Photo by Mary Costa
Example of a mid-sized trendy home office design in Los Angeles with white walls

An Arts & Crafts Bungalow is one of my favorite styles of homes. We have quite a few of them in our Stockton Mid-Town area. And when C&L called us to help them remodel their 1923 American Bungalow, I was beyond thrilled. As per usual, when we get a new inquiry, we quickly Google the project location while we are talking to you on the phone. My excitement escalated when I saw the Google Earth Image of the sweet Sage Green bungalow in Mid-Town Stockton. "Yes, we would be interested in working with you," I said trying to keep my cool. But what made it even better was meeting C&L and touring their home, because they are the nicest young couple, eager to make their home period perfect. Unfortunately, it had been slightly molested by some bad house-flippers, and we needed to bring the bathroom back to it "roots." We knew we had to banish the hideous brown tile and cheap vanity quickly. But C&L complained about the condensation problems and the constant fight with mold. This immediately told me that improper remodeling had occurred and we needed to remedy that right away. The Before: Frustrations with a Botched Remodel The bathroom needed to be brought back to period appropriate design with all the functionality of a modern bathroom. We thought of things like marble countertop, white mosaic floor tiles, white subway tile, board and batten molding, and of course a fabulous wallpaper. This small (and only) bathroom on a tight budget required a little bit of design sleuthing to figure out how we could get the proper look and feel. Our goal was to determine where to splurge and where to economize and how to complete the remodel as quickly as possible because C&L would have to move out while construction was going on. The Process: Hard Work to Remedy Design and Function During our initial design study, (which included 2 hours in the owners’ home), we noticed framed images of William Morris Arts and Crafts textile patterns and knew this would be our design inspiration. We presented C&L with three options and they quickly selected the Pimpernel Design Concept. We had originally selected the Black and Olive colors with a black vanity, mirror, and black and white floor tile. C&L liked it but weren’t quite sure about the black, We went back to the drawing board and decided the William & Co Pimpernel Wallpaper in Bayleaf and Manilla color with a softer gray painted vanity and mirror and white floor tile was more to their liking. After the Design Concept was approved, we went to work securing the building permit, procuring all the elements, and scheduling our trusted tradesmen to perform the work. We did uncover some shoddy work by the flippers such as live electrical wires hidden behind the wall, plumbing venting cut-off and buried in the walls (hence the constant dampness), the tub barely balancing on two fence boards across the floor joist, and no insulation on the exterior wall. All of the previous blunders were fixed and the bathroom put back to its previous glory. We could feel the house thanking us for making it pretty again. The After Reveal: Cohesive Design Decisions We selected a simple white subway tile for the tub/shower. This is always classic and in keeping with the style of the house. We selected a pre-fab vanity and mirror, but they look rich with the quartz countertop. There is much more storage in this small vanity than you would think. The Transformation: A Period Perfect Refresh We began the remodel just as the pandemic reared and stay-in-place orders went into effect. As C&L were already moved out and living with relatives, we got the go-ahead from city officials to get the work done (after all, how can you shelter in place without a bathroom?). All our tradesmen were scheduled to work so that only one crew was on the job site at a time. We stayed on the original schedule with only a one week delay. The end result is the sweetest little bathroom I've ever seen (and I can't wait to start work on C&L's kitchen next). Thank you for joining me in this project transformation. I hope this inspired you to think about being creative with your design projects, determining what works best in keeping with the architecture of your space, and carefully assessing how you can have the best life in your home.

It's known as the PISA/TIMSS voyaging convoy. Every time worldwide tests results are discharged with association tables indicating champs and failures a gaggle of scientists, scholastics and grouped kindred explorers plummet on the most astounding performing nation or instruction framework to break down and write about "world's best practice". The objective continues evolving One issue with thusly of deduction is that nobody framework reliably beats the rest. In light of the 1995 and 1999 TIMSS (Trends in International Math and Science Study) results, Asian instruction frameworks in Singapore, Japan, South Korea and Taiwan overwhelmed. Accordingly, the emphasis was immovably on recognizing the reasons the Asian tigers were performing so well. In the PISA (Program for International Student Assessment) 2000 results, Finland positioned first in education, fourth in arithmetic and third in science. Finland became the overwhelming focus and specialists and scholastics ran to Helsinki to find the reasons Finnish understudies performed at or close to the highest point of the table. By 2012, at the end of the day, an alternate training framework turned into the focal point of consideration. Finland descended the PISA rankings as another champ, Shanghai, rose as first in arithmetic, science and perusing. Apples aren't being contrasted with apples A second issue when making correlations is that the spots we've recognized as examples of overcoming adversity are distinctive to Australia. City-states like Singapore and instruction frameworks in profoundly performing spots like Hong Kong and Shanghai have remarkable qualities that separate them from nations like Australia, England and the USA. Contrasts in topography, the quantities of understudies and schools, the understudy cosmetics (as far as dialect, society and financial profile) and how schools, including educational modules and appraisal, are organized and oversaw significantly affect results. Singapore, when contrasted with Australia, is little topographically, more homogenous as far as dialect and culture and utilizes instructive practices that have long been out of support in Australia. These incorporate gushing kids in view of their abilities, and high-chance, focused tests and examinations. As noted in a paper titled How not to prevail upon PISA information: an unexpected examination, there are additionally social components clarifying solid execution that are troublesome, if not unimaginable, to exchange starting with one instruction framework then onto the next. Evident cases incorporate the effect of Confucian qualities and morals that stretch appreciation for power (particularly instructors), the conviction that achievement is conceivable with inspiration, fixation and diligent work, and the thought that training is focal if one is to accomplish a superior life. Confounding circumstances and end results Befuddling what has driven these nations to achievement speaks to the third trouble in expecting that what seems to prompt accomplishment in one nation can without much of a stretch be exchanged to another. To expect that everything we need to do in Australia to enhance test outcomes is to lessen the impact of the Australian Education Union, while being appealing to some, is both undemocratic and blameworthy of accepting circumstances and end results. There are a few advantages of abroad correlations PISA and TIMSS tests have been held for a long time. Thus, there is a decent arrangement of examination recognizing the attributes of more grounded performing instruction frameworks from which states and domains can learn. The early ethnographic work recording Japanese and American classes nitty gritty in Harvard distribution The Teaching Gap uncovers how the lessons in Asian classrooms are more unequivocal, obviously organized and sound and there is a desire that all understudies, with the essential offer and applications, some assistance with canning succeed. A later distribution by the Grattan Institute, Catching up: gaining from the best educational systems in East Asia, likewise distinguishes imperative lessons from fruitful Asian instruction frameworks. Positive variables incorporate giving instructors more opportunity to work cooperatively and to tutor each other, guaranteeing that educator training, course readings and the educational modules are commonly steady and concentrate on enhancing classroom rehearse. It ought to additionally be noticed that while Australian understudies don't perform in the top level in PISA and TIMSS tests, there is some reason for festivity. Understudies in the Australian Capital Territory perform well over the Australian normal and frequently coordinate the execution of top-performing abroad instruction frameworks. As far as lifting the execution of understudies from distraught foundations it is additionally critical to take note of that Catholic schools, in light of an investigation of the 2009 PISA results completed by the Australian Council for Educational Research, accomplish a value rating surpassing that of Finland. About the Author: Amy Parker writes too many academic papers for people who have troubles with it. She always gives needed advices, shows the examples of the papers and helps with writing at http://papersnetwork.net

An Arts & Crafts Bungalow is one of my favorite styles of homes. We have quite a few of them in our Stockton Mid-Town area. And when C&L called us to help them remodel their 1923 American Bungalow, I was beyond thrilled. As per usual, when we get a new inquiry, we quickly Google the project location while we are talking to you on the phone. My excitement escalated when I saw the Google Earth Image of the sweet Sage Green bungalow in Mid-Town Stockton. "Yes, we would be interested in working with you," I said trying to keep my cool. But what made it even better was meeting C&L and touring their home, because they are the nicest young couple, eager to make their home period perfect. Unfortunately, it had been slightly molested by some bad house-flippers, and we needed to bring the bathroom back to it "roots." We knew we had to banish the hideous brown tile and cheap vanity quickly. But C&L complained about the condensation problems and the constant fight with mold. This immediately told me that improper remodeling had occurred and we needed to remedy that right away. The Before: Frustrations with a Botched Remodel The bathroom needed to be brought back to period appropriate design with all the functionality of a modern bathroom. We thought of things like marble countertop, white mosaic floor tiles, white subway tile, board and batten molding, and of course a fabulous wallpaper. This small (and only) bathroom on a tight budget required a little bit of design sleuthing to figure out how we could get the proper look and feel. Our goal was to determine where to splurge and where to economize and how to complete the remodel as quickly as possible because C&L would have to move out while construction was going on. The Process: Hard Work to Remedy Design and Function During our initial design study, (which included 2 hours in the owners’ home), we noticed framed images of William Morris Arts and Crafts textile patterns and knew this would be our design inspiration. We presented C&L with three options and they quickly selected the Pimpernel Design Concept. We had originally selected the Black and Olive colors with a black vanity, mirror, and black and white floor tile. C&L liked it but weren’t quite sure about the black, We went back to the drawing board and decided the William & Co Pimpernel Wallpaper in Bayleaf and Manilla color with a softer gray painted vanity and mirror and white floor tile was more to their liking. After the Design Concept was approved, we went to work securing the building permit, procuring all the elements, and scheduling our trusted tradesmen to perform the work. We did uncover some shoddy work by the flippers such as live electrical wires hidden behind the wall, plumbing venting cut-off and buried in the walls (hence the constant dampness), the tub barely balancing on two fence boards across the floor joist, and no insulation on the exterior wall. All of the previous blunders were fixed and the bathroom put back to its previous glory. We could feel the house thanking us for making it pretty again. The After Reveal: Cohesive Design Decisions We selected a simple white subway tile for the tub/shower. This is always classic and in keeping with the style of the house. We selected a pre-fab vanity and mirror, but they look rich with the quartz countertop. There is much more storage in this small vanity than you would think. The Transformation: A Period Perfect Refresh We began the remodel just as the pandemic reared and stay-in-place orders went into effect. As C&L were already moved out and living with relatives, we got the go-ahead from city officials to get the work done (after all, how can you shelter in place without a bathroom?). All our tradesmen were scheduled to work so that only one crew was on the job site at a time. We stayed on the original schedule with only a one week delay. The end result is the sweetest little bathroom I've ever seen (and I can't wait to start work on C&L's kitchen next). Thank you for joining me in this project transformation. I hope this inspired you to think about being creative with your design projects, determining what works best in keeping with the architecture of your space, and carefully assessing how you can have the best life in your home.

