Photo credit: Louis Habeck #FOASmallSpaces
Small eclectic wooden straight open staircase photo

(c) Stephen Dunn Photography
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Photo of a modern landscaping in Seattle.

This pond is just part of a large backyard project envisioned by the homeowner. He wanted to dedicate the backyard, 3+ acres, to the memory of his deceased wife after her battle with cancer. The 25'x30' pond with a soothing 75' meandering stream was installed in the spring of 2013. The dedication 'Park' will host walking paths, sitting areas as well as native plants for visitors old and young. Photos by; Dan Put

**Spatial Composition & Architectural Volume** The kitchen is organized as a tightly disciplined L-configuration, with a perimeter run terminating against a full-height flanking volume of pale oak that functions less as cabinetry than as a piece of architecture — a plinth-like wall plane that crops the composition and establishes a deliberate foreground register. The photograph is constructed around this layered depth: a near-field vertical panel in figured, high-gloss timber, a middle ground of stone counter and backsplash, and a partial view of the island's marble slab entering from the right, its mitred waterfall edge implying a broader room beyond the frame. Overhead, a recessed coffer with a slender illuminated reveal introduces a subtractive geometry that lightens the ceiling plane and visually widens the volume, while a bronze-toned reveal band above the upper cabinetry acts as a horizontal datum, resolving the tall casework into a controlled cornice line. The millwork is resolutely frameless and handleless — grain-matched, push-latch or channel-pull, with a single elongated vertical bar as the sole legible hardware gesture — producing an unbroken rhythm of vertical joints that reads as continuous paneling rather than a sequence of doors. Sightlines are horizontal and calm, with the sink and cooktop absorbed into the counter plane so that no appliance disrupts the elevation's monolithic character. **Materiality, Color & Texture** The palette is a study in tonal wood contrast: a light, straight-grained rift-cut white oak with cool, slightly greyed undertones on the flanking wall and upper wall plane, set against a deeply fumed or shou-sugi-ban-inflected timber — likely charred cedar or ebonized ash — whose cathedral figuring erupts across the cabinet fronts in swirling, almost calligraphic pattern. The dark casework carries a lacquered or oiled sheen high enough to register soft specular reflection, an unexpected gloss that animates the grain and prevents the mass from reading as flat or inert. Countertops and the full-height backsplash are executed in a pale calcite or quartzite with a scratched, hairline-veined surface and a warm ivory-to-buff cast, honed rather than polished so that light diffuses rather than bounces. Metals are exclusively unlacquered brass in varying states of patina — the gooseneck faucet, cross-handle valves and pot-filler read as aged, almost archaeological, their warm amber oxidation echoed by the burnished spun-brass pendant. Accessory objects sustain the discipline: a dark turned-wood fruit bowl with citrus supplying the only chromatic accent, matte stoneware mugs in a two-tone glaze, and a raw olivewood board with sage — organic, low-saturation, tactile counterpoints to the machined precision of the joinery. **Lighting, Atmosphere & Style Profile** Illumination is almost entirely architectural and indirect. A concealed linear source beneath the upper cabinets grazes the stone backsplash, throwing a soft luminous gradient that dissolves upward and makes the slab appear internally lit — the room's principal light event and its emotional center. This is reinforced by the ceiling's perimeter reveal, which washes the plane without visible fixtures, and by the alabaster-diffused brass pendant, whose disc of translucent stone glows with a low-kelvin warmth entirely consonant with the metalwork below. Daylight appears to enter obliquely from beyond the frame, modelling the oak wall in a gentle falloff; the overall exposure is low-key and chiaroscuro-adjacent, with deep, velvety shadow permitted in the lower casework. The resulting atmosphere is hushed, cellar-cool yet materially warm — contemplative rather than performative. Stylistically, the project synthesizes into a refined **warm minimalism with distinct Japandi inheritance**: the reductive planarity and joint discipline of European modernist cabinetry married to a Japanese sensibility for charred timber, grain expression, and the elevation of patina and imperfection. It is a kitchen conceived as a quiet interior landscape — appliance-suppressed, ornament-free, and dependent for its richness entirely on the intrinsic character of its materials.

Custom made privacy screens
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Tracy Yohe
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Alternating stairs detail. Photography by Rob Kassabian
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Design by Young Home These by-pass rings allow the panels to be opened and closed over the brackets on a large slider door. Provided by The Fabricsmith.

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