefine what a home-based creative space can be. The client wanted a light-filled, timeless studio that balanced aesthetic warmth with the precision and durability of a commercial facility. Our team handled the full scope—from architectural acoustics and mechanical planning to framing, treatments, electrical distribution, and final integration. The Control Room is a compact, golden-ratio mix suite engineered for accuracy, featuring a finely tuned treatment plan and a Barefoot monitor system. The Live Room gains surprising scale from its 16’ ceiling, delivering sonic depth and natural ambience ideal for full-band tracking, ensemble sessions, or detailed acoustic work. Expansive glass and natural light shape the visual character of the studio while maintaining controlled isolation and proper acoustic performance. This space was built to function as a dual-purpose creative hub for music recording and video production. The open layout supports multi-camera film shoots, quick-turn content capture, and flexible session flow. Engineers, producers, and artists can walk in, sit down, and work immediately thanks to intuitive wiring paths, plug-and-play audio infrastructure, and a layout designed for seamless movement between rooms. Graybox has become a go-to destination for both recording and visual content, hosting sessions and video work for Capitol Records, Meinl Cymbals, The Dove Awards, Gibson, and many others. The result is a studio that feels as inspiring as it sounds—purpose-built, timeless, and engineered for long-term creative use.

The Modern New Haven TV Lift cabinet is designed for the ultimate outdoor living space, featuring marine grade wood, stainless steel mechanics, and a UV resistant finish. With your weatherproof TV, this cabinet will not only add another level of security, but will add a higher level of style guaranteed to impress your guests. The clean simple lines keep it modern and simplistic while the wood captures the imagination. The cabinet shown is made with Baltic Birch wood and your television is enclosed in a secure, finished to match, wooden TV case. This provides an added level of strength, stability, and beauty not typically offered by other TV Lift providers. A factory installed remote repeater system allows control of interior components through the closed cabinet doors. The lift system and components can be operated by your choice of remote controls, smart phones, home automation voice control systems and more. An on-board operation button is installed as well. Three factory installed HDMI cables, an optical audio wire, an Ethernet cable, a coaxial cable and a power surge protector are included. Factory installation of your television is offered complimentary with your purchase. Simply have your new (or existing) TV sent to us and we'll install it for you! This service is highly recommended to ensure proper TV mount. Custom Cabinet Sizing Available! Standard, Compact, and Low Profile Lift Styles Available! Featuring The Fastest TV Lift Mechanism You Will Ever Find, Guaranteed.

We typically meet clients who want to renovate with a need, want or desire in mind. In this case, our client needed to update their full bath as the tub and shower plumbing was leaking into the walls, floor and sub-floor; a complete de-construction was required. Upon investigation, we noticed no mechanical ventilation in place which caused moisture build up and mold to appear. Installing the proper ventilation was ley to ensuring a heathy bathroom environment. All fixtures were replaced along with a wood vanity with drawer for tissue and towel storage. A popular trend, classic Carrera-look quartz countertop, wall and floor tiles created an airy and bright feel. The soft green colored walls was the perfect choice, coordinating nicely with the pretty glass tile mosaic details in the shower area.

