Search results for "Transformative period" in Home Design Ideas

Project: Residential interior refurbishment
Site: Kensington, London
Designer: Deik (www.deik.co.uk)
Photographer: Anna Stathaki
Floral/prop stylish: Simone Bell
We have also recently completed a commercial design project for Café Kitsuné in Pantechnicon (a Nordic-Japanese inspired shop, restaurant and café).
Simplicity and understated luxury
The property is a Grade II listed building in the Queen’s Gate Conservation area. It has been carefully refurbished to make the most out of its existing period features, with all structural elements and mechanical works untouched and preserved.
The client asked for modest, understated modern luxury, and wanted to keep some of the family antique furniture.
The flat has been transformed with the use of neutral, clean and simple elements that blend subtly with the architecture of the shell. Classic furniture and modern details complement and enhance one another.
The focus in this project is on craftsmanship, handiwork and the use of traditional, natural, timeless materials. A mix of solid oak, stucco plaster, marble and bronze emphasize the building’s heritage.
The raw stucco walls provide a simple, earthy warmth, referencing artisanal plasterwork. With its muted tones and rough-hewn simplicity, stucco is the perfect backdrop for the timeless furniture and interiors.
Feature wall lights have been carefully placed to bring out the surface of the stucco, creating a dramatic feel throughout the living room and corridor.
The bathroom and shower room employ subtle, minimal details, with elegant grey marble tiles and pale oak joinery creating warm, calming tones and a relaxed atmosphere.

Project: Residential interior refurbishment
Site: Kensington, London
Designer: Deik (www.deik.co.uk)
Photographer: Anna Stathaki
Floral/prop stylish: Simone Bell
We have also recently completed a commercial design project for Café Kitsuné in Pantechnicon (a Nordic-Japanese inspired shop, restaurant and café).
Simplicity and understated luxury
The property is a Grade II listed building in the Queen’s Gate Conservation area. It has been carefully refurbished to make the most out of its existing period features, with all structural elements and mechanical works untouched and preserved.
The client asked for modest, understated modern luxury, and wanted to keep some of the family antique furniture.
The flat has been transformed with the use of neutral, clean and simple elements that blend subtly with the architecture of the shell. Classic furniture and modern details complement and enhance one another.
The focus in this project is on craftsmanship, handiwork and the use of traditional, natural, timeless materials. A mix of solid oak, stucco plaster, marble and bronze emphasize the building’s heritage.
The raw stucco walls provide a simple, earthy warmth, referencing artisanal plasterwork. With its muted tones and rough-hewn simplicity, stucco is the perfect backdrop for the timeless furniture and interiors.
Feature wall lights have been carefully placed to bring out the surface of the stucco, creating a dramatic feel throughout the living room and corridor.
The bathroom and shower room employ subtle, minimal details, with elegant grey marble tiles and pale oak joinery creating warm, calming tones and a relaxed atmosphere.
Find the right local pro for your project

Project: Residential interior refurbishment
Site: Kensington, London
Designer: Deik (www.deik.co.uk)
Photographer: Anna Stathaki
Floral/prop stylish: Simone Bell
We have also recently completed a commercial design project for Café Kitsuné in Pantechnicon (a Nordic-Japanese inspired shop, restaurant and café).
Simplicity and understated luxury
The property is a Grade II listed building in the Queen’s Gate Conservation area. It has been carefully refurbished to make the most out of its existing period features, with all structural elements and mechanical works untouched and preserved.
The client asked for modest, understated modern luxury, and wanted to keep some of the family antique furniture.
The flat has been transformed with the use of neutral, clean and simple elements that blend subtly with the architecture of the shell. Classic furniture and modern details complement and enhance one another.
The focus in this project is on craftsmanship, handiwork and the use of traditional, natural, timeless materials. A mix of solid oak, stucco plaster, marble and bronze emphasize the building’s heritage.
The raw stucco walls provide a simple, earthy warmth, referencing artisanal plasterwork. With its muted tones and rough-hewn simplicity, stucco is the perfect backdrop for the timeless furniture and interiors.
Feature wall lights have been carefully placed to bring out the surface of the stucco, creating a dramatic feel throughout the living room and corridor.
The bathroom and shower room employ subtle, minimal details, with elegant grey marble tiles and pale oak joinery creating warm, calming tones and a relaxed atmosphere.

