I designed this custom built in desk and storage cabinetry inorder to meet all their needs. To the right bottom are laterial files and to the left bottom is a pull-out shelf which houses their printer/scanner. Since this is a small space, it is important to be able to tuck things away when not in use. Providing easily accessible pull-outs and drawers resolves this issue and prevents clutter, which hampers productivity.

Nestled in the hills of Orinda, California, this 1951 residence is one of only seven extant homes, now known as “The Magnificent Seven”, designed by architect Olof Dahlstrand, a protégé of Frank Lloyd Wright. With its low-slung rooflines, natural materials, and deep integration with the sloping landscape, the home is a pristine example of mid-century modern design inspired by Wright’s organic principles. Over the years, prior homeowners have emphasized preservation, ensuring that the house remained relatively untouched. Each owner has respected the original architecture and stayed true to Dahlstrand’s intent. When a family of five—two college-aged sons and a middle school-aged daughter—acquired the property, they were captivated by its history, legacy of care, and architectural significance. While they appreciated Dahlstrand’s original vision, they also recognized the need to adapt the home for contemporary living while preserving its design integrity. The remodel was conceived as a thoughtful response to the past—an effort to bring the house into the 21st century without compromising its soul. The primary mandate was to maintain architectural continuity while improving the functionality, comfort, and livability for a modern family. The design team—architects and contractor alike—worked with a shared reverence for the original architecture, allowing that mindset to guide even the most technical or pragmatic decisions. A key objective was to increase natural light in the kitchen—a departure from Wrightian principles of enclosed, intimate cooking spaces—while maintaining the home’s architectural language. The kitchen was reconfigured to foster a stronger connection to adjacent living spaces while retaining the underlying concept of spatial separation. One of the most transformative architectural changes was the removal of a ridge beam that was originally planned to remain visible through the kitchen. During construction, the team collaborated on a better solution: a wide-flanged steel beam concealed within the roof envelope. This subtle move preserved the clean lines and ceiling continuity, a modern update carried out with utmost respect for the existing framework. The home’s original powder room, previously accessible only through the kitchen, was relocated for better flow and privacy. A new powder room was carved out of former kitchen cabinetry—a narrow, interior space that could have felt dark and enclosed. To avoid this, the design extended the line of original transom windows into the new powder room and added a skylight above the vanity. The result is a bright and airy space that feels consistent with the rest of the home. Other updates included the installation of new solid-core interior doors with veneers carefully matched to the original mahogany, enhancing the continuity of the interiors. Even smaller decisions, such as placing the door knobs at 42 inches high, mirrored the original proportions. Every choice reflected a shared belief between the architect, contractor, and client: that new work should serve the integrity of the old. The home’s extensive interior redwood millwork and paneling was meticulously restored. Where new materials were introduced—such as the replacement redwood soffit paneling—the contractor took pains to find finish nails that matched the original, rather than using modern equivalents. This level of craftsmanship and collaboration defined the project. It extended even to the detailing of a blind door to the new powder room, which had to disappear into the existing redwood board-and-batten wall. It was a team effort: the owner found a suitable handle, the architects devised the custom in-swing mechanism, and the contractor executed it so the door aligned precisely with the battens. Throughout, the homeowners were deeply engaged in the design process. One, a meticulous design enthusiast, focused on aesthetic integrity and historic detail. The other brought a practical and function-driven perspective, ensuring that new fixtures and materials would be durable and require minimal maintenance. While the home’s location posed no major site challenges, sustainability was a key concern. The team upgraded the roof insulation, installed solar panels with battery storage, and added ductless mini-split cooling systems. Lighting was another area where modern technology was woven into a historic framework: new square LED fixtures echo the original custom perimeter soffit lights, maintaining the design language while offering advanced performance. A planned expansion of a bedroom into suite with a bathroom had to be shelved due to budget constraints and the high cost of below-grade foundation work. Still, the team focused their efforts on making the most of the existing footprint, resolving constraints through design ingenuity rather than adding square footage. This renovation represents a collaborative achievement in preserving and evolving a historically significant home. Every decision was shaped by a shared ethos among clients, architects, and contractor: to maintain the home’s architectural soul while updating it for contemporary life. The result is a timeless modernist residence that continues Olof Dahlstrand’s legacy, remaining grounded in nature, craftsmanship, and human-scale design. Klopf Architecture Team: John Klopf, AIA, Klara Kevane, Fernanda Bernardes
Interior Architectural Design: Klopf Architecture
Structural Engineer: Daniel Bastiao
Contractor: Don Larwood, Larwood Construction Photography: Mariko Reed Year Completed: 2022

Inspiration for a mid-sized transitional medium tone wood floor, brown floor and wainscoting enclosed dining room remodel in Richmond with green walls and no fireplace