**Paragraph 1: Spatial Composition & Architectural Volume** This dressing vestibule is an exercise in the choreography of compression and release — a narrow processional corridor that opens onto a shallow window alcove, terminating the sightline in a single, deliberately staged tableau. The plan is organized between two parallel planes of full-height joinery: at left, a monumental run of flush-faced wardrobe doors executed in bespoke decorative panelling, and at right, a mirror-clad pier whose reflective face doubles the room's apparent width and recapitulates the window, the bench, and the herringbone floor in a quiet trompe-l'oeil. The millwork is detailed with an admirable restraint — reveal-shadow gaps rather than architraves, concealed pivot hinges, and slim bronze-toned frames that read as drawn lines rather than mouldings. Overhead, a stepped soffit and recessed cornice detail lower the datum at the corridor, then release into the fuller ceiling height of the alcove; the effect is subtly perspectival, drawing the eye toward the luminous aperture. The punched window, generously reveal-deep and set within a wide oak surround, functions less as a view and more as a light well, its frosted glazing dissolving the exterior into pure illuminated field. The upholstered bench, centered beneath it and flanked casually by a pair of double-monk shoes, provides the anthropometric anchor — a note of inhabited scale that keeps the geometry from tipping into abstraction. **Paragraph 2: Materiality, Color & Texture** The palette operates within an exceptionally disciplined tonal register — a graduated field of oyster, greige, bone, and pale putty, all sharing a warm mineral undertone that prevents the achromatic scheme from turning cold. The hero surface is undoubtedly the wardrobe fronts: a hand-applied, gesso-like plaster or lacquered artisanal finish, its brushed and troweled passages bearing faint calligraphic incisions and pinpricked stitch-like perforations, evoking a Japanese ink study or an aged fresco fragment. Against this painterly softness, the joinery frames and window casings deliver rift-sawn oak with a fine, linear grain, while the perimeter walls are dressed in a subtly striated textile or grasscloth wallcovering punctuated by small inlaid tesserae — a low-frequency rhythm that reads as texture at distance and as craft detail at proximity. Hardware provides the scheme's only true contrast: elongated blackened-bronze pulls, rectilinear and unornamented, act as punctuation marks on the pale field. Metals are otherwise handled with restraint — satin brass sabots capping the bench legs, an unlacquered brass sconce armature — introducing warmth without glitter. Underfoot, the chevron-laid oak parquet supplies directional energy, softened by a plush viscose or silk-blend rug whose sheen shifts from pearl to shadow. The tactile logic is one of graduated softness: matte plaster against silk pile, honed timber against brushed textile, with mirror as the single hard, cool interruption. **Paragraph 3: Lighting, Atmosphere & Style Profile** Natural light is the primary compositional instrument here, and it has been diffused rather than admitted — the obscured glazing and half-drawn linen Roman shade convert daylight into a soft, north-facing luminous plane, evenly modelling the plaster and revealing its topography in raking gradients. This ambient wash is calibrated against a single decorative gesture: a wall-mounted sconce in alabaster or hand-formed opaline glass, its warm amber core providing the room's only chromatic accent and a welcome note of imperfection against the otherwise machined precision. Architectural lighting is entirely concealed — no downlight apertures interrupt the ceiling plane — reinforcing the sense that illumination emanates from the surfaces themselves. The resulting atmosphere is contemplative, hushed, almost sacral: a threshold space treated with the gravity of a chapel narthex. Stylistically, the project sits at the confluence of Soft Minimalism and contemporary Parisian couture interiors — the reductive planarity and monochromatic discipline of the former married to the artisanal, hand-wrought materiality and bronze detailing associated with the latter, with a distinctly Japandi sensibility in its reverence for wabi-sabi surface irregularity and asymmetric compositional balance. It is a scheme that achieves luxury not through ornament or contrast but through the sustained rigour of tonal control, the quality of the hand in its finishes, and the confidence to leave the volume largely empty.

A light and spacious reading room lined with birch IKEA BILLY bookcases gets a warm upgrade with Walnut Studiolo's St. Johns leather tab pulls. Photo credit: Erin Berzel Photography

**Spatial Composition & Architectural Volume** This is a room conceived as a stage for a single object, and the architecture obligingly recedes into the role of proscenium. The plan reads as a generous, laterally-oriented salon — likely a piano room carved from the corner of a metropolitan penthouse — organized around an L-shaped glazing sequence that turns the corner and dissolves two of the four enclosing planes. A dropped soffit tray, articulated as a crisply mitred perimeter reveal with an integrated cove, floats above the seating and instrument zone, its shadow-gap detailing lowering the apparent datum and conferring intimacy on an otherwise expansive volume. The plaster ceiling reads as a single continuous membrane, its recessed channels doubling as concealed curtain tracks and linear light slots, thereby suppressing any surface-mounted apparatus. On the left, a full-height run of hand-carved, ripple-textured oak millwork operates as both threshold and tectonic bookend — a vertical mass that anchors the composition against the weightlessness of the fenestration opposite. The pier between the two window bays is clad in pale ribbed limestone or fluted plaster, functioning as a quiet pilaster that structures the sightlines rather than interrupting them. Circulation is centrifugal: the herringbone-laid oak parquet establishes a diagonal grain that pulls the eye toward the terrace, while the rug's rectilinear footprint carves out a defined *piano nobile* island within the open field. The grand piano, positioned obliquely with its raised lid oriented back into the room, becomes the volume's sculptural fulcrum — its cabriole-derived silhouette and blade-thin tapered legs (a distinctly contemporary reinterpretation, likely a designer-authored instrument) providing curvilinear counterpoint to the room's orthogonal discipline. **Materiality, Color & Texture** The palette is a study in monochromatic warmth punctuated by a single decisive act of contrast. Nearly every surface resides within a narrow chromatic band of oatmeal, bone, greige and pale honey — undertones consistently warm-neutral, veering toward the sandy rather than the grey, which prevents the minimalism from reading as clinical. The floor's white-oak herringbone is finished with a matte, lightly limed patina that keeps the grain legible without gloss; the field rug in silk-and-viscose introduces a lustrous, cloud-like abraded pattern, its mineral-grey striations reading almost as sumi-e wash or weathered concrete, and providing the room's only tonal modulation at floor level. The drapery — a densely woven linen or linen-blend in a slubbed sand tone, hung with tightly gathered, full-height pinch pleats — carries a subtle vertical stripe or ribbed jacquard that catches raking light and animates the perimeter. Against this, the carved oak volume at left is the tactile protagonist: a low-relief, chiselled facetting that reads as adze-worked or gouged, generating a shifting moiré of micro-shadow and elevating a utilitarian storage wall into applied art. The piano's satin-black lacquer is the compositional anchor — deep, absorbent, and deliberately non-reflective on its exterior case while its interior lid reveals a mottled, patinated bronze-brown, a warm secret held within the black. Brass appears with real restraint: the lid hinges, the harp and action, the sabot-like disc on the bench flank. Nature supplies the only saturated chroma — the emerald ivy hedge framed in the left window and the topiary beyond the right — treated as living tapestry, effectively a curated *borrowed landscape*. **Lighting, Atmosphere & Style Profile** The lighting strategy is almost entirely subtractive: daylight is admitted in broad, low-glare sheets through minimal-sightline steel or slim-profile aluminium glazing, then softened and diffused by the sheer-adjacent linen and the pale, light-returning plaster envelope. The result is a high-key, shadowless luminosity with a distinctly diffuse northern quality, in which form is described by gradient rather than by hard contrast — note how the piano's black mass reads as silhouette against the terrace glare, while its curved bentwood rim catches a single soft specular highlight. Artificial illumination is entirely concealed within the ceiling reveals and coves, ensuring that after dark the room will be washed rather than punctured; the deliberate absence of decorative pendants or table lamps in this frame reinforces the reading of the instrument as the sole permitted ornament. Atmospherically the room is contemplative, acoustically soft, and tuned to a single activity — a *musica da camera* interior in the truest sense. Stylistically it synthesizes into what might best be termed **Soft Minimalism with a couture-craft inflection**: the rigour and reductive detailing of late-modernist practice, warmed by the tactile, hand-worked surfaces and neutral tonalities of Japandi and Belgian-inflected quiet luxury. The governing thesis is one of *sublimated luxury* — value expressed through millwork tolerance, drapery yardage, plaster craft and the confident emptiness of the plan, rather than through pattern, colour or accumulation.