Project: Residential interior refurbishment
Site: Kensington, London
Designer: Deik (www.deik.co.uk)
Photographer: Anna Stathaki
Floral/prop stylish: Simone Bell
We have also recently completed a commercial design project for Café Kitsuné in Pantechnicon (a Nordic-Japanese inspired shop, restaurant and café).
Simplicity and understated luxury
The property is a Grade II listed building in the Queen’s Gate Conservation area. It has been carefully refurbished to make the most out of its existing period features, with all structural elements and mechanical works untouched and preserved.
The client asked for modest, understated modern luxury, and wanted to keep some of the family antique furniture.
The flat has been transformed with the use of neutral, clean and simple elements that blend subtly with the architecture of the shell. Classic furniture and modern details complement and enhance one another.
The focus in this project is on craftsmanship, handiwork and the use of traditional, natural, timeless materials. A mix of solid oak, stucco plaster, marble and bronze emphasize the building’s heritage.
The raw stucco walls provide a simple, earthy warmth, referencing artisanal plasterwork. With its muted tones and rough-hewn simplicity, stucco is the perfect backdrop for the timeless furniture and interiors.
Feature wall lights have been carefully placed to bring out the surface of the stucco, creating a dramatic feel throughout the living room and corridor.
The bathroom and shower room employ subtle, minimal details, with elegant grey marble tiles and pale oak joinery creating warm, calming tones and a relaxed atmosphere.

Project: Residential interior refurbishment
Site: Kensington, London
Designer: Deik (www.deik.co.uk)
Photographer: Anna Stathaki
Floral/prop stylish: Simone Bell
We have also recently completed a commercial design project for Café Kitsuné in Pantechnicon (a Nordic-Japanese inspired shop, restaurant and café).
Simplicity and understated luxury
The property is a Grade II listed building in the Queen’s Gate Conservation area. It has been carefully refurbished to make the most out of its existing period features, with all structural elements and mechanical works untouched and preserved.
The client asked for modest, understated modern luxury, and wanted to keep some of the family antique furniture.
The flat has been transformed with the use of neutral, clean and simple elements that blend subtly with the architecture of the shell. Classic furniture and modern details complement and enhance one another.
The focus in this project is on craftsmanship, handiwork and the use of traditional, natural, timeless materials. A mix of solid oak, stucco plaster, marble and bronze emphasize the building’s heritage.
The raw stucco walls provide a simple, earthy warmth, referencing artisanal plasterwork. With its muted tones and rough-hewn simplicity, stucco is the perfect backdrop for the timeless furniture and interiors.
Feature wall lights have been carefully placed to bring out the surface of the stucco, creating a dramatic feel throughout the living room and corridor.
The bathroom and shower room employ subtle, minimal details, with elegant grey marble tiles and pale oak joinery creating warm, calming tones and a relaxed atmosphere.

Project: Residential interior refurbishment
Site: Kensington, London
Designer: Deik (www.deik.co.uk)
Photographer: Anna Stathaki
Floral/prop stylish: Simone Bell
We have also recently completed a commercial design project for Café Kitsuné in Pantechnicon (a Nordic-Japanese inspired shop, restaurant and café).
Simplicity and understated luxury
The property is a Grade II listed building in the Queen’s Gate Conservation area. It has been carefully refurbished to make the most out of its existing period features, with all structural elements and mechanical works untouched and preserved.
The client asked for modest, understated modern luxury, and wanted to keep some of the family antique furniture.
The flat has been transformed with the use of neutral, clean and simple elements that blend subtly with the architecture of the shell. Classic furniture and modern details complement and enhance one another.
The focus in this project is on craftsmanship, handiwork and the use of traditional, natural, timeless materials. A mix of solid oak, stucco plaster, marble and bronze emphasize the building’s heritage.
The raw stucco walls provide a simple, earthy warmth, referencing artisanal plasterwork. With its muted tones and rough-hewn simplicity, stucco is the perfect backdrop for the timeless furniture and interiors.
Feature wall lights have been carefully placed to bring out the surface of the stucco, creating a dramatic feel throughout the living room and corridor.
The bathroom and shower room employ subtle, minimal details, with elegant grey marble tiles and pale oak joinery creating warm, calming tones and a relaxed atmosphere.

