Single Wall Design Solution: Problem: 650 sq. ft. 1 bedroom apartment needed to be redesigned to allow the new child to take the bedroom, and the parents to live, work, and entertain in the former living room. Solution: Prototype 1.0 is the Single Wall Design Solution, designed to optimize space along a wall, 18" deep, to be used in a single room and provide a bedroom, office, living room, bar, and storage. It allows for the family's daily needs for 24 hours in their small apartment. Fully integrated and changeable, things are made available when they are needed and hidden when they are not. Results: We used the least amount of square footage to maximize the arrangement of the family's home, which resulted in less time wasted, performing activities, or looking for things as there is a place for everything. Our prototype is financially savvy because it allows the living room to do more in a 24-hour span, showing that we only need our bed and night tables for 8 hours of the day, and the other hours of the day we pay for square footage not used. These pieces were designed to be standard sizes so they could be interchangeable, providing a custom layout per client. Life is dynamic, and so space should be too. Our prototype 1.0 introduces a new lifestyle to its users, encouraging wellbeing by design.

Mid-century modern white tile claw-foot bathtub photo in Los Angeles with a pedestal sink

GOAT designed the St. Roch Avenue Shotgun House as an affordable single-family housing prototype. To date, three homes have been constructed in New Orleans by SBP with teams of volunteers. The houses were designed to continue the evolution of the city’s residential architecture while responding to the concerns of neighborhood residents regarding context, familiarity, and affordability. The resulting three homes, built on the same block in the Milneburg neighborhood of Gentilly, establish a case study in how modern architecture can meet the challenges of neighborhood revitalization with sensitivity. By relating to the scale, rhythm and texture of the traditional New Orleans neighborhood, the St. Roch Avenue Shotgun is reminiscent of a traditional New Orleans home. By incorporating modern materials and construction methods, vaulting interior spaces, adjusting the historic shotgun layout, and adding some contemporary flair, it functions like a modern home.

GOAT designed the St. Roch Avenue Shotgun House as an affordable single-family housing prototype. To date, three homes have been constructed in New Orleans by SBP with teams of volunteers. The houses were designed to continue the evolution of the city’s residential architecture while responding to the concerns of neighborhood residents regarding context, familiarity, and affordability. The resulting three homes, built on the same block in the Milneburg neighborhood of Gentilly, establish a case study in how modern architecture can meet the challenges of neighborhood revitalization with sensitivity. By relating to the scale, rhythm and texture of the traditional New Orleans neighborhood, the St. Roch Avenue Shotgun is reminiscent of a traditional New Orleans home. By incorporating modern materials and construction methods, vaulting interior spaces, adjusting the historic shotgun layout, and adding some contemporary flair, it functions like a modern home.

The True Ofuro Mini came about as the direct result of your requests. It too is inspired by the ancient traditions of Japanese bathing that led to the development of our incredibly popular True Ofuro. It too draws on the best ergonomic principles to sculpt a bath with internal seating and built-in headrest, made available in a very compact footprint to fit into even the smallest bathrooms. In fact, Aquatica’s clever designers have managed to create this ‘small and tall’ tub, deep enough for full body soaking in a footprint of just 43”. Now we have made one more important innovation to the Ofuro Mini - the addition of a stunning graphite black option, using our award-winning and ground-breaking AquateX™ solid surface composite. Just think how that might look in your bathroom! It is taller and deeper and features a slightly elevated rim for improved neck and head support, as well as a convenient ergonomic built-in seat, allowing the body to comfortably emerge to maximum water capacity. The height of the True Ofuro Mini Japanese style soaking bathtub is substantially taller than the original True Ofuro bathtub, and therefore we recommend people who are shorter than 170cm also purchase our stylish teak wood step. Aquatica’s international industrial design team, used advanced CAD tools, modeling and repeated testing with real size prototype units so that we could reach the optimal balance between ergonomic comfort and visual appeal. Our AquateX™ material is the star in this Japanese soaking tub as it retains heat much longer and also has a silky and velvety surface. This bathtub is currently one of our most space conscious bathtubs at a size of 43" x 43" (1090x1090mm), making the freestanding and petite construction of this Japanese style bathtub easy to be installed in any sized bathroom.

