Collaboration with Canonbury Homes and Frank Neely Design Associates.
Inspiration for a timeless open concept kitchen remodel in Atlanta with beaded inset cabinets and two islands

The cabin typology redux came out of the owner’s desire to have a house that is warm and familiar, but also “feels like you are on vacation.” The basis of the “Hewn House” design starts with a cabin’s simple form and materiality: a gable roof, a wood-clad body, a prominent fireplace that acts as the hearth, and integrated indoor-outdoor spaces. However, rather than a rustic style, the scheme proposes a clean-lined and “hewned” form, sculpted, to best fit on its urban infill lot. The plan and elevation geometries are responsive to the unique site conditions. Existing prominent trees determined the faceted shape of the main house, while providing shade that projecting eaves of a traditional log cabin would otherwise offer. Deferring to the trees also allows the house to more readily tuck into its leafy East Austin neighborhood, and is therefore more quiet and secluded. Natural light and coziness are key inside the home. Both the common zone and the private quarters extend to sheltered outdoor spaces of varying scales: the front porch, the private patios, and the back porch which acts as a transition to the backyard. Similar to the front of the house, a large cedar elm was preserved in the center of the yard. Sliding glass doors open up the interior living zone to the backyard life while clerestory windows bring in additional ambient light and tree canopy views. The wood ceiling adds warmth and connection to the exterior knotted cedar tongue & groove. The iron spot bricks with an earthy, reddish tone around the fireplace cast a new material interest both inside and outside. The gable roof is clad with standing seam to reinforced the clean-lined and faceted form. Furthermore, a dark gray shade of stucco contrasts and complements the warmth of the cedar with its coolness. A freestanding guest house both separates from and connects to the main house through a small, private patio with a tall steel planter bed. Photo by Charles Davis Smith

The cabin typology redux came out of the owner’s desire to have a house that is warm and familiar, but also “feels like you are on vacation.” The basis of the “Hewn House” design starts with a cabin’s simple form and materiality: a gable roof, a wood-clad body, a prominent fireplace that acts as the hearth, and integrated indoor-outdoor spaces. However, rather than a rustic style, the scheme proposes a clean-lined and “hewned” form, sculpted, to best fit on its urban infill lot. The plan and elevation geometries are responsive to the unique site conditions. Existing prominent trees determined the faceted shape of the main house, while providing shade that projecting eaves of a traditional log cabin would otherwise offer. Deferring to the trees also allows the house to more readily tuck into its leafy East Austin neighborhood, and is therefore more quiet and secluded. Natural light and coziness are key inside the home. Both the common zone and the private quarters extend to sheltered outdoor spaces of varying scales: the front porch, the private patios, and the back porch which acts as a transition to the backyard. Similar to the front of the house, a large cedar elm was preserved in the center of the yard. Sliding glass doors open up the interior living zone to the backyard life while clerestory windows bring in additional ambient light and tree canopy views. The wood ceiling adds warmth and connection to the exterior knotted cedar tongue & groove. The iron spot bricks with an earthy, reddish tone around the fireplace cast a new material interest both inside and outside. The gable roof is clad with standing seam to reinforced the clean-lined and faceted form. Furthermore, a dark gray shade of stucco contrasts and complements the warmth of the cedar with its coolness. A freestanding guest house both separates from and connects to the main house through a small, private patio with a tall steel planter bed. Photo by Charles Davis Smith