Sponsored
Columbus, OH
Hope Restoration & General Contracting
Columbus Design-Build, Kitchen & Bath Remodeling, Historic Renovations

Project: Residential interior refurbishment
Site: Kensington, London
Designer: Deik (www.deik.co.uk)
Photographer: Anna Stathaki
Floral/prop stylish: Simone Bell
We have also recently completed a commercial design project for Café Kitsuné in Pantechnicon (a Nordic-Japanese inspired shop, restaurant and café).
Simplicity and understated luxury
The property is a Grade II listed building in the Queen’s Gate Conservation area. It has been carefully refurbished to make the most out of its existing period features, with all structural elements and mechanical works untouched and preserved.
The client asked for modest, understated modern luxury, and wanted to keep some of the family antique furniture.
The flat has been transformed with the use of neutral, clean and simple elements that blend subtly with the architecture of the shell. Classic furniture and modern details complement and enhance one another.
The focus in this project is on craftsmanship, handiwork and the use of traditional, natural, timeless materials. A mix of solid oak, stucco plaster, marble and bronze emphasize the building’s heritage.
The raw stucco walls provide a simple, earthy warmth, referencing artisanal plasterwork. With its muted tones and rough-hewn simplicity, stucco is the perfect backdrop for the timeless furniture and interiors.
Feature wall lights have been carefully placed to bring out the surface of the stucco, creating a dramatic feel throughout the living room and corridor.
The bathroom and shower room employ subtle, minimal details, with elegant grey marble tiles and pale oak joinery creating warm, calming tones and a relaxed atmosphere.

Project: Residential interior refurbishment
Site: Kensington, London
Designer: Deik (www.deik.co.uk)
Photographer: Anna Stathaki
Floral/prop stylish: Simone Bell
We have also recently completed a commercial design project for Café Kitsuné in Pantechnicon (a Nordic-Japanese inspired shop, restaurant and café).
Simplicity and understated luxury
The property is a Grade II listed building in the Queen’s Gate Conservation area. It has been carefully refurbished to make the most out of its existing period features, with all structural elements and mechanical works untouched and preserved.
The client asked for modest, understated modern luxury, and wanted to keep some of the family antique furniture.
The flat has been transformed with the use of neutral, clean and simple elements that blend subtly with the architecture of the shell. Classic furniture and modern details complement and enhance one another.
The focus in this project is on craftsmanship, handiwork and the use of traditional, natural, timeless materials. A mix of solid oak, stucco plaster, marble and bronze emphasize the building’s heritage.
The raw stucco walls provide a simple, earthy warmth, referencing artisanal plasterwork. With its muted tones and rough-hewn simplicity, stucco is the perfect backdrop for the timeless furniture and interiors.
Feature wall lights have been carefully placed to bring out the surface of the stucco, creating a dramatic feel throughout the living room and corridor.
The bathroom and shower room employ subtle, minimal details, with elegant grey marble tiles and pale oak joinery creating warm, calming tones and a relaxed atmosphere.