**I. Spatial Composition & Architectural Volume** This interior operates on a strategy of framed extension, in which the room's perceived volume is borrowed from the garden beyond rather than asserted through internal grandeur. The composition is governed by a rigorous orthogonal discipline: a full-height sliding glazing system, set within a deep oak-lined reveal, functions as both aperture and proscenium, its slender mullions dividing the exterior into a triptych of vegetal planes. The generous depth of that reveal — expressed as a substantial threshold plinth and continuous jamb casing — reads less as trim than as tectonic gesture, giving weight and thickness to the enclosure and reinforcing the sense of a pavilion pressed against a green wall. To the left, a floor-to-ceiling pocketing door of book-matched, quarter-sawn oak establishes a monolithic vertical counterpoint, its recessed flush pull the only interruption of an otherwise uninflected plane; the shallow return of the wall beyond it creates a compressed entry sequence that releases into the primary volume. The flat, shadowless plaster ceiling maintains a neutral lid over the composition, while the furniture plan is deliberately low-slung and horizontal — a deep sectional set parallel to the glazing, a leather-topped ottoman, and a low occasional table — so that no element rises to compete with the sightline. Circulation is implied along the wall's edge, funnelling toward the terrace and its al fresco dining vignette, which acts as the room's terminal focal point and extends the interior axis outward. **II. Materiality, Color & Texture** The palette is a study in low-contrast tonal layering, calibrated within a narrow band of warm neutrals and animated almost entirely by the saturated chlorophyll green of the ivy screen. Rift-cut white oak, finished in a matte oil that reveals rather than glosses its medullary figure, provides the room's structural warmth — appearing in the joinery, the window surround, and the herringbone parquet, whose fine chevron rhythm introduces a subtle graphic pattern at foot level. Walls are treated in what appears to be a woven grasscloth or linen-effect wallcovering in a pale oatmeal tone, its faint horizontal striation catching raking light and lending textile softness to the perimeter. Against this, the seating is upholstered in a tightly woven, undyed linen-cotton blend with a biscuit-tufted seat platform, its slubbed irregularity a deliberate foil to the precision of the millwork. The cushion program provides the composition's only chromatic incident: an indigo-ground ikat or *kasuri* resist-dyed weave, with its blurred weft-broken banding, paired with a heavier blanket-stitched wool in glaucous blue-grey and buff stripes. Underfoot, a hand-knotted silk-and-wool rug in slate and mineral grey carries an attenuated ogee lattice, its lustrous pile providing cool relief beneath the warmer wood tones. The plinth-mounted travertine or reconstituted-stone planter — matte, porous, faintly chalky — and the honed grey stone paving beyond introduce lithic gravity, balancing the prevailing softness with a mineral edge. **III. Lighting, Atmosphere & Style Profile** Illumination here is almost entirely diurnal and indirect: north-oriented or hedge-filtered daylight arrives diffuse and green-cast, washing the space in a soft, even luminance that suppresses hard shadow and privileges texture over drama. The ivory sheer, hung on a discreet recessed track, tempers glare while retaining silhouette legibility, and the adjacent pinch-pleated overdrape in a taupe-bronze silk-blend — with its subtle vertical striation and slight sheen — offers the option of full blackout while contributing a note of drapery-weight formality. Artificial sources are conspicuously concealed; no decorative fixture interrupts the ceiling plane, implying a scheme of recessed low-glare downlights or perimeter cove washing designed to sustain the daytime ambience after dusk. The resulting atmosphere is one of composed reticence — quiet, tactile, and deeply oriented toward the garden. Stylistically, the project synthesises Japandi restraint (the pocketing timber plane, the shadow-gap detailing, the reverence for the framed view) with the material sensuality and drapery conventions of European Soft Modernism, yielding a warm minimalism in which luxury is communicated through joinery tolerance, textile hand, and the disciplined editing of the palette rather than through ornament or statement furniture. It is an interior conceived as a calm neutral ground — an armature for light, landscape, and the slow accretion of daily life.

Enhance your home with our handmade braided area rugs, combining traditional and vintage styles with contemporary flair. these medium-sized round rugs in a classic beige color add a touch of elegance to any living room, bedroom, or dining room. expertly hand knotted and crocheted with scalloped edges, each rug reflects meticulous craftsmanship and an oriental influence. crafted from a blend of natural fibers such as jute, sisal, and sea grass, these rugs are durable and suitable for both indoor and outdoor use. the low, thin pile offers a sleek, modern look while being easy to maintain and comfortable. perfect for creating a stylish setting during the christmas season or throughout the year, these rugs are currently available at clearance prices, providing a beautiful and functional addition to your home decor. [FEATURES] *PATTERN - Oriental *COLOR - Beige *MATERIAL - Jute *MATERIAL COMPOSITION - 80% Jute; 20% Cotton *CONSTRUCTION - Handmade *WEAVE - Hand Woven *COUNTRY OF ORIGIN - India *BRAND - RUGSOTIC CARPETS *MANUFACTURER - GET MY RUGS LLC *SHIPPING - Free Shipping *OCCASION - All *ROOM TYPE - Living Room, Bed Room, Study Room, Guest Room, Kids Room, Office *CARE INSTRUCTION - Vacuum Cleaning *ECO-FRIENDLY - Yes *NATURAL FIBRE - Yes *PILE - High Pile *PILE HEIGHT - 0.75 Inches *BACK MATERIAL - Cotton *USAGE - Indoor *DURABLE - Yes *ANTI-SKID - Yes *Order Handling Time - 2 Business days *Washable - No *RUG PAD NEEEDED - No *ITEM CONDITION - New *REVERSIBLE - No *[WEAVE / CONSTRUCTION] Woven area rugs frequently hold cultural and historical importance, featuring traditional patterns and techniques handed down through generations. Woven area rug weaving is a complex and traditional method used to produce durable and decorative area rugs. This process involves intertwining warp and weft threads to create a flat and sturdy textile. *[MATERIAL] Jute is one of the most affordable natural & eco-friendly fibers in existence and also used for weaving area rugs. The jute material is strong enough to tolerate the large footfall without much cleaning on daily basis and can be used both indoor and outdoor. The cost of such area rugs is reasonable. *[PATTERN] This oriental jute area rugs with traditional design enhances the elegance of your living space and beautifully complement a variety of home décor styles. *[ECO-FRIENDLY] By selecting this handmade area rug, woven with eco-friendly natural fibers and crafted without the use of harmful chemicals, you demonstrate your commitment to a healthier environment and your support for traditional craftsmanship. Additionally, using jute as a raw material makes the area rug more eco-friendly and conducive to nature. *[DURABLE & EASY CARE] Crafted with meticulous precision and using top-quality materials, these area rugs boast unparalleled durability, making them suitable for high-traffic areas while providing exceptional underfoot comfort. Moreover, they require minimal maintenance, needing only occasional vacuuming to keep them looking their best. *[USAGE AREA] Area rugs are versatile decor elements that can elevate the ambiance and functionality of any room in your home. From the living room to the bedroom, and even outdoor spaces, study rooms, runway, dining room and office room here's how you can make the most of area rugs throughout your home. *[SERVICES] Free Shipping | Quick Order Dispatch | Easy Return | Accessible Customer Support - With quality product we deliver exceptional services to customers. *[BRAND] RUGSOTIC CARPETS is a name synonymous with quality area rugs, rooted in decades of manufacturing expertise. Our commitment to excellence extends beyond product quality to supporting thousands of skilled weavers and artisans. We prioritize environmental friendliness and climate sustainability in our weaving processes, while also fostering the continuous skill development of our weavers through training initiatives. From spinning and dyeing yarn with natural ingredients in our in-house units to the meticulous weaving of our area rugs, quality checks at every stage ensure the delivery of products that uphold high moral values and exceed customer expectations. *[SHAPE & SIZE] This Round area rug is of 6'7''x6'7'' size. Ensure that the area rug is the appropriate size and shape for the space, considering the furniture arrangement and the room's dimensions.I *[SHIPPING & RETURN POLICY] Free shipping across USA (except Puerto Rico, Alaska & Hawaii). Easy 30 days free returns. In case of damaged or wrong product delivered, the return shipment cost will be borne by us, in any other case, it will be paid by the customer. *[WEAVE DESCRIPTION] Woven rugs often carry significant cultural and historical value, showcasing traditional patterns and techniques that have been passed down through generations. These area rugs are not just decorative pieces but are also embodiments of heritage and craftsmanship. The art of weaving them is a detailed and time-honored method that requires skill and precision to produce area rugs that are both durable and aesthetically pleasing. This intricate process involves the careful interlacing of warp and weft threads on a loom to create a flat and sturdy textile. The durability of these area rugs ensures they can withstand heavy use, making them practical as well as beautiful additions to any space. *[MATERIAL DESCRIPTION] Jute is one of the most affordable and eco-friendly natural fibers available, commonly used for weaving area rugs. This material is exceptionally strong and durable, capable of withstanding heavy foot traffic with minimal daily cleaning, making it suitable for both indoor and outdoor use. Additionally, the cost of jute area rugs is quite reasonable, making them an economical choice for consumers seeking sustainable and practical flooring solutions. The use of jute as a raw material not only enhances the rug's durability but also contributes to environmental sustainability, as jute is biodegradable and renewable *[PROPER SET UP & CARE] The area rug is weaved by the expert artisans with high density for its unmatched durability. It can be placed on high traffic areas with proper care. It can be installed over any kind of surface and creases can be removed just by rolling up the rug in reverse order. *[FLOOR PROTECTION] For floor protection, this area rug can be used with pads that keep the safety of the floor intact. Be it the stone flooring, wooden or tile flooring, the rug pads will be the best for protection. *[CLEANING METHODS] To effectively remove dust from jute area rugs, the vacuum cleaning method is recommended. However, for stains or heavy dust accumulation, a gentle wash can be employed to restore the rug's cleanliness. After washing, it's important to ensure thorough drying of the area rug, preferably under sunlight, as this helps it regain its natural sheen and freshness.