The cabin typology redux came out of the owner’s desire to have a house that is warm and familiar, but also “feels like you are on vacation.” The basis of the “Hewn House” design starts with a cabin’s simple form and materiality: a gable roof, a wood-clad body, a prominent fireplace that acts as the hearth, and integrated indoor-outdoor spaces. However, rather than a rustic style, the scheme proposes a clean-lined and “hewned” form, sculpted, to best fit on its urban infill lot. The plan and elevation geometries are responsive to the unique site conditions. Existing prominent trees determined the faceted shape of the main house, while providing shade that projecting eaves of a traditional log cabin would otherwise offer. Deferring to the trees also allows the house to more readily tuck into its leafy East Austin neighborhood, and is therefore more quiet and secluded. Natural light and coziness are key inside the home. Both the common zone and the private quarters extend to sheltered outdoor spaces of varying scales: the front porch, the private patios, and the back porch which acts as a transition to the backyard. Similar to the front of the house, a large cedar elm was preserved in the center of the yard. Sliding glass doors open up the interior living zone to the backyard life while clerestory windows bring in additional ambient light and tree canopy views. The wood ceiling adds warmth and connection to the exterior knotted cedar tongue & groove. The iron spot bricks with an earthy, reddish tone around the fireplace cast a new material interest both inside and outside. The gable roof is clad with standing seam to reinforced the clean-lined and faceted form. Furthermore, a dark gray shade of stucco contrasts and complements the warmth of the cedar with its coolness. A freestanding guest house both separates from and connects to the main house through a small, private patio with a tall steel planter bed. Photo by Charles Davis Smith

Urban entryway photo in Tokyo

Inspiration for a country medium tone wood floor and brown floor dining room remodel in Chicago with white walls

Sutter Photographers The Hardware Studio - hardware Martinwood Cabinetry - millwork Studio GlassWorks - glass countertop Window Design Center - awning window Nonn's Showplace - quartz, granite countertops • The most difficult part of the project was figuring out all the technical details to install the glass counter-top, which would weigh about 300 pounds! • One goal was to avoid seeing the cabinet supports through the glass. The glass itself proposed problems because it had a wavy texture and separate confetti glass that could be added to the bottom. Therefore, we needed to add something below it. • A custom steel base was designed to carry the weight yet float the glass so you are able to see the beauty of the glass itself. A small 1/2 inch trim piece on the steel was added to accomplish this task. • Once the steel was made, we took it to the glass distributor. We turned the very heavy base upside down, traced the 1/2 inch trim piece on a full size piece of paper, and sent it to the glass manufacturer. • After this, the base was sent to a powder coater and the raw steel was transformed into a beautiful champagne color. • In the meantime, the glass manufacturer molded a channel for the glass to rest that would suspend the glass 1/2 inch higher than the powder coated steel base. • The glass manufacturer was instructed to make the top of the glass smooth so it would hold a plate without rocking; they added an extra layer of 1/4 inch glass after it was fired the first time to accomplish this. • When the base was brought to the job site, the carpenter installed a thick 6 inch block of wood through the tile and into the floor joists. The hollow 6 inch square base of the steel table was glued and screwed into the wood. The base was leveled and ready for the top to arrive several days later. • The glass installers put it over the base, and it fit PERFECTLY! (whew) • The steel base is 3 inches smaller than the glass, creating a see-through effect around the entire perimeter of the kidney bean shape. • The granite was then templated by using a specialized camera that measured the curve of the glass. However, upon arrival, the fit was less than perfect. Thanks to a patient and skilled granite installer from Nonn's Showroom who spent several hours hand grinding and polishing the curve on site until it fit perfectly. • A small bead of silicone between the granite and the glass was all that was needed to complete the perfect installation. • With a few shims under the end of the granite, the top is perfectly level! • Our client was extremely excited and very patient with the process because they trusted our abilities so that the end result would be spectacular.