s your ornamental iron fence flaking rust onto the sidewalk every time Chicago wind kicks up? That is not a cosmetic problem - it is a sign that bare metal is exposed to moisture and the corrosion cycle is accelerating. Windy City Painters restores iron fencing on Chicago greystones, two-flats, Victorian brownstones, and courtyard buildings using professional-grade rust conversion and rust-inhibitive systems designed for the Midwest climate. PROJECT OVERVIEW Ornamental iron fence painting in Chicago is a multi-stage restoration process, not a simple brush-and-go job. Chicago properties - particularly the dense residential streetscapes of the North Side and Near West Side - feature decorative iron fencing that ranges from simple tubular picket to elaborate spear-top and scroll designs. When paint fails on iron, rust accelerates quickly. Windy City Painters evaluates each fence for structural rust-through, surface rust, and paint adhesion before recommending a scope of work. MATERIALS AND PRODUCTS Rust conversion: Ospho (phosphoric acid-based) or Corroseal (latex rust converter) depending on rust severity and surface porosity. Both chemically convert iron oxide into a stable compound that primer bonds to permanently rather than simply coating over active rust. Primer: Rust-Oleum DTM (Direct to Metal) rust-inhibitive primer or Sherwin-Williams DTM Acrylic Coating primer, both formulated to penetrate weld seams, crevices, and pitted metal surfaces where brush application is essential. Finish coat: Sherwin-Williams DTM Acrylic in satin or semi-gloss for UV resistance, color retention, and flexibility through freeze-thaw cycles. Two finish coats applied by brush for full coverage on ornamental profiles. THE PROCESS Step 1 - Mechanical Preparation: Wire wheel grinding with angle grinders removes loose rust and failing paint across flat rail surfaces. Needle gun descaling reaches weld joints, picket bases, and decorative scroll details where wire wheels cannot access. Windy City Painters inspects for rust-through after mechanical prep and flags any sections needing welding before painting proceeds. Step 2 - Rust Conversion: Ospho or Corroseal is applied by brush to all remaining rust-affected surfaces. Ospho reacts with iron oxide over 24 hours, converting it to iron phosphate. Corroseal encapsulates and converts simultaneously. Both products create a chemically stable surface that dramatically improves primer adhesion on previously rusted iron fence sections. Step 3 - Primer Application: Rust-Oleum DTM or Sherwin-Williams DTM rust-inhibitive primer is worked into every joint, crevice, and ornamental detail by brush - never sprayed alone on open ironwork where overspray and thin coverage risk undercutting. Full wet film thickness is verified before drying. Windy City Painters does not rush cure times between coats. Step 4 - Finish Coats: Two coats of Sherwin-Williams DTM Acrylic topcoat are applied by brush for maximum film build on vertical pickets and horizontal rails. Color is matched to original or updated per homeowner preference. Semi-gloss finish resists dirt accumulation and makes future cleaning easier between repainting cycles. CHICAGO-SPECIFIC CHALLENGES Chicago presents iron fence painting conditions that milder climates do not. Road salt spray from city streets migrates onto fence bases through snowplow activity and foot traffic. Freeze-thaw cycling - sometimes occurring 30 or more times per winter - expands and contracts metal faster than paint can flex if film build is inadequate. High summer humidity slows cure times and risks blushing in topcoats applied too early in the morning. Windy City Painters schedules iron fence work during appropriate temperature and humidity windows and never applies coatings when rain is forecast within 24 hours. WHAT TO EXPECT LONG-TERM A properly prepped and primed iron fence in Chicago should hold a quality DTM finish for 5-8 years before needing significant maintenance. Annual inspection of base welds and picket bottoms - areas where water pools - catches early rust before it requires full mechanical prep again. Touch-up painting of isolated spots extends coating life significantly. PRO TIPS Tip 1: Never let a painter skip straight to topcoat on a rusty fence. Active rust under paint fails within one or two seasons. Ospho or Corroseal conversion is non-negotiable on Chicago iron. Tip 2: Inspect fence picket bases at ground level every fall. That is where water collects, salt concentrates, and rust begins its worst work. Early touch-up costs far less than full restoration. Tip 3: Request brush application on ornamental ironwork rather than spray-only. Brush work ensures wet paint is physically worked into every joint and crevice where rust originates. Ready to restore your iron fence? Visit windypainters.com to schedule a free estimate with Windy City Painters. Q: What does iron fence painting cost in Chicago? A: Iron fence painting in Chicago typically runs $8-$18 per linear foot. Rust severity, fence height, ornamental detail complexity, and whether welding repairs are needed all affect the final cost for professional iron fence restoration. Q: How do you treat rust before painting an iron fence? A: Windy City Painters uses Ospho or Corroseal rust converters after mechanical prep. These products chemically neutralize iron oxide, creating a stable surface that rust-inhibitive primer bonds to permanently rather than painting over active corrosion. Q: What primer is best for painting a rusty iron fence in Chicago? A: Rust-Oleum DTM and Sherwin-Williams DTM rust-inhibitive primers are our go-to products for iron fence painting in Chicago. Both are formulated for direct metal application and resist the moisture and freeze-thaw stress Chicago winters produce. Q: How long does painted iron fencing last in Chicago? A: A professionally prepped and primed iron fence in Chicago holds a quality DTM finish for 5-8 years. Annual inspection of base welds and low points, with spot touch-up as needed, extends that service life considerably. Q: Do I need a welder before painting my iron fence? A: If rust has eaten through fence rails or pickets structurally, Windy City Painters will identify those sections during prep and recommend welding before any primer or paint is applied. Painting over structurally failed metal is a waste of money. Q: Can I paint an iron fence myself? A: DIY iron fence painting without proper rust conversion and DTM primer systems almost always fails within two seasons in Chicago. Professional prep, product selection, and application technique are why Windy City Painters results last 5-8 years. Q: What neighborhoods does Windy City Painters serve for iron fence work? A: Windy City Painters serves Chicago North Side and Near West Side neighborhoods, working on greystones, two-flats, Victorian brownstones, courtyard buildings, and coach houses throughout the city.

