Large eclectic concrete floor and gray floor great room photo in New York with white walls

Photo: Margot Hartford © 2015 Houzz
This is an example of a traditional landscaping in San Francisco.

The back door leads to a multi-purpose laundry room and mudroom. Side by side washer and dryer on the main level account for aging in place by maximizing universal design elements.

When Charlene’s family of four decided to move out of Manhattan, she reached out to Decor Aid, for assistance in furnishing and decorating the family’s new home in Westchester. Although she had already decorated a few upstairs rooms, Charlene needed help in sourcing and decorating the entire bottom floor of her house, and wanted the new home to feel reflective of her young family. The original goal for the project was to infuse three separate design influences. First and foremost, we had to account for Charlene’s personal taste, which is a contemporary take on the mid-century modernist aesthetic. Second, we had to account for the house’s country-modern stylings. And finally, at the request of Charlene’s two young children, we had to incorporate primary colors, to fit the family’s fun and comfortable vibe. Charlene wanted to furnish her home with a blue and grey color scheme, but didn’t want her new space to be stifled by this preference. To keep the home from feeling sterile, we incorporated heavily-textured accessories, fabrics, and rugs. And to contrast the modern with the familial, primary-colored art pieces were set against larger, neutral furnishings. We sourced a custom-made wood dining-room table, and other wood furniture pieces, to bridge the gap between the house’s country-modern vibe and Charlene’s own personal aesthetic. Because of the home’s open floor plan, all of the rooms had to feel continuous, while being differentiated from each-other. So we added large area rugs, in the dining room, living room, and foyer, to distinguish each room. A large sectional sofa faces away from the kitchen, and is backed by a custom-made wood console table, to further separate the rooms. Colorful accent pillows and decorative geometric objects were added throughout the home, to further distinguish each room, and to offset the tasteful, neutral palette. The final effect is a highly elegant and wholly modern interpretation of the American suburban home.

Utility room - large transitional u-shaped ceramic tile and white floor utility room idea with an undermount sink, blue cabinets, quartz countertops, a side-by-side washer/dryer, white countertops, recessed-panel cabinets and gray walls

When Charlene’s family of four decided to move out of Manhattan, she reached out to Decor Aid, for assistance in furnishing and decorating the family’s new home in Westchester. Although she had already decorated a few upstairs rooms, Charlene needed help in sourcing and decorating the entire bottom floor of her house, and wanted the new home to feel reflective of her young family. The original goal for the project was to infuse three separate design influences. First and foremost, we had to account for Charlene’s personal taste, which is a contemporary take on the mid-century modernist aesthetic. Second, we had to account for the house’s country-modern stylings. And finally, at the request of Charlene’s two young children, we had to incorporate primary colors, to fit the family’s fun and comfortable vibe. Charlene wanted to furnish her home with a blue and grey color scheme, but didn’t want her new space to be stifled by this preference. To keep the home from feeling sterile, we incorporated heavily-textured accessories, fabrics, and rugs. And to contrast the modern with the familial, primary-colored art pieces were set against larger, neutral furnishings. We sourced a custom-made wood dining-room table, and other wood furniture pieces, to bridge the gap between the house’s country-modern vibe and Charlene’s own personal aesthetic. Because of the home’s open floor plan, all of the rooms had to feel continuous, while being differentiated from each-other. So we added large area rugs, in the dining room, living room, and foyer, to distinguish each room. A large sectional sofa faces away from the kitchen, and is backed by a custom-made wood console table, to further separate the rooms. Colorful accent pillows and decorative geometric objects were added throughout the home, to further distinguish each room, and to offset the tasteful, neutral palette. The final effect is a highly elegant and wholly modern interpretation of the American suburban home.

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

When Charlene’s family of four decided to move out of Manhattan, she reached out to Decor Aid, for assistance in furnishing and decorating the family’s new home in Westchester. Although she had already decorated a few upstairs rooms, Charlene needed help in sourcing and decorating the entire bottom floor of her house, and wanted the new home to feel reflective of her young family. The original goal for the project was to infuse three separate design influences. First and foremost, we had to account for Charlene’s personal taste, which is a contemporary take on the mid-century modernist aesthetic. Second, we had to account for the house’s country-modern stylings. And finally, at the request of Charlene’s two young children, we had to incorporate primary colors, to fit the family’s fun and comfortable vibe. Charlene wanted to furnish her home with a blue and grey color scheme, but didn’t want her new space to be stifled by this preference. To keep the home from feeling sterile, we incorporated heavily-textured accessories, fabrics, and rugs. And to contrast the modern with the familial, primary-colored art pieces were set against larger, neutral furnishings. We sourced a custom-made wood dining-room table, and other wood furniture pieces, to bridge the gap between the house’s country-modern vibe and Charlene’s own personal aesthetic. Because of the home’s open floor plan, all of the rooms had to feel continuous, while being differentiated from each-other. So we added large area rugs, in the dining room, living room, and foyer, to distinguish each room. A large sectional sofa faces away from the kitchen, and is backed by a custom-made wood console table, to further separate the rooms. Colorful accent pillows and decorative geometric objects were added throughout the home, to further distinguish each room, and to offset the tasteful, neutral palette. The final effect is a highly elegant and wholly modern interpretation of the American suburban home.

