The owner of this period cottage in the old market town of Tadcaster near Leeds, had what was once a beautiful Yorkshire stone floor in the kitchen. It has been a long time since it had been given a proper clean so over the years and with the Kitchen being a high traffic area the whole floor including the grout had darkened and he now wanted it refurbished in time for Christmas. I visited the property to assess what needed to be done and could see straight away that any protective sealer that was once on the floor had long since worn off. In fact, it was so consistently dirty with years of built-up grease and dirt I had to wonder if one had ever been applied. I explained what the floor needed was a really deep intensive clean and then a sealer applied to make it easy to keep clean. The problem with most tile and stone is its porosity and if left unprotected dirt easily becomes lodged into its pores making cleaning a struggle. To prove the difference that can be achieved and to allow me to work out a process on which I could base an accurate quote I ran a test clean on part of the kitchen floor. The test clean went very well, the difference was remarkable, and the cleaned section really stood out. Pleased with the potential of a clean floor they accepted my quote, and we pencilled a date in the diary. I returned on the appointed date and began by removing the kickboards from under the kitchen units to protect them from splashing. Next, I set about spaying the floor with a strong dilution of Tile Doctor Pro-Clean, this is a purpose made tile and grout cleaner that eats into the grease and dirt so it can be removed. This product works best if you leave it for ten minutes before scrubbing in using a heavy-duty machine fitted with a heavy-duty brush. The soil released from the floor was then extracted using a wet vacuum. The Pro-Clean did a good job on the grout however it was clear something stronger was required to really get the stone clean, so I stepped up a gear and applied Tile Doctor Remove and Go using the same process as before. This is a really good product for removing deeply ingrained grease and dirt. The final step of the cleaning process was to give the stone and acid wash using Tile Doctor Grout Clean-Up to remove old grout haze and other mineral deposits; additionally, being an acidic product, it counters the alkaline cleaning products used earlier neutralising the pH level of the floor and leaving it ready for sealing. Before sealing I like to discuss the different products available and the finishes they can provide. In this case my clients’ main concerns were that they wanted the stone to look natural and easy to maintain going forward. With this in mind, Tile Doctor Seal & Go Extra was chosen, it’s a modern acrylic-based sealer that brings out the natural colours in the stone and gives a very slight smooth finish. The protection it provides will prevent dirt becoming ingrained int the pores of the stone and ensure the floor is easier to maintain. Several coats were applied, until we achieved the required finish. The deep cleaning process and fresh sealer transformed the stone floor bringing out its original beauty and my customer couldn’t believe the difference in the floor and was highly delighted. For aftercare I gave the client a bottle of Tile Doctor Neutral Cleaner, this product is pH neutral so it will clean the floor but won’t damage the sealer. Often people use household cleaners for cleaning tiled floors, but due to the strong chemicals they contain, they can do more harm than good by slowly stripping away the protective sealer and taking the floor back to square one. Tile Doctor Neutral Tile Cleaner is reasonably priced, and the concentrated formula means a small amount goes a long way so it’s well worth using. This was a pleasurable job for me as it was good to see the floor transform from dull and lifeless to clean and showing the natural colour and beauty of the York stone, and always lovely to have another satisfied client. Simon Testa North East Yorkshire Tile Doctor

New Ravenna Mosaics

Custom Surface Solutions (www.css-tile.com) - Owner Craig Thompson (512) 430-1215. This project shows a new construction master bathroom with two showers, and wall mounted vanities. Shower wall tile and vanity wall wainscots and floor base tile is 6" x 18" Carrera Marble on offset subway pattern. Shower floors are 5/8" Carrera Marble mosaic tile. All exposed edges including windows, shower walls, top wainscots and floor base are custom bull-nose profiled. Shower floor is custom mud set with SchluterSystems waterproofing and drain system.

