Photo by Tony Lopez / East End Film & Digital
Example of a beach style light wood floor entryway design in New York with white walls and a white front door

Our clients had just recently closed on their new house in Stapleton and were excited to transform it into their perfect forever home. They wanted to remodel the entire first floor to create a more open floor plan and develop a smoother flow through the house that better fit the needs of their family. The original layout consisted of several small rooms that just weren’t very functional, so we decided to remove the walls that were breaking up the space and restructure the first floor to create a wonderfully open feel. After removing the existing walls, we rearranged their spaces to give them an office at the front of the house, a large living room, and a large dining room that connects seamlessly with the kitchen. We also wanted to center the foyer in the home and allow more light to travel through the first floor, so we replaced their existing doors with beautiful custom sliding doors to the back yard and a gorgeous walnut door with side lights to greet guests at the front of their home. Living Room Our clients wanted a living room that could accommodate an inviting sectional, a baby grand piano, and plenty of space for family game nights. So, we transformed what had been a small office and sitting room into a large open living room with custom wood columns. We wanted to avoid making the home feel too vast and monumental, so we designed custom beams and columns to define spaces and to make the house feel like a home. Aesthetically we wanted their home to be soft and inviting, so we utilized a neutral color palette with occasional accents of muted blues and greens. Dining Room Our clients were also looking for a large dining room that was open to the rest of the home and perfect for big family gatherings. So, we removed what had been a small family room and eat-in dining area to create a spacious dining room with a fireplace and bar. We added custom cabinetry to the bar area with open shelving for displaying and designed a custom surround for their fireplace that ties in with the wood work we designed for their living room. We brought in the tones and materiality from the kitchen to unite the spaces and added a mixed metal light fixture to bring the space together Kitchen We wanted the kitchen to be a real show stopper and carry through the calm muted tones we were utilizing throughout their home. We reoriented the kitchen to allow for a big beautiful custom island and to give us the opportunity for a focal wall with cooktop and range hood. Their custom island was perfectly complimented with a dramatic quartz counter top and oversized pendants making it the real center of their home. Since they enter the kitchen first when coming from their detached garage, we included a small mud-room area right by the back door to catch everyone’s coats and shoes as they come in. We also created a new walk-in pantry with plenty of open storage and a fun chalkboard door for writing notes, recipes, and grocery lists. Office We transformed the original dining room into a handsome office at the front of the house. We designed custom walnut built-ins to house all of their books, and added glass french doors to give them a bit of privacy without making the space too closed off. We painted the room a deep muted blue to create a glimpse of rich color through the french doors Powder Room The powder room is a wonderful play on textures. We used a neutral palette with contrasting tones to create dramatic moments in this little space with accents of brushed gold. Master Bathroom The existing master bathroom had an awkward layout and outdated finishes, so we redesigned the space to create a clean layout with a dream worthy shower. We continued to use neutral tones that tie in with the rest of the home, but had fun playing with tile textures and patterns to create an eye-catching vanity. The wood-look tile planks along the floor provide a soft backdrop for their new free-standing bathtub and contrast beautifully with the deep ash finish on the cabinetry.

Photo of a contemporary front yard retaining wall landscape in Denver.

Bluestone Pavers, custom Teak Wood banquette with cement tile inlay, Bluestone firepit, custom outdoor kitchen with Teak Wood, concrete waterfall countertop with Teak surround.

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Mid-sized country gray two-story wood gable roof idea in Atlanta

Photo: Rikki Snyder © 2014 Houzz
Example of a small cottage enclosed medium tone wood floor living room design in New York with green walls, a standard fireplace and a stone fireplace

Emily Followill
Living room - coastal formal living room idea in Atlanta with a standard fireplace and white walls

Klopf Architecture, Arterra Landscape Architects and Henry Calvert of Calvert Ventures Designed and built a new warm, modern, Eichler-inspired, open, indoor-outdoor home on a deeper-than-usual San Mateo Highlands property where an original Eichler house had burned to the ground. The owners wanted multi-generational living and larger spaces than the original home offered, but all parties agreed that the house should respect the neighborhood and blend in stylistically with the other Eichlers. At first the Klopf team considered re-using what little was left of the original home and expanding on it. But after discussions with the owner and builder, all parties agreed that the last few remaining elements of the house were not practical to re-use, so Klopf Architecture designed a new home that pushes the Eichler approach in new directions. One disadvantage of Eichler production homes is that the house designs were not optimized for each specific lot. A new custom home offered the team a chance to start over. In this case, a longer house that opens up sideways to the south fit the lot better than the original square-ish house that used to open to the rear (west). Accordingly, the Klopf team designed an L-shaped “bar” house with a large glass wall with large sliding glass doors that faces sideways instead of to the rear like a typical Eichler. This glass wall opens to a pool and landscaped yard designed by Arterra Landscape Architects. Driving by the house, one might assume at first glance it is an Eichler because of the horizontality, the overhanging flat roof eaves, the dark gray vertical siding, and orange solid panel front door, but the house is designed for the 21st Century and is not meant to be a “Likeler.” You won't see any posts and beams in this home. Instead, the ceiling decking is a western red cedar that covers over all the beams. Like Eichlers, this cedar runs continuously from inside to out, enhancing the indoor / outdoor feeling of the house, but unlike Eichlers it conceals a cavity for lighting, wiring, and insulation. Ceilings are higher, rooms are larger and more open, the master bathroom is light-filled and more generous, with a separate tub and shower and a separate toilet compartment, and there is plenty of storage. The garage even easily fits two of today's vehicles with room to spare. A massive 49-foot by 12-foot wall of glass and the continuity of materials from inside to outside enhance the inside-outside living concept, so the owners and their guests can flow freely from house to pool deck to BBQ to pool and back. During construction in the rough framing stage, Klopf thought the front of the house appeared too tall even though the house had looked right in the design renderings (probably because the house is uphill from the street). So Klopf Architecture paid the framer to change the roofline from how we had designed it to be lower along the front, allowing the home to blend in better with the neighborhood. One project goal was for people driving up the street to pass the home without immediately noticing there is an "imposter" on this lot, and making that change was essential to achieve that goal. This 2,606 square foot, 3 bedroom, 3 bathroom Eichler-inspired new house is located in San Mateo in the heart of the Silicon Valley. Klopf Architecture Project Team: John Klopf, AIA, Klara Kevane Landscape Architect: Arterra Landscape Architects Contractor: Henry Calvert of Calvert Ventures Photography ©2016 Mariko Reed Location: San Mateo, CA Year completed: 2016

