Every home improvement project can feel like going into battle, but the sweet taste of victory is enough to make it worthwhile. If you ever feel intimidated by homes and gardens in magazines, don’t fret – you can turn your home into a beautiful beacon with easy curb appeal updates! Kevin and Annette Klingel are some of our favorite weekend warriors, and their latest project proves that anything is possible when it comes to dressing up your front garden. The Klingels recently gave their home and front garden a major renovation and entered their photos in the Window Box Contest. When we saw the gorgeous before and after pictures, we knew we had to get the inside scoop on their process and uncover their best curb appeal ideas. Curb Appeal – Before and After Before the renovation, the Klingels had a charming South Bend, Indiana rambler that was tidy and traditional, if a little unassuming. Deciding it was time for a much-needed update, the Klingels replaced their old green roof with a black barrel roof to match the style of their home. They also made a needed replacement and changed out the sidewalk and front stoop to a new version in classic black. After those dramatic changes, the Klingels just couldn’t stop! Loving the contrast between the new black roof and stoop and their cream house, they painted their shutters black. And here’s where we come in – Annette wanted to incorporate her love of flowers into the new home design and found the perfect planters and window boxes to match the shutters. They purchased ten black window boxes in a classic and chic design to put around their outside windows. The Klingels also used tall black planters around the entrance to the house. The window boxes and planters each received the same plant treatment – red, yellow, and orange impatiens with flowing ferns for a bright punch of color. Paired with hanging baskets and a few other accents, the Klingels house is now a masterpiece. From Drab to Fab The Klingels love their warm and inviting new front entrance, and the neighbors do too. Instead of getting overlooked, their house now stands out and is the star of their busy street, where it is seen by lots of people everyday. They have received tons of compliments about their new look – a crisp and clean front garden that stays true to the style of the home and neighborhood. The Klingels’ curb appeal update wasn’t without its challenges, but the end product is amazing, and as Annette says, definitely worth the time. The Klingels recommend starting with the necessary replacements and finding beautiful matching pieces to add curb appeal. With a little patience, elbow grease, and the help of a great garden supply store like Hooks & Lattice, you too can have the home of your dreams. Photos: Kevin & Annette Klingel

"xtra credit", our exclusive, bold black and white encaustic cement pattern, is show-stopping in this traditional kitchen! is stretches across the floor and proves the point that surfaces really can transform the world around us! shop here: https://www.cletile.com/products/moroccan-encaustic-cement-tile-xtra-credit designed by nickey kehoe design studio, photographed by tessa neustadt

Christopher Stark
Example of a trendy bathroom design in San Francisco

Planters stand sentry to a seating bench in a compact city garden.
This is an example of a mid-sized traditional front yard stone landscaping in Chicago for fall.

Dave Nelson of Virtual Access Tours
Country shed photo in New York

Modern luxury meets warm farmhouse in this Southampton home! Scandinavian inspired furnishings and light fixtures create a clean and tailored look, while the natural materials found in accent walls, casegoods, the staircase, and home decor hone in on a homey feel. An open-concept interior that proves less can be more is how we’d explain this interior. By accentuating the “negative space,” we’ve allowed the carefully chosen furnishings and artwork to steal the show, while the crisp whites and abundance of natural light create a rejuvenated and refreshed interior. This sprawling 5,000 square foot home includes a salon, ballet room, two media rooms, a conference room, multifunctional study, and, lastly, a guest house (which is a mini version of the main house).

An open floor plan between the Kitchen, Dining, and Living areas is thoughtfully divided by sliding barn doors, providing both visual and acoustic separation. The rear screened porch and grilling area located off the Kitchen become the focal point for outdoor entertaining and relaxing. Custom cabinetry and millwork throughout are a testament to the talents of the builder, with the project proving how design-build relationships between builder and architect can thrive given similar design mindsets and passions for the craft of homebuilding.