Door #10 FP3190 Flat 3 Panel Interior Door with Farmhouse Sticking Solid Poplar stiles and rails MDF panels Painted White 1 x 4 door casing 1 x 6 baseboard Bravura 336B door knob Call us for a quote on your door project 419-684-9582 Visit https://www.door.cc

This previously unused attic space is now a sauna/yoga room. The left sauna wall follows the attic rafters down diagonally to allow a wider space for leg room on the twin sauna benches.

Design Consultant Jeff Doubét is the author of Creating Spanish Style Homes: Before & After – Techniques – Designs – Insights. The 240 page “Design Consultation in a Book” is now available. Please visit SantaBarbaraHomeDesigner.com for more info. Jeff Doubét specializes in Santa Barbara style home and landscape designs. To learn more info about the variety of custom design services I offer, please visit SantaBarbaraHomeDesigner.com Jeff Doubét is the Founder of Santa Barbara Home Design - a design studio based in Santa Barbara, California USA.

Our client is a college French instructor, spends considerable time in and loves all things French. French Country in particular- A casual, less ornate form. While this kitchen’s layout and placement of the major elements was determined early in the client / designer relationship, many hours were subsequently spent studying styling and considering forms and details; tweaking and re-tweaking in plan, 3 D modeling, prototype and even as we built out the space. The result is a truly one of a kind kitchen that the client loves and is a source of pride for the design team. This kitchen is truly one of a kind! The hand-formed hood and rustic table island are anchor statements in this unique and tastefully designed kitchen - which completely reflect the style of this young suburban family. The homeowner, a confessed Francophile, takes her love of all things French to another level. The combination of colors and textures provides a restful and beautiful environment, and brings to mind long walks in Provence surrounded by a flurry of lavender. Project specs: Premier Custom-Built cabinets, antique white perimeter cabinets, island is fumed oak with a brushed texture. Island Countertop is hammered zinc with an integrated zinc sink. Rocky Mountain faucet, Ann Sacks tile. Wide plank oak floor by Apex Wood Floors. Perimeter countertops are limestone. Sub Zero 48” built in refrigerator and Wolf 48” range.

Originally built in 1972, these eight interlocked residential units and the accompanying House Master’s Residence won an AIA award for their unique spatial complexity, balancing standard units of construction with volumetric interplay, all while bringing natural light into living spaces. However, nearly 40 years later These 1970’s era, interlocked faculty housing units won an AIA award when first completed. They were unique in spatial complexity, By early 2,000’s they were showing signs of age, and had become outdated on many levels. Working with project management for the Faculty of Arts & Sciences, we prepared one prototype design to bring the buildings into the 21st century. New insulated skylights, standing seam metal siding, cedar decks and trellises, exchanging black roofs for well insulated white roofs, were all part of a larger planning program to renovate all nine units. The prototype was implemented in 2012, to great approval and result. In 2013 a few more units were done. In 2014 the “House Masters” unit was done, with the remaining four units planned for future budgets. Sustainable features include re-use of most materials on site, (former siding was able to become sheathing below metal panels), implementing the Stretch Energy Code for insulation, and putting new white roof membranes in place. Using FSC certified wood for decks and trellises, and using Rheinzink siding, a “200 year material” according to the manufacturer. After nearly 40 years, Ronald Gourley’s AIA award winning Faculty Housing (1972) was beginning to show its age – plywood siding was delaminating, wooden decks splintering, and custom windows failing. Therefore, the opportunity to reinvent a piece of Mid-Century Modernism presented itself when two of the building’s eight alternating rooftop designs were to be rebuilt as prototypes for the remainder of the structure. The strength of the original design was its rectilinear and symmetrical arrangement of internal and external spaces, but the difference between the two had become blurred over the decades. New zinc siding, mahogany decking, and stainless steel railings accentuate the defining elements and more clearly articulate the living spaces, breathing new life into the building and reinvigorating the surrounding campus. Furthermore, the renovation also provided a chance to bring the structure up to modern energy standards and help meet Harvard’s lofty environmental goals. Insulation within the ceilings was more than tripled, white TPO roofing reduces the heat island effect, construction waste was minimized by recasting the siding as sheathing, and materials were selected not only for aesthetics, but for their longevity and ability to be recycled as well. Harvard’s energy standards brought an uncharacteristic level of environmental care to this building. Roof structures are triple insulated, allowing separating interior from exterior in the most thermally efficient manner. North facing triple insulated skylights and white TPO roofing reduces the heat gain, but allows natural light to pour in. Materials were selected not only for aesthetics, but for their longevity. Zinc, for example, is made of 100% recycled material, and has duration of 200 years. Uncharacteristic levels of environmental care were common on this project.