Dan Grassell
Inspiration for a mid-sized timeless enclosed medium tone wood floor home office library remodel in Cleveland with no fireplace and no tv

Elevate your home with our handmade braided area rugs, designed to bring a contemporary and modern touch to any space. these medium-sized rectangular rugs, in a sophisticated off-white color, add a sleek and natural feel to your living room, bedroom, or dining room. meticulously hand-knotted and crocheted, each rug features scalloped edges that highlight exceptional craftsmanship. made from durable natural fibers like jute and sisal, these rugs are built to withstand high traffic areas while maintaining their thick, high-pile texture, offering a plush and luxurious feel underfoot. suitable for both indoor and outdoor use, they provide versatile elegance and practicality. currently available at clearance prices, these rugs combine stylish design with robust durability, making them a perfect addition to enhance your home decor. [FEATURES] *PATTERN - Contemporary *COLOR - Natural Off White *MATERIAL - Jute *MATERIAL COMPOSITION - 80% Jute; 20% Cotton *CONSTRUCTION - Handmade *WEAVE - Hand Knotted Sumak *COUNTRY OF ORIGIN - India *BRAND - RUGSOTIC CARPETS *MANUFACTURER - GET MY RUGS LLC *SHIPPING - Free Shipping *OCCASION - All *ROOM TYPE - Living Room, Bed Room, Study Room, Guest Room, Kids Room, Office *CARE INSTRUCTION - Vacuum Cleaning *ECO-FRIENDLY - Yes *NATURAL FIBRE - Yes *PILE - High Pile *PILE HEIGHT - 0.75 Inches *BACK MATERIAL - Cotton *USAGE - Indoor *DURABLE - Yes *ANTI-SKID - Yes *Order Handling Time - 2 Business days *Washable - No *RUG PAD NEEEDED - No *ITEM CONDITION - New *REVERSIBLE - No *[WEAVE / CONSTRUCTION] Handcrafted by skilled artisans, hand-knotted area rugs exemplify punctilious craftsmanship, with each area rug woven to ensure unmatched quality and conscientious attention to detail. Every knot in the area rug is expertly tied in a seamless process, intricately interlacing warps and wefts to produce a masterpiece renowned for its superior quality and lasting durability. *[MATERIAL] Jute is one of the most affordable natural & eco-friendly fibers in existence and also used for weaving area rugs. The jute material is strong enough to tolerate the large footfall without much cleaning on daily basis and can be used both indoor and outdoor. The cost of such area rugs is reasonable. *[PATTERN] This modern jute area rugs with contemporary design elevates the elegance of your living space and complement various home décor styles including transitional, modern, contemporary, and bohemian. *[ECO-FRIENDLY] By selecting this handmade area rug, woven with eco-friendly natural fibers and crafted without the use of harmful chemicals, you demonstrate your commitment to a healthier environment and your support for traditional craftsmanship. Additionally, using jute as a raw material makes the area rug more eco-friendly and conducive to nature. *[DURABLE & EASY CARE] Crafted with meticulous precision and using top-quality materials, these area rugs boast unparalleled durability, making them suitable for high-traffic areas while providing exceptional underfoot comfort. Moreover, they require minimal maintenance, needing only occasional vacuuming to keep them looking their best. *[USAGE AREA] Area rugs are versatile decor elements that can elevate the ambiance and functionality of any room in your home. From the living room to the bedroom, and even outdoor spaces, study rooms, runway, dining room and office room here's how you can make the most of area rugs throughout your home. *[SERVICES] Free Shipping | Quick Order Dispatch | Easy Return | Accessible Customer Support - With quality product we deliver exceptional services to customers. *[BRAND] RUGSOTIC CARPETS is a name synonymous with quality area rugs, rooted in decades of manufacturing expertise. Our commitment to excellence extends beyond product quality to supporting thousands of skilled weavers and artisans. We prioritize environmental friendliness and climate sustainability in our weaving processes, while also fostering the continuous skill development of our weavers through training initiatives. From spinning and dyeing yarn with natural ingredients in our in-house units to the meticulous weaving of our area rugs, quality checks at every stage ensure the delivery of products that uphold high moral values and exceed customer expectations. *[SHAPE & SIZE] This Rectangle area rug is of 5'x8' size. Ensure that the area rug is the appropriate size and shape for the space, considering the furniture arrangement and the room's dimensions.I *[SHIPPING & RETURN POLICY] Free shipping across USA (except Puerto Rico, Alaska & Hawaii). Easy 30 days free returns. In case of damaged or wrong product delivered, the return shipment cost will be borne by us, in any other case, it will be paid by the customer. *[WEAVE DESCRIPTION] Utilizing the ancient and authentic hand-knotted technique, this area rug epitomizes the most traditional method of crafting area rugs. The process begins on a wooden frame intricately assembled with vertical threads tightly secured between top and bottom bars to create essential tension. These vertical threads, referred to as warps, form the base for weaving the weft threads horizontally through them. Despite its time-intensive nature, this method allows for intricate detailing and offers ample opportunities for diverse design possibilities. Furthermore, the resultant area rug boasts exceptional durability, ensuring its longevity for years to come. *[MATERIAL DESCRIPTION] Jute is one of the most affordable and eco-friendly natural fibers available, commonly used for weaving area rugs. This material is exceptionally strong and durable, capable of withstanding heavy foot traffic with minimal daily cleaning, making it suitable for both indoor and outdoor use. Additionally, the cost of jute area rugs is quite reasonable, making them an economical choice for consumers seeking sustainable and practical flooring solutions. The use of jute as a raw material not only enhances the rug's durability but also contributes to environmental sustainability, as jute is biodegradable and renewable *[PROPER SET UP & CARE] The area rug is weaved by the expert artisans with high density for its unmatched durability. It can be placed on high traffic areas with proper care. It can be installed over any kind of surface and creases can be removed just by rolling up the rug in reverse order. *[FLOOR PROTECTION] For floor protection, this area rug can be used with pads that keep the safety of the floor intact. Be it the stone flooring, wooden or tile flooring, the rug pads will be the best for protection. *[CLEANING METHODS] To effectively remove dust from jute area rugs, the vacuum cleaning method is recommended. However, for stains or heavy dust accumulation, a gentle wash can be employed to restore the rug's cleanliness. After washing, it's important to ensure thorough drying of the area rug, preferably under sunlight, as this helps it regain its natural sheen and freshness.

Transform your space with our handmade braided area rugs, a perfect blend of traditional and vintage charm. these medium-sized round rugs in a timeless beige hue add a touch of elegance to any living room, bedroom, or dining room. expertly hand knotted and crocheted with scalloped edges, each rug reflects meticulous craftsmanship and an oriental flair. crafted from a mix of natural fibers including jute, sisal, and sea grass, these rugs are durable and eco-friendly, suitable for both indoor and outdoor use. the low, thin pile offers a sleek, modern look while ensuring easy maintenance and comfort. ideal for adding a stylish accent during the Christmas season or throughout the year, these rugs are currently available at clearance prices, combining classic design with practical functionality to elevate your home decor. [FEATURES] *PATTERN - Oriental *COLOR - Beige *MATERIAL - Jute *MATERIAL COMPOSITION - 80% Jute; 20% Cotton *CONSTRUCTION - Handmade *WEAVE - Hand Woven *COUNTRY OF ORIGIN - India *BRAND - RUGSOTIC CARPETS *MANUFACTURER - GET MY RUGS LLC *SHIPPING - Free Shipping *OCCASION - All *ROOM TYPE - Living Room, Bed Room, Study Room, Guest Room, Kids Room, Office *CARE INSTRUCTION - Vacuum Cleaning *ECO-FRIENDLY - Yes *NATURAL FIBRE - Yes *PILE - High Pile *PILE HEIGHT - 0.75 Inches *BACK MATERIAL - Cotton *USAGE - Indoor *DURABLE - Yes *ANTI-SKID - Yes *Order Handling Time - 2 Business days *Washable - No *RUG PAD NEEEDED - No *ITEM CONDITION - New *REVERSIBLE - No *[WEAVE / CONSTRUCTION] Woven area rugs frequently hold cultural and historical importance, featuring traditional patterns and techniques handed down through generations. Woven area rug weaving is a complex and traditional method used to produce durable and decorative area rugs. This process involves intertwining warp and weft threads to create a flat and sturdy textile. *[MATERIAL] Jute is one of the most affordable natural & eco-friendly fibers in existence and also used for weaving area rugs. The jute material is strong enough to tolerate the large footfall without much cleaning on daily basis and can be used both indoor and outdoor. The cost of such area rugs is reasonable. *[PATTERN] This oriental jute area rugs with traditional design enhances the elegance of your living space and beautifully complement a variety of home décor styles. *[ECO-FRIENDLY] By selecting this handmade area rug, woven with eco-friendly natural fibers and crafted without the use of harmful chemicals, you demonstrate your commitment to a healthier environment and your support for traditional craftsmanship. Additionally, using jute as a raw material makes the area rug more eco-friendly and conducive to nature. *[DURABLE & EASY CARE] Crafted with meticulous precision and using top-quality materials, these area rugs boast unparalleled durability, making them suitable for high-traffic areas while providing exceptional underfoot comfort. Moreover, they require minimal maintenance, needing only occasional vacuuming to keep them looking their best. *[USAGE AREA] Area rugs are versatile decor elements that can elevate the ambiance and functionality of any room in your home. From the living room to the bedroom, and even outdoor spaces, study rooms, runway, dining room and office room here's how you can make the most of area rugs throughout your home. *[SERVICES] Free Shipping | Quick Order Dispatch | Easy Return | Accessible Customer Support - With quality product we deliver exceptional services to customers. *[BRAND] RUGSOTIC CARPETS is a name synonymous with quality area rugs, rooted in decades of manufacturing expertise. Our commitment to excellence extends beyond product quality to supporting thousands of skilled weavers and artisans. We prioritize environmental friendliness and climate sustainability in our weaving processes, while also fostering the continuous skill development of our weavers through training initiatives. From spinning and dyeing yarn with natural ingredients in our in-house units to the meticulous weaving of our area rugs, quality checks at every stage ensure the delivery of products that uphold high moral values and exceed customer expectations. *[SHAPE & SIZE] This Round area rug is of 4'x4' size. Ensure that the area rug is the appropriate size and shape for the space, considering the furniture arrangement and the room's dimensions.I *[SHIPPING & RETURN POLICY] Free shipping across USA (except Puerto Rico, Alaska & Hawaii). Easy 30 days free returns. In case of damaged or wrong product delivered, the return shipment cost will be borne by us, in any other case, it will be paid by the customer. *[WEAVE DESCRIPTION] Woven rugs often carry significant cultural and historical value, showcasing traditional patterns and techniques that have been passed down through generations. These area rugs are not just decorative pieces but are also embodiments of heritage and craftsmanship. The art of weaving them is a detailed and time-honored method that requires skill and precision to produce area rugs that are both durable and aesthetically pleasing. This intricate process involves the careful interlacing of warp and weft threads on a loom to create a flat and sturdy textile. The durability of these area rugs ensures they can withstand heavy use, making them practical as well as beautiful additions to any space. *[MATERIAL DESCRIPTION] Jute is one of the most affordable and eco-friendly natural fibers available, commonly used for weaving area rugs. This material is exceptionally strong and durable, capable of withstanding heavy foot traffic with minimal daily cleaning, making it suitable for both indoor and outdoor use. Additionally, the cost of jute area rugs is quite reasonable, making them an economical choice for consumers seeking sustainable and practical flooring solutions. The use of jute as a raw material not only enhances the rug's durability but also contributes to environmental sustainability, as jute is biodegradable and renewable *[PROPER SET UP & CARE] The area rug is weaved by the expert artisans with high density for its unmatched durability. It can be placed on high traffic areas with proper care. It can be installed over any kind of surface and creases can be removed just by rolling up the rug in reverse order. *[FLOOR PROTECTION] For floor protection, this area rug can be used with pads that keep the safety of the floor intact. Be it the stone flooring, wooden or tile flooring, the rug pads will be the best for protection. *[CLEANING METHODS] To effectively remove dust from jute area rugs, the vacuum cleaning method is recommended. However, for stains or heavy dust accumulation, a gentle wash can be employed to restore the rug's cleanliness. After washing, it's important to ensure thorough drying of the area rug, preferably under sunlight, as this helps it regain its natural sheen and freshness.