Luxury Ceiling Wallpaper Installation in Winchester, VA
Transform your fifth wall into a breathtaking architectural feature with our premium ceiling wallpaper installation services in Winchester. We specialize in gravity-defying designs that add depth, drama, and sophistication to any space.
Why Choose Ceiling Wallpaper in Winchester?
✔ Visual Height Enhancement – Creates the illusion of taller ceilings
✔ Historic Home Expertise – Perfect for Winchester's classic architecture
✔ Virginia-Tough Materials – Humidity-resistant adhesives
✔ Instant Wow Factor – Turns overlooked spaces into design statements
Popular Ceiling Styles in Winchester:
? Shenandoah Valley Inspired – Apple blossom or vineyard motifs
? Federal Era Elegance – Period-appropriate medallions and patterns
? Starry Night Sky – Constellation designs (optional glow-in-the-dark)
? Botanical Canopy – Wisteria or trailing vine patterns
Our Ceiling-Specific Services:
✔ Anti-Sag Technology – Specialized adhesives prevent drooping
✔ Scaffold-Free Installation – No floor protection needed
✔ Historic Preservation Techniques – Gentle on older homes
✔ 3D Design Visualization – Preview your ceiling digitally
The Winchester Advantage:
• Local Material Knowledge – Best products for Virginia's climate
• Quick 1-Day Installations – Minimal disruption
• Free Ceiling Consultation – In-home or virtual options
Serving: Downtown Winchester, Apple Blossom District, Stephens City & all 22601

From our Go Fund me Page Feb. 2016
Princess Kaylee is only two and a half years old and was recently diagnosed with cancer. We need your generosity so that we can give her the enchanted room of her dreams as she endures 2.5 years of treatments. We're breaking out our magic wands and designing a gorgeous room for this sweet little girl. With your assistance, we can create a fairy tale space for Kaylee and her family to rest and recover.
Kaylee's story hits especially close to home in our tight-knit community. Her mother, Kelly, is an oncology nurse at Rady Children's Hospital. Yes, you read that correctly - her mother has spent the last 8 years compassionately caring after children who have been diagnosed with cancer. In fact, she was one of the dedicated nurses who so wonderfully cared for Savvy Giving by Design's very first recipient, Kasey Harvey.
And Kelly is not the only hero in this family. Kaylee's father, Jared, is a local CHP officer who keeps our streets safe and not long ago rescued multiple children after a lengthy stand-off with their abductor.
http://www.10news.com/news/chp-officers-relive-moments-in-highway-standoff-121214
Jared and Kelly have two beautiful children. Their son Drew is 5 years-old and daughter Kaylee will turn 3 in August. Kaylee's diagnosis, Acute Lymphoblastic Leukemia, turned this family's world upside down. While her prognosis is, thankfully, very good (with a 93% cure rate), the treatment will be incredibly arduous. Kaylee is facing 2.5 years of ongoing treatment with periods of intense chemotherapy followed by "maintenance" chemo. As hard as it is to believe, Kaylee's treatment will not be complete until she is 5 years-old and preparing to enter kindergarten.
Given the ongoing and onerous treatment regimen that Kaylee faces, Savvy Giving by Design knows that she will need a beautiful and comfortable room where she can rest and be visited by family and friends. Kaylee is currently transitioning out of her crib and we have big intentions for this princess-loving little girl. Our plan is to combine fun and functionality with details and personal touches that will show Kaylee that there is an entire community rallying behind her. We will incorporate Kaylee's favorite colors (pink and purple) and turn her fantasies into reality by installing a built-in castle bed that makes her room feel magical and shows this little girl that anything is possible.
This room will have some very personal special touches incorporated into it to pay tribute to Kaylee's fairy godmother. When Kelly was 13, she lost her very best friend, Jessica, to cancer. Kelly paid tribute to her dear friend by naming her daughter Kaylee Jessica and she wholeheartedly believes that Jessica will be watching over her little girl as she travels this difficult road.
With sufficient funding, we will also be able to do a little makeover for Kaylee's knight in shining armor, her big brother Drew. We recognize and appreciate that Drew faces a struggle all his own as his little sister battles this disease.
Savvy Giving by Design is a the philanthropic arm of Savvy Interiors, Inc. We are registered with the state of California as a nonprofit and awaiting our "formal" 501(c)(3) designation by the IRS. Your donations are tax-deductible. All monies collected will go directly to this space! Any excess funds will be distributed directly to the family. Since late 2014, Savvy Giving by Design has transformed 8 spaces and our ultimate goal is to have sufficient funding to take on one project each month.
As stated in our founding documents, "Our mission is to provide comfort, support, and healing to families with a child facing a medical crisis by transforming the interior spaces of their homes at no cost to them".
We hope you will support our mission to makeover these two rooms for this very deserving family and give Kaylee and Drew's loving parents the gift of knowing that their children are happy, safe, and ready to take on the battle of a lifetime. If you would like to join and follow Kaylee's team page, "Tutu's and Chemo drips," you can do so here: https://www.facebook.com/groups/158667784506286/
To join our ongoing grass roots efforts, please join our Savvy Giving closed group page. https://www.facebook.com/groups/SavvyGivingbyDesign/