Graybox is a 950 sq. ft. studio environment designed and built by NILES to redefine what a home-based creative space can be. The client wanted a light-filled, timeless studio that balanced aesthetic warmth with the precision and durability of a commercial facility. Our team handled the full scope—from architectural acoustics and mechanical planning to framing, treatments, electrical distribution, and final integration. The Control Room is a compact, golden-ratio mix suite engineered for accuracy, featuring a finely tuned treatment plan and a Barefoot monitor system. The Live Room gains surprising scale from its 16’ ceiling, delivering sonic depth and natural ambience ideal for full-band tracking, ensemble sessions, or detailed acoustic work. Expansive glass and natural light shape the visual character of the studio while maintaining controlled isolation and proper acoustic performance. This space was built to function as a dual-purpose creative hub for music recording and video production. The open layout supports multi-camera film shoots, quick-turn content capture, and flexible session flow. Engineers, producers, and artists can walk in, sit down, and work immediately thanks to intuitive wiring paths, plug-and-play audio infrastructure, and a layout designed for seamless movement between rooms. Graybox has become a go-to destination for both recording and visual content, hosting sessions and video work for Capitol Records, Meinl Cymbals, The Dove Awards, Gibson, and many others. The result is a studio that feels as inspiring as it sounds—purpose-built, timeless, and engineered for long-term creative use.

Graybox is a 950 sq. ft. studio environment designed and built by NILES to redefine what a home-based creative space can be. The client wanted a light-filled, timeless studio that balanced aesthetic warmth with the precision and durability of a commercial facility. Our team handled the full scope—from architectural acoustics and mechanical planning to framing, treatments, electrical distribution, and final integration. The Control Room is a compact, golden-ratio mix suite engineered for accuracy, featuring a finely tuned treatment plan and a Barefoot monitor system. The Live Room gains surprising scale from its 16’ ceiling, delivering sonic depth and natural ambience ideal for full-band tracking, ensemble sessions, or detailed acoustic work. Expansive glass and natural light shape the visual character of the studio while maintaining controlled isolation and proper acoustic performance. This space was built to function as a dual-purpose creative hub for music recording and video production. The open layout supports multi-camera film shoots, quick-turn content capture, and flexible session flow. Engineers, producers, and artists can walk in, sit down, and work immediately thanks to intuitive wiring paths, plug-and-play audio infrastructure, and a layout designed for seamless movement between rooms. Graybox has become a go-to destination for both recording and visual content, hosting sessions and video work for Capitol Records, Meinl Cymbals, The Dove Awards, Gibson, and many others. The result is a studio that feels as inspiring as it sounds—purpose-built, timeless, and engineered for long-term creative use.