Italian Kids Bedroom Set ONE-508 by SPAR Made in Italy by Spar ONE Junior by Spar is a modern styled Italian kids bedroom furniture collection that is remarkable for its innovative technologies that help not only safe so valuable space, but get it optimized for the every need of your kid. ONE Junior Furniture Collection by Spar makes dreams come true, making both parents and children happy, providing bedroom solutions that you really need and deserve. ONE Kids Furniture line creates functional and modern bedroom designs for girls and boys, small kids and teenagers, optimizing the space for sleeping, studying and playing. Featuring a variety of colors to choose from and abundance of size customization options, modular ONE Bedroom Collection sets no limits between your kids and bedroom they are dreaming about. All the pieces can be mixed & matched from one set to another and are available in a variety of sizes and colors. Please contact our office regarding customization of this kids bedroom set. The starting price is for the "As Shown" kids bedroom set ONE 508 that includes the following items: 1 High Twin Size Bed with Pull-Out Desk (bed fits US standard Twin size mattress 39" x 75") 1 Sliding Lower Trundle Bed (bed fits US standard Twin size mattress 39" x 75") 1 Desk 1 Standing Bookcase 1 Standing Bookcase (with 4 drawers) 3 Wall Shelves W53" 1 Wall Shelf W80" 1 Corner Wardrobe 1 Storage Composition "Bridge" Please Note: Room/Bed decorative accessories and the mattress are not included in the price. MATERIAL/CONSTRUCTION: E1-Class ecological panels, which are produced exclusively trough a wood recycling production process Used lacquers conform to the norm 71/3 (toys directive) Structure: 18 mm thick melamine-coated particle board Shelves: 25mm thick melamine-coated particle board Back panels: high density fibreboard 5mm thick Doors: 18 mm thick melamine-coated particle board finished on 4 sides Hardware: metal runners with self-closing system and double stop; adjustable self closing hinges; quick-mount and braking systems Dimensions: High Twin Size Bed: W43" x D80" x H39.6" (internal 39" x 75" US Standard) High Full Size Bed: W58" x D80" x H39.6" (internal 54" x 75" US Standard) Lower Twin Size Bed: W42.4" x D77.6" x H22.7" (internal 39" x 75" US Standard) Lower Full Size Bed: W57.4" x D77.6" x H22.7" (internal 54" x 75" US Standard) Desk: W53" x D23.2" x H30" Standing Bookcase: W18.5" x D14.4" x H89.8" or H102.4" Standing Bookcase (with drawers): W18.5" x D15" x H89.8" or H102.4" Wall Shelf: W53" x D10" x H1" Wall Shelf: W80" x D10" x H1" Corner Wardrobe: W(66" x 49") x D23.6" x H89.8" or H102.4" Storage Composition "Bridge": W81" x D23.6" x H89.8" or H102.4"

