A small courtyard garden in San Francisco. • Creative use of space in the dense, urban fabric of hilly SF. • For the last several years the clients had carved out a make shift courtyard garden at the top of their driveway. It was one of the few flat spaces in their yard where they could sit in the sun and enjoy a cup of coffee. We turned the top of a steep driveway into a courtyard garden. • The actual courtyard design was planned for the maximum dimensions possible to host a dining table and a seating area. The space is conveniently located outside their kitchen and home offices. However we needed to save driveway space for parking the cars and getting in and out. • The design, fabrication and installation team was comprised of people we knew. I was an acquaintance to the clients having met them through good friends. The landscape contractor, Boaz Mor, http://www.boazmor.com/, is their neighbor and someone I worked with before. The metal fabricator is Murray Sandford of Moz Designs, https://mozdesigns.com/, https://www.instagram.com/moz_designs/ . Both contractors have long histories of working in the Bay Area on a variety of complex designs. • The size of this garden belies the complexity of the design. We did not want to remove any of the concrete driveway which was 12” or more in thickness, except for the area where the large planter was going. The driveway sloped in two directions. In order to get a “level”, properly, draining patio, we had to start it at around 21” tall at the outside and end it flush by the garage doors. • The fence is the artful element in the garden. It is made of power-coated aluminum. The panels match the house color; and posts match the house trim. The effect is quiet, blending into the overall property. The panels are dramatic. Each fence panel is a different size with a unique pattern. • The exterior panels that you see from the street are an abstract riff on the seasons of the Persian walnut tree in their front yard. The cut-outs illustrate spring bloom when the walnut leafs out to autumn when the nuts drop to the ground and the squirrels eats them, leaving a mess of shells everywhere. Even the pesky squirrel appears on one of the panels. • The interior panels, lining the entry into the courtyard, are an abstraction of the entire walnut tree. • Although the panel design is made of perforations, the openings are designed to retain privacy when you are inside the courtyard. • There is a large planter on one side of the courtyard, big enough for a tree to soften a harsh expanse of a neighboring wall. Light through the branches cast playful shadows on the wall behind. • The lighting, mounted on the house is a nod to the client’s love of New Orleans gas lights. • The paving is black stone from India, dark enough to absorb the warmth of the sun on a cool, summer San Francisco day.

2010 NATIONAL NARI REGIONAL AWARD WINNER Project Scope The owners of this 7,000 square foot colonial in Oakton, Virginia, were seeking a multi-level Mediterranean-style indoor/outdoor living space off the back of their home. They turned to Michael Nash Design, Build & Homes for a design solution that would include a stone patio, a second-story deck, a screened-in porch and linking staircases. While the structure was designed primarily for family dining and entertaining, it also had to accommodate periodic social gatherings of one hundred guests or more. To meet these needs, the project would include a fully-equipped outdoor kitchen, several serving counters with permanent refrigeration, and well-delineated socializing and dining zones. The existing home’s setting offered several impressive assets the new outdoor living area was designed to exploit. The sprawling acreage features old stand trees, wooded paths and a private lake. Beautifully landscaped, it unfolds as an idyllic panorama that naturally draws people to the outdoors. Challenges Since the rear elevation was situated on a slope that drops away from the house, the Michael Nash team had to raise the grade two feet within in a 2,000 square foot area extending out from the back of the house. Infrastructure plans also called for a sophisticated drainage system that had to accommodate a whole series of water “runoff” considerations to be integrated into the decking itself. Excavation included constructing retaining walls to bolster the elevated grade—which also had to support a concrete slab, the primary foundation for the entire complex. Solutions The ground level decking consists of a 2,000 square foot flagstone patio level with the home’s lower level doors. There is a decorative water fountain mid-patio—an ornate collectible acquired in Florida. Food preparation is concentrated within a specially designed semi-circular wall that creates an “outdoor kitchen” equipped with a 60” Viking barbecue grill, a prep sink, a warming drawer, refrigerator and appropriate storage. There is a granite surfaced dining counter with seating for eight. Wrought iron railing and approximately 20 decorative columns (some encasing steel vertical supports) are incorporated into the design scheme. Many of the columns house accent lights. The top level—supported by horizontal steel beams– is a 2,500 square foot deck constructed entirely of Trex decking. The open air decking is, again, directly accessible from rooms on the second level of the house including the kitchen, sunroom and family room. The platform’s most prominent feature is a U-shaped “kitchenette” with cedar shake shingle roofing. Like its counterpart one level below, the facility is equipped with grill, refrigerator and stainless steel cabinetry. One portion of the deck has been allocated for a 16’ x 16’ octagonal screened-in porch crowned by a pair of 2’ x 4’ skylights. The porch can be accessed from the home’s conservatory via a set of French doors. With its mosaic tile flooring, stained cedar panel ceiling and honed granite counters, the interior is elegant and calming. Hand-painted stenciling and a wall-mounted water feature provide distinctive detailing. Finally, the design introduced elements to highlight and reinforce an awareness of the lovely bucolic setting. Fountains and water features combined with textured surfaces and mosaic tiling and backsplashes to present a villa-like ambiance well-suited to the Virginia countryside.