Today’s skyscrapers do not accommodate ever-changing uses, health, and energy crisis. onE.GLobe proposes organically grown, flexible, and scalable live-work-play structures which can adapt to any condition. Stress increases the risk of chronic diseases, the leading cause of death and disability with around 75% (Source 1a, 1b). Improving human health through a thoughtfully designed environment is as important as energy conservation and carbon sequestration. We can also address all three goals with similar solutions, such as allocating large green areas, water features, and diverse uses in proximity. Nature makes people happier and healthier, and it also absorbs stormwater and can be used for renewable energy production. Therefore, we can achieve resiliency for both environment and society easily together. Amoeba Fusion aims to empower societies by providing a space for decentralized, innovative start-up communities. onE.GLobe considers the built environment a living, breathing, multiplying organism, evolving in nature with harmony. The structure can grow horizontally and vertically by adding new cores in different directions per each site condition. It creates public plazas shaded and shielded by the building as it grows. Fully self-sufficient structure houses flexible 3D printed dwellings and workspaces surrounded by semi-open garden spaces and atrium. Thirty feet deep floor plates receive daylight from the exterior and atrium and can conveniently be used as open-plan office space. Electrical, plumbing, and HVAC systems are distributed through modular floor plates, on which 3D printed modules are flexibly plugged in. 3D printed inflatable shells with indoor air cleaning plants house a plug-in kitchen, bedroom, workspace, and bathroom modules. The bridge-connected clusters have decentralized systems with the off-grid micro-grid integrating renewable energy sources and excess energy storage. Compact layouts provide space for an increasing number of entrepreneurs, making them socialize and inspire near their accommodation. Eliminating corridors in dwelling units with an efficient design and replacing them with the garden space surrounding units achieve this endeavor. Amoeba Fusion New York is located at a General Commercial Zoning district in NYC with residential and commercial uses. The site currently accommodates six towers. This project explores a more resilient design solution for an innovative, diverse community for the post-pandemic world. Located in the Lincoln Square neighborhood in Manhattan, bordering Hell’s Kitchen with countless restaurants, the site is close to various public transportation, universities, cultural spaces, and businesses, making it ideal for an innovative, creative crowd. Mixed-use commercial and residential buildings are allowed with a floor area bonus of 20% with a public plaza. With tower regulation, there is no minimum lot coverage requirement, and no rule regarding the distribution of floor area allows the tallest buildings in the city. There are plenty of luxury residential buildings in New York City, but they don’t serve innovative young people and entrepreneurs. Co-living buildings do not provide proper workspaces within the facility. For these reasons, onE.GLobe aims to investigate ways to design long-term live-work-play environments for innovative young people and ease the effects of the future pandemics with its efficient, flexible dwelling units and workspaces surrounded by semi-open garden spaces, atrium, rooftops, public plazas, and wet ponds.

The stargazing area designed and constructed by Southern Landscape features a limestone retaining wall with planters, pergola, and custom firepit to allow the homeowner to enjoy the beautiful evenings in the Texas Hill Country.

The cabin typology redux came out of the owner’s desire to have a house that is warm and familiar, but also “feels like you are on vacation.” The basis of the “Hewn House” design starts with a cabin’s simple form and materiality: a gable roof, a wood-clad body, a prominent fireplace that acts as the hearth, and integrated indoor-outdoor spaces. However, rather than a rustic style, the scheme proposes a clean-lined and “hewned” form, sculpted, to best fit on its urban infill lot. The plan and elevation geometries are responsive to the unique site conditions. Existing prominent trees determined the faceted shape of the main house, while providing shade that projecting eaves of a traditional log cabin would otherwise offer. Deferring to the trees also allows the house to more readily tuck into its leafy East Austin neighborhood, and is therefore more quiet and secluded. Natural light and coziness are key inside the home. Both the common zone and the private quarters extend to sheltered outdoor spaces of varying scales: the front porch, the private patios, and the back porch which acts as a transition to the backyard. Similar to the front of the house, a large cedar elm was preserved in the center of the yard. Sliding glass doors open up the interior living zone to the backyard life while clerestory windows bring in additional ambient light and tree canopy views. The wood ceiling adds warmth and connection to the exterior knotted cedar tongue & groove. The iron spot bricks with an earthy, reddish tone around the fireplace cast a new material interest both inside and outside. The gable roof is clad with standing seam to reinforced the clean-lined and faceted form. Furthermore, a dark gray shade of stucco contrasts and complements the warmth of the cedar with its coolness. A freestanding guest house both separates from and connects to the main house through a small, private patio with a tall steel planter bed. Photo by Charles Davis Smith