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**I. Spatial Composition & Architectural Volume** This is a galley-adjacent service zone — most likely a scullery or butler's pantry annexed to a primary kitchen — and its power derives from compression rather than expanse. The composition is organized along a single working wall that terminates abruptly in a full-height stainless volume, creating a deliberate collision of cabinetry rhythm and monolithic mass. The upper millwork establishes the governing geometry: a run of glazed-front wall cabinets with recessed shaker-profile stiles and rails, capped by a substantial crown assembly that reads as architectural cornice rather than applied trim. Within the second bay, the designer has inserted a period-correct plate rack with fluted vertical dividers and open glassware shelving, converting storage into ordered display and introducing a fine-grain vertical striation that counterpoints the broader panel field below. The base run answers with inset drawer fronts and applied-molding door panels, its cabinetry set on a shallow toe recess that lets the volume appear to float rather than plinth. The sightline is intentionally foreshortened: the eye travels the countertop plane eastward, is arrested by the refrigerator's tall stainless slab, then released through a sliver of hallway and door casing at the far right — a compressed reveal that implies circulation beyond and prevents the corridor from reading as a dead end. Ceiling height is inferred rather than shown, the cabinetry's soffit-scaled crown suggesting generous vertical proportion held in check by the room's narrow footprint. **II. Materiality, Color & Texture** The palette is a study in achromatic warmth, restrained to four principal materials and disciplined in its saturation. Cabinetry is finished in a soft greige-white — a putty-leaning off-white with faint green-grey undertone — applied in a low-sheen eggshell that absorbs rather than reflects, allowing the millwork profiles to be read through shadow rather than gloss. The backsplash is a honed marble subway field, laid in running bond with tight joints; its veining is delicate, feathered, and grey-toned, providing textural incident without pattern assertion. This continues seamlessly into the countertop, a thick marble slab with a squared eased edge and an integrated undermount trough sink, the material continuity from horizontal to vertical plane reinforcing the wall as a single stone-clad surface. Against this cool mineral field, the stainless steel refrigerator introduces an industrial register — brushed, directional, faintly grey-violet in its reflected light — while polished nickel hardware (bin pulls, cup pulls, knobs, and a wall-mounted bridge faucet with cross handles) supplies punctuating specular highlights at a consistent scale. The floor is the room's tonal anchor: white oak in a herringbone lay, fumed or grey-washed to a driftwood tone that reveals open grain and medullary ray figure. Small warm accents — a butcher-block cutting board with worn patina, amber glass bottles, a persimmon-toned bowl, the pale green of a champagne label — function as chromatic acupuncture within an otherwise desaturated field. **III. Lighting, Atmosphere & Style Profile** Illumination is layered and largely concealed. Ambient daylight enters obliquely from the left, raking across the marble backsplash at a low angle that mobilizes the honed surface's subtle relief and casts the cabinet door profiles into legible shadow. Undercabinet linear lighting washes the countertop and backsplash with a warm, low-kelvin pool, while the refrigerator's interior glazing performs as an unexpected internal lantern — a glowing vitrine that punctures the stainless slab and becomes the composition's focal luminance. This device is the image's most sophisticated gesture: it recasts a utilitarian appliance as an illuminated cabinet of curiosities, echoing the glass-front upper millwork on the opposite wall and completing a diagonal dialogue of lit transparency across the room. The resulting atmosphere is quiet, tempered, and quietly bourgeois — an interior of custodial calm rather than spectacle. Stylistically, the project synthesizes as a **contemporary Anglo-American scullery vernacular**: classical inset millwork and plate-rack joinery inherited from the pre-war service kitchen, reinterpreted through professional-grade stainless equipment, honed rather than polished stone, and a wire-brushed herringbone floor. Call it Refined Utilitarianism — a design position in which historical typology supplies the grammar, industrial hardware supplies the punctuation, and the near-monochrome palette allows craft, profile, and light to carry the entire expressive burden.

The owners of this 1980’s built-home wanted to create a completely new look for their outdated master bath and turned to Renovisions for design and build services. Having perused Renovisions website, they were confident they made the right choice to help them transform their ordinary space into something truly extraordinary. The design team created several configurations for the homeowners review until they nailed down one particular design that would create that wow factor. The main challenges were creating an open, spacious feel and maximizing natural light and ventilation with plenty of storage and customizations. The addition of a second window allows ample light into the space throughout the day along with the recessed and sconce lights which were perfectly placed. Storage, which was a key element of this design, includes two separate vanity cabinets (his and hers) with plenty of space for needed toiletries, a matching framed medicine cabinet for her and a custom built cubby for him. Built on site was a linen closet with both roll out and stationary shelves for towels and shower supplies. The spacious walk-in, all tiled shower boasts ‘no door’ access with lineal drain, traditional fixed and hand-held shower heads and a rounded shower seat. Polished black granite was used inside the cubby and topping both the threshold and seat creating a nice contrast to and tying in with the floor. The decorative grab bar ensures safety for these homeowners while showering. The heated floors added throughout the bath take the edge off when stepping out of the warm shower and are conveniently operated by a 24 hour programmable thermostat. Classic white subway tile and chair rail trims adorne all walls and tie in nicely to each vanity station. Carrera look quartz was the perfect choice for countertops creating a clean fresh look. Stunning marble basket-weave mosaic floor tile set the stage in this exquisite bath as the beautiful white painted cabinetry softened the overall feel of the space. These homeowners are not saving spa retreats for once-a-year vacations anymore, they now enjoy a relaxing spa-like shower experience every day in their own home!