German Embassy in Pristina - Kosovo, contracted the architecture office “Ferizi + Ferizi Architects” to plan and implement an Annex Office building for their purposes. As detached part of this building is designed the waiting area, as alone standing structure. This Office Building is constructed by assembling of Eight used office containers that were delivered on trucks and set up after only a few hours on the basis of the LEGO principle, according to the planning on strip foundations. By removing the flexible exterior wall panels, a large room of 115 m² was created, with the counter wall as a room partition between two office spaces, each with seven workstations as well as three counters for agents on one side and a room for visitors on the other side. With this system, room solutions can be easily implemented in all dimensions. The container, seen as a geometric shape, is a simple, octagonal, solid box. The standardized perfection of its dimensions is striking: 2.44 meters wide, 2.59 meters high and 6.06 meters or 12.19 meters long. Since its introduction in 1956 by the American transport entrepreneur Malcom McLean, the container has become a standardized transport module worldwide, whether on ships, trucks or construction sites. The shipping containers have additionally revolutionized the transport industry, pushed the globalization noticeably, and thus directly or indirectly influenced all our lives. But after only a few years, when the first overseas containers wore out, many engineers recognized the positive properties of used shipping containers for building houses, especially since they are robust, flexible, multifunctional and second-hand relatively inexpensive to purchase. The time has long passed by to treat containers exclusively as transport objects. As a "measure of all things", containers can hardly be ignored in construction. Their use is no longer limited to temporary use since school containers, information containers, office containers or entire residential buildings are now part of our everyday life in the construction industry. However, current examples of the container architecture prove that even the most demanding solutions for container building are feasible. For their specific aesthetic and spatial qualities, containers also serve as design parameters for the development of new forms of architecture and urbanity. The office building as an extension of the visa section, characterized by modern materials and contemporary aesthetics has been designed and built mainly as a low-energy building. Extensive insulation to achieve a comfortable and sustainable constant temperature in the interior, high window quality and low energy consumption make the building energy-efficient. The sophisticated lighting technology, networks, heating systems and air-conditioning systems are also components of this equipment. It creates an overall harmonic picture and guarantees the highest standard in sustainable construction, taking into consideration the fact that environmentally friendly recycling and reutilization have become an increasingly important issue in our society. West and East side of the wooden facade is compact and has few openings, while the southern facade is completely open with lot of glass. Its spatial openness ensures a transparent, friendly work environment, which allows a lot of light into the space. This openness allows an uninterrupted, pleasant and close-to-nature view from interior spaces into the beautiful garden. During the installation of sophisticated light sources in the garden, emphasis was not only put on functionality and security, but also on the beauty of the garden shown through the illumination in the evening. Large, horizontal white “brisole” serve as external sun protection systems, mounted on the canopies of the entrance areas of the modular construction and the enclosure, adeptly cast shade on these areas and at the same time shape the entire architectural language. While on one hand, the two quadratic ledges suspended in the air, are docked with steel stairs and match the wooden façade, lead the staff to their office space, the artful modern interior, on the other hand, perfectly unites the functionality, innovative technology, culture and positive effects on the employees' efficiency and wellbeing. A lot of white, interjected by warm wooden and colored accents, determines the ambience. In the case of the lighting solution, the mainly linear ceiling lighting is used as the overlapping design element both for the offices of the visa section as well as for the counters and the waiting area for the visitors. They underline the puristic design in order to create a pleasant light for a desired general illumination and ensure optimal light conditions without causing disturbing reflections on the computer screens. In addition, precisely positioned pendant luminaires are installed at the workstations, which ensure pleasant room brightness. In the entrance area, the harmonic and uniform lighting effect from the ground highlights the integration of photography and architecture. Photographs of landscapes, people, places, expressing unforgettable, impressive moments and memories have been lovingly engraved on 8 x 8cm square oak blocks. The idea of an effective, impressive environment that stimulates and inspires the work was the premiss on which the whole design concept was based. Consequently, the modular construction was no longer viewed through its history of utilization and scars, but rather as a structure of work ambiance, art and elegance. FERIZI + FERIZI Architects Photo: Arben Llapashtica

Collaboration with Canonbury Homes and Frank Neely Design Associates.
Inspiration for a timeless open concept kitchen remodel in Atlanta with beaded inset cabinets and two islands