The cabin typology redux came out of the owner’s desire to have a house that is warm and familiar, but also “feels like you are on vacation.” The basis of the “Hewn House” design starts with a cabin’s simple form and materiality: a gable roof, a wood-clad body, a prominent fireplace that acts as the hearth, and integrated indoor-outdoor spaces. However, rather than a rustic style, the scheme proposes a clean-lined and “hewned” form, sculpted, to best fit on its urban infill lot. The plan and elevation geometries are responsive to the unique site conditions. Existing prominent trees determined the faceted shape of the main house, while providing shade that projecting eaves of a traditional log cabin would otherwise offer. Deferring to the trees also allows the house to more readily tuck into its leafy East Austin neighborhood, and is therefore more quiet and secluded. Natural light and coziness are key inside the home. Both the common zone and the private quarters extend to sheltered outdoor spaces of varying scales: the front porch, the private patios, and the back porch which acts as a transition to the backyard. Similar to the front of the house, a large cedar elm was preserved in the center of the yard. Sliding glass doors open up the interior living zone to the backyard life while clerestory windows bring in additional ambient light and tree canopy views. The wood ceiling adds warmth and connection to the exterior knotted cedar tongue & groove. The iron spot bricks with an earthy, reddish tone around the fireplace cast a new material interest both inside and outside. The gable roof is clad with standing seam to reinforced the clean-lined and faceted form. Furthermore, a dark gray shade of stucco contrasts and complements the warmth of the cedar with its coolness. A freestanding guest house both separates from and connects to the main house through a small, private patio with a tall steel planter bed. Photo by Charles Davis Smith

The cabin typology redux came out of the owner’s desire to have a house that is warm and familiar, but also “feels like you are on vacation.” The basis of the “Hewn House” design starts with a cabin’s simple form and materiality: a gable roof, a wood-clad body, a prominent fireplace that acts as the hearth, and integrated indoor-outdoor spaces. However, rather than a rustic style, the scheme proposes a clean-lined and “hewned” form, sculpted, to best fit on its urban infill lot. The plan and elevation geometries are responsive to the unique site conditions. Existing prominent trees determined the faceted shape of the main house, while providing shade that projecting eaves of a traditional log cabin would otherwise offer. Deferring to the trees also allows the house to more readily tuck into its leafy East Austin neighborhood, and is therefore more quiet and secluded. Natural light and coziness are key inside the home. Both the common zone and the private quarters extend to sheltered outdoor spaces of varying scales: the front porch, the private patios, and the back porch which acts as a transition to the backyard. Similar to the front of the house, a large cedar elm was preserved in the center of the yard. Sliding glass doors open up the interior living zone to the backyard life while clerestory windows bring in additional ambient light and tree canopy views. The wood ceiling adds warmth and connection to the exterior knotted cedar tongue & groove. The iron spot bricks with an earthy, reddish tone around the fireplace cast a new material interest both inside and outside. The gable roof is clad with standing seam to reinforced the clean-lined and faceted form. Furthermore, a dark gray shade of stucco contrasts and complements the warmth of the cedar with its coolness. A freestanding guest house both separates from and connects to the main house through a small, private patio with a tall steel planter bed. Photo by Charles Davis Smith

The cabin typology redux came out of the owner’s desire to have a house that is warm and familiar, but also “feels like you are on vacation.” The basis of the “Hewn House” design starts with a cabin’s simple form and materiality: a gable roof, a wood-clad body, a prominent fireplace that acts as the hearth, and integrated indoor-outdoor spaces. However, rather than a rustic style, the scheme proposes a clean-lined and “hewned” form, sculpted, to best fit on its urban infill lot. The plan and elevation geometries are responsive to the unique site conditions. Existing prominent trees determined the faceted shape of the main house, while providing shade that projecting eaves of a traditional log cabin would otherwise offer. Deferring to the trees also allows the house to more readily tuck into its leafy East Austin neighborhood, and is therefore more quiet and secluded. Natural light and coziness are key inside the home. Both the common zone and the private quarters extend to sheltered outdoor spaces of varying scales: the front porch, the private patios, and the back porch which acts as a transition to the backyard. Similar to the front of the house, a large cedar elm was preserved in the center of the yard. Sliding glass doors open up the interior living zone to the backyard life while clerestory windows bring in additional ambient light and tree canopy views. The wood ceiling adds warmth and connection to the exterior knotted cedar tongue & groove. The iron spot bricks with an earthy, reddish tone around the fireplace cast a new material interest both inside and outside. The gable roof is clad with standing seam to reinforced the clean-lined and faceted form. Furthermore, a dark gray shade of stucco contrasts and complements the warmth of the cedar with its coolness. A freestanding guest house both separates from and connects to the main house through a small, private patio with a tall steel planter bed. Photo by Charles Davis Smith