Originally built in 1972, these eight interlocked residential units and the accompanying House Master’s Residence won an AIA award for their unique spatial complexity, balancing standard units of construction with volumetric interplay, all while bringing natural light into living spaces. However, nearly 40 years later These 1970’s era, interlocked faculty housing units won an AIA award when first completed. They were unique in spatial complexity, By early 2,000’s they were showing signs of age, and had become outdated on many levels. Working with project management for the Faculty of Arts & Sciences, we prepared one prototype design to bring the buildings into the 21st century. New insulated skylights, standing seam metal siding, cedar decks and trellises, exchanging black roofs for well insulated white roofs, were all part of a larger planning program to renovate all nine units. The prototype was implemented in 2012, to great approval and result. In 2013 a few more units were done. In 2014 the “House Masters” unit was done, with the remaining four units planned for future budgets. Sustainable features include re-use of most materials on site, (former siding was able to become sheathing below metal panels), implementing the Stretch Energy Code for insulation, and putting new white roof membranes in place. Using FSC certified wood for decks and trellises, and using Rheinzink siding, a “200 year material” according to the manufacturer. After nearly 40 years, Ronald Gourley’s AIA award winning Faculty Housing (1972) was beginning to show its age – plywood siding was delaminating, wooden decks splintering, and custom windows failing. Therefore, the opportunity to reinvent a piece of Mid-Century Modernism presented itself when two of the building’s eight alternating rooftop designs were to be rebuilt as prototypes for the remainder of the structure. The strength of the original design was its rectilinear and symmetrical arrangement of internal and external spaces, but the difference between the two had become blurred over the decades. New zinc siding, mahogany decking, and stainless steel railings accentuate the defining elements and more clearly articulate the living spaces, breathing new life into the building and reinvigorating the surrounding campus. Furthermore, the renovation also provided a chance to bring the structure up to modern energy standards and help meet Harvard’s lofty environmental goals. Insulation within the ceilings was more than tripled, white TPO roofing reduces the heat island effect, construction waste was minimized by recasting the siding as sheathing, and materials were selected not only for aesthetics, but for their longevity and ability to be recycled as well. Harvard’s energy standards brought an uncharacteristic level of environmental care to this building. Roof structures are triple insulated, allowing separating interior from exterior in the most thermally efficient manner. North facing triple insulated skylights and white TPO roofing reduces the heat gain, but allows natural light to pour in. Materials were selected not only for aesthetics, but for their longevity. Zinc, for example, is made of 100% recycled material, and has duration of 200 years. Uncharacteristic levels of environmental care were common on this project.