Build Your Dream Home Theater with HI Solutions Transform your living space into the ultimate cinema experience with HI Solutions. Whether you have an unfinished basement, an unused room, or even just your living room, our expert team can create a custom home theater that exceeds your expectations. Why Choose HI Solutions for Your Home Theater? Expert Consultation: Our specialists work with you to design a home theater that fits your space and lifestyle. We consider every detail, from room acoustics to seating arrangements, ensuring a perfect setup. Customized Solutions: No matter the size or shape of your space, we tailor our designs to meet your specific needs. From luxurious, dedicated theater rooms to versatile living room setups, HI Solutions brings your vision to life. High-Quality Equipment: We use the latest in audio-visual technology, including 4K projectors, surround sound systems, and smart home integration. Enjoy crystal-clear visuals and immersive sound that make you feel like you're part of the action. Professional Installation: Our experienced technicians handle everything from wiring and mounting to system calibration, ensuring a seamless installation. We take care of the technical details so you can focus on enjoying your new home theater. Ongoing Support: HI Solutions offers comprehensive support and maintenance services, ensuring your home theater continues to perform at its best. We're always here to help with any questions or upgrades. Unfinished Space? Unused Room? Living Room? We’ve Got You Covered Unfinished Basement: Turn your basement or attic into a state-of-the-art home theater. HI Solutions can transform even the most challenging spaces into a cinematic paradise. Unused Room: Maximize the potential of any spare room by converting it into a dedicated theater room. Our designs optimize space and functionality, giving you a private escape for movie nights. Living Room: Create a multi-functional living room with a high-quality theater setup. We seamlessly integrate technology into your existing decor, providing an exceptional entertainment experience without compromising style. Get Started with HI Solutions Today

A small courtyard garden in San Francisco. • Creative use of space in the dense, urban fabric of hilly SF. • For the last several years the clients had carved out a make shift courtyard garden at the top of their driveway. It was one of the few flat spaces in their yard where they could sit in the sun and enjoy a cup of coffee. We turned the top of a steep driveway into a courtyard garden. • The actual courtyard design was planned for the maximum dimensions possible to host a dining table and a seating area. The space is conveniently located outside their kitchen and home offices. However we needed to save driveway space for parking the cars and getting in and out. • The design, fabrication and installation team was comprised of people we knew. I was an acquaintance to the clients having met them through good friends. The landscape contractor, Boaz Mor, http://www.boazmor.com/, is their neighbor and someone I worked with before. The metal fabricator is Murray Sandford of Moz Designs, https://mozdesigns.com/, https://www.instagram.com/moz_designs/ . Both contractors have long histories of working in the Bay Area on a variety of complex designs. • The size of this garden belies the complexity of the design. We did not want to remove any of the concrete driveway which was 12” or more in thickness, except for the area where the large planter was going. The driveway sloped in two directions. In order to get a “level”, properly, draining patio, we had to start it at around 21” tall at the outside and end it flush by the garage doors. • The fence is the artful element in the garden. It is made of power-coated aluminum. The panels match the house color; and posts match the house trim. The effect is quiet, blending into the overall property. The panels are dramatic. Each fence panel is a different size with a unique pattern. • The exterior panels that you see from the street are an abstract riff on the seasons of the Persian walnut tree in their front yard. The cut-outs illustrate spring bloom when the walnut leafs out to autumn when the nuts drop to the ground and the squirrels eats them, leaving a mess of shells everywhere. Even the pesky squirrel appears on one of the panels. • The interior panels, lining the entry into the courtyard, are an abstraction of the entire walnut tree. • Although the panel design is made of perforations, the openings are designed to retain privacy when you are inside the courtyard. • There is a large planter on one side of the courtyard, big enough for a tree to soften a harsh expanse of a neighboring wall. Light through the branches cast playful shadows on the wall behind. • The lighting, mounted on the house is a nod to the client’s love of New Orleans gas lights. • The paving is black stone from India, dark enough to absorb the warmth of the sun on a cool, summer San Francisco day.

Standard features include heat sentry and dual setting halogen lighting. Available in seven widths, all Wolf Pro Wall Hoods have the classic stainless steel finish. DESIGN FEATURES: Heavy-duty, 16-gauge brushed stainless steel with classic finish—continually welded seams, hemmed edges and sides Stainless steel enclosed liner Recessed easy-access controls Infinite-speed blower control Heat sentry feature Halogen lighting with two settings Heat lamps available on 27” deep models only – bulbs not included Removable, dishwasher-safe, restaurant-grade stainless steel baffle filters SPECIFICATIONS: Exterior Finish Stainless Steel Bottom of Hood to Countertop 30" to 36" Discharge Vertical or Horizontal Duct Size 10" Round Electrical Requirements 110/120 V AC 60 Hz, 15 amp dedicated circuit RELATED ACCESSORIES OFFERED: 300 CFM Internal Blower (814419) 450 CFM Internal Blower (814420) 900 CFM Internal Blower (814422) 1200 CFM Internal Blower (814423) 1100 CFM In-Line Blower (808332) Remote 900 CFM Blower (801641) Remote 1200 CFM Blower (801642) Remote 1500 CFM Blower (804701) Horizontal Discharge Kit (811091) 48" x 38" Backsplash (810428) Backsplash with Racks (810435) 6" Duct Cover (810713) 12" Duct Cover (810720) 18" Duct Cover (810727) 24" Duct Cover (810734) 30" Duct Cover (813972) Make-Up Air Damper (820071) PRODUCT DIMENSIONS: Overall Widths 30", 36", 42", 48", 54", 60" and 66" Overall Height 18" Overall Depth 27"