Second Project
Here, the landscape design was by Bill Renter, Deck and Patio’s Outdoor Living Expert and Marc Wiener. Their achievement garnered us a gold medal from the Association of Pool and Spa Professionals (APSP).
In addition to professional recognition, our work also amazed the clients, because their yard’s beautiful and nature-friendly transformation had been accomplished so quickly.
“I have lived here over 40 years,” says the wife. “Our property had become overgrown. It wasn’t messy but it wasn’t well done anymore. I have always loved birds and flowers and a very natural setting. And we hadn’t seen birds in a long time.
“A full-time bloom was important, as I wanted to attract, in addition to birds, lots of butterflies,” she says. “I also looked at many ponds that other landscapers had done elsewhere. In the end, I felt Deck and Patio’s work looked the most natural, which was extremely important to me.”
Renter says he also considered how our work would fit with the additional elements the homeowners had hired other companies to do, such as a conservatory and a small bridge -- while always taking into account how everything would appear in nature.
www.deckandpatio.com

The building was originally a simple but elegant and functional Swedish Evangelical Congregational Church, built in 1894. An addition was added to the church at the back corner in the 1950’s. The church was later sold and converted to a residence by a local architect in the 1980’s. During the conversion, the rear addition to the structure was transformed into a master bedroom, and the lower level of the church was re-purposed as additional bedrooms and living space.
Nat Rea Photography
Instagram: @redhousedesignbuild

Sponsored
Columbus, OH
Hope Restoration & General Contracting
Columbus Design-Build, Kitchen & Bath Remodeling, Historic Renovations

https://pipafineart.com/products/awaiting-the-rain-subdued-retro-coastal-photorealism-digital-artwork-loose-print. Find solace in the quiet anticipation of "Awaiting the Rain," an evocative artwork that captures the stillness of a deserted beach just before a storm. This photorealistic print transports you to a windswept shoreline where two lone umbrellas stand sentinel over an empty chair, nestled amongst swaying beach grass. The muted tones of the sand and sky, contrasted with the deep blue of the approaching storm clouds, create an atmosphere of anticipation and introspection. Printed on high-quality photo paper with premium inks, "Awaiting the Rain" brings the dramatic beauty of the coast into your home.
Hang "Awaiting the Rain" in your living room, bedroom, dining room, or office to evoke a sense of calm and contemplation. This artwork is a meditation on the beauty of nature's cycles, a reminder that moments of stillness often precede periods of transformation. The vintage effect adds a touch of nostalgia and timelessness, inviting you to reflect on the power of nature and the beauty of anticipation.
"Awaiting the Rain" is made in the USA and printed on demand, ensuring a high-quality piece that will be cherished for years to come. Available in a variety of sizes, it makes a perfect gift for those who appreciate the beauty of the coast, the allure of solitude, and the evocative power of art.

