Photo of a mediterranean landscaping in Dallas.

Mountain style home design photo in New York

Not entirely black, this hand painted glass subway tile is much more than plain black. Touches of gray work with a cool palette for a black tile that is simply beautiful to admire. Ultra dark hues play as blacks in this intriguing mix of black and gray de-saturated wonderfulness.The size is a contemporary shape that allows it to be used in smaller areas such as a trim around bathroom, or in larger areas such as the entire tubs surround or bathroom backsplash. The tiles come individually packaged so that you can choose to play with the pattern. Either way you go, this tile will be the fantastic feature to your next bathroom remodel.

Our goal was to emphasise the clean, west coast contemporary design of their new home. In their living room, sheer ripplefold drapery draws in the light while keeping out strong afternoon sun. A simple European Track in black finish ties in the black metal fireplace and other nearby hardware.

Advice on interior design is available everywhere—from TV shows and websites to books, magazines and apps. We love seeing people become engaged in design and educated on the wide range of possibilities. But we hope you’ll proceed with caution. It’s not that style errors are a matter of life and death. It’s just that it’s easy to choose designs that aren’t necessarily reflective of your own personality and character. And since you’re typically stuck with your interior design decisions for years, styles that don’t quite fit can tend to grate on you. Interiors that give one person comfort may unleash chaos in someone else. This goes beyond favorite colors or hot trends, right to the heart of interior design, where you find questions of composition, balance, repetition, space and more. The goal is to find that unique combination of design elements that gives you comfort, support and balance. In one home, that perfect balance was struck through the use of symmetry. A pair of comfortable swivel chairs sit beneath matching indigo patterned paintings. Matching bookcases below the paintings contain similar, but not identical, arrangements of books, vases and bowls. Woods and bronzes help warm up the simple white bookcase shelving. Two matching poufs in front of the fireplace provide additional seating. The sofa is accented with a pair of pillows with a blue pattern that echoes the artwork. The effect of the symmetry is to achieve order and simplicity, which I promote at every opportunity. After all, your home interiors should be the setting or the backdrop of your life—not center stage. Antique bronze and blue are complementary colors. Together, they offer a rich palette of richness and depth, which brings out the beauty of wood and stone. In the home office, a unique, whitewash-stained wooden desk rests on metal, Sawhorse-inspired legs for a warm, rustic look. The black leather chair features a contemporary silhouette with an antique brass frame. An adjustable desk lamp has bronze accents. The bookcase combines a sleek, black metal frame with concrete shelves, for another unusual pairing. It’s kept uncluttered for an orderly, peaceful look. Items on the shelves include a bronze-accented lamp and a pair of high gloss-finished wooden bookends. The elegant artwork behind the desk is a simple midnight-blue and bronze with mottled white. Deep blues are again picked up in the rug, which adds a stately vibe with a modern pattern and satisfying texture. Within the framework of symmetry, the living room repeats the blue-and-bronze color scheme. A large midcentury brass clock above the fireplace keeps the natural stone visible, rather than hidden behind a painting or television, while its straight lines and color create a beautiful contrast. The sofa is a soft, neutral blue. The pattern on the round brass side table features echoes the darker blue-patterned rug, as well as the rug in the office, tying the rooms together. Indigo blue books adjacent to bronze vases on the shelves repeat the color scheme. The soapstone-topped coffee table echoes the shape of the fireplace. A pair of tall, matching floor lamps with long wooden bases, brass pulls and simple linen shades combine both the colors and symmetry found throughout the home.

K2131 Base, K3101 Plain Half Column, K3111 Capital
Example of a trendy family room design in New York

Darren Jones Photography

Small Boulder Retaining Wall

Located in the heart of Manhattan’s Lower East Side, the building was erected on a shallow commercial lot between two 120 year old masonry buildings and a new residential rental building. 330 Grand Street is a mix of 725 SF 1BRs and 1050 SF 2BR apartments. It also contains a 1100 SF two story duplex as well as private and public rooftop space, large private balconies for most units and two large private terraces for the ground floor units. 330 Grand Street was originally designed and approved at the NYC DOB as a prefabricated modular building. During the pandemic, as shipping costs skyrocketed putting the project at risk, we suggested redesigning the building as a reinforced cast-in-place concrete structure. Concrete was readily available and prices had not been affected by the demand increase that many other materials suffered in the pandemic. We took this opportunity to raise floor to ceiling heights, enlarge high performance windows and redistribute the buildings MEPFS and Structural Systems to create very open floor plans. The challenge was to create a luxurious sensorial living experience with very limited means. In a city with very high construction costs, low cost residential buildings in the area are usually devoid of good quality, design and character. Our approach was to aim high for the end user, prioritizing natural light, open space with long visual perspectives, high ceilings and as always, rejecting the use of predefined building templates. Our biggest challenge was to ensure that the small spaces feel as clean cut, large and bright as possible. Several unique design decisions were made to ensure low cost and high quality; Floor plans were laid out so that spaces were wide open and free of clutter from mechanical or structural interruptions. Therefore all infrastructure was placed in lateral demising walls, which in turn act as the unit’s storage and kitchen. The apartments feel wide open, are super quiet and have more storage space than any other comparable apartment in the city. To solve the problem of the site’s shallow commercial lot which is typically prone to dark interior spaces we focused our attention on the building’s envelope. Instead of the usual small punched window openings, oversized high performance windows were designed to ensure that light penetrated as far as possible into the units. In the smaller 1BR units, the full 50’ depth of the lot is perceived by partitioning spaces with sliding pocket doors that can be retracted to allow deep visual perspectives, making the sight lines in the space feel longer, larger, more ample than normal. In addition to the full height glazing, each unit above the 2nd floor receives a 7 foot covered balcony, adding 120 to 240 sf to each apartment, something unusual in New York City buildings. The space is large enough for a full size dining table, when the weather permits being outside. We also worked hard to ensure modularity. For example, all kitchen units are all identical throughout the building. The idea of modularity and the economy of the repetitive unit is exercised to the maximum through the building. Hardware, appliances, flooring, wall coverings and material finishes are all carefully selected to feel bespoke, high quality and unique. It was important to KURV that the result of this work manifest into something that would deeply connect with the end user and sustain relationships with the consumers of this space. All images by KURV Architecture ©

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