Featured in St. Louis At Home magazine. A 1970s ranch hall bath is made over as a contemporary spa retreat. Floating cabinets with under cabinet lighting, along with large porcelain floor tiles, make the room feel very spacious. Simple, clean lines and surfaces lend a minimalist feel to the room. A little whimsy is found in the "city skyline" glass tile back splash. The round mirror mimics a full moon shining above the city. Michael Jacob Photography

Build Your Dream Home Theater with HI Solutions Transform your living space into the ultimate cinema experience with HI Solutions. Whether you have an unfinished basement, an unused room, or even just your living room, our expert team can create a custom home theater that exceeds your expectations. Why Choose HI Solutions for Your Home Theater? Expert Consultation: Our specialists work with you to design a home theater that fits your space and lifestyle. We consider every detail, from room acoustics to seating arrangements, ensuring a perfect setup. Customized Solutions: No matter the size or shape of your space, we tailor our designs to meet your specific needs. From luxurious, dedicated theater rooms to versatile living room setups, HI Solutions brings your vision to life. High-Quality Equipment: We use the latest in audio-visual technology, including 4K projectors, surround sound systems, and smart home integration. Enjoy crystal-clear visuals and immersive sound that make you feel like you're part of the action. Professional Installation: Our experienced technicians handle everything from wiring and mounting to system calibration, ensuring a seamless installation. We take care of the technical details so you can focus on enjoying your new home theater. Ongoing Support: HI Solutions offers comprehensive support and maintenance services, ensuring your home theater continues to perform at its best. We're always here to help with any questions or upgrades. Unfinished Space? Unused Room? Living Room? We’ve Got You Covered Unfinished Basement: Turn your basement or attic into a state-of-the-art home theater. HI Solutions can transform even the most challenging spaces into a cinematic paradise. Unused Room: Maximize the potential of any spare room by converting it into a dedicated theater room. Our designs optimize space and functionality, giving you a private escape for movie nights. Living Room: Create a multi-functional living room with a high-quality theater setup. We seamlessly integrate technology into your existing decor, providing an exceptional entertainment experience without compromising style. Get Started with HI Solutions Today

Standard features include heat sentry and dual setting halogen lighting. Available in seven widths, all Wolf Pro Wall Hoods have the classic stainless steel finish. DESIGN FEATURES: Heavy-duty, 16-gauge brushed stainless steel with classic finish—continually welded seams, hemmed edges and sides Stainless steel enclosed liner Recessed easy-access controls Infinite-speed blower control Heat sentry feature Halogen lighting with two settings Heat lamps available on 27” deep models only – bulbs not included Removable, dishwasher-safe, restaurant-grade stainless steel baffle filters SPECIFICATIONS: Exterior Finish Stainless Steel Bottom of Hood to Countertop 30" to 36" Discharge Vertical or Horizontal Duct Size 10" Round Electrical Requirements 110/120 V AC 60 Hz, 15 amp dedicated circuit RELATED ACCESSORIES OFFERED: 300 CFM Internal Blower (814419) 450 CFM Internal Blower (814420) 600 CFM Internal Blower (814421) 900 CFM Internal Blower (814422) 1100 CFM In-Line Blower (808332) Remote 900 CFM Blower (801641) Remote 1200 CFM Blower (801642) Remote 1500 CFM Blower (804701) Horizontal Discharge Kit (811090) 42" x 38" Backsplash (810427) Backsplash with Racks (810434) 6" Duct Cover (810712) 12" Duct Cover (810719) 18" Duct Cover (810726) 24" Duct Cover (810733) 30" Duct Cover (813971) Make-Up Air Damper (820071) Product Dimensions: Overall Widths 30", 36", 42", 48", 54", 60" and 66" Overall Height 18" Overall Depth 24"

A small courtyard garden in San Francisco. • Creative use of space in the dense, urban fabric of hilly SF. • For the last several years the clients had carved out a make shift courtyard garden at the top of their driveway. It was one of the few flat spaces in their yard where they could sit in the sun and enjoy a cup of coffee. We turned the top of a steep driveway into a courtyard garden. • The actual courtyard design was planned for the maximum dimensions possible to host a dining table and a seating area. The space is conveniently located outside their kitchen and home offices. However we needed to save driveway space for parking the cars and getting in and out. • The design, fabrication and installation team was comprised of people we knew. I was an acquaintance to the clients having met them through good friends. The landscape contractor, Boaz Mor, http://www.boazmor.com/, is their neighbor and someone I worked with before. The metal fabricator is Murray Sandford of Moz Designs, https://mozdesigns.com/, https://www.instagram.com/moz_designs/ . Both contractors have long histories of working in the Bay Area on a variety of complex designs. • The size of this garden belies the complexity of the design. We did not want to remove any of the concrete driveway which was 12” or more in thickness, except for the area where the large planter was going. The driveway sloped in two directions. In order to get a “level”, properly, draining patio, we had to start it at around 21” tall at the outside and end it flush by the garage doors. • The fence is the artful element in the garden. It is made of power-coated aluminum. The panels match the house color; and posts match the house trim. The effect is quiet, blending into the overall property. The panels are dramatic. Each fence panel is a different size with a unique pattern. • The exterior panels that you see from the street are an abstract riff on the seasons of the Persian walnut tree in their front yard. The cut-outs illustrate spring bloom when the walnut leafs out to autumn when the nuts drop to the ground and the squirrels eats them, leaving a mess of shells everywhere. Even the pesky squirrel appears on one of the panels. • The interior panels, lining the entry into the courtyard, are an abstraction of the entire walnut tree. • Although the panel design is made of perforations, the openings are designed to retain privacy when you are inside the courtyard. • There is a large planter on one side of the courtyard, big enough for a tree to soften a harsh expanse of a neighboring wall. Light through the branches cast playful shadows on the wall behind. • The lighting, mounted on the house is a nod to the client’s love of New Orleans gas lights. • The paving is black stone from India, dark enough to absorb the warmth of the sun on a cool, summer San Francisco day.