Sunday, September 14, 2014 Is Your Interior Design Depressing You? By Joseph Pubillones (DailyHerald.com http://www.dailyherald.com/article/20140913/entlife/140919600) From time to time, someone will corner me and confess to me that they are depressed; they whisper that they believe their decorating is making them sick. They tell me that their interiors are not to their liking because of choices made by their spouse, their designer, or because of their own misguided attempts at decorating. Is it possible for their environment to make them feel sick? Yes (as I think about it), it is possible for design to alter moods. In the mid-1950s, Norbett Mintz, a researcher at Brandeis University, and his mentor, the renowned psychologist Abraham Maslow, decided to conduct research about the effects of "beauty" on behavior. Mintz had already conducted experiments about the effects of color on human behavior and concluded that color selection has a palpable effect on personal behavior. A room's design can have an impact on your mood. Mismatched colors or an overstuffed room can affect your ability to relax and feel comfortable. In their experiment about beauty, they designed three rooms. The first was "the ugly room", replete with clashing colors and patterns, disorganization and too much furniture for the size of the space. The second was "the average room", arranged with a monochromatic scheme, basic furniture pieces and subtly colored nondescript art. The third was "the beautiful room", decorated with quality case-goods, and fashionable fabrics and colors. Overwhelmingly, the test group rejected "the ugly room". "The average room" and "the beautiful room" were tied as the preferred room. When asked to describe the rooms, the test group was best able to describe "the beautiful room". As a designer, this is not news to me. There are rooms, especially those that I like, that I can describe with remarkable detail. Although our notion of what is beautiful varies from person to person, it can be said that beautiful design is more memorable. We can deduce that each person prefers the beautiful. From the time we are born, there are foods that are preferred -- some love sweets; others prefer more savory flavors. Over time, our taste buds evolve, and what was once a favorite food can become insipid or nauseating. The same is true for interior design. Over time, everyone develops preferences about what makes us feel comfortable and at home. When I hear that someone's home is depressing, I am concerned. I suggest immediate action to change what is most bothersome. If it is wall color: a painting party is overdue. If it is furniture: I ask them to consider new upholstery; a new furniture arrangement; or substituting new pieces for those that offend. And for those too timid or dismayed to tackle their problems head-on and alone, I suggest hiring a professional interior designer. ( Joseph Pubillones is the owner of Joseph Pubillones Interiors, an award-winning interior design firm based in Palm Beach, Fla. © 2014 Creators.com) [Comment by Brandon Oriental Rugs: Good quality is evident in the words we use when we appreciate its presence: beauty, harmony, integrity, excellence. These are appealing impressions it makes upon our minds and spirits. It can't be faked. Attempts to put a stamp of "quality" -- as in "good quality" -- upon things which possess or convey "bad quality" doesn't fool anyone who appreciates quality and the benefits it inherently brings.] Related articles Is your interior design depressing you? Why Our Brains Love Colorful Interiors A Little Spent on a Well Chosen Oriental Rug Can Save You a Lot on the Remaining Furnishings for Your Home How Can Interior Design Inspire Fashion Design? | L' Essenziale Home Designs Interior Design Pet Peeves Hand-Knotted Oriental Rugs Are Best Friends With Leather Furniture And Arts & Crafts (especially Stickley (tm)) Furnishings of Every Kind Homeowners Select Persian Kashan Rug from Bucks County Oriental Rug Store Brandon Oriental Rugs (www.BrandonRugs.com) for Family Room of Their Upper Montgomery County Farmhouse There Is Nothing New Under The Sun - Opposites Attract - The Truth Does Not Change - Quality IS Forever Manifesting Itself - REAL Is Now ShareThisFacebookTweetLinkedInPinterestEmail Posted by brandon rugs at 6:06 PM No comments: Links to this post Email This BlogThis! Share to Twitter Share to Facebook Share to Pinterest Labels: Brandon, Brandonrugs.com, Bucks County oriental rugs, colorful rugs, designing for mood, environment, interior design, personal expression, rug store Bucks County, rugs and design Saturday, September 13, 2014 Bucks County Rug Store Helps Bethlehem, PA Homeowners Select Rugs to Complete Newly Furnished Living Room and Dining Room Our customers purchased new living room and dining room furniture from Hendrixson's Fine Furnishings in Shimersville, PA. With most of both rooms finished, they asked Brandon Oriental Rugs to help them find two fine quality oriental rugs that would coordinate with each other, and serve as the last puzzle pieces to complete their decorating. Both rugs are finely detailed, hand-knotted, antique reproduction Persian Tabriz design oriental rugs made in India. The living room rug has a golden-maize color background with an antique gold border that subtly complements the fabrics and floor color in the room. The small scale motifs add color and interest while not defeating the supporting role the rug plays in the room to the customer's collection of fine original artworks. The dining room rug is an unusual "Hasht-guli" design with berry-red background and golden-maize border that complements the living room rug, the rich mahogany wood-tones of the dining room suite, and the fabrics used in the custom window treatments designed and installed by Hendrixson's. The wonderful result wrought by our customers expressing their good taste in an unswerving commitment to quality is proof that a modestly sized home can look and feel as elegant and luxurious as any palace. Related articles Lehigh Valley: Bucks County Oriental Rug Store, Brandon Oriental Rugs - www.BrandonRugs.com - Finds and Delivers Rugs for Lehigh Valley Home in Bethlehem, PA New Homeowners in Doylestown, PA (Bucks County) Find Handmade Oriental Rug That Complements Everything in the Entry Hall to Their Home with Help from Brandon Oriental Rugs (www.BrandonRugs.com) Brandon Oriental Rugs in Bucks County, PA helps Lehigh Valley Homeowner ( Bethlehem, PA ) Find a Fine Quality Oriental Rug to Complete Family Room Aesthetic pieces RUG SALE REALITY -- What Kind of Rug Sale Are You Looking For: "Biggest Discount" or "Best Quality at the Best Price"? Bucks County Oriental Rug Store - Brandon Oriental Rugs (BrandonRugs.com) - Helps You Understand the Difference Brandon Oriental Rugs Helps Newtown, PA Homeowner Prepare for Holiday Entertaining with new Hand-knotted Oriental Rugs for the Living Room and Dining Room Is That Really an Antique Rug? Antique Rugs Might Not Always Be As Old As You Think. ShareThisFacebookTweetLinkedInPinterestEmail Posted by brandon rugs at 2:47 PM No comments: Links to this post Email This BlogThis! Share to Twitter Share to Facebook Share to Pinterest Labels: Bethlehem, Brandon, choosing an area rug, Doylestown, interior design, Lehigh Valley home furnishings, oriental rugs bucks county Tuesday, September 9, 2014 Oriental Rugs: What More Can You Say? (BrandonRugs.com) Sometimes when there's a lot to be said, saying it quietly commands more attention. You almost want to invite the oriental rugs to speak up, but they are always content playing a supporting role. Related articles New Homeowners in Doylestown, PA (Bucks County) Find Handmade Oriental Rug That Complements Everything in the Entry Hall to Their Home with Help from Brandon Oriental Rugs (www.BrandonRugs.com) Bucks County Rug Store and Rug Search Service (Brandon Oriental Rugs - www.BrandonRugs.com) Helps Upper Bucks County Homeowner to Select Living Room Rugs for Old Farmhouse Renovation A Little Spent on a Well Chosen Oriental Rug Can Save You a Lot on the Remaining Furnishings for Your Home 5 Things That Take a Room from Good to Great RUG SALE REALITY -- What Kind of Rug Sale Are You Looking For: "Biggest Discount" or "Best Quality at the Best Price"? Bucks County Oriental Rug Store - Brandon Oriental Rugs (BrandonRugs.com) - Helps You Understand the Difference Rug Shopping in Princeton - Hopewell - Skillman New Jersey Region Made Easier with Help From Bucks County Oriental Rug Store Brandon Oriental Rugs - www.BrandonRugs.com - as Proven by Customer's Experience Video: All About Persian Rugs from Their Source ( with commentary from Bucks County Oriental Rug Store Brandon Oriental Rugs - www.BrandonRugs.com ) Advice For Maintaining Oriental Rugs ShareThisFacebookTweetLinkedInPinterestEmail Posted by brandon rugs at 4:07 PM No comments: Links to this post Email This BlogThis! Share to Twitter Share to Facebook Share to Pinterest Labels: Brandon, Bucks County oriental rugs, choose an oriental rug, Doylestown, Huntingdon Valley, layered rugs, New Hope, Newtown, oriental rug store Bucks County, Pinterest, rug sale, rug size, rugs and decor Rug Placement Helps Determine Room Function and Where Rooms Begin and End (BrandonRugs.com) If feel that your decorating is neither here nor there; the appropriate use of handmade oriental rugs will definitely help you to figure out where here is. http://www.pinterest.com/pin/133348838942090547/ Related articles New Homeowners in Doylestown, PA (Bucks County) Find Handmade Oriental Rug That Complements Everything in the Entry Hall to Their Home with Help from Brandon Oriental Rugs (www.BrandonRugs.com) Bucks County Rug Store and Rug Search Service (Brandon Oriental Rugs - www.BrandonRugs.com) Helps Upper Bucks County Homeowner to Select Living Room Rugs for Old Farmhouse Renovation Homeowners Select Persian Kashan Rug from Bucks County Oriental Rug Store Brandon Oriental Rugs (www.BrandonRugs.com) for Family Room of Their Upper Montgomery County Farmhouse Oriental Rugs and Rugged Individualism: The World at Your Feet Is An Expression of You Rug Shopping in Princeton - Hopewell - Skillman New Jersey Region Made Easier with Help From Bucks County Oriental Rug Store Brandon Oriental Rugs - www.BrandonRugs.com - as Proven by Customer's Experience One-of-a-Kind Oriental Rugs Are Something Special for Those Blazing a Trail of Exquisite Taste That Can Be Admired But Not Duplicated ShareThisFacebookTweetLinkedInPinterestEmail Posted by brandon rugs at 3:22 PM No comments: Links to this post Email This BlogThis! Share to Twitter Share to Facebook Share to Pinterest Labels: Brandon, Bucks County oriental rugs, choose an oriental rug, Doylestown, Huntingdon Valley, layered rugs, New Hope, Newtown, oriental rug store Bucks County, Pinterest, rug sale, rug size, rugs and decor Saturday, September 6, 2014 Why You Should Hire a Professional Interior Designer by Cindy Beyer — August 27, 2014 at 1:00 pm ( http://www.restonnow.com/2014/08/27/why-you-should-hire-a-professional-interior-designer) The interior of your home says a lot about you. Your home is your castle. Many of my clients have said they couldn’t imagine the results after their project was completed. They say it was the WOW factor. I say, that is why you hired a professional designer. There are many situations that warrant the hiring a professional interior designer. This includes something as simple as choosing paint and window covering to full scale renovation work such as a new kitchen, bath or lower level. In addition to achieving that WOW factor, a professional interior designer will save their clients’ money in many ways, most importantly the avoidance of costly mistakes. Not only will a professional designer understand the context of the project, they will have access to many resources and their trained eye can make a world of difference in the final result. And those final results also will improve the value of your home. Professional interior designers are able to work closely with architects and contractors and are comfortable with drawing floor plans, as well as understanding the implications of how interiors will be used as it relates to structural and available floor space. Beyond floor plans, program management, installation and understanding how structural design will be used in a practical setting, a professional interior designer will also be knowledgeable in color and fabric design, space planning, window coverings, furniture design, architecture and much more. So when you see the initials ASID and NCIDQ next to an interior designer’s name, know they have been through significant amount of formal certification. When hiring a professional interior designer, it is important to have an understanding of the scope of the work to be done. Before my initial meeting with a new client, I ask them to spend some time making a list of their needs as well as any pictures they saved of items or rooms they like. Upon our first meeting, I take photos and measurements. Together,we then develop a detailed itemized list covering all areas of concern. The next step is to draw up and present a floor plan. Depending on the type of project this could include floor plans and furniture placement as well as construction and lighting if needed. Once the plan is approved appropriate furnishings and finishes are selected. This can be fun - and exhausting as well. I often present my clients with many samples from which to choose. After the furniture choices, I develop a comprehensive budget itemizing all purchases. I also may call on several of the contractors I work with such as electricians, plumbers, cabinet wholesalers and cabinet makers, painters, as well as drapery workrooms and installers. It has taken many years to compile trusted associates, which is an important part of being a good designer. Lead times for good furniture and furnishings can take from 6-12 weeks depending on availability. This extra time gives sufficient time to finish the required preparatory work, and allows clients time to dispose of old furniture. Related articles Interior Design Pet Peeves A Little Spent on a Well Chosen Oriental Rug Can Save You a Lot on the Remaining Furnishings for Your Home Analysis of Initial Reaction to the New Furniture Exhibition 1901 - an 'exceedingly vulgar show' - (Curated by The Victoria and Albert Museum) with Lessons for Today (extending to the use of handmade area rugs) Regarding Evolution of Tastes and Styles Hand-Knotted Oriental Rugs Are Best Friends With Leather Furniture And Arts & Crafts (especially Stickley (tm)) Furnishings of Every Kind How Can Interior Design Inspire Fashion Design? | L' Essenziale Home Designs Brandon Oriental Rugs Helps Homeowner in Doylestown, PA (Bucks County) Find Rug to Complete Newly Furnished Study Fine Quality Area Rugs - Naturally Including Oriental Rugs - Are A Step In the Right Direction As Designers and Homeowners Plan Improvements: What's Under Foot for 2014? | ASID Icon Bucks County Interior Designer Able to Find Oriental Rug for Her Project Through Brandon Oriental Rugs (www.BrandonRugs.com) ShareThisFacebookTweetLinkedInPinterestEmail Posted by brandon rugs at 11:28 PM No comments: Links to this post Email This BlogThis! Share to Twitter Share to Facebook Share to Pinterest Labels: Brandon, Bucks County oriental rugs, floorplan, home fashion, interior design, lifestyle, oriental rugs, rug store Bucks County Thursday, September 4, 2014 Homeowners Select Persian Kashan Rug from Bucks County Oriental Rug Store Brandon Oriental Rugs (www.BrandonRugs.com) for Family Room of Their Upper Montgomery County Farmhouse - See more at: http://brandonrugs.blogspot.com/#sthash.QMFruxxC.dpuf (Pamela Ward/ Brandon Oriental Rugs)