Originally built in 1972, these eight interlocked residential units and the accompanying House Master’s Residence won an AIA award for their unique spatial complexity, balancing standard units of construction with volumetric interplay, all while bringing natural light into living spaces. However, nearly 40 years later These 1970’s era, interlocked faculty housing units won an AIA award when first completed. They were unique in spatial complexity, By early 2,000’s they were showing signs of age, and had become outdated on many levels. Working with project management for the Faculty of Arts & Sciences, we prepared one prototype design to bring the buildings into the 21st century. New insulated skylights, standing seam metal siding, cedar decks and trellises, exchanging black roofs for well insulated white roofs, were all part of a larger planning program to renovate all nine units. The prototype was implemented in 2012, to great approval and result. In 2013 a few more units were done. In 2014 the “House Masters” unit was done, with the remaining four units planned for future budgets. Sustainable features include re-use of most materials on site, (former siding was able to become sheathing below metal panels), implementing the Stretch Energy Code for insulation, and putting new white roof membranes in place. Using FSC certified wood for decks and trellises, and using Rheinzink siding, a “200 year material” according to the manufacturer. After nearly 40 years, Ronald Gourley’s AIA award winning Faculty Housing (1972) was beginning to show its age – plywood siding was delaminating, wooden decks splintering, and custom windows failing. Therefore, the opportunity to reinvent a piece of Mid-Century Modernism presented itself when two of the building’s eight alternating rooftop designs were to be rebuilt as prototypes for the remainder of the structure. The strength of the original design was its rectilinear and symmetrical arrangement of internal and external spaces, but the difference between the two had become blurred over the decades. New zinc siding, mahogany decking, and stainless steel railings accentuate the defining elements and more clearly articulate the living spaces, breathing new life into the building and reinvigorating the surrounding campus. Furthermore, the renovation also provided a chance to bring the structure up to modern energy standards and help meet Harvard’s lofty environmental goals. Insulation within the ceilings was more than tripled, white TPO roofing reduces the heat island effect, construction waste was minimized by recasting the siding as sheathing, and materials were selected not only for aesthetics, but for their longevity and ability to be recycled as well. Harvard’s energy standards brought an uncharacteristic level of environmental care to this building. Roof structures are triple insulated, allowing separating interior from exterior in the most thermally efficient manner. North facing triple insulated skylights and white TPO roofing reduces the heat gain, but allows natural light to pour in. Materials were selected not only for aesthetics, but for their longevity. Zinc, for example, is made of 100% recycled material, and has duration of 200 years. Uncharacteristic levels of environmental care were common on this project.

Originally built in 1972, these eight interlocked residential units and the accompanying House Master’s Residence won an AIA award for their unique spatial complexity, balancing standard units of construction with volumetric interplay, all while bringing natural light into living spaces. However, nearly 40 years later These 1970’s era, interlocked faculty housing units won an AIA award when first completed. They were unique in spatial complexity, By early 2,000’s they were showing signs of age, and had become outdated on many levels. Working with project management for the Faculty of Arts & Sciences, we prepared one prototype design to bring the buildings into the 21st century. New insulated skylights, standing seam metal siding, cedar decks and trellises, exchanging black roofs for well insulated white roofs, were all part of a larger planning program to renovate all nine units. The prototype was implemented in 2012, to great approval and result. In 2013 a few more units were done. In 2014 the “House Masters” unit was done, with the remaining four units planned for future budgets. Sustainable features include re-use of most materials on site, (former siding was able to become sheathing below metal panels), implementing the Stretch Energy Code for insulation, and putting new white roof membranes in place. Using FSC certified wood for decks and trellises, and using Rheinzink siding, a “200 year material” according to the manufacturer. After nearly 40 years, Ronald Gourley’s AIA award winning Faculty Housing (1972) was beginning to show its age – plywood siding was delaminating, wooden decks splintering, and custom windows failing. Therefore, the opportunity to reinvent a piece of Mid-Century Modernism presented itself when two of the building’s eight alternating rooftop designs were to be rebuilt as prototypes for the remainder of the structure. The strength of the original design was its rectilinear and symmetrical arrangement of internal and external spaces, but the difference between the two had become blurred over the decades. New zinc siding, mahogany decking, and stainless steel railings accentuate the defining elements and more clearly articulate the living spaces, breathing new life into the building and reinvigorating the surrounding campus. Furthermore, the renovation also provided a chance to bring the structure up to modern energy standards and help meet Harvard’s lofty environmental goals. Insulation within the ceilings was more than tripled, white TPO roofing reduces the heat island effect, construction waste was minimized by recasting the siding as sheathing, and materials were selected not only for aesthetics, but for their longevity and ability to be recycled as well. Harvard’s energy standards brought an uncharacteristic level of environmental care to this building. Roof structures are triple insulated, allowing separating interior from exterior in the most thermally efficient manner. North facing triple insulated skylights and white TPO roofing reduces the heat gain, but allows natural light to pour in. Materials were selected not only for aesthetics, but for their longevity. Zinc, for example, is made of 100% recycled material, and has duration of 200 years. Uncharacteristic levels of environmental care were common on this project.