Standard features include heat sentry and dual setting halogen lighting. Available in seven widths, all Wolf Pro Wall Hoods have the classic stainless steel finish. DESIGN FEATURES: Heavy-duty, 16-gauge brushed stainless steel with classic finish—continually welded seams, hemmed edges and sides Stainless steel enclosed liner Recessed easy-access controls Infinite-speed blower control Heat sentry feature Halogen lighting with two settings Heat lamps available on 27” deep models only – bulbs not included Removable, dishwasher-safe, restaurant-grade stainless steel baffle filters SPECIFICATIONS: Exterior Finish Stainless Steel Bottom of Hood to Countertop 30" to 36" Discharge Vertical or Horizontal Duct Size 10" Round Electrical Requirements 110/120 V AC 60 Hz, 15 amp dedicated circuit RELATED ACCESSORIES OFFERED: 300 CFM Internal Blower (814419) 450 CFM Internal Blower (814420) 600 CFM Internal Blower (814421) 900 CFM Internal Blower (814422) 1100 CFM In-Line Blower (808332) Remote 900 CFM Blower (801641) Remote 1200 CFM Blower (801642) Remote 1500 CFM Blower (804701) Horizontal Discharge Kit (811090) 42" x 38" Backsplash (810427) Backsplash with Racks (810434) 6" Duct Cover (810712) 12" Duct Cover (810719) 18" Duct Cover (810726) 24" Duct Cover (810733) 30" Duct Cover (813971) Make-Up Air Damper (820071) PRODUCT DIMENSIONS: Overall Widths 30", 36", 42", 48", 54", 60" and 66" Overall Height 18" Overall Depth 27"

A small courtyard garden in San Francisco. • Creative use of space in the dense, urban fabric of hilly SF. • For the last several years the clients had carved out a make shift courtyard garden at the top of their driveway. It was one of the few flat spaces in their yard where they could sit in the sun and enjoy a cup of coffee. We turned the top of a steep driveway into a courtyard garden. • The actual courtyard design was planned for the maximum dimensions possible to host a dining table and a seating area. The space is conveniently located outside their kitchen and home offices. However we needed to save driveway space for parking the cars and getting in and out. • The design, fabrication and installation team was comprised of people we knew. I was an acquaintance to the clients having met them through good friends. The landscape contractor, Boaz Mor, http://www.boazmor.com/, is their neighbor and someone I worked with before. The metal fabricator is Murray Sandford of Moz Designs, https://mozdesigns.com/, https://www.instagram.com/moz_designs/ . Both contractors have long histories of working in the Bay Area on a variety of complex designs. • The size of this garden belies the complexity of the design. We did not want to remove any of the concrete driveway which was 12” or more in thickness, except for the area where the large planter was going. The driveway sloped in two directions. In order to get a “level”, properly, draining patio, we had to start it at around 21” tall at the outside and end it flush by the garage doors. • The fence is the artful element in the garden. It is made of power-coated aluminum. The panels match the house color; and posts match the house trim. The effect is quiet, blending into the overall property. The panels are dramatic. Each fence panel is a different size with a unique pattern. • The exterior panels that you see from the street are an abstract riff on the seasons of the Persian walnut tree in their front yard. The cut-outs illustrate spring bloom when the walnut leafs out to autumn when the nuts drop to the ground and the squirrels eats them, leaving a mess of shells everywhere. Even the pesky squirrel appears on one of the panels. • The interior panels, lining the entry into the courtyard, are an abstraction of the entire walnut tree. • Although the panel design is made of perforations, the openings are designed to retain privacy when you are inside the courtyard. • There is a large planter on one side of the courtyard, big enough for a tree to soften a harsh expanse of a neighboring wall. Light through the branches cast playful shadows on the wall behind. • The lighting, mounted on the house is a nod to the client’s love of New Orleans gas lights. • The paving is black stone from India, dark enough to absorb the warmth of the sun on a cool, summer San Francisco day.