Located in the Houston Heights, the Waverly Residence is a modern home on an established street of two story homes boasting front porch typologies. The family’s desire for privacy resulted in a porch that rotates to internalize most of its function while still addressing the street. For this active family, yard activity and it’s visibility from within the home emerged as a priority for approaching the building’s relationship to the lot. Justifying the building mass to the Northern half of the site reinforces the scale of the design to the surrounding buildings and creates a large southern yard dedicated to play and brisket (is a Texas house a house without a barbeque?). The ground floor is clad in metal panel and a wood rainscreen that peels away from the structure to become both a fence and an entry threshold, blending the registration between the yard's privacy enclosure and the building skin. Variable width fiber-cement siding clads the second floor as a nod to the neighborhood vernacular. The pool and outdoor kitchen sit at the center of the yard, forming an island that divides the open play from private vehicular access at the alley. Photo by Benjamin Hill Photography

The cabin typology redux came out of the owner’s desire to have a house that is warm and familiar, but also “feels like you are on vacation.” The basis of the “Hewn House” design starts with a cabin’s simple form and materiality: a gable roof, a wood-clad body, a prominent fireplace that acts as the hearth, and integrated indoor-outdoor spaces. However, rather than a rustic style, the scheme proposes a clean-lined and “hewned” form, sculpted, to best fit on its urban infill lot. The plan and elevation geometries are responsive to the unique site conditions. Existing prominent trees determined the faceted shape of the main house, while providing shade that projecting eaves of a traditional log cabin would otherwise offer. Deferring to the trees also allows the house to more readily tuck into its leafy East Austin neighborhood, and is therefore more quiet and secluded. Natural light and coziness are key inside the home. Both the common zone and the private quarters extend to sheltered outdoor spaces of varying scales: the front porch, the private patios, and the back porch which acts as a transition to the backyard. Similar to the front of the house, a large cedar elm was preserved in the center of the yard. Sliding glass doors open up the interior living zone to the backyard life while clerestory windows bring in additional ambient light and tree canopy views. The wood ceiling adds warmth and connection to the exterior knotted cedar tongue & groove. The iron spot bricks with an earthy, reddish tone around the fireplace cast a new material interest both inside and outside. The gable roof is clad with standing seam to reinforced the clean-lined and faceted form. Furthermore, a dark gray shade of stucco contrasts and complements the warmth of the cedar with its coolness. A freestanding guest house both separates from and connects to the main house through a small, private patio with a tall steel planter bed. Photo by Charles Davis Smith

The cabin typology redux came out of the owner’s desire to have a house that is warm and familiar, but also “feels like you are on vacation.” The basis of the “Hewn House” design starts with a cabin’s simple form and materiality: a gable roof, a wood-clad body, a prominent fireplace that acts as the hearth, and integrated indoor-outdoor spaces. However, rather than a rustic style, the scheme proposes a clean-lined and “hewned” form, sculpted, to best fit on its urban infill lot. The plan and elevation geometries are responsive to the unique site conditions. Existing prominent trees determined the faceted shape of the main house, while providing shade that projecting eaves of a traditional log cabin would otherwise offer. Deferring to the trees also allows the house to more readily tuck into its leafy East Austin neighborhood, and is therefore more quiet and secluded. Natural light and coziness are key inside the home. Both the common zone and the private quarters extend to sheltered outdoor spaces of varying scales: the front porch, the private patios, and the back porch which acts as a transition to the backyard. Similar to the front of the house, a large cedar elm was preserved in the center of the yard. Sliding glass doors open up the interior living zone to the backyard life while clerestory windows bring in additional ambient light and tree canopy views. The wood ceiling adds warmth and connection to the exterior knotted cedar tongue & groove. The iron spot bricks with an earthy, reddish tone around the fireplace cast a new material interest both inside and outside. The gable roof is clad with standing seam to reinforced the clean-lined and faceted form. Furthermore, a dark gray shade of stucco contrasts and complements the warmth of the cedar with its coolness. A freestanding guest house both separates from and connects to the main house through a small, private patio with a tall steel planter bed. Photo by Charles Davis Smith