Graybox is a 950 sq. ft. studio environment designed and built by NILES to redefine what a home-based creative space can be. The client wanted a light-filled, timeless studio that balanced aesthetic warmth with the precision and durability of a commercial facility. Our team handled the full scope—from architectural acoustics and mechanical planning to framing, treatments, electrical distribution, and final integration. The Control Room is a compact, golden-ratio mix suite engineered for accuracy, featuring a finely tuned treatment plan and a Barefoot monitor system. The Live Room gains surprising scale from its 16’ ceiling, delivering sonic depth and natural ambience ideal for full-band tracking, ensemble sessions, or detailed acoustic work. Expansive glass and natural light shape the visual character of the studio while maintaining controlled isolation and proper acoustic performance. This space was built to function as a dual-purpose creative hub for music recording and video production. The open layout supports multi-camera film shoots, quick-turn content capture, and flexible session flow. Engineers, producers, and artists can walk in, sit down, and work immediately thanks to intuitive wiring paths, plug-and-play audio infrastructure, and a layout designed for seamless movement between rooms. Graybox has become a go-to destination for both recording and visual content, hosting sessions and video work for Capitol Records, Meinl Cymbals, The Dove Awards, Gibson, and many others. The result is a studio that feels as inspiring as it sounds—purpose-built, timeless, and engineered for long-term creative use.

Graybox is a 950 sq. ft. studio environment designed and built by NILES to redefine what a home-based creative space can be. The client wanted a light-filled, timeless studio that balanced aesthetic warmth with the precision and durability of a commercial facility. Our team handled the full scope—from architectural acoustics and mechanical planning to framing, treatments, electrical distribution, and final integration. The Control Room is a compact, golden-ratio mix suite engineered for accuracy, featuring a finely tuned treatment plan and a Barefoot monitor system. The Live Room gains surprising scale from its 16’ ceiling, delivering sonic depth and natural ambience ideal for full-band tracking, ensemble sessions, or detailed acoustic work. Expansive glass and natural light shape the visual character of the studio while maintaining controlled isolation and proper acoustic performance. This space was built to function as a dual-purpose creative hub for music recording and video production. The open layout supports multi-camera film shoots, quick-turn content capture, and flexible session flow. Engineers, producers, and artists can walk in, sit down, and work immediately thanks to intuitive wiring paths, plug-and-play audio infrastructure, and a layout designed for seamless movement between rooms. Graybox has become a go-to destination for both recording and visual content, hosting sessions and video work for Capitol Records, Meinl Cymbals, The Dove Awards, Gibson, and many others. The result is a studio that feels as inspiring as it sounds—purpose-built, timeless, and engineered for long-term creative use.

This is an example why soil testing is key. Complete lawn mowing, trimming and edging performed when needed. Proper fertilizer to lawn and beds. Weed Control: Utilizing both, cultural or mechanical methods applied through best management and integrated pest management practices.

Graybox is a 950 sq. ft. studio environment designed and built by NILES to redefine what a home-based creative space can be. The client wanted a light-filled, timeless studio that balanced aesthetic warmth with the precision and durability of a commercial facility. Our team handled the full scope—from architectural acoustics and mechanical planning to framing, treatments, electrical distribution, and final integration. The Control Room is a compact, golden-ratio mix suite engineered for accuracy, featuring a finely tuned treatment plan and a Barefoot monitor system. The Live Room gains surprising scale from its 16’ ceiling, delivering sonic depth and natural ambience ideal for full-band tracking, ensemble sessions, or detailed acoustic work. Expansive glass and natural light shape the visual character of the studio while maintaining controlled isolation and proper acoustic performance. This space was built to function as a dual-purpose creative hub for music recording and video production. The open layout supports multi-camera film shoots, quick-turn content capture, and flexible session flow. Engineers, producers, and artists can walk in, sit down, and work immediately thanks to intuitive wiring paths, plug-and-play audio infrastructure, and a layout designed for seamless movement between rooms. Graybox has become a go-to destination for both recording and visual content, hosting sessions and video work for Capitol Records, Meinl Cymbals, The Dove Awards, Gibson, and many others. The result is a studio that feels as inspiring as it sounds—purpose-built, timeless, and engineered for long-term creative use.

A nice aerial view of this inspiring, aesthetically pleasing, and distinctive multi-sectioned standing seam roof in West Hartford, CT. This job presented many unique angles, protrusions and other technical design challenges. We installed 24 gauge Englert steel in 16" black matte panels with 1.5" mechanical lock seams. This new roof should last 50 years and stand up to 140 mph winds when properly maintained.