This expansive traditional kitchen by senior designer, Randy O'Kane and Architect, Clark Neuringer, features Bilotta Collection cabinet in a custom color. Randy says, the best part about working with this client was that she loves design – and not just interior but she also loves holiday decorating and she has a beautiful sense of aesthetic (and does everything to the nines). For her kitchen she wanted a barn-like feel and it absolutely had to be functional because she both bakes and cooks for her family and neighbors every day. And as the mother of four teenage girls she has a lot of people coming in and out of her home all the time. She wanted her kitchen to be comfortable – not untouchable and not too “done”. When she first met with Bilotta senior designer Randy O’Kane, her #1 comment was: “I’m experiencing white kitchen fatigue”. So right from the start finding the perfect color was the prime focus. The challenge was infusing a center hall colonial with a sense of warmth, comfort and that barn aesthetic without being too rustic which is why they went with a straight greenish grey paint vs. something distressed. The flooring, by Artisan Wood floors, looks reclaimed with its wider long planks and fumed finish. The barn door separating the laundry room and the kitchen was made from hand selected barn wood, made custom according to the client’s detailed specifications, and hung with sliding hardware. The kitchen hardware was really a window sash pull from Rocky Mountain that was repurposed as handles in a living bronze finish mounted horizontally. Glazed brick tile, by Ann Sacks, really helped to embrace the overall concept. Since a lot of parties are hosted out of that space, the kitchen, and butler’s pantry off to the side, needed a good flow as well as areas to bake and stage the creations. Double ovens were a must as well as a 48” Wolf Range and a Rangecraft hood – four ovens are going all the time. Beverage drawers were added to allow others to flow through the kitchen without disturbing the cook. Lots of storage was added for a well-stocked kitchen. A unique detail is double door wall cabinets, some with wire mesh to allow to see their dishes for easy access. In the butler’s pantry, instead of mesh they opted for antique mirror glass fronts. Countertops are a natural quartzite for care free use and a solid wood table, by Brooks Custom, extends of the island, removable for flexibility, making the kitchen and dining area very functional. One of the client’s antique pieces (a hutch) was incorporated into the kitchen to give it a more authentic look as well as another surface to decorate and provide storage. The lighting over the island and breakfast table has exposed Edison bulbs which hearkens to that “barn” lighting. For the sinks, they used a fireclay Herbeau farmhouse on the perimeter and an undermount Rohl sink on the island. Faucets are by Waterworks. Standing back and taking it all in it’s a wonderful collaboration of carefully designed working space and a warm gathering space for family and guests. Bilotta Designer: Randy O’Kane, Architect: Clark Neuringer Architects, posthumously. Photo Credit: Peter Krupenye

The Erosion Sink is a defining design for Gore Design Co. First created for a client in 2004 and shortly thereafter published in Dwell Magazine™, the Erosion Sink remains special to us. Each one is unique, no two are the same. All aspects of this topographic sink can be customized, from color and size to the shape and layout of the erosion pattern. Brandon Gore personally creates each concrete Erosion Sink, spending more than 40 hours on the form and 200-300% more time hand-finishing the cast sink. This original design is often imitated but never duplicated as the essence and nuance cannot be gained by impersonation. If you want to learn more, please visit our website at www.goredesignco.com

This expansive traditional kitchen by senior designer, Randy O'Kane and Architect, Clark Neuringer, features Bilotta Collection cabinet in a custom color. Randy says, the best part about working with this client was that she loves design – and not just interior but she also loves holiday decorating and she has a beautiful sense of aesthetic (and does everything to the nines). For her kitchen she wanted a barn-like feel and it absolutely had to be functional because she both bakes and cooks for her family and neighbors every day. And as the mother of four teenage girls she has a lot of people coming in and out of her home all the time. She wanted her kitchen to be comfortable – not untouchable and not too “done”. When she first met with Bilotta senior designer Randy O’Kane, her #1 comment was: “I’m experiencing white kitchen fatigue”. So right from the start finding the perfect color was the prime focus. The challenge was infusing a center hall colonial with a sense of warmth, comfort and that barn aesthetic without being too rustic which is why they went with a straight greenish grey paint vs. something distressed. The flooring, by Artisan Wood floors, looks reclaimed with its wider long planks and fumed finish. The barn door separating the laundry room and the kitchen was made from hand selected barn wood, made custom according to the client’s detailed specifications, and hung with sliding hardware. The kitchen hardware was really a window sash pull from Rocky Mountain that was repurposed as handles in a living bronze finish mounted horizontally. Glazed brick tile, by Ann Sacks, really helped to embrace the overall concept. Since a lot of parties are hosted out of that space, the kitchen, and butler’s pantry off to the side, needed a good flow as well as areas to bake and stage the creations. Double ovens were a must as well as a 48” Wolf Range and a Rangecraft hood – four ovens are going all the time. Beverage drawers were added to allow others to flow through the kitchen without disturbing the cook. Lots of storage was added for a well-stocked kitchen. A unique detail is double door wall cabinets, some with wire mesh to allow to see their dishes for easy access. In the butler’s pantry, instead of mesh they opted for antique mirror glass fronts. Countertops are a natural quartzite for care free use and a solid wood table, by Brooks Custom, extends of the island, removable for flexibility, making the kitchen and dining area very functional. One of the client’s antique pieces (a hutch) was incorporated into the kitchen to give it a more authentic look as well as another surface to decorate and provide storage. The lighting over the island and breakfast table has exposed Edison bulbs which hearkens to that “barn” lighting. For the sinks, they used a fireclay Herbeau farmhouse on the perimeter and an undermount Rohl sink on the island. Faucets are by Waterworks. Standing back and taking it all in it’s a wonderful collaboration of carefully designed working space and a warm gathering space for family and guests. Bilotta Designer: Randy O’Kane, Architect: Clark Neuringer Architects, posthumously. Photo Credit: Peter Krupenye