Stuart Wade, Envision Virtual Tours
The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents.
Early History
The earliest
St. Simons Island Village
record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini.
Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned.
Colonial History
As
Fort Frederica
early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat.
Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service.
Plantation Era
By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war.
Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton.
Between
Ebos Landing
the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing.
One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863).
Another
Retreat Plantation
large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves.
The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall.
The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church.
Civil War and Beyond
The
St. Simons Island Lighthouse
outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned.
After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations.
By
St. Simons Lumber Mills
1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross.
The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island.
Twentieth Century
The
St. Simons Island Pier and Village
opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development.
In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s.
The
St. Simons Island
outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents.
Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa.
Since
Epworth by the Sea
1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant.
Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

This beautiful Terrazzo floor was uncovered in the hallway of a house in Doncaster, as you can see it had taken a bit of a beating over the years, but the owners were keen on having it restored. Restoring period features like these are a great idea as they are very sought after and can add a lot of value to a property.
The floor had spent many years below carpet and nails had been hammered through the floor to hold carpet grippers in place. Along with this there was a lot of glue and paint to remove. However, I was confident that we could get the floor restored, I gave them a quotation for the work, and they were happy to proceed as soon as possible.
Doncaster is a hot spot for terrazzo floors, apparently there was a big Italian community there in the early part of the 1900s. Doncaster is also famous for its rich rail heritage; the main Doncaster train station is on the East Coast mainline and you find many original station buildings have Terrazzo floors in the public areas.
The first job was to remove as much of the paint, glue and other contaminates as possible. These were scraped off the floor by hand using a razor-sharp scraper.
We then moved onto using a set of five diamond burnishing pads of different grits to cut through the top layers and grime to eventually bring this floor back up to its’ former glory. Starting off with the most coarse pad first I started to go over the floor a pad at a time, each pad is fitted to a rotary machine which has extra weight added to it to make the pads work ever better. Each time a pad is changed, it is slightly less coarse, this starts to polish the floor up to a shine eventually ended with a very fine diamond pad. Water is added at each stage and removed with the wet vacuum before the next pad is used.
Gradually the original floor started to shine through, the colours were quite pronounced, and you could see the floor was a lovely example of terrazzo. After a final rinse to remove the soiling generated by burnishing, I turned my attention to filling the many holes where the nails had been.
The floor was left to dry off overnight and the following morning I returned to seal the floor with several coats of Tile Doctor Colour Grow. I choose this product as its designed to enhance the subtle colours in the floor and its fully breathable which is an important consideration when sealing floors in older properties. Damp proof membranes are a common feature these days but are a relatively recent invention. With older floors you need to allow the floor to breathe so the moisture in the sub floor can rise and evaporate at the surface, without this the moisture will reach out to the walls where it can cause rising damp.
The result was a highly polished floor just the way it would have looked when it was first installed 90 years ago. As you can imagine the owners were over the moon with the transformation.
Matthew Lovett
South Yorkshire TIle Doctor

As you can see from the photographs below this Victorian tiled hallway was in quite a state and not only needed a thorough clean and fresh seal but needed to be rebuilt in parts.
Leamington Spa or Royal Leamington Spa to give its full name is one of the original UK Spa towns where people would visit to bathe the waters which are supposed to have medicinal properties, the town has many regency period properties and so Victorian floors
A good 30% of the floor tiles were lose and it took three days to rebuild the screed levelling compound before refitting loose tiles and new ones had to be cut to size, fixed in place and then re-grouted.
On day 4 a 400 grit coarse burnishing pad was applied to clean up the whole floor.
This was followed by scrubbing the tile and grout with Tile Doctor Pro-clean mixed 50/50 with NanoTech HBU remover followed by Remove and Go and finally treated with Acid Gel to remove the grout haze. After that the White tiles were steam cleaned to get them as clean and white as possible.
The floor was thoroughly rinsed after each treatment and the slurry extracted using a wet vacuum.
I left the floor for 5 days so it could thoroughly dry out and settle following the numerous treatments and then came back to seal the tiles, I used a damp test meter first to verify the floor was dry and ready for sealing. Once happy I proceed to apply a couple of coats of Tile Doctor Colour Grow which is a colour enhancing sealer that soaks into the tile protecting it from within and leaves a matt finish.
A lot of work went into restoring this floor but I’m really pleased with the way it came out and as you can imagine the owner was really happy with the transformation that had taken place in their house.
Mick Gayton
Warwickshire Tile Doctor