When Charlene’s family of four decided to move out of Manhattan, she reached out to Decor Aid, for assistance in furnishing and decorating the family’s new home in Westchester. Although she had already decorated a few upstairs rooms, Charlene needed help in sourcing and decorating the entire bottom floor of her house, and wanted the new home to feel reflective of her young family. The original goal for the project was to infuse three separate design influences. First and foremost, we had to account for Charlene’s personal taste, which is a contemporary take on the mid-century modernist aesthetic. Second, we had to account for the house’s country-modern stylings. And finally, at the request of Charlene’s two young children, we had to incorporate primary colors, to fit the family’s fun and comfortable vibe. Charlene wanted to furnish her home with a blue and grey color scheme, but didn’t want her new space to be stifled by this preference. To keep the home from feeling sterile, we incorporated heavily-textured accessories, fabrics, and rugs. And to contrast the modern with the familial, primary-colored art pieces were set against larger, neutral furnishings. We sourced a custom-made wood dining-room table, and other wood furniture pieces, to bridge the gap between the house’s country-modern vibe and Charlene’s own personal aesthetic. Because of the home’s open floor plan, all of the rooms had to feel continuous, while being differentiated from each-other. So we added large area rugs, in the dining room, living room, and foyer, to distinguish each room. A large sectional sofa faces away from the kitchen, and is backed by a custom-made wood console table, to further separate the rooms. Colorful accent pillows and decorative geometric objects were added throughout the home, to further distinguish each room, and to offset the tasteful, neutral palette. The final effect is a highly elegant and wholly modern interpretation of the American suburban home.

When Charlene’s family of four decided to move out of Manhattan, she reached out to Decor Aid, for assistance in furnishing and decorating the family’s new home in Westchester. Although she had already decorated a few upstairs rooms, Charlene needed help in sourcing and decorating the entire bottom floor of her house, and wanted the new home to feel reflective of her young family. The original goal for the project was to infuse three separate design influences. First and foremost, we had to account for Charlene’s personal taste, which is a contemporary take on the mid-century modernist aesthetic. Second, we had to account for the house’s country-modern stylings. And finally, at the request of Charlene’s two young children, we had to incorporate primary colors, to fit the family’s fun and comfortable vibe. Charlene wanted to furnish her home with a blue and grey color scheme, but didn’t want her new space to be stifled by this preference. To keep the home from feeling sterile, we incorporated heavily-textured accessories, fabrics, and rugs. And to contrast the modern with the familial, primary-colored art pieces were set against larger, neutral furnishings. We sourced a custom-made wood dining-room table, and other wood furniture pieces, to bridge the gap between the house’s country-modern vibe and Charlene’s own personal aesthetic. Because of the home’s open floor plan, all of the rooms had to feel continuous, while being differentiated from each-other. So we added large area rugs, in the dining room, living room, and foyer, to distinguish each room. A large sectional sofa faces away from the kitchen, and is backed by a custom-made wood console table, to further separate the rooms. Colorful accent pillows and decorative geometric objects were added throughout the home, to further distinguish each room, and to offset the tasteful, neutral palette. The final effect is a highly elegant and wholly modern interpretation of the American suburban home.

When Charlene’s family of four decided to move out of Manhattan, she reached out to Decor Aid, for assistance in furnishing and decorating the family’s new home in Westchester. Although she had already decorated a few upstairs rooms, Charlene needed help in sourcing and decorating the entire bottom floor of her house, and wanted the new home to feel reflective of her young family. The original goal for the project was to infuse three separate design influences. First and foremost, we had to account for Charlene’s personal taste, which is a contemporary take on the mid-century modernist aesthetic. Second, we had to account for the house’s country-modern stylings. And finally, at the request of Charlene’s two young children, we had to incorporate primary colors, to fit the family’s fun and comfortable vibe. Charlene wanted to furnish her home with a blue and grey color scheme, but didn’t want her new space to be stifled by this preference. To keep the home from feeling sterile, we incorporated heavily-textured accessories, fabrics, and rugs. And to contrast the modern with the familial, primary-colored art pieces were set against larger, neutral furnishings. We sourced a custom-made wood dining-room table, and other wood furniture pieces, to bridge the gap between the house’s country-modern vibe and Charlene’s own personal aesthetic. Because of the home’s open floor plan, all of the rooms had to feel continuous, while being differentiated from each-other. So we added large area rugs, in the dining room, living room, and foyer, to distinguish each room. A large sectional sofa faces away from the kitchen, and is backed by a custom-made wood console table, to further separate the rooms. Colorful accent pillows and decorative geometric objects were added throughout the home, to further distinguish each room, and to offset the tasteful, neutral palette. The final effect is a highly elegant and wholly modern interpretation of the American suburban home.

