Search results for "Reduce stating" in Home Design Ideas

Photography by David Duncan Livingston
Corner shower - cottage master white tile and subway tile gray floor corner shower idea in San Francisco with flat-panel cabinets, dark wood cabinets, a two-piece toilet, white walls, an undermount sink, a hinged shower door and white countertops
Corner shower - cottage master white tile and subway tile gray floor corner shower idea in San Francisco with flat-panel cabinets, dark wood cabinets, a two-piece toilet, white walls, an undermount sink, a hinged shower door and white countertops

Beautiful French inspired home in the heart of Lincoln Park Chicago.
Rising amidst the grand homes of North Howe Street, this stately house has more than 6,600 SF. In total, the home has seven bedrooms, six full bathrooms and three powder rooms. Designed with an extra-wide floor plan (21'-2"), achieved through side-yard relief, and an attached garage achieved through rear-yard relief, it is a truly unique home in a truly stunning environment.
The centerpiece of the home is its dramatic, 11-foot-diameter circular stair that ascends four floors from the lower level to the roof decks where panoramic windows (and views) infuse the staircase and lower levels with natural light. Public areas include classically-proportioned living and dining rooms, designed in an open-plan concept with architectural distinction enabling them to function individually. A gourmet, eat-in kitchen opens to the home's great room and rear gardens and is connected via its own staircase to the lower level family room, mud room and attached 2-1/2 car, heated garage.
The second floor is a dedicated master floor, accessed by the main stair or the home's elevator. Features include a groin-vaulted ceiling; attached sun-room; private balcony; lavishly appointed master bath; tremendous closet space, including a 120 SF walk-in closet, and; an en-suite office. Four family bedrooms and three bathrooms are located on the third floor.
This home was sold early in its construction process.
Nathan Kirkman

The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle.
The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley.
To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer.
The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century.
The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet.
Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years!
Photo by Benjamin Benschneider
Find the right local pro for your project

The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle.
The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley.
To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer.
The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century.
The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet.
Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years!
Photo by Benjamin Benschneider

Brantley Photography
Bedroom - large contemporary master bedroom idea in Miami with gray walls and no fireplace
Bedroom - large contemporary master bedroom idea in Miami with gray walls and no fireplace

Rainfall Shower
Wedi Waterproof Shower Systems offer reliable, cost-efficient solutions for constructing 100 % waterproof and mold proof showers.
These systems are easy to install and open up a whole new world of design possibilities for showers, wet areas and baths.
Wedi shower systems blend the traditional values of design flexibility and robustness while offering the added benefits that come with state of the art material and manufacturing technologies.
Used in combination with Wedi Building Panels on walls, our shower bases offer an excellent alternative to traditional installation methods.
No more pre-sloping, pan liner cracks or membrane pin holes, clogged drain weep holes and mold growth.
Plus, reduce the traditional installation time and down times for a full shower floor preparation for tiling.
Ironwood Renovation LLC is a Certified Installer for Wedi waterproof shower systems in Snohomish, WA

Sponsored
Delaware, OH
Buckeye Basements, Inc.
Central Ohio's Basement Finishing ExpertsBest Of Houzz '13-'21

Chicago Home Photos
Barrington, IL
Example of a mid-sized cottage wooden u-shaped staircase design in Chicago with painted risers
Example of a mid-sized cottage wooden u-shaped staircase design in Chicago with painted risers

Sleek lines.Slender cable railings ny Keuka Studios, inc.
Example of a minimalist exterior home design in New York
Example of a minimalist exterior home design in New York

The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle.
The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley.
To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer.
The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century.
The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet.
Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years!
Photo by Benjamin Benschneider

Dana Wheelock
Inspiration for a country u-shaped medium tone wood floor kitchen pantry remodel in Minneapolis with a farmhouse sink, glass-front cabinets, green cabinets, wood countertops, green backsplash, glass tile backsplash and no island
Inspiration for a country u-shaped medium tone wood floor kitchen pantry remodel in Minneapolis with a farmhouse sink, glass-front cabinets, green cabinets, wood countertops, green backsplash, glass tile backsplash and no island

Example of a beach style 3/4 medium tone wood floor bathroom design in Boston with an undermount sink, shaker cabinets, dark wood cabinets, marble countertops, a one-piece toilet and blue walls

Photo: Rachel Loewen © 2019 Houzz
Open concept kitchen - scandinavian light wood floor and exposed beam open concept kitchen idea in Chicago with black cabinets, white backsplash, subway tile backsplash, an island, white countertops and shaker cabinets
Open concept kitchen - scandinavian light wood floor and exposed beam open concept kitchen idea in Chicago with black cabinets, white backsplash, subway tile backsplash, an island, white countertops and shaker cabinets

Kitchen - country l-shaped light wood floor and beige floor kitchen idea in Seattle with a farmhouse sink, shaker cabinets, white cabinets, white backsplash, stainless steel appliances, an island and white countertops

The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle.
The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley.
To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer.
The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century.
The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet.
Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years!
Photo by Benjamin Benschneider

The detailed plans for this bathroom can be purchased here: https://www.changeyourbathroom.com/shop/healing-hinoki-bathroom-plans/
Japanese Hinoki Ofuro Tub in wet area combined with shower, hidden shower drain with pebble shower floor, travertine tile with brushed nickel fixtures. Atlanta Bathroom

Nestled along the base of the Snake River, this house in Jackson, WY, is surrounded by nature. Design emphasis has been placed on carefully located views to the Grand Tetons, Munger Mountain, Cody Peak and Josie’s Ridge. This modern take on a farmhouse features painted clapboard siding, raised seam metal roofing, and reclaimed stone walls. Designed for an active young family, the house has multi-functional rooms with spaces for entertaining, play and numerous connections to the outdoors.
Photo by Tuck Fauntleroy
Photo by Tuck Fauntleroy

Example of a tuscan enclosed carpeted home theater design in Miami with brown walls and a projector screen

Example of a large minimalist open concept medium tone wood floor and brown floor family room design in Phoenix with gray walls, a ribbon fireplace and a wall-mounted tv
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