Inspiration for a mediterranean dark wood floor dining room remodel in Dallas with multicolored walls and no fireplace

Staircase with Starphire ultra clear low-iron glass divider wall. Breakfast Nook at right and Dining Room at left (with backyard access beyond). Photo by Clark Dugger

Photo: HomeServices of Illinois, LLC
Kitchen/dining room combo - mid-sized contemporary light wood floor and brown floor kitchen/dining room combo idea in Chicago with gray walls and no fireplace

Marc Fowler
Large transitional l-shaped dark wood floor kitchen photo in Ottawa with an undermount sink, recessed-panel cabinets, white cabinets, granite countertops, white backsplash, mosaic tile backsplash, stainless steel appliances and an island

Example of a trendy rooftop rooftop deck design in Dallas with a fire pit

Please see this Award Winning project in the October 2014 issue of New York Cottages & Gardens Magazine: NYC&G http://www.cottages-gardens.com/New-York-Cottages-Gardens/October-2014/NYCG-Innovation-in-Design-Winners-Kitchen-Design/ It was also featured in a Houzz Tour: Houzz Tour: Loving the Old and New in an 1880s Brooklyn Row House http://www.houzz.com/ideabooks/29691278/list/houzz-tour-loving-the-old-and-new-in-an-1880s-brooklyn-row-house Photo Credit: Hulya Kolabas

House of Jade Interiors. Modern farmhouse dining room.
Example of a farmhouse medium tone wood floor great room design in Salt Lake City with white walls

Example of an urban concrete floor home office design in New York

Photo by Samantha Robison
Small transitional backyard stone patio photo in Other with a pergola

Gourmet kitchen designed around locally acquired historic apothecary casework. Photo by Blake Mistich.
Country dark wood floor kitchen photo in Austin with shaker cabinets, white cabinets, white backsplash, subway tile backsplash, stainless steel appliances and an island

Covid During Construction and Making Face Masks Dear Houzz Folks, We've started getting back to work and are educating everyone at our projects on how to be safe during COVID, posting signage, and we've been making masks for our employees, colleagues, friends, family etc... Here's some information on what I've learned so far in sewing the best fitting face mask for COVID. 1. Put in a wire at the nose bridge (about 3.5 inches) - it helps with fit and if you wear glasses, it keeps them from fogging up. I found that doorbell wire, available at the hardware store, seems to work well. It isn't too thin or too fat, bends easily and holds its shape. I attach it by using a zigzag stitch on the interior seam of the outside of the mask (so there's a bit more cushion on the inside). 2. For the shaped masks, I make a pocket in case my friends, family, colleagues, want to insert a filter - it also allows for three layers of fabric in the breathing area and less bulk where the ties go. For patterns that don't offer pockets, I just make my own pattern pocket. I also first baste the two inside pieces first and then sew the front on. This way, there's no worries about slipping. No pins are needed and no pins minimizes the number of extra air holes in the fabric. 3. So that the ties/loops can be replaced or modified, I make a channel for rather than sewing it in permanently. Many videos show using a safety pin to pull the elastic through. If you sew much, you might have a bodkin in your sewing box, but it might be a bit too wide. Instead, I use a long hairpin (you could probably make a long loop with a paper clip). I run the hairpin through the channel, loop the elastic through the end of the pin and pull through. That takes much less time than piercing it with a safety-pin. 4. For the inside of the masks, it is nice to have softer fabric inside, so high-thread-count sheets purchased on sale work great. Then you can easily tell what is inside as well. 5. For surgical-style masks, there's a pattern with a pocket on the inside and a wire. I like the ideas in this video but use 2 fabrics and make them bigger. About a 9x9 inch for the outside and 9x8 inch for the inside. 5/8 seam on the nose and 1/4 seam on the bottom. 6. For the fitted masks, there are two patterns that I like. For this one, https://moinliz.de/mundschutz-naehen-mit-schnittmuster it expects you to print on European-sized paper, so if you want to get the size right, print at 100% I also really like this pattern and I added a pocket and lengthened the ends to make channels https://intermountainhealthcare.org/covid19-coronavirus/homemade-cloth-face-coverings/ (scroll down to a link to download the pdf) Lots of folks sew craftpassion, but I like the fit of these patterns better. There are still some other patterns I have left to try! 6. After breaking lots of needles, I realized that I really didn't need to topstich the fitted masks over the bridge, so I just started skipping the bridge. 7. If you're going to wear a face-covering for a really long time, you might want to skip the ear hangers and go for ties behind the head. Instead of two ties, I'll use one long one so that the bottom one is a loop and the top one ties. Bungee cord works nice. Happy Sewing! : ) Rhoda Fry, Bill Fry Construction