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Columbus, OH
Hope Restoration & General Contracting
Columbus Design-Build, Kitchen & Bath Remodeling, Historic Renovations

The owner of this period cottage in the old market town of Tadcaster near Leeds, had what was once a beautiful Yorkshire stone floor in the kitchen. It has been a long time since it had been given a proper clean so over the years and with the Kitchen being a high traffic area the whole floor including the grout had darkened and he now wanted it refurbished in time for Christmas.
I visited the property to assess what needed to be done and could see straight away that any protective sealer that was once on the floor had long since worn off. In fact, it was so consistently dirty with years of built-up grease and dirt I had to wonder if one had ever been applied.
I explained what the floor needed was a really deep intensive clean and then a sealer applied to make it easy to keep clean. The problem with most tile and stone is its porosity and if left unprotected dirt easily becomes lodged into its pores making cleaning a struggle.
To prove the difference that can be achieved and to allow me to work out a process on which I could base an accurate quote I ran a test clean on part of the kitchen floor. The test clean went very well, the difference was remarkable, and the cleaned section really stood out. Pleased with the potential of a clean floor they accepted my quote, and we pencilled a date in the diary.
I returned on the appointed date and began by removing the kickboards from under the kitchen units to protect them from splashing. Next, I set about spaying the floor with a strong dilution of Tile Doctor Pro-Clean, this is a purpose made tile and grout cleaner that eats into the grease and dirt so it can be removed. This product works best if you leave it for ten minutes before scrubbing in using a heavy-duty machine fitted with a heavy-duty brush. The soil released from the floor was then extracted using a wet vacuum.
The Pro-Clean did a good job on the grout however it was clear something stronger was required to really get the stone clean, so I stepped up a gear and applied Tile Doctor Remove and Go using the same process as before. This is a really good product for removing deeply ingrained grease and dirt.
The final step of the cleaning process was to give the stone and acid wash using Tile Doctor Grout Clean-Up to remove old grout haze and other mineral deposits; additionally, being an acidic product, it counters the alkaline cleaning products used earlier neutralising the pH level of the floor and leaving it ready for sealing.
Before sealing I like to discuss the different products available and the finishes they can provide. In this case my clients’ main concerns were that they wanted the stone to look natural and easy to maintain going forward.
With this in mind, Tile Doctor Seal & Go Extra was chosen, it’s a modern acrylic-based sealer that brings out the natural colours in the stone and gives a very slight smooth finish. The protection it provides will prevent dirt becoming ingrained int the pores of the stone and ensure the floor is easier to maintain. Several coats were applied, until we achieved the required finish.
The deep cleaning process and fresh sealer transformed the stone floor bringing out its original beauty and my customer couldn’t believe the difference in the floor and was highly delighted.
For aftercare I gave the client a bottle of Tile Doctor Neutral Cleaner, this product is pH neutral so it will clean the floor but won’t damage the sealer. Often people use household cleaners for cleaning tiled floors, but due to the strong chemicals they contain, they can do more harm than good by slowly stripping away the protective sealer and taking the floor back to square one. Tile Doctor Neutral Tile Cleaner is reasonably priced, and the concentrated formula means a small amount goes a long way so it’s well worth using.
This was a pleasurable job for me as it was good to see the floor transform from dull and lifeless to clean and showing the natural colour and beauty of the York stone, and always lovely to have another satisfied client.
Simon Testa
North East Yorkshire Tile Doctor

Stuart Wade, Envision Virtual Tours
The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents.
Early History
The earliest
St. Simons Island Village
record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini.
Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned.
Colonial History
As
Fort Frederica
early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat.
Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service.
Plantation Era
By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war.
Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton.
Between
Ebos Landing
the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing.
One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863).
Another
Retreat Plantation
large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves.
The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall.
The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church.
Civil War and Beyond
The
St. Simons Island Lighthouse
outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned.
After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations.
By
St. Simons Lumber Mills
1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross.
The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island.
Twentieth Century
The
St. Simons Island Pier and Village
opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development.
In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s.
The
St. Simons Island
outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents.
Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa.
Since
Epworth by the Sea
1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant.
Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