When Charlene’s family of four decided to move out of Manhattan, she reached out to Decor Aid, for assistance in furnishing and decorating the family’s new home in Westchester. Although she had already decorated a few upstairs rooms, Charlene needed help in sourcing and decorating the entire bottom floor of her house, and wanted the new home to feel reflective of her young family. The original goal for the project was to infuse three separate design influences. First and foremost, we had to account for Charlene’s personal taste, which is a contemporary take on the mid-century modernist aesthetic. Second, we had to account for the house’s country-modern stylings. And finally, at the request of Charlene’s two young children, we had to incorporate primary colors, to fit the family’s fun and comfortable vibe. Charlene wanted to furnish her home with a blue and grey color scheme, but didn’t want her new space to be stifled by this preference. To keep the home from feeling sterile, we incorporated heavily-textured accessories, fabrics, and rugs. And to contrast the modern with the familial, primary-colored art pieces were set against larger, neutral furnishings. We sourced a custom-made wood dining-room table, and other wood furniture pieces, to bridge the gap between the house’s country-modern vibe and Charlene’s own personal aesthetic. Because of the home’s open floor plan, all of the rooms had to feel continuous, while being differentiated from each-other. So we added large area rugs, in the dining room, living room, and foyer, to distinguish each room. A large sectional sofa faces away from the kitchen, and is backed by a custom-made wood console table, to further separate the rooms. Colorful accent pillows and decorative geometric objects were added throughout the home, to further distinguish each room, and to offset the tasteful, neutral palette. The final effect is a highly elegant and wholly modern interpretation of the American suburban home.

Inspiration for a modern home design remodel in Toronto

Design Builders & Remodeling is a one stop shop operation. From the start, design solutions are strongly rooted in practical applications and experience. Project planning takes into account the realities of the construction process and mindful of your established budget. All the work is centralized in one firm reducing the chances of costly or time consuming surprises. A solid partnership with solid professionals to help you realize your dreams for a new or improved home. This classic Connecticut home was bought by a growing family. The house was in an ideal location but needed to be expanded. Design Builders & Remodeling almost doubled the square footage of the home. Creating a new sunny and spacious master bedroom, new guestroom, laundry room, garage, kids bathroom, expanded and renovated the kitchen, family room, and playroom. The upgrades and addition is seamlessly and thoughtfully integrated to the original footprint.

Photo by Alexandre Kühl Oliveira The rehabilitation project of the apartment is located in Lisbon, at Pascoal de Melo street, part of a mid-twentieth century building, in reasonable condition. The goal was to be able to feel the spaces always differently, in the way of use (cooking, sleeping, relaxing) and their interaction. The entire apartment has been designed taking into account the many sensorial appreciations. A set of points of view and volumes were established from the same space, reinforced by the chosen materials. On the kitchen, the project takes advantage of natural lighting, replacing the existing furniture for higher span, brighter and higher furniture and light-colored finishes that are great reflectors. In addition, the functional kitchen organization was re-designed in order to concentrate tall furniture at the entrance, freeing the area by the window to allow more light involvement. Three separate areas have been established: the cooking set with two countertops drawn from the wall to the floor, the kitchen sink closely resembles the high furniture of the kitchen and the dinning area by the window, which is more sheltered. The space once again aims to different points of view and the concept of voyeur is implicit.

Transitional staircase photo in Charlotte

Every detail was accounted floor when planning this custom hickory kitchen, which embraces an aesthetic that harkens back to the past with a touch of modern (hexagonal tiles, for example). From a little cubby to hide the toaster to reclaiming the deep window sills to make them part of the countertops, no storage opportunity went unexplored. This kitchen is open to the dining room, creating one large entertaining space. When the walls separating the kitchen and the dining room came down, we saved the picture frame moulding and it was reused on the focal wall of the kitchen to highlight a brand new custom designed stained glass window. This window was inspired by a trip to the Sagrada Familia cathedral in Barcelona. The colors are highlighted by glasses stored in the adjacent glass-front cabinet, which is illuminated with perimeter LED's tucked just inside the glass door.

HNA Hardscape Project Award Winner A Slice of Paradise Strongsville, Ohio Rock Bottom Lawn & Landscaping With a resort-like feel, this project incorporates many entertainment features. The homeowner requested an area for hosting large parties without feeling crowded. The separate design elements allow for more intimate gatherings within the overall project. These elements include a partially covered outdoor kitchen/bar, large dining area, covered pavilion and fireplace patio, in-ground swimming pool with accompanying pool deck, and a raised gas fire pit patio bordered by a curved seat wall. The theme of contrast runs throughout the project while unifying each of the features. Light and dark, smooth and textured, linear and sinuous play off each other adding interest and bringing attention to the materials used. The large pavers were chosen to fit the grand scale and style of the project, additionally creating a smooth surface along the pool deck, all while having a minimal joint between pavers. Textured dark grey and brown pavers provide accents and borders throughout the site. Seven feet of elevation change from the threshold of the house to the back side of the pool wall had to be taken into account. Retaining walls and the placement of patios limit the amount of stairs between areas, as requested by the homeowner, while still creating vertical interest in key places such as the fire pit patio. Non-concrete elements such as the palm trees, wooden pergolas and columns combine with the hardscaping to create a truly unique and relaxing slice of paradise.

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.