This image performs an act of deliberate spatial framing: we are positioned as intruders in a threshold, the photograph's foreground bracketed by two monumental slabs of mahogany-toned door leaf and jamb that compress the visual field into a portal roughly one-third the width of the frame. The composition is therefore a study in *enfilade* logic — a controlled, telescoping sightline that draws the eye through a narrow aperture into a recessed alcove, a purpose-built writing niche carved from what appears to be a corridor or dressing-room vestibule. The niche itself is architecturally modest in footprint but generous in vertical proportion; the ceiling reads as a plain plastered plane, unadorned save for a surface-mounted linear picture light on a slender drop stem, and the wall is treated as a full-height field for a single dominant object. The joinery is the true architecture here: a continuous run of casework establishes a horizontal datum at desk height, with a cantilevered writing surface returning perpendicular to the left-hand wall and a lower bank of drawers and a shallow ledge running right. That ledge functions as a *cimaise* or picture shelf, resolving the base of the framed nautical chart and giving the composition a plinth. Above, an integrated soffit or upper cabinet with concealed under-lighting terminates the left elevation, reinforcing the sense of an inhabited, tailored recess rather than a room. The herringbone parquet in the foreground introduces a diagonal geometry that runs counter to the orthogonal grid of doors, casework and picture frame, and this friction — chevron against rectilinear — animates what would otherwise be a static, axial composition. The single chair, canted slightly off-axis and pulled away from the desk, is the compositional pivot: it breaks the symmetry, occupies the exact center of the aperture, and converts an architectural vignette into a narrative one. The palette is a disciplined exercise in the warm end of the spectrum, essentially monochromatic in hue and differentiated almost entirely by value, sheen and grain. The dominant material is timber, deployed in at least three distinct registers: the foreground door and jamb in a deeply saturated, red-brown mahogany or sapele with a high-build lacquer or French-polish sheen that catches light in long vertical highlights; the desk and casework in a lighter, honeyed figured wood — quartered cherry or anigre — finished to a satin rather than gloss, so that the eye reads it as a working surface rather than a ceremonial one; and finally the pale, blond oak of the herringbone floor, cerused or naturally oxidized to a straw tonality that lifts the lower register of the frame. Against this timber triad, the walls provide a chalky, low-saturation ground: a limewashed or flat-emulsion cream with a distinctly yellow-warm undertone that absorbs rather than reflects. The upholstery is the room's chromatic keynote — a saddle-tan or cognac leather, semi-aniline, already developing patina and slight slouch at the seat, its edge articulated by a close-set brass or antique-nickel nailhead trim that reads as a stitched seam of tiny metallic points. Metals are used sparingly and with historical precision: the polished chrome rosette and knob of the door with its heavy escutcheon and mortise strike plate, the slim brushed housing of the picture light. Texturally, the room stages a dialogue between the hard, reflective and the soft, absorbent: lacquer against limewash, taut leather against the friable, foxed paper of the antique chart. That chart — a hydrographic survey rendered in ochre, sepia and faded aqua, its ebonized frame supplying the composition's only true black — is the material anchor, its aged paper introducing a granular, time-worn texture that no new surface in the room could supply. The terrier, coincidentally or not, participates in this material scheme: a wiry tan-and-black coat that reads as a textile in its own right, tonally identical to the leather beneath it. The lighting design is layered, warm-Kelvin and almost entirely artificial in its narrative effect, though the scene depends on a critical unseen source. A shaft of low, raking daylight enters from the right — presumably a window outside the frame — and lands as a hard-edged parallelogram across the parquet and the chair's front rail, creating the image's strongest contrast and lending the floor a sense of temporal specificity: late afternoon, low sun. Against this, three artificial layers operate. The surface-mounted picture light washes the nautical chart in an even, slightly amber flood, functioning as accent lighting that establishes the chart as the room's hierarchical focus. Concealed strip lighting beneath the upper casework grazes the left-hand desk return, providing task illumination and articulating the millwork's shadow line. Ambient fill is minimal and deliberately so; the corners of the niche fall into soft, unresolved shadow, and the whole tableau is rendered in a narrow tonal band of amber and umber that suppresses cool light almost entirely. The resulting atmosphere is one of burnished interiority — hushed, crepuscular, protective. Stylistically, the room resists easy categorization but sits most comfortably within a contemporary *Warm Traditionalism* or refined **Anglo-American Modern Classic** idiom: the vocabulary is unmistakably tailored-traditional (nailhead-trimmed leather, mortise hardware, framed cartography, a Deco-inflected barrel-back desk chair), yet the detailing is stripped of ornament — no cornice, no panel molding, no applied millwork profile — and the casework is resolved with the flush, planar minimalism of a mid-century yacht interior. It is, in essence, a *cabinet de travail* reimagined through the discipline of modern joinery: a room that borrows the emotional register of the club library while adopting the reductive geometry of contemporary architecture. The dog, unhurried and centrally enthroned, is the final aesthetic argument — evidence that the space is not a set piece but a lived, occupied, and evidently affectionate interior.

Advice on interior design is available everywhere—from TV shows and websites to books, magazines and apps. We love seeing people become engaged in design and educated on the wide range of possibilities. But we hope you’ll proceed with caution. It’s not that style errors are a matter of life and death. It’s just that it’s easy to choose designs that aren’t necessarily reflective of your own personality and character. And since you’re typically stuck with your interior design decisions for years, styles that don’t quite fit can tend to grate on you. Interiors that give one person comfort may unleash chaos in someone else. This goes beyond favorite colors or hot trends, right to the heart of interior design, where you find questions of composition, balance, repetition, space and more. The goal is to find that unique combination of design elements that gives you comfort, support and balance. In one home, that perfect balance was struck through the use of symmetry. A pair of comfortable swivel chairs sit beneath matching indigo patterned paintings. Matching bookcases below the paintings contain similar, but not identical, arrangements of books, vases and bowls. Woods and bronzes help warm up the simple white bookcase shelving. Two matching poufs in front of the fireplace provide additional seating. The sofa is accented with a pair of pillows with a blue pattern that echoes the artwork. The effect of the symmetry is to achieve order and simplicity, which I promote at every opportunity. After all, your home interiors should be the setting or the backdrop of your life—not center stage. Antique bronze and blue are complementary colors. Together, they offer a rich palette of richness and depth, which brings out the beauty of wood and stone. In the home office, a unique, whitewash-stained wooden desk rests on metal, Sawhorse-inspired legs for a warm, rustic look. The black leather chair features a contemporary silhouette with an antique brass frame. An adjustable desk lamp has bronze accents. The bookcase combines a sleek, black metal frame with concrete shelves, for another unusual pairing. It’s kept uncluttered for an orderly, peaceful look. Items on the shelves include a bronze-accented lamp and a pair of high gloss-finished wooden bookends. The elegant artwork behind the desk is a simple midnight-blue and bronze with mottled white. Deep blues are again picked up in the rug, which adds a stately vibe with a modern pattern and satisfying texture. Within the framework of symmetry, the living room repeats the blue-and-bronze color scheme. A large midcentury brass clock above the fireplace keeps the natural stone visible, rather than hidden behind a painting or television, while its straight lines and color create a beautiful contrast. The sofa is a soft, neutral blue. The pattern on the round brass side table features echoes the darker blue-patterned rug, as well as the rug in the office, tying the rooms together. Indigo blue books adjacent to bronze vases on the shelves repeat the color scheme. The soapstone-topped coffee table echoes the shape of the fireplace. A pair of tall, matching floor lamps with long wooden bases, brass pulls and simple linen shades combine both the colors and symmetry found throughout the home.

Sunday, September 14, 2014 Is Your Interior Design Depressing You? By Joseph Pubillones (DailyHerald.com http://www.dailyherald.com/article/20140913/entlife/140919600) From time to time, someone will corner me and confess to me that they are depressed; they whisper that they believe their decorating is making them sick. They tell me that their interiors are not to their liking because of choices made by their spouse, their designer, or because of their own misguided attempts at decorating. Is it possible for their environment to make them feel sick? Yes (as I think about it), it is possible for design to alter moods. In the mid-1950s, Norbett Mintz, a researcher at Brandeis University, and his mentor, the renowned psychologist Abraham Maslow, decided to conduct research about the effects of "beauty" on behavior. Mintz had already conducted experiments about the effects of color on human behavior and concluded that color selection has a palpable effect on personal behavior. A room's design can have an impact on your mood. Mismatched colors or an overstuffed room can affect your ability to relax and feel comfortable. In their experiment about beauty, they designed three rooms. The first was "the ugly room", replete with clashing colors and patterns, disorganization and too much furniture for the size of the space. The second was "the average room", arranged with a monochromatic scheme, basic furniture pieces and subtly colored nondescript art. The third was "the beautiful room", decorated with quality case-goods, and fashionable fabrics and colors. Overwhelmingly, the test group rejected "the ugly room". "The average room" and "the beautiful room" were tied as the preferred room. When asked to describe the rooms, the test group was best able to describe "the beautiful room". As a designer, this is not news to me. There are rooms, especially those that I like, that I can describe with remarkable detail. Although our notion of what is beautiful varies from person to person, it can be said that beautiful design is more memorable. We can deduce that each person prefers the beautiful. From the time we are born, there are foods that are preferred -- some love sweets; others prefer more savory flavors. Over time, our taste buds evolve, and what was once a favorite food can become insipid or nauseating. The same is true for interior design. Over time, everyone develops preferences about what makes us feel comfortable and at home. When I hear that someone's home is depressing, I am concerned. I suggest immediate action to change what is most bothersome. If it is wall color: a painting party is overdue. If it is furniture: I ask them to consider new upholstery; a new furniture arrangement; or substituting new pieces for those that offend. And for those too timid or dismayed to tackle their problems head-on and alone, I suggest hiring a professional interior designer. ( Joseph Pubillones is the owner of Joseph Pubillones Interiors, an award-winning interior design firm based in Palm Beach, Fla. © 2014 Creators.com) [Comment by Brandon Oriental Rugs: Good quality is evident in the words we use when we appreciate its presence: beauty, harmony, integrity, excellence. These are appealing impressions it makes upon our minds and spirits. It can't be faked. Attempts to put a stamp of "quality" -- as in "good quality" -- upon things which possess or convey "bad quality" doesn't fool anyone who appreciates quality and the benefits it inherently brings.] Related articles Is your interior design depressing you? Why Our Brains Love Colorful Interiors A Little Spent on a Well Chosen Oriental Rug Can Save You a Lot on the Remaining Furnishings for Your Home How Can Interior Design Inspire Fashion Design? | L' Essenziale Home Designs Interior Design Pet Peeves Hand-Knotted Oriental Rugs Are Best Friends With Leather Furniture And Arts & Crafts (especially Stickley (tm)) Furnishings of Every Kind Homeowners Select Persian Kashan Rug from Bucks County Oriental Rug Store Brandon Oriental Rugs (www.BrandonRugs.com) for Family Room of Their Upper Montgomery County Farmhouse There Is Nothing New Under The Sun - Opposites Attract - The Truth Does Not Change - Quality IS Forever Manifesting Itself - REAL Is Now ShareThisFacebookTweetLinkedInPinterestEmail Posted by brandon rugs at 6:06 PM No comments: Links to this post Email This BlogThis! Share to Twitter Share to Facebook Share to Pinterest Labels: Brandon, Brandonrugs.com, Bucks County oriental rugs, colorful rugs, designing for mood, environment, interior design, personal expression, rug store Bucks County, rugs and design Saturday, September 13, 2014 Bucks County Rug Store Helps Bethlehem, PA Homeowners Select Rugs to Complete Newly Furnished Living Room and Dining Room Our customers purchased new living room and dining room furniture from Hendrixson's Fine Furnishings in Shimersville, PA. With most of both rooms finished, they asked Brandon Oriental Rugs to help them find two fine quality oriental rugs that would coordinate with each other, and serve as the last puzzle pieces to complete their decorating. Both rugs are finely detailed, hand-knotted, antique reproduction Persian Tabriz design oriental rugs made in India. The living room rug has a golden-maize color background with an antique gold border that subtly complements the fabrics and floor color in the room. The small scale motifs add color and interest while not defeating the supporting role the rug plays in the room to the customer's collection of fine original artworks. The dining room rug is an unusual "Hasht-guli" design with berry-red background and golden-maize border that complements the living room rug, the rich mahogany wood-tones of the dining room suite, and the fabrics used in the custom window treatments designed and installed by Hendrixson's. The wonderful result wrought by our customers expressing their good taste in an unswerving commitment to quality is proof that a modestly sized home can look and feel as elegant and luxurious as any palace. Related articles Lehigh Valley: Bucks County Oriental Rug Store, Brandon Oriental Rugs - www.BrandonRugs.com - Finds and Delivers Rugs for Lehigh Valley Home in Bethlehem, PA New Homeowners in Doylestown, PA (Bucks County) Find Handmade Oriental Rug That Complements Everything in the Entry Hall to Their Home with Help from Brandon Oriental Rugs (www.BrandonRugs.com) Brandon Oriental Rugs in Bucks County, PA helps Lehigh Valley Homeowner ( Bethlehem, PA ) Find a Fine Quality Oriental Rug to Complete Family Room Aesthetic pieces RUG SALE REALITY -- What Kind of Rug Sale Are You Looking For: "Biggest Discount" or "Best Quality at the Best Price"? Bucks County Oriental Rug Store - Brandon Oriental Rugs (BrandonRugs.com) - Helps You Understand the Difference Brandon Oriental Rugs Helps Newtown, PA Homeowner Prepare for Holiday Entertaining with new Hand-knotted Oriental Rugs for the Living Room and Dining Room Is That Really an Antique Rug? Antique Rugs Might Not Always Be As Old As You Think. ShareThisFacebookTweetLinkedInPinterestEmail Posted by brandon rugs at 2:47 PM No comments: Links to this post Email This BlogThis! Share to Twitter Share to Facebook Share to Pinterest Labels: Bethlehem, Brandon, choosing an area rug, Doylestown, interior design, Lehigh Valley home furnishings, oriental rugs bucks county Tuesday, September 9, 2014 Oriental Rugs: What More Can You Say? (BrandonRugs.com) Sometimes when there's a lot to be said, saying it quietly commands more attention. You almost want to invite the oriental rugs to speak up, but they are always content playing a supporting role. Related articles New Homeowners in Doylestown, PA (Bucks County) Find Handmade Oriental Rug That Complements Everything in the Entry Hall to Their Home with Help from Brandon Oriental Rugs (www.BrandonRugs.com) Bucks County Rug Store and Rug Search Service (Brandon Oriental Rugs - www.BrandonRugs.com) Helps Upper Bucks County Homeowner to Select Living Room Rugs for Old Farmhouse Renovation A Little Spent on a Well Chosen Oriental Rug Can Save You a Lot on the Remaining Furnishings for Your Home 5 Things That Take a Room from Good to Great RUG SALE REALITY -- What Kind of Rug Sale Are You Looking For: "Biggest Discount" or "Best Quality at the Best Price"? Bucks County Oriental Rug Store - Brandon Oriental Rugs (BrandonRugs.com) - Helps You Understand the Difference Rug Shopping in Princeton - Hopewell - Skillman New Jersey Region Made Easier with Help From Bucks County Oriental Rug Store Brandon Oriental Rugs - www.BrandonRugs.com - as Proven by Customer's Experience Video: All About Persian Rugs from Their Source ( with commentary from Bucks County Oriental Rug Store Brandon Oriental Rugs - www.BrandonRugs.com ) Advice For Maintaining Oriental Rugs ShareThisFacebookTweetLinkedInPinterestEmail Posted by brandon rugs at 4:07 PM No comments: Links to this post Email This BlogThis! Share to Twitter Share to Facebook Share to Pinterest Labels: Brandon, Bucks County oriental rugs, choose an oriental rug, Doylestown, Huntingdon Valley, layered rugs, New Hope, Newtown, oriental rug store Bucks County, Pinterest, rug sale, rug size, rugs and decor Rug Placement Helps Determine Room Function and Where Rooms Begin and End (BrandonRugs.com) If feel that your decorating is neither here nor there; the appropriate use of handmade oriental rugs will definitely help you to figure out where here is. http://www.pinterest.com/pin/133348838942090547/ Related articles New Homeowners in Doylestown, PA (Bucks County) Find Handmade Oriental Rug That Complements Everything in the Entry Hall to Their Home with Help from Brandon Oriental Rugs (www.BrandonRugs.com) Bucks County Rug Store and Rug Search Service (Brandon Oriental Rugs - www.BrandonRugs.com) Helps Upper Bucks County Homeowner to Select Living Room Rugs for Old Farmhouse Renovation Homeowners Select Persian Kashan Rug from Bucks County Oriental Rug Store Brandon Oriental Rugs (www.BrandonRugs.com) for Family Room of Their Upper Montgomery County Farmhouse Oriental Rugs and Rugged Individualism: The World at Your Feet Is An Expression of You Rug Shopping in Princeton - Hopewell - Skillman New Jersey Region Made Easier with Help From Bucks County Oriental Rug Store Brandon Oriental Rugs - www.BrandonRugs.com - as Proven by Customer's Experience One-of-a-Kind Oriental Rugs Are Something Special for Those Blazing a Trail of Exquisite Taste That Can Be Admired But Not Duplicated ShareThisFacebookTweetLinkedInPinterestEmail Posted by brandon rugs at 3:22 PM No comments: Links to this post Email This BlogThis! Share to Twitter Share to Facebook Share to Pinterest Labels: Brandon, Bucks County oriental rugs, choose an oriental rug, Doylestown, Huntingdon Valley, layered rugs, New Hope, Newtown, oriental rug store Bucks County, Pinterest, rug sale, rug size, rugs and decor Saturday, September 6, 2014 Why You Should Hire a Professional Interior Designer by Cindy Beyer — August 27, 2014 at 1:00 pm ( http://www.restonnow.com/2014/08/27/why-you-should-hire-a-professional-interior-designer) The interior of your home says a lot about you. Your home is your castle. Many of my clients have said they couldn’t imagine the results after their project was completed. They say it was the WOW factor. I say, that is why you hired a professional designer. There are many situations that warrant the hiring a professional interior designer. This includes something as simple as choosing paint and window covering to full scale renovation work such as a new kitchen, bath or lower level. In addition to achieving that WOW factor, a professional interior designer will save their clients’ money in many ways, most importantly the avoidance of costly mistakes. Not only will a professional designer understand the context of the project, they will have access to many resources and their trained eye can make a world of difference in the final result. And those final results also will improve the value of your home. Professional interior designers are able to work closely with architects and contractors and are comfortable with drawing floor plans, as well as understanding the implications of how interiors will be used as it relates to structural and available floor space. Beyond floor plans, program management, installation and understanding how structural design will be used in a practical setting, a professional interior designer will also be knowledgeable in color and fabric design, space planning, window coverings, furniture design, architecture and much more. So when you see the initials ASID and NCIDQ next to an interior designer’s name, know they have been through significant amount of formal certification. When hiring a professional interior designer, it is important to have an understanding of the scope of the work to be done. Before my initial meeting with a new client, I ask them to spend some time making a list of their needs as well as any pictures they saved of items or rooms they like. Upon our first meeting, I take photos and measurements. Together,we then develop a detailed itemized list covering all areas of concern. The next step is to draw up and present a floor plan. Depending on the type of project this could include floor plans and furniture placement as well as construction and lighting if needed. Once the plan is approved appropriate furnishings and finishes are selected. This can be fun - and exhausting as well. I often present my clients with many samples from which to choose. After the furniture choices, I develop a comprehensive budget itemizing all purchases. I also may call on several of the contractors I work with such as electricians, plumbers, cabinet wholesalers and cabinet makers, painters, as well as drapery workrooms and installers. It has taken many years to compile trusted associates, which is an important part of being a good designer. Lead times for good furniture and furnishings can take from 6-12 weeks depending on availability. This extra time gives sufficient time to finish the required preparatory work, and allows clients time to dispose of old furniture. Related articles Interior Design Pet Peeves A Little Spent on a Well Chosen Oriental Rug Can Save You a Lot on the Remaining Furnishings for Your Home Analysis of Initial Reaction to the New Furniture Exhibition 1901 - an 'exceedingly vulgar show' - (Curated by The Victoria and Albert Museum) with Lessons for Today (extending to the use of handmade area rugs) Regarding Evolution of Tastes and Styles Hand-Knotted Oriental Rugs Are Best Friends With Leather Furniture And Arts & Crafts (especially Stickley (tm)) Furnishings of Every Kind How Can Interior Design Inspire Fashion Design? | L' Essenziale Home Designs Brandon Oriental Rugs Helps Homeowner in Doylestown, PA (Bucks County) Find Rug to Complete Newly Furnished Study Fine Quality Area Rugs - Naturally Including Oriental Rugs - Are A Step In the Right Direction As Designers and Homeowners Plan Improvements: What's Under Foot for 2014? | ASID Icon Bucks County Interior Designer Able to Find Oriental Rug for Her Project Through Brandon Oriental Rugs (www.BrandonRugs.com) ShareThisFacebookTweetLinkedInPinterestEmail Posted by brandon rugs at 11:28 PM No comments: Links to this post Email This BlogThis! Share to Twitter Share to Facebook Share to Pinterest Labels: Brandon, Bucks County oriental rugs, floorplan, home fashion, interior design, lifestyle, oriental rugs, rug store Bucks County Thursday, September 4, 2014 Homeowners Select Persian Kashan Rug from Bucks County Oriental Rug Store Brandon Oriental Rugs (www.BrandonRugs.com) for Family Room of Their Upper Montgomery County Farmhouse - See more at: http://brandonrugs.blogspot.com/#sthash.QMFruxxC.dpuf (Pamela Ward/ Brandon Oriental Rugs)

Natural Wood Home Library with Built-In Ladder and Plush Leather Seating
Home office library - mid-sized craftsman medium tone wood floor home office library idea in Charleston with beige walls

This bedroom and full bathroom are part of an adventuresome project my wife and I embarked upon to create a complete apartment in the basement of our townhouse. We designed a floor plan that creatively and efficiently used all of the 385-square-foot-space, without sacrificing beauty, comfort or function – and all without breaking the bank! To maximize our budget, we did the work ourselves and added everything from thrift store finds to DIY wall art to bring it all together. A partial double closet bar adds a little extra space while still leaving room for longer hanging clothes.