As written in Northern Home & Cottage by Elizabeth Edwards For years, Jeff and Ellen Miller spent their vacations sailing in Northern Michigan—so they had plenty of time to check out which small harbor town they might like to retire to someday. When that time arrived several years ago, they looked at properties up and down the coast and along inland lakes. When they discovered a sweet piece on the outskirts of Boyne City that included waterfront and a buildable lot, with a garage on it, across the street, they knew they’d found home. The couple figured they could find plans for their dream lake cottage online. After all, they weren’t looking to build anything grandiose. Just a small-to-medium sized contemporary Craftsman. But after an unfruitful online search they gave up, frustrated. Every plan they found had the back of the house facing the water—they needed a blueprint for a home that fronted on the water. The Millers first met the woman, Stephanie Baldwin, Owner & President of Edgewater Design Group, who solved that issue and a number of others on the 2015 Northern Home & Cottage Petoskey Area Home Tour. Baldwin’s home that year was a smart, 2000-square cottage on Crooked Lake with simple lines and a Craftsman sensibility. That home proved to the couple that Edgewater Design Group is as proficient at small homes as the larger ones they are often known for. Edgewater Design Group did indeed come up with the perfect plan for the Millers. At 2400 square feet, the simple Craftsman with its 3 bedrooms, vaulted ceiling in the great room and upstairs deck is everything the Millers wanted—including the fact that construction stayed within their budget. An extra courtesy of working with the talented design team is a screened in porch facing the lake (“She told us, of course you have to have a screened in porch,” Ellen says. “And we love it!’) Edgewater’s other touches are more subtle. The Millers wanted to keep the garage, but the home needed to be sited on a small knoll some feet away in order to capture the views of Lake Charlevoix across the street. The solution is a covered walkway and steps that are so artful they enhance the home. Another favor Baldwin did for them was to connect them with Legacy Construction, a firm known for its craftsmanship and attention to detail. The Miller home, outfitted with touches including custom molding, cherry cabinetry, a stunning custom range hood, built in shelving and custom vanities. A warm hickory floor and lovely earth-toned Craftsman-style color palette pull it all together, while a fireplace mantel hewn from a tree taken on the property rounds out this gracious lake cottage.

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

Quarter sawn Sapele Mahogany handrail, top caps and skirting. Stainless steel tube and wood balustrade.
Minimalist carpeted curved staircase photo in Las Vegas with carpeted risers

"xtra credit", our exclusive, bold black and white encaustic cement pattern, is show-stopping in this traditional kitchen! is stretches across the floor and proves the point that surfaces really can transform the world around us! shop here: https://www.cletile.com/products/moroccan-encaustic-cement-tile-xtra-credit designed by nickey kehoe design studio, photographed by tessa neustadt

Modern luxury meets warm farmhouse in this Southampton home! Scandinavian inspired furnishings and light fixtures create a clean and tailored look, while the natural materials found in accent walls, casegoods, the staircase, and home decor hone in on a homey feel. An open-concept interior that proves less can be more is how we’d explain this interior. By accentuating the “negative space,” we’ve allowed the carefully chosen furnishings and artwork to steal the show, while the crisp whites and abundance of natural light create a rejuvenated and refreshed interior. This sprawling 5,000 square foot home includes a salon, ballet room, two media rooms, a conference room, multifunctional study, and, lastly, a guest house (which is a mini version of the main house).

Modern luxury meets warm farmhouse in this Southampton home! Scandinavian inspired furnishings and light fixtures create a clean and tailored look, while the natural materials found in accent walls, casegoods, the staircase, and home decor hone in on a homey feel. An open-concept interior that proves less can be more is how we’d explain this interior. By accentuating the “negative space,” we’ve allowed the carefully chosen furnishings and artwork to steal the show, while the crisp whites and abundance of natural light create a rejuvenated and refreshed interior. This sprawling 5,000 square foot home includes a salon, ballet room, two media rooms, a conference room, multifunctional study, and, lastly, a guest house (which is a mini version of the main house).

Designed by the homeowners themselves, this striking staircase rises through multiple levels with architectural precision. Dark-toned square balusters and newels create bold contrast against crisp white risers, while horizontal stainless steel rods maintain visual lightness. The brilliance lies in the interplay of angles, levels, textures, and natural light. Strategic design choices transform the staircase into more than a connector. It carves out cozy sunny nooks and creates focal points throughout the open floor plan, proving that thoughtful geometry can shape how a home feels and functions. 1976-2026 © Century Stair Company

Modern luxury meets warm farmhouse in this Southampton home! Scandinavian inspired furnishings and light fixtures create a clean and tailored look, while the natural materials found in accent walls, casegoods, the staircase, and home decor hone in on a homey feel. An open-concept interior that proves less can be more is how we’d explain this interior. By accentuating the “negative space,” we’ve allowed the carefully chosen furnishings and artwork to steal the show, while the crisp whites and abundance of natural light create a rejuvenated and refreshed interior. This sprawling 5,000 square foot home includes a salon, ballet room, two media rooms, a conference room, multifunctional study, and, lastly, a guest house (which is a mini version of the main house).

Inspiration for a contemporary kitchen remodel in Minneapolis

Cohesively updating and modernizing this home built in the 1990s were the goal in this remodel. Several elements throughout the house like the traditional golden oak original stair railing in the main entry were too colonial for the homeowner as their taste was trending more modern. The golden oak used on trim, fireplace mantle, and baseboards trapped this home in a time warp. The original Kitchen had cabinetry with a traditional door style, painted cabinets, and laminate countertops which also caused it to look dated. The clients expressed a desire to integrate more modern elements into their home in a cost effective way without having to rip everything down to the studs. Our design/build team proposed and executed many elegant cost effective design solutions that involved changing paint, cabinetry, finishes, and fixtures to achieve the desired modern feeling throughout the home. To overcome the difficult obstacle the pervasive use of old fashioned looking woodwork throughout the house we proposed using paint to avoid material waste and save the client money. The main staircase in the entry was transformed and modernized by painting it a dark bronze enamel color. Trim and baseboards were also enameled in this color to carry the modern feeling throughout the home and also creating continuity from one space to another. This solution proved green and cost effective by preserving these elements in the home which prevented unnecessary demolition waste and new material cost while enhancing the existing structure aesthetically. Photography: Jill Greer

This partially wooded, acre and a half lot in West Dundee presented many challenges. The clients began working with a Landscape Architect in the early spring, but after not getting the innovative ideas they were seeking, the home builder and Architect suggested the client contact our landscape design/build firm. We immediately hit it off with the charismatic clients. They had a tall order for us: complete the design and implement the construction within a three month period. For many projects this would be a reasonable time frame. However construction delays and the coordination of multiple trades left a very short window to complete the work. Beyond the tight time frame the site required specific care in preserving the many mature surrounding trees, as well as addressing a vast grade change. Over fifteen feet of grade change occurs from one end of this woodland property to the other. All of these constraints proved to be an enormous challenge as we worked to include and coordinate the following elements: the drive layout, a dramatic front entry, various gardens, landscape lighting, irrigation, and a plan for a backyard pool and entertainment space that already had been started without a clear plan. Fortunately, the client loved our design ideas and attention to detail and we were able to mobilize and begin construction. With the seamless coordination between our firm and the builder we implemented all the elements of this grand project. In total eight different crews and five separate trades worked together to complete the landscape. The completed project resulted in a rewarding experience for our firm, the builder and architect, as well as the client. Together we were able to create and construct a perfect oasis for the client that suited the beautiful property and the architecture of this dream home.

Waterworks fittings and fixtures atop white marble prove to be perfectly matched with the homeowners unique blend of coastal flair and eclectic furnishings. Cabochon Surfaces & Fixtures

Modern luxury meets warm farmhouse in this Southampton home! Scandinavian inspired furnishings and light fixtures create a clean and tailored look, while the natural materials found in accent walls, casegoods, the staircase, and home decor hone in on a homey feel. An open-concept interior that proves less can be more is how we’d explain this interior. By accentuating the “negative space,” we’ve allowed the carefully chosen furnishings and artwork to steal the show, while the crisp whites and abundance of natural light create a rejuvenated and refreshed interior. This sprawling 5,000 square foot home includes a salon, ballet room, two media rooms, a conference room, multifunctional study, and, lastly, a guest house (which is a mini version of the main house).

Rustic, modern and fresh. This open floor plan home is understated and warm. Layers and textures are well placed throughout the home. The kitchen is the natural heart of this home, where soft whites are mixed with natural wood beams and sparkling tile - proving that the best design is subtle yet full of details. Scott Amundson Photography Learn more about our showroom and kitchen and bath design: http://www.mingleteam.com

Modern luxury meets warm farmhouse in this Southampton home! Scandinavian inspired furnishings and light fixtures create a clean and tailored look, while the natural materials found in accent walls, casegoods, the staircase, and home decor hone in on a homey feel. An open-concept interior that proves less can be more is how we’d explain this interior. By accentuating the “negative space,” we’ve allowed the carefully chosen furnishings and artwork to steal the show, while the crisp whites and abundance of natural light create a rejuvenated and refreshed interior. This sprawling 5,000 square foot home includes a salon, ballet room, two media rooms, a conference room, multifunctional study, and, lastly, a guest house (which is a mini version of the main house).

This 100-year-old farmhouse underwent a complete head-to-toe renovation. Partnering with Home Star BC we painstakingly modernized the crumbling farmhouse while maintaining its original west coast charm. The only new addition to the home was the kitchen eating area, with its swinging dutch door, patterned cement tile and antique brass lighting fixture. The wood-clad walls throughout the home were made using the walls of the dilapidated barn on the property. Incorporating a classic equestrian aesthetic within each room while still keeping the spaces bright and livable was one of the projects many challenges. The Master bath - formerly a storage room - is the most modern of the home's spaces. Herringbone white-washed floors are partnered with elements such as brick, marble, limestone and reclaimed timber to create a truly eclectic, sun-filled oasis. The gilded crystal sputnik inspired fixture above the bath as well as the sky blue cabinet keep the room fresh and full of personality. Overall, the project proves that bolder, more colorful strokes allow a home to possess what so many others lack: a personality!

As written in Northern Home & Cottage by Elizabeth Edwards For years, Jeff and Ellen Miller spent their vacations sailing in Northern Michigan—so they had plenty of time to check out which small harbor town they might like to retire to someday. When that time arrived several years ago, they looked at properties up and down the coast and along inland lakes. When they discovered a sweet piece on the outskirts of Boyne City that included waterfront and a buildable lot, with a garage on it, across the street, they knew they’d found home. The couple figured they could find plans for their dream lake cottage online. After all, they weren’t looking to build anything grandiose. Just a small-to-medium sized contemporary Craftsman. But after an unfruitful online search they gave up, frustrated. Every plan they found had the back of the house facing the water—they needed a blueprint for a home that fronted on the water. The Millers first met the woman, Stephanie Baldwin, Owner & President of Edgewater Design Group, who solved that issue and a number of others on the 2015 Northern Home & Cottage Petoskey Area Home Tour. Baldwin’s home that year was a smart, 2000-square cottage on Crooked Lake with simple lines and a Craftsman sensibility. That home proved to the couple that Edgewater Design Group is as proficient at small homes as the larger ones they are often known for. Edgewater Design Group did indeed come up with the perfect plan for the Millers. At 2400 square feet, the simple Craftsman with its 3 bedrooms, vaulted ceiling in the great room and upstairs deck is everything the Millers wanted—including the fact that construction stayed within their budget. An extra courtesy of working with the talented design team is a screened in porch facing the lake (“She told us, of course you have to have a screened in porch,” Ellen says. “And we love it!’) Edgewater’s other touches are more subtle. The Millers wanted to keep the garage, but the home needed to be sited on a small knoll some feet away in order to capture the views of Lake Charlevoix across the street. The solution is a covered walkway and steps that are so artful they enhance the home. Another favor Baldwin did for them was to connect them with Legacy Construction, a firm known for its craftsmanship and attention to detail. The Miller home, outfitted with touches including custom molding, cherry cabinetry, a stunning custom range hood, built in shelving and custom vanities. A warm hickory floor and lovely earth-toned Craftsman-style color palette pull it all together, while a fireplace mantel hewn from a tree taken on the property rounds out this gracious lake cottage.

A visually sumptuous idea book, showcasing an eclectic array of interior design possibilities using salvaged goods. Following up on her celebrated first Salvage Secrets book, which Fine Homebuilding called “An invaluable first step in the salvage-for-design journey,” here salvage design guru Joanne Palmisano takes readers further, exploring a wealth of smaller-scale interior design and decor concepts. Bottle caps turned into a kitchen backsplash, old bed springs reinvented as candle holders, and a recycled shipping container-turned-guesthouse are just a few examples of the innovative repurposing of second-hand items that readers will discover. From retro and modern to classic, “cottage,” and urban chic, Palmisano takes readers on a sumptuous visual journey featuring unique salvage ideas in an eclectic array of styles, for every room in the house—kitchens and dining rooms, bedrooms and bathrooms, living rooms and dens, and entryways and outdoor areas. The journey continues with a sampling of cutting-edge retail spaces, hotels, cafes, and boutiques across the country that incorporate salvage into their designs, such as Industrie Denim in San Francisco, Stowe Mountain Lodge in Stowe, Vermont, and Rejuvenation in Portland. Profiles of thirteen “salvage success stories” are also included, showcasing the imaginative designs of creative homeowners. And lastly, fourteen easy, do-it-yourself projects are included at the back of the book (with step-by-step instructions), not to mention a comprehensive “Where to Find Salvage” resource section. Packed with over 350 color photos, Salvage Secrets Design & Decor offers a trove of salvage ideas to inspire, proving that you need look no further than your local rebuild center, architectural salvage shop, or flea market to transform your living space. Salvage Secrets Design & Decor Susan Teare Photography

2018 Artisan Home Tour Photo: LandMark Photography Builder: Detail Homes
Example of a deck design in Minneapolis