Originally built in 1972, these eight interlocked residential units and the accompanying House Master’s Residence won an AIA award for their unique spatial complexity, balancing standard units of construction with volumetric interplay, all while bringing natural light into living spaces. However, nearly 40 years later These 1970’s era, interlocked faculty housing units won an AIA award when first completed. They were unique in spatial complexity, By early 2,000’s they were showing signs of age, and had become outdated on many levels. Working with project management for the Faculty of Arts & Sciences, we prepared one prototype design to bring the buildings into the 21st century. New insulated skylights, standing seam metal siding, cedar decks and trellises, exchanging black roofs for well insulated white roofs, were all part of a larger planning program to renovate all nine units. The prototype was implemented in 2012, to great approval and result. In 2013 a few more units were done. In 2014 the “House Masters” unit was done, with the remaining four units planned for future budgets. Sustainable features include re-use of most materials on site, (former siding was able to become sheathing below metal panels), implementing the Stretch Energy Code for insulation, and putting new white roof membranes in place. Using FSC certified wood for decks and trellises, and using Rheinzink siding, a “200 year material” according to the manufacturer. After nearly 40 years, Ronald Gourley’s AIA award winning Faculty Housing (1972) was beginning to show its age – plywood siding was delaminating, wooden decks splintering, and custom windows failing. Therefore, the opportunity to reinvent a piece of Mid-Century Modernism presented itself when two of the building’s eight alternating rooftop designs were to be rebuilt as prototypes for the remainder of the structure. The strength of the original design was its rectilinear and symmetrical arrangement of internal and external spaces, but the difference between the two had become blurred over the decades. New zinc siding, mahogany decking, and stainless steel railings accentuate the defining elements and more clearly articulate the living spaces, breathing new life into the building and reinvigorating the surrounding campus. Furthermore, the renovation also provided a chance to bring the structure up to modern energy standards and help meet Harvard’s lofty environmental goals. Insulation within the ceilings was more than tripled, white TPO roofing reduces the heat island effect, construction waste was minimized by recasting the siding as sheathing, and materials were selected not only for aesthetics, but for their longevity and ability to be recycled as well. Harvard’s energy standards brought an uncharacteristic level of environmental care to this building. Roof structures are triple insulated, allowing separating interior from exterior in the most thermally efficient manner. North facing triple insulated skylights and white TPO roofing reduces the heat gain, but allows natural light to pour in. Materials were selected not only for aesthetics, but for their longevity. Zinc, for example, is made of 100% recycled material, and has duration of 200 years. Uncharacteristic levels of environmental care were common on this project.

Originally built in 1972, these eight interlocked residential units and the accompanying House Master’s Residence won an AIA award for their unique spatial complexity, balancing standard units of construction with volumetric interplay, all while bringing natural light into living spaces. However, nearly 40 years later These 1970’s era, interlocked faculty housing units won an AIA award when first completed. They were unique in spatial complexity, By early 2,000’s they were showing signs of age, and had become outdated on many levels. Working with project management for the Faculty of Arts & Sciences, we prepared one prototype design to bring the buildings into the 21st century. New insulated skylights, standing seam metal siding, cedar decks and trellises, exchanging black roofs for well insulated white roofs, were all part of a larger planning program to renovate all nine units. The prototype was implemented in 2012, to great approval and result. In 2013 a few more units were done. In 2014 the “House Masters” unit was done, with the remaining four units planned for future budgets. Sustainable features include re-use of most materials on site, (former siding was able to become sheathing below metal panels), implementing the Stretch Energy Code for insulation, and putting new white roof membranes in place. Using FSC certified wood for decks and trellises, and using Rheinzink siding, a “200 year material” according to the manufacturer. After nearly 40 years, Ronald Gourley’s AIA award winning Faculty Housing (1972) was beginning to show its age – plywood siding was delaminating, wooden decks splintering, and custom windows failing. Therefore, the opportunity to reinvent a piece of Mid-Century Modernism presented itself when two of the building’s eight alternating rooftop designs were to be rebuilt as prototypes for the remainder of the structure. The strength of the original design was its rectilinear and symmetrical arrangement of internal and external spaces, but the difference between the two had become blurred over the decades. New zinc siding, mahogany decking, and stainless steel railings accentuate the defining elements and more clearly articulate the living spaces, breathing new life into the building and reinvigorating the surrounding campus. Furthermore, the renovation also provided a chance to bring the structure up to modern energy standards and help meet Harvard’s lofty environmental goals. Insulation within the ceilings was more than tripled, white TPO roofing reduces the heat island effect, construction waste was minimized by recasting the siding as sheathing, and materials were selected not only for aesthetics, but for their longevity and ability to be recycled as well. Harvard’s energy standards brought an uncharacteristic level of environmental care to this building. Roof structures are triple insulated, allowing separating interior from exterior in the most thermally efficient manner. North facing triple insulated skylights and white TPO roofing reduces the heat gain, but allows natural light to pour in. Materials were selected not only for aesthetics, but for their longevity. Zinc, for example, is made of 100% recycled material, and has duration of 200 years. Uncharacteristic levels of environmental care were common on this project.