German Embassy in Pristina - Kosovo, contracted the architecture office “Ferizi + Ferizi Architects” to plan and implement an Annex Office building for their purposes. As detached part of this building is designed the waiting area, as alone standing structure. This Office Building is constructed by assembling of Eight used office containers that were delivered on trucks and set up after only a few hours on the basis of the LEGO principle, according to the planning on strip foundations. By removing the flexible exterior wall panels, a large room of 115 m² was created, with the counter wall as a room partition between two office spaces, each with seven workstations as well as three counters for agents on one side and a room for visitors on the other side. With this system, room solutions can be easily implemented in all dimensions. The container, seen as a geometric shape, is a simple, octagonal, solid box. The standardized perfection of its dimensions is striking: 2.44 meters wide, 2.59 meters high and 6.06 meters or 12.19 meters long. Since its introduction in 1956 by the American transport entrepreneur Malcom McLean, the container has become a standardized transport module worldwide, whether on ships, trucks or construction sites. The shipping containers have additionally revolutionized the transport industry, pushed the globalization noticeably, and thus directly or indirectly influenced all our lives. But after only a few years, when the first overseas containers wore out, many engineers recognized the positive properties of used shipping containers for building houses, especially since they are robust, flexible, multifunctional and second-hand relatively inexpensive to purchase. The time has long passed by to treat containers exclusively as transport objects. As a "measure of all things", containers can hardly be ignored in construction. Their use is no longer limited to temporary use since school containers, information containers, office containers or entire residential buildings are now part of our everyday life in the construction industry. However, current examples of the container architecture prove that even the most demanding solutions for container building are feasible. For their specific aesthetic and spatial qualities, containers also serve as design parameters for the development of new forms of architecture and urbanity. The office building as an extension of the visa section, characterized by modern materials and contemporary aesthetics has been designed and built mainly as a low-energy building. Extensive insulation to achieve a comfortable and sustainable constant temperature in the interior, high window quality and low energy consumption make the building energy-efficient. The sophisticated lighting technology, networks, heating systems and air-conditioning systems are also components of this equipment. It creates an overall harmonic picture and guarantees the highest standard in sustainable construction, taking into consideration the fact that environmentally friendly recycling and reutilization have become an increasingly important issue in our society. West and East side of the wooden facade is compact and has few openings, while the southern facade is completely open with lot of glass. Its spatial openness ensures a transparent, friendly work environment, which allows a lot of light into the space. This openness allows an uninterrupted, pleasant and close-to-nature view from interior spaces into the beautiful garden. During the installation of sophisticated light sources in the garden, emphasis was not only put on functionality and security, but also on the beauty of the garden shown through the illumination in the evening. Large, horizontal white “brisole” serve as external sun protection systems, mounted on the canopies of the entrance areas of the modular construction and the enclosure, adeptly cast shade on these areas and at the same time shape the entire architectural language. While on one hand, the two quadratic ledges suspended in the air, are docked with steel stairs and match the wooden façade, lead the staff to their office space, the artful modern interior, on the other hand, perfectly unites the functionality, innovative technology, culture and positive effects on the employees' efficiency and wellbeing. A lot of white, interjected by warm wooden and colored accents, determines the ambience. In the case of the lighting solution, the mainly linear ceiling lighting is used as the overlapping design element both for the offices of the visa section as well as for the counters and the waiting area for the visitors. They underline the puristic design in order to create a pleasant light for a desired general illumination and ensure optimal light conditions without causing disturbing reflections on the computer screens. In addition, precisely positioned pendant luminaires are installed at the workstations, which ensure pleasant room brightness. In the entrance area, the harmonic and uniform lighting effect from the ground highlights the integration of photography and architecture. Photographs of landscapes, people, places, expressing unforgettable, impressive moments and memories have been lovingly engraved on 8 x 8cm square oak blocks. The idea of an effective, impressive environment that stimulates and inspires the work was the premiss on which the whole design concept was based. Consequently, the modular construction was no longer viewed through its history of utilization and scars, but rather as a structure of work ambiance, art and elegance. FERIZI + FERIZI Architects Photo: Arben Llapashtica