The photograph is composed as a deliberate enfilade study, framing the dining room through a deep, mahogany-cased cased opening that functions as both proscenium and threshold. This heavy portal — with its substantial reveal, plinth-like jambs and crisply mitered head casing — establishes a strong rectilinear armature that compresses the foreground and, by contrast, releases the eye into the luminous volume beyond. The plan reads as a classic pre-war apartment sequence: an axial sightline runs from the gallery floor, across the field of the dining room, and terminates at the window wall, where a curtained bay borrows daylight from the street. The ceiling is articulated by shallow beam drops or applied soffits — a coffer-adjacent treatment that registers the building's structural grid while lending the room a subtle sense of enclosure and datum. Geometry is orchestrated around opposing figures: the orthogonal rigor of casings, valance, beam lines and picture frames set against the centralized circular table, whose radial symmetry anchors the room's midpoint directly beneath the chandelier. Furnishings are held in a loose, non-touching arrangement, with generous circulation clearance at the perimeter, so that the room's volume — rather than its contents — remains the primary subject. Secondary sightlines to the left, toward a mirrored console and gilt-framed panel, and to the right, toward a picture-lit artwork, quietly widen the perceived footprint and imply adjacent rooms beyond the frame. The material narrative is built on a controlled tonal ascent from dark to light. The foreground is dominated by richly figured, warm-red mahogany millwork and a chevron-laid oak parquet whose bleached, honeyed grain reads with a slight gray wash — a directional pattern that visually propels the viewer toward the interior. Within the dining room, the palette shifts to a low-saturation envelope of chalky off-white plaster walls and putty-toned textiles: floor-length linen or silk-blend drapery panels with a faint slubbed weave, gathered beneath a tailored, flat-front upholstered valance whose crisp horizontal band imparts an atelier precision. Underfoot, a natural sisal or seagrass rug with a linen tape border introduces a coarse, granular tactility that grounds the refined upholstery above; its woven, matte texture is deliberately calibrated against the smoother satin sheen of the dining chairs' subtly striped fabric. The room's tonal fulcrum is the antique carved pedestal table — a near-black, deeply modeled Anglo-Indian or Colonial Revival piece whose pierced apron, scrolled tripod base and paw feet supply the composition's only ornamental exuberance and its darkest value. Accents are chosen for restraint: silvered leaf on the console's fretwork facing, water-gilt on the framed panel, polished nickel or silver on the chandelier and the flower vessel, and the cool white of massed oriental lilies. Undertones remain uniformly warm — greige, ecru, taupe, oatmeal — with cool relief supplied only by the metals and the daylight itself. Lighting is layered with quiet discipline. Natural light enters as a diffused, north-facing wash through a sheer-veiled window, its intensity softened by roller or Roman shading so that the glazing reads as a luminous plane rather than a view; this creates a gentle contre-jour that silhouettes the chandelier and the table's carved base. The multi-arm chandelier — a silvered, pagoda-crested fixture with slender candle sleeves and faceted drops — serves as sculptural punctuation more than as a working source, its warm 2700K glow registering as ambient sparkle. Accent illumination is deployed with curatorial intent: a picture light grazes the framed work at right, while the recessed downlights and the darkened foreground casings produce a chiaroscuro that heightens the sense of arrival. The cumulative atmosphere is one of hushed formality — composed, aerated, and almost monastic in its refusal of visual noise. Stylistically, the room synthesizes into what might be termed Transitional Classicism, or Warm Neutral Modern Traditional: the bones and millwork are unmistakably pre-war Beaux-Arts-derived, yet the flat-front valances, unadorned wall planes, natural-fiber flooring and simplified parson-back chairs reflect a contemporary editorial sensibility. The single antique table operates as a considered anachronism — a note of patinated gravitas within an otherwise pared-back, texturally driven interior — demonstrating a designer's confidence in restraint punctuated by one authoritative gesture.

Subway Tile-Herringbone
Inspiration for a mid-sized rustic l-shaped dark wood floor and brown floor eat-in kitchen remodel with a farmhouse sink, raised-panel cabinets, dark wood cabinets, quartz countertops, white backsplash, subway tile backsplash, stainless steel appliances, an island and beige countertops

Owner

Inspiration for a large timeless porcelain tile kitchen/dining room combo remodel in Orange County with beige walls

Inspiration for a mid-sized rustic carpeted straight cable railing staircase remodel in Denver with carpeted risers

Design ideas for a mid-sized rustic full sun backyard pond in Calgary.