From our Go Fund me Page Feb. 2016
Princess Kaylee is only two and a half years old and was recently diagnosed with cancer. We need your generosity so that we can give her the enchanted room of her dreams as she endures 2.5 years of treatments. We're breaking out our magic wands and designing a gorgeous room for this sweet little girl. With your assistance, we can create a fairy tale space for Kaylee and her family to rest and recover.
Kaylee's story hits especially close to home in our tight-knit community. Her mother, Kelly, is an oncology nurse at Rady Children's Hospital. Yes, you read that correctly - her mother has spent the last 8 years compassionately caring after children who have been diagnosed with cancer. In fact, she was one of the dedicated nurses who so wonderfully cared for Savvy Giving by Design's very first recipient, Kasey Harvey.
And Kelly is not the only hero in this family. Kaylee's father, Jared, is a local CHP officer who keeps our streets safe and not long ago rescued multiple children after a lengthy stand-off with their abductor.
http://www.10news.com/news/chp-officers-relive-moments-in-highway-standoff-121214
Jared and Kelly have two beautiful children. Their son Drew is 5 years-old and daughter Kaylee will turn 3 in August. Kaylee's diagnosis, Acute Lymphoblastic Leukemia, turned this family's world upside down. While her prognosis is, thankfully, very good (with a 93% cure rate), the treatment will be incredibly arduous. Kaylee is facing 2.5 years of ongoing treatment with periods of intense chemotherapy followed by "maintenance" chemo. As hard as it is to believe, Kaylee's treatment will not be complete until she is 5 years-old and preparing to enter kindergarten.
Given the ongoing and onerous treatment regimen that Kaylee faces, Savvy Giving by Design knows that she will need a beautiful and comfortable room where she can rest and be visited by family and friends. Kaylee is currently transitioning out of her crib and we have big intentions for this princess-loving little girl. Our plan is to combine fun and functionality with details and personal touches that will show Kaylee that there is an entire community rallying behind her. We will incorporate Kaylee's favorite colors (pink and purple) and turn her fantasies into reality by installing a built-in castle bed that makes her room feel magical and shows this little girl that anything is possible.
This room will have some very personal special touches incorporated into it to pay tribute to Kaylee's fairy godmother. When Kelly was 13, she lost her very best friend, Jessica, to cancer. Kelly paid tribute to her dear friend by naming her daughter Kaylee Jessica and she wholeheartedly believes that Jessica will be watching over her little girl as she travels this difficult road.
With sufficient funding, we will also be able to do a little makeover for Kaylee's knight in shining armor, her big brother Drew. We recognize and appreciate that Drew faces a struggle all his own as his little sister battles this disease.
Savvy Giving by Design is a the philanthropic arm of Savvy Interiors, Inc. We are registered with the state of California as a nonprofit and awaiting our "formal" 501(c)(3) designation by the IRS. Your donations are tax-deductible. All monies collected will go directly to this space! Any excess funds will be distributed directly to the family. Since late 2014, Savvy Giving by Design has transformed 8 spaces and our ultimate goal is to have sufficient funding to take on one project each month.
As stated in our founding documents, "Our mission is to provide comfort, support, and healing to families with a child facing a medical crisis by transforming the interior spaces of their homes at no cost to them".
We hope you will support our mission to makeover these two rooms for this very deserving family and give Kaylee and Drew's loving parents the gift of knowing that their children are happy, safe, and ready to take on the battle of a lifetime. If you would like to join and follow Kaylee's team page, "Tutu's and Chemo drips," you can do so here: https://www.facebook.com/groups/158667784506286/
To join our ongoing grass roots efforts, please join our Savvy Giving closed group page. https://www.facebook.com/groups/SavvyGivingbyDesign/
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