Example of a small classic 3/4 white tile and stone tile mosaic tile floor alcove shower design in Chicago with an undermount sink, recessed-panel cabinets, black cabinets, quartzite countertops, a two-piece toilet and gray walls

Design: Jens Juul Eilersen Quick ship : FABRIC: PLINDY 0016 Compare Tub to a cloud of down or a foamy mug of beer. Jens Juul Eilersen has created a gigantic "sofa bathtub", which is an orgy of soft foam, down and pillows. Tub is the coolest and softest sofa yet in the Eilersen universe of floaters. And the contrast between the slim, tight outer shell and the interior heaven of foam and down creates dynamism in the language of form. Like sitting on a soft bed. "My goal was to create a well-being sofa where you can sit as if on a soft bed. And I succeeded! I actually fell asleep the first time I leaned back into the prototype, which was the deepest version," tells Jens Juul Eilersen. "When I woke up, I could certainly see that I had to develop a variation of the model in which people could stay awake". This resulted in a further 2 different depths where you sit more upright but still comfortably. Compared to Eilersen's other floater, Tub differentiates itself by the frame. Tub does not have a heavy frame, which is part of the comfort. But on the other hand a thin shell, which keeps the large, soft pillows in place. Externally, the lines are straight and tight and internally, the upholstery and pillows result in organic lines. "The entire sitting comfort in Tub lies in the foam, which seems softer due to the large depth. This provides a feeling of elevation and larger submersion than in any of our other sofas. It is actually just like sitting in a large mug of foaming beer or on a cloud of down" says Jens Juul Eilersen who promises that even though Tub is soft, inviting and provoking, it cannot become flat. Tub is available in three depths and the series contains corner, end and centre sections, which can be combined as desired. Quick ship : FABRIC: PLINDY 0016 For other fabric choices Email : info@cityfurnitureshop.com * Difference in shipping will vary

Design: Jens Juul Eilersen Quick ship : FABRIC: PLINDY 0016 Compare Tub to a cloud of down or a foamy mug of beer. Jens Juul Eilersen has created a gigantic "sofa bathtub", which is an orgy of soft foam, down and pillows. Tub is the coolest and softest sofa yet in the Eilersen universe of floaters. And the contrast between the slim, tight outer shell and the interior heaven of foam and down creates dynamism in the language of form. Like sitting on a soft bed. "My goal was to create a well-being sofa where you can sit as if on a soft bed. And I succeeded! I actually fell asleep the first time I leaned back into the prototype, which was the deepest version," tells Jens Juul Eilersen. "When I woke up, I could certainly see that I had to develop a variation of the model in which people could stay awake". This resulted in a further 2 different depths where you sit more upright but still comfortably. Compared to Eilersen's other floater, Tub differentiates itself by the frame. Tub does not have a heavy frame, which is part of the comfort. But on the other hand a thin shell, which keeps the large, soft pillows in place. Externally, the lines are straight and tight and internally, the upholstery and pillows result in organic lines. "The entire sitting comfort in Tub lies in the foam, which seems softer due to the large depth. This provides a feeling of elevation and larger submersion than in any of our other sofas. It is actually just like sitting in a large mug of foaming beer or on a cloud of down" says Jens Juul Eilersen who promises that even though Tub is soft, inviting and provoking, it cannot become flat. Tub is available in three depths and the series contains corner, end and centre sections, which can be combined as desired. Quick ship : FABRIC: PLINDY 0016 For other fabric choices Email : info@cityfurnitureshop.com * Difference in shipping will vary

JLD Photography- Jessica Dupass
Bathroom - craftsman bathroom idea in Salt Lake City