The cabin typology redux came out of the owner’s desire to have a house that is warm and familiar, but also “feels like you are on vacation.” The basis of the “Hewn House” design starts with a cabin’s simple form and materiality: a gable roof, a wood-clad body, a prominent fireplace that acts as the hearth, and integrated indoor-outdoor spaces. However, rather than a rustic style, the scheme proposes a clean-lined and “hewned” form, sculpted, to best fit on its urban infill lot. The plan and elevation geometries are responsive to the unique site conditions. Existing prominent trees determined the faceted shape of the main house, while providing shade that projecting eaves of a traditional log cabin would otherwise offer. Deferring to the trees also allows the house to more readily tuck into its leafy East Austin neighborhood, and is therefore more quiet and secluded. Natural light and coziness are key inside the home. Both the common zone and the private quarters extend to sheltered outdoor spaces of varying scales: the front porch, the private patios, and the back porch which acts as a transition to the backyard. Similar to the front of the house, a large cedar elm was preserved in the center of the yard. Sliding glass doors open up the interior living zone to the backyard life while clerestory windows bring in additional ambient light and tree canopy views. The wood ceiling adds warmth and connection to the exterior knotted cedar tongue & groove. The iron spot bricks with an earthy, reddish tone around the fireplace cast a new material interest both inside and outside. The gable roof is clad with standing seam to reinforced the clean-lined and faceted form. Furthermore, a dark gray shade of stucco contrasts and complements the warmth of the cedar with its coolness. A freestanding guest house both separates from and connects to the main house through a small, private patio with a tall steel planter bed. Photo by Charles Davis Smith

Sutter Photographers The Hardware Studio - hardware Martinwood Cabinetry - millwork Studio GlassWorks - glass countertop Window Design Center - awning window Nonn's Showplace - quartz, granite countertops • The most difficult part of the project was figuring out all the technical details to install the glass counter-top, which would weigh about 300 pounds! • One goal was to avoid seeing the cabinet supports through the glass. The glass itself proposed problems because it had a wavy texture and separate confetti glass that could be added to the bottom. Therefore, we needed to add something below it. • A custom steel base was designed to carry the weight yet float the glass so you are able to see the beauty of the glass itself. A small 1/2 inch trim piece on the steel was added to accomplish this task. • Once the steel was made, we took it to the glass distributor. We turned the very heavy base upside down, traced the 1/2 inch trim piece on a full size piece of paper, and sent it to the glass manufacturer. • After this, the base was sent to a powder coater and the raw steel was transformed into a beautiful champagne color. • In the meantime, the glass manufacturer molded a channel for the glass to rest that would suspend the glass 1/2 inch higher than the powder coated steel base. • The glass manufacturer was instructed to make the top of the glass smooth, so it would hold a plate without rocking; they added an extra layer of 1/4 inch glass after it was fired the first time to accomplish this. • When the base was brought to the job site, the carpenter installed a thick 6 inch block of wood through the tile and into the floor joists. The hollow 6 inch square base of the steel table was glued and screwed into the wood. The base was leveled and ready for the top to arrive several days later. • The glass installers put it over the base, and it fit PERFECTLY! (whew) • The steel base is 3 inches smaller than the glass, creating a see-through effect around the entire perimeter of the kidney bean shape. • The granite was then templated by using a specialized camera that measured the curve of the glass. However, upon arrival, the fit was less than perfect. Thanks to a patient and skilled granite installer from Nonn's Showplace spent several hours hand grinding and polishing the curve on site until it fit perfectly. • A small bead of silicone between the granite and the glass was all that was needed to complete the perfect installation. • With a few shims under the end of the granite, the top is perfectly level! • Our client was extremely excited and very patient with the process because they trusted our abilities so that the end result would be spectacular.

An ordinary backyard in Park Slope was transformed by defining the space with a change of level, and the use of brick and bluestone to provide seating, eating and hammock areas. Romantic, soft plantings are designed for lushness and seasonal interest.