Example of a mid-sized classic master bathroom design in Other with tile countertops, pink countertops and an undermount sink

John Evans
Inspiration for a timeless white tile and marble tile bathroom remodel in Columbus with gray walls

Inspiration for a large farmhouse formal and open concept medium tone wood floor living room remodel in New York with beige walls, a standard fireplace, a stone fireplace and no tv

Ryan Garvin
Beach style light wood floor entryway photo in Orange County with gray walls and a white front door

Cottage medium tone wood floor, brown floor, exposed beam and wall paneling living room photo in Philadelphia with beige walls and a wood stove

Family room - mid-sized coastal dark wood floor family room idea in New York with white walls

Our studio designed this beautiful living and dining room with a stylish medley of soft pink pastels and elegant blues. The armchairs in the living room and printed curtains create a lively ambiance with their fun patterns breaking the neutral theme of the space. Striking artwork creates interesting focal points and urges conversations in the living room. The dining room looks elegant in soft blue hues that are soothing to the senses.

Volume and warmth define this formal living room and family room, where an open-concept living area flows from conversation seating to the kitchen beyond. A timber floor anchors the Luxury living space, while layered neutral upholstery welcomes gathering in a modern family room that still honors classic formal living room sensibility. A sculptural fan crowns the double-height ceiling, and a balcony rail traces the upper level, adding rhythm to the elegant living room decor. Pendants and soft-shaded lights cast an evening glow for entertaining, while daylight filters through tall windows to brighten a timeless living room style. Built-ins and curated art offer Living and family room ideas that feel personal yet composed. The result is a contemporary living room poised for celebrations and quiet weekends alike—welcoming, orderly, and beautifully resolved.

Photo: Carolyn Reyes © 2017 Houzz Media Room Design team: Casa|Wasy
Inspiration for a transitional home theater remodel in Los Angeles

The clients called me on the recommendation from a neighbor of mine who had met them at a conference and learned of their need for an architect. They contacted me and after meeting to discuss their project they invited me to visit their site, not far from White Salmon in Washington State. Initially, the couple discussed building a ‘Weekend’ retreat on their 20± acres of land. Their site was in the foothills of a range of mountains that offered views of both Mt. Adams to the North and Mt. Hood to the South. They wanted to develop a place that was ‘cabin-like’ but with a degree of refinement to it and take advantage of the primary views to the north, south and west. They also wanted to have a strong connection to their immediate outdoors. Before long my clients came to the conclusion that they no longer perceived this as simply a weekend retreat but were now interested in making this their primary residence. With this new focus we concentrated on keeping the refined cabin approach but needed to add some additional functions and square feet to the original program. They wanted to downsize from their current 3,500± SF city residence to a more modest 2,000 – 2,500 SF space. They desired a singular open Living, Dining and Kitchen area but needed to have a separate room for their television and upright piano. They were empty nesters and wanted only two bedrooms and decided that they would have two ‘Master’ bedrooms, one on the lower floor and the other on the upper floor (they planned to build additional ‘Guest’ cabins to accommodate others in the near future). The original scheme for the weekend retreat was only one floor with the second bedroom tucked away on the north side of the house next to the breezeway opposite of the carport. Another consideration that we had to resolve was that the particular location that was deemed the best building site had diametrically opposed advantages and disadvantages. The views and primary solar orientations were also the source of the prevailing winds, out of the Southwest. The resolve was to provide a semi-circular low-profile earth berm on the south/southwest side of the structure to serve as a wind-foil directing the strongest breezes up and over the structure. Because our selected site was in a saddle of land that then sloped off to the south/southwest the combination of the earth berm and the sloping hill would effectively created a ‘nestled’ form allowing the winds rushing up the hillside to shoot over most of the house. This allowed me to keep the favorable orientation to both the views and sun without being completely compromised by the winds.

With the windows having 2 different heights, the design challenge was resolved with inside mounting the valance on the tall window (left) and an outside mount as high as we could on the shorter window (right). Now the difference is less awkward.

This dining room was impersonal with only builder paint. This was resolved with a beautiful combination of Sherwin Williams Monorail Silver on the walls with SW Colonnade Gray on the ceiling. Now the colors compliment the wood tones and show off the crown molding, wainscoting and ceiling medallion.

The clients called me on the recommendation from a neighbor of mine who had met them at a conference and learned of their need for an architect. They contacted me and after meeting to discuss their project they invited me to visit their site, not far from White Salmon in Washington State. Initially, the couple discussed building a ‘Weekend’ retreat on their 20± acres of land. Their site was in the foothills of a range of mountains that offered views of both Mt. Adams to the North and Mt. Hood to the South. They wanted to develop