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Example of a trendy bathroom design in Phoenix

As a manager of a building or property, you quickly learn the art of mediation. One minute you may be working with a vendor to keep the building’s operating system running efficient and smooth; the next moment you may be calming a tenant down after finding the change in the system disrupted his office’s workflow. Give and take; it’s the only way to make sure every day runs perfectly. Overall, you have two goals to strive for in everything you do. 1. Keep the building running properly, upgrading systems as appropriate, and striving to do all you can on a pre-established budget. 2. Keep the building occupants happy, with as little disruption as possible. While some changes are minor, barely registering on a building occupant’s mind, with HVAC challenges, that’s rarely the case. If a HVAC contractor is replacing an air handler, for instance, and disconnects one and moves to the next unit, it may cause major disruptions to sensitive areas of a building. And if the occupant wasn’t prepared for the disruption, you can have a mighty unhappy customer on your hand. Anytime you are working on HVAC projects throughout your building, there are strategies you can put into place to keep things running smooth. Communicate with occupants Communication is key to any good relationship, and as a property manager, this rule is a great place to start. If you will be working with the HVAC equipment, block out the timeframe for work to be done, and understand the potential consequences of the process. Then communicate this process with every point of contact you have throughout the building. The more detail you can provide, the less surprises you’ll have throughout the process. You can also work with your building’s occupants before the process begins, finding out if there are better timeframes than others. Establish a realistic schedule As a property manager, its easy to provide your expectations for the HVAC project at hand, and request that the proposal be written in such a way that work is completed on your timeframe. Unfortunately, many contractors want your business and will agree to anything upfront in order to win the bid, knowing full well the work will take longer than specified. Instead of projecting your timeframes into the proposal process, ask for HVAC project bids to establish realistic schedules of how long the process will take, and what areas of your property will be most effected throughout the schedule. This will help you avoid crises between you and the contractor, and you and your tenants. Plan for the whole system If one small piece of your HVAC system is weak, its easy to fix that one small piece. But how will that impact your overall system? Will it cause weak spots in different parts of the building – maybe a corner office will have reduced air flow, and therefore be colder in the winter and warmer in the summer? When retrofitting new pieces with older existing systems, its easy to reduce the efficiency of your entire system. Before agreeing to certain repairs, make sure you understand how it will impact your entire system overall. An easy way of handling this problem is by working with the same HVAC contractor again and again, He will understand your system’s potential, and know when to make repairs, and when to replace. Have points of contact available for immediate assistance In many cases, problems arise because connections can’t be made. Can the HVAC contractor get a hold or you or another person that can make decisions at a moments notice if a problem arises? Do you have access to decision makers throughout the building that may be impacted by this change? Many projects have been put on hold simply because a person in authority can’t be found to give the go-ahead to move forward. If you have access to these people during the time of the project, you’ll be able to complete the project in record time. Test Finally, if you can test things in stages, or test when the potential for problems is the smallest, you reduce the chances of bigger emergency issues falling into your lap. If you’ll be installing a new terminal unit, can you make the switch on a Saturday morning when the building is largely unoccupied? If you’re replacing a large system, can you replace and test in phases so the entire project isn’t released at once? Most issues can be avoided with just a little strategy from the beginning. If you’ve never had a HVAC maintenance team to help you stay on track with your building’s heating and cooling, now may be the time to find out how easy a team approach makes the process.

This contemporary kitchen features the NEW Stainless Steel Drawers and Roll-Out Shelves from Dura Supreme Cabinetry. The Bria (frameless) cabinets in Dura Supreme's "White" and Wired-Foil cabinets in Dura Supreme's "Wired-Mercury" are a great combination of cabinetry for creating the clean sleek look of this modern two-tone kitchen design. Dura Supreme Cabinetry is excited to introduce NEW Stainless Steel Drawers and Roll-Out Shelves for their Bria Cabinetry (Frameless / Full-Access product line). For a limited time, this new metal drawer system is available exclusively from Dura Supreme as they partnered with Blum to be the first American manufacturer to bring it to market. Dura Supreme’s Stainless Steel Drawers and Roll-Out Shelves are an attractive option for any kitchen design. Sleek, double-wall, stainless steel sides are only ½” thick and work with many of Dura Supreme’s wood drawer accessories, as well as the coordinating gray metal accessories designed specifically for Stainless Steel drawers. Concealed, undermount glides are integrated into the sides and are self-closing with a soft-close feature. Our new Stainless Steel drawer option provides a contemporary alternative to our classic Maple dovetailed drawer. For homeowners that favor Transitional or Contemporary styling, this sleek, high-performance drawer system will be ideal! Request a FREE Dura Supreme Brochure: http://www.durasupreme.com/request-brochure Find a Dura Supreme Showroom in your area: http://www.durasupreme.com/dealer-locator Want to become a Dura Supreme Dealer? Go to: http://www.durasupreme.com/new-dealer-inquiry To view a video and more info about this product go to: http://www.durasupreme.com/storage-solutions/stainless-steel-drawers-roll-outs

A modern steel mesh fence contrasts with spring growth of Cotoneaster multiflorus http://annacaitlinphotography.com/

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