This expansive traditional kitchen by senior designer, Randy O'Kane and Architect, Clark Neuringer, features Bilotta Collection cabinet in a custom color. Randy says, the best part about working with this client was that she loves design – and not just interior but she also loves holiday decorating and she has a beautiful sense of aesthetic (and does everything to the nines). For her kitchen she wanted a barn-like feel and it absolutely had to be functional because she both bakes and cooks for her family and neighbors every day. And as the mother of four teenage girls she has a lot of people coming in and out of her home all the time. She wanted her kitchen to be comfortable – not untouchable and not too “done”. When she first met with Bilotta senior designer Randy O’Kane, her #1 comment was: “I’m experiencing white kitchen fatigue”. So right from the start finding the perfect color was the prime focus. The challenge was infusing a center hall colonial with a sense of warmth, comfort and that barn aesthetic without being too rustic which is why they went with a straight greenish grey paint vs. something distressed. The flooring, by Artisan Wood floors, looks reclaimed with its wider long planks and fumed finish. The barn door separating the laundry room and the kitchen was made from hand selected barn wood, made custom according to the client’s detailed specifications, and hung with sliding hardware. The kitchen hardware was really a window sash pull from Rocky Mountain that was repurposed as handles in a living bronze finish mounted horizontally. Glazed brick tile, by Ann Sacks, really helped to embrace the overall concept. Since a lot of parties are hosted out of that space, the kitchen, and butler’s pantry off to the side, needed a good flow as well as areas to bake and stage the creations. Double ovens were a must as well as a 48” Wolf Range and a Rangecraft hood – four ovens are going all the time. Beverage drawers were added to allow others to flow through the kitchen without disturbing the cook. Lots of storage was added for a well-stocked kitchen. A unique detail is double door wall cabinets, some with wire mesh to allow to see their dishes for easy access. In the butler’s pantry, instead of mesh they opted for antique mirror glass fronts. Countertops are a natural quartzite for care free use and a solid wood table, by Brooks Custom, extends of the island, removable for flexibility, making the kitchen and dining area very functional. One of the client’s antique pieces (a hutch) was incorporated into the kitchen to give it a more authentic look as well as another surface to decorate and provide storage. The lighting over the island and breakfast table has exposed Edison bulbs which hearkens to that “barn” lighting. For the sinks, they used a fireclay Herbeau farmhouse on the perimeter and an undermount Rohl sink on the island. Faucets are by Waterworks. Standing back and taking it all in it’s a wonderful collaboration of carefully designed working space and a warm gathering space for family and guests. Bilotta Designer: Randy O’Kane, Architect: Clark Neuringer Architects, posthumously. Photo Credit: Peter Krupenye

This expansive traditional kitchen by senior designer, Randy O'Kane and Architect, Clark Neuringer, features Bilotta Collection cabinet in a custom color. Randy says, the best part about working with this client was that she loves design – and not just interior but she also loves holiday decorating and she has a beautiful sense of aesthetic (and does everything to the nines). For her kitchen she wanted a barn-like feel and it absolutely had to be functional because she both bakes and cooks for her family and neighbors every day. And as the mother of four teenage girls she has a lot of people coming in and out of her home all the time. She wanted her kitchen to be comfortable – not untouchable and not too “done”. When she first met with Bilotta senior designer Randy O’Kane, her #1 comment was: “I’m experiencing white kitchen fatigue”. So right from the start finding the perfect color was the prime focus. The challenge was infusing a center hall colonial with a sense of warmth, comfort and that barn aesthetic without being too rustic which is why they went with a straight greenish grey paint vs. something distressed. The flooring, by Artisan Wood floors, looks reclaimed with its wider long planks and fumed finish. The barn door separating the laundry room and the kitchen was made from hand selected barn wood, made custom according to the client’s detailed specifications, and hung with sliding hardware. The kitchen hardware was really a window sash pull from Rocky Mountain that was repurposed as handles in a living bronze finish mounted horizontally. Glazed brick tile, by Ann Sacks, really helped to embrace the overall concept. Since a lot of parties are hosted out of that space, the kitchen, and butler’s pantry off to the side, needed a good flow as well as areas to bake and stage the creations. Double ovens were a must as well as a 48” Wolf Range and a Rangecraft hood – four ovens are going all the time. Beverage drawers were added to allow others to flow through the kitchen without disturbing the cook. Lots of storage was added for a well-stocked kitchen. A unique detail is double door wall cabinets, some with wire mesh to allow to see their dishes for easy access. In the butler’s pantry, instead of mesh they opted for antique mirror glass fronts. Countertops are a natural quartzite for care free use and a solid wood table, by Brooks Custom, extends of the island, removable for flexibility, making the kitchen and dining area very functional. One of the client’s antique pieces (a hutch) was incorporated into the kitchen to give it a more authentic look as well as another surface to decorate and provide storage. The lighting over the island and breakfast table has exposed Edison bulbs which hearkens to that “barn” lighting. For the sinks, they used a fireclay Herbeau farmhouse on the perimeter and an undermount Rohl sink on the island. Faucets are by Waterworks. Standing back and taking it all in it’s a wonderful collaboration of carefully designed working space and a warm gathering space for family and guests. Bilotta Designer: Randy O’Kane, Architect: Clark Neuringer Architects, posthumously. Photo Credit: Peter Krupenye