Courtesy of McEwan Custom Homes - Joe Carrick Designed the open space of the floor plan. Play room was designed by others.
Elegant gender-neutral carpeted playroom photo in Salt Lake City

Luis Valdizon
Home office - scandinavian freestanding desk multicolored floor home office idea in Vancouver with white walls

Following the plans and the strategy is important. The money to finish the exterior was spent on the interior before the exterior was finished. Some of the interior spaces/functions were to be phased in. Good design takes a lot of discipline to realize. The upper windows were to be lighter frames - matchy match could not resisted. Joseph Freund - renderings Mark Clipsham Photos

Kitchen - modern kitchen idea in Berlin

Meet Chad Elgie. Lead Hand. Chad is a hardworking and self-motivated carpenter. He is always enthusiastic about learning new skills and is disciplined in his execution. In his spare time Chad enjoys working on his home, fishing, and spending time with his Wife and friends.

Example of a mid-sized minimalist medium tone wood floor bedroom design in Berlin with white walls and no fireplace

Following the plans AND the strategy is important. The money to finish the exterior was spent on the interior before the exterior was finished. Some of the interior spaces/functions were to be phased in. Good design takes a lot of discipline to realize. The upper windows were to be lighter frames - matchy match could not resisted. Money for triple glazing was spent on window grilles which cannot be seen. Not building the landscape/exterior sort of undid the circulation. "You can lead a horse to water..." Joseph Freund - renderings Mark Clipsham Photos

'Patio' tomatoes, basil, and parsley form the centerpieces of these three planters. Flowers accent the front. Learn how to grow easy vegetables that look great on your patio from the book "Easy Container Combos: Vegetables & Flowers." See a free, 24 page sample of the book at www.pamela-crawford.com. in the 'Books' section. Pamela Crawford designed and photographed the planter. Pamela designs landscapes throughout Palm Beach County, FL, including Boca Raton, Delray Beach, the town of Palm Beach, Palm Beach Gardens, Jupiter, and Wellington.

Juxtaposition is one of my favorite design strategies. I like to marry the new to the old in a way that celebrates both.
Example of a 1950s staircase design in Seattle

Photo: Ten Ten Creative
Wet bar - transitional single-wall dark wood floor and brown floor wet bar idea in Dallas with shaker cabinets, black cabinets, black backsplash, subway tile backsplash and gray countertops

Stacy Bass Photography
Bedroom - mid-sized coastal loft-style medium tone wood floor and brown floor bedroom idea in New York with red walls and no fireplace

Inspiration for a mid-sized full sun backyard formal garden for spring.

Attractive design from Italian designer Ezio Pescarori makes the set a special place for dreams and fantasy adventures! The main advantage of the Wheel table and chair set is height adjustable. It meets the needs of children from the time the child is ready to sit up to a height of 150 cm (60 in). According to our latest product tester, Kurt, even people under the age of two are entitled to their individual space for creative activities. Comfortable, ergonomic, funny- place for create anything, whatever you want! According to Maria Montessori, the main goal is for the child to learn to learn with interest and joy. Self-motivation, self-discipline, self-discovery - children's ability to develop their potential, independence, systematic approach to problem solving, acquisition of knowledge and skills and at the same time increasing the joy of learning is not possible without an appropriate environment.

This is an organic Lime Wash done with a true lime wash product as opposed to a brick mortar or concrete that is often seen on new houses. This product can be applied as a solid coating making the surface completely white, or can be applied and "washed off" in many artistic ways, as seen here. If you hate your brick or just want something unique this is a great option! Photo credit: Jeff Murrey

"Build UP // West Beech" is a sustainable, single-family home in the West End of Long Beach, NY. It is the first self-initiated project by the UP studio which aims to develop concept-driven architecture within Long Island's most vibrant, walkable downtowns. Photography : Harriet Andronikides / Jani Zubkovs

Bob Schatz
Example of a mountain style staircase design in Burlington

## I. Spatial Composition & Architectural Volume This is a compact urban salon organized with almost Miesian discipline around a single, decisive gesture: the L-configuration of low, tuxedo-armed banquette seating that hugs two perimeter walls and turns the room inward upon itself. The plan reads as a conversation pit without excavation—the seat heights are deliberately suppressed, the backs held low, so that the horizon of upholstery never competes with the aperture behind it. Above, a flat, unadorned plaster soffit-plane is held tight to the wall line, its perimeter reveal drawing a crisp shadow-gap that lets the ceiling appear to float free of the fabric-wrapped walls. The architectural protagonist is the millwork: a deep-jambed picture window recessed within a wide, radiused casing of pale rift-sawn oak, its returns thickened into a continuous window seat and low credenza that transitions seamlessly into flanking cabinetry. This joinery performs double duty as tectonic frame and furniture, resolving the corner where the sofa arm meets the wall with a fitted oak console rather than a leftover void. On the right, a taller oak portal—part case-goods, part passage—houses a monolithic dark media volume, its recessive blackness anchoring the composition's east edge and countering the pull of the glazing. Sightlines are carefully triangulated: the low furniture, the horizontal blind valance, and the parapet railing beyond stack into a series of registers that push the eye out over the rooftops, borrowing the cityscape as a fourth wall. ## II. Materiality, Color & Texture The palette is a study in warm neutrality calibrated across a very narrow tonal band, where interest is generated by texture rather than chroma. Walls are sheathed in a woven grasscloth or linen-weave wallcovering in oatmeal-taupe, its subtle grain absorbing light and lending the envelope a matte, tactile softness that reads almost suede-like in raking illumination. Against this, the oak millwork supplies a honeyed mid-tone with visible cathedral figure, satin-lacquered rather than glossed, so the wood glows without reflecting. Upholstery is a heavy natural linen in flax, deeply channel-tufted and biscuit-quilted—an insistent geometry of dimples and seams that catches light and prevents the mass from flattening. The textile program is where the room permits itself wit: indigo-and-ecru ikat or resist-dyed pillows introduce the only true saturation and the only irregular, hand-made mark; a wool blanket-stripe cushion in wheat, dove, and slate mediates between them; and the tailored roman shade and pinch-pleat drapery, in a subtly striated ombré weave of bronze, sand, and pewter, act as a tonal bridge between wall and wood. Below, the field shifts cool—an abrasi or silk-and-wool rug in ink and petrol blue, overlaid with a sinuous ogee lattice in muted gold, whose viscose sheen produces directional shimmer against the room's otherwise matte disposition. Leather appears twice, in caramel-toned saddle upholstery on the twin benches and ottoman, its topstitched panels and strap-pull detailing offering the crispest edge in the room; the espresso-stained coffee table and plinths supply the necessary chromatic bass note. A single celadon-and-blush ceramic vessel, with its banded, glazed belly, functions as a deliberate polychrome accent—an object of arrested attention within a rigorously restrained field. ## III. Lighting, Atmosphere & Style Profile Daylight is the primary luminaire and it is meticulously managed. The roman shade is dropped to roughly one-third, cropping the sky and glare while framing the mid-ground rooftops—a device that converts an ordinary window into a horizontal, cinematic panorama. Concealed cove or integrated LED lighting within the oak jamb washes the reveal from within, so the window surround reads as a self-illuminated frame and the transition from interior brightness to exterior daylight is softened rather than silhouetted; the same strategy grazes the wall panel behind the sofa, producing a gentle vertical gradient. Artificial light is otherwise almost entirely decorative and directional: a swing-arm wall sconce in antiqued brass with a domed, spun-metal shade cantilevers over the corner console, its low placement establishing a task-scaled pool of warmth and reinforcing the room's insistent horizontality. The resultant atmosphere is hushed, enveloping, and distinctly crepuscular—a lounge tuned for late-afternoon light and low conversation. Stylistically, the project synthesizes a mid-century modern armature—low-slung planar seating, tuxedo arms, brass and dark wood—with the tactile restraint of contemporary Warm Minimalism and a discernible strain of Japanese-influenced spatial editing: deep reveals, floating planes, an appreciation for the void, and objects placed with ikebana-like economy. One might classify it as Refined Urban Modernism, or a bespoke Warm Minimalism, in which luxury is expressed not through ornament but through the precision of joinery, the depth of the material palette, and the discipline with which the view is framed.

Great room interior of a new construction single-level home. The signature butterfly shed roofline is fully expressed inside as a series of black-framed clerestory windows running the full width of the great room, admitting a continuous band of natural light and redwood canopy views above the interior wall line while maintaining privacy at eye level. Warm walnut flat-front cabinetry runs the full perimeter of the kitchen at left, with slate blue upper cabinets visible beyond and a full-height walnut appliance tower with integrated stainless steel refrigerator and double oven anchoring the center. A blue kitchen island with white quartz countertop extends into a cantilevered walnut butcher block dining table with a distinctive slatted walnut fluted base. Black molded shell chairs with oak legs surround the dining extension. Single white globe pendant hangs above. The terracotta red front entry door with cedar-clad entry volume is visible through the interior opening at center, connecting the street threshold to the deepest interior space in one axial view. Family room with cognac leather sofa, walnut credenza, and slatted walnut room divider panels visible to the right. Charcoal polished concrete radiant slab floors extend throughout.

2010 NARI CAPITAL COTY GRAND AWARD WINNER The homeowner wanted to add square footage and implement an aging-in-place strategy that will enable her to live out her days in residence with dignified self-sufficiency. Specifically, she was seeking an updated family room and larger master bedroom suite. Additionally, she wanted to maintain the original intent of the Cape Cod style. A 28’ x 29’ addition was split between the new family room and the new master suite. First, every doorway into the master suite was redone for better accessibility. The suite itself features a cathedral ceiling, skylights and recessed lighting. The master suite bathroom has features a whirlpool bath, walk-in shower and double vanity. Grab bars and other handicap-accessible features are incorporated for aging in place living. A double-sided fireplace connects the master suite and the family room.