Modern luxury meets warm farmhouse in this Southampton home! Scandinavian inspired furnishings and light fixtures create a clean and tailored look, while the natural materials found in accent walls, casegoods, the staircase, and home decor hone in on a homey feel. An open-concept interior that proves less can be more is how we’d explain this interior. By accentuating the “negative space,” we’ve allowed the carefully chosen furnishings and artwork to steal the show, while the crisp whites and abundance of natural light create a rejuvenated and refreshed interior. This sprawling 5,000 square foot home includes a salon, ballet room, two media rooms, a conference room, multifunctional study, and, lastly, a guest house (which is a mini version of the main house).

Greg Pinn, Vice President of Pinn Brothers Fine Homes of San Jose, California, brought his dream to fruition with the completion of his own French Country Chateau. The level of quality and the attention to detail found in every aspect of his residence is a tribute to the craftsmanship of the professionals who helped build it as well as the beautiful materials that made it possible. When selecting the stone and brick for the home’s exterior, Pinn and his fellow builders contructed a full-scale wall that had four different mockups of various stone profiles and colors before finalizing their selection. Upon taking all the possibilities into consideration, Eldorado’s Fieldledge and Limestone profiles in addition to the Bracciano RomaBrick proved to be just the product their team was looking for, all of which were installed using an overgrout technique. Having worked with Eldorado exclusively for close to 10 years on all of his projects, Pinn had Eldorado in mind when the architectural plans were in the beginning stages of development and felt confident from the get-go that Eldorado would be their stone and brick of choice. By working with Eldorado, Pinn was able to implement the look of natural stone in several places throughout the home. There was extensive use of both stone and brick on the retaining walls of his yard, around the pook, the outdoor living space, and on all the chimney stacks. He also dressed the majority of the home’s exterior in Eldorado’s stone and brick because of its affordability and ease of installation versus natural stone. An added bonus was that Pinn won’t have difficulty finding similar stones if need be like he would using stone from a quarry. He can rely on the consistency and availability of Eldorado, regardless of the amount of time that goes by. According to Pinn, Eldorado Stone made all the difference in the success of creating his very own French Country Chateau. Eldorado Stone Profile Featured: Austin Cream Limestone (20%), Custom Large Fieldledge (20%) and Custom Fieldledge (60%), both in Austin Cream color with an overgrout technique Eldorado Brick Profile Featured: Bracciano RomaBrick with an overgrout technique Builder: Pinn Brothers Fine Homes, San Jose, CA Architect: Knitter & Associates, Newport Beach, CA Website: www.knitter.com Landscape Architect: Robert Mowat & Associates, San Francisco, CA Website: www.rmalandscape.com Mason: San Marino Masonry, Anaheim, CA Website: www.vecompanies.com Design Consultant: Marni Leis, San Francisco, CA

Designed to embrace an extensive and unique art collection including sculpture, paintings, tapestry, and cultural antiquities, this modernist home located in north Scottsdale’s Estancia is the quintessential gallery home for the spectacular collection within. The primary roof form, “the wing” as the owner enjoys referring to it, opens the home vertically to a view of adjacent Pinnacle peak and changes the aperture to horizontal for the opposing view to the golf course. Deep overhangs and fenestration recesses give the home protection from the elements and provide supporting shade and shadow for what proves to be a desert sculpture. The restrained palette allows the architecture to express itself while permitting each object in the home to make its own place. The home, while certainly modern, expresses both elegance and warmth in its material selections including canterra stone, chopped sandstone, copper, and stucco. Project Details | Lot 245 Estancia, Scottsdale AZ Architect: C.P. Drewett, Drewett Works, Scottsdale, AZ Interiors: Luis Ortega, Luis Ortega Interiors, Hollywood, CA Publications: luxe. interiors + design. November 2011. Featured on the world wide web: luxe.daily Photo by Grey Crawford.

Photo: Faith Towers Media © 2015 Houzz
Inspiration for an eclectic living room remodel in Boston

This space-saver staircase adds modernity and style without crowding the area. With sleek stainless steel spindles and unique alternating treads, this staircase proves that BIG things (and style) really do come in small packages!

Getting your homeowner's association board to approve your new custom garage doors can seem daunting. Dynamic Garage Door as a custom design and manufacturing firm has come across this situation quite frequently with a phenomenal success approval rate! In order to get approval for your custom garage door approval there are a few basic points you must understand. First off, your HOA is committed to preserving the neighborhood's curb appeal integrity by focusing on the impact your new custom garage doors might have on your house and the houses of your neighbors. It is important to understand that your curb appeal decisions will impact your home and neighborhood alike. Too many companies offer semi-custom wood doors without the true understanding of the client's need and the essence of their home's architectural style. The garage door design you choose needs to comply with neighborhood regulations while complement your home's architecture. At Dynamic Garage Door, our designers are well-rounded in the garage door industry and so we can suggest or develop designs that will reinforce the natural appearance of your home's style. If you can prove to your HOA that you've done your homework and that the garage door design you chose will complement not only your home but the neighborhood you'll be surprised when your proposal is marked with the approval stamp! This garage door is actually a single double-car door not two as it appears. The reason is that this garage used to have two separate doors with a post in the middle. The post in the middle made it difficult to use the garage on a daily basis so the post was removed to facilitate the use of the garage. The HOA wasn't too happy about the removal of the post as it was an essential part of the arches located right above the garage doors. You can clearly see how that would have been disruptive if the homeowner went with a regular wood door and not one custom designed and manufactured by Dynamic Garage Door. This garage door was specifically designed to address the HOA's concern about the center post removal and the effect it would have on the curb appeal of the home with the incomplete double arch look. So we addressed this by crafting the door with a false center post in the middle that was textured and painted the same color of the house to give off that illusion that the post is still there. Overall, it gives the home a complete finished appearance with two independent-looking doors and original post. The homeowner got the entire width of the opening to use at the push of a button so having a larger car won't be a problem anymore. The neighbors are all happy and no one seems to notice the center post is actually fake! Got an interesting garage door project you want our designers to review and price out for you? Give us a call at (855) 343-DOOR

This Penthouse condo kitchen proves that great things DO happen is small spaces! By keeping the frills to a minimum, layering the cabinets all the way to the ceiling and having a monochromatic color scheme this kitchen appears to be much larger than its actual size. The Island provides plenty of space for prepping food or for serving wine and cheese at a friendly gathering.

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

Michael Weinstein
Small minimalist galley medium tone wood floor kitchen photo in New York with a drop-in sink, flat-panel cabinets, white cabinets, quartz countertops, gray backsplash, porcelain backsplash and stainless steel appliances

These light, naturally bleached reclaimed wood box beams prove that antique character does not always mean dark and rustic. Running across the vaulted ceiling of this bright coastal entryway, their pale silvery-gray tones and softly weathered texture feel entirely at home in a space defined by white walls, light flooring, and beach house warmth. Sourced from 19th and early 20th century structures, these box beams carry a naturally aged patina that has mellowed beautifully over a century of use. Through our process of denailing, kiln drying, and precision milling, Manomin Resawn Timbers prepares these antique timbers for any setting, from deep rustic interiors to light and airy coastal homes like this one. Whether you are a homebuilder, a home remodeling contractor, or a homeowner looking to add light weathered reclaimed wood box beams to a coastal or transitional space, Manomin Resawn Timbers has been helping people discover the antique charm of reclaimed wood since 2002. We ship nationwide and are happy to help you find the right pieces from anywhere in the country. Visit our showroom in Hugo, MN or reach out to us with a call or a message to get started. Image via Great Neighborhood Builders

This show stopper, Houston Heights, impressive master bath proves just how much you can do when your space is limited. Universal Gray Sherwin Williams was used throughout the house. White shaker cabinetry with 10" chrome cabinet handles. Venatino Quartz was used to give a bit of warmth. Vintage and chrome 3 piece faucets with square undermount sinks and crystal lighting to give this place a bit of shimmer.

Kristen Vincent Photography
Example of a small beach style galley dark wood floor enclosed kitchen design in San Diego with a drop-in sink, beaded inset cabinets, white cabinets, quartz countertops, white backsplash, stone tile backsplash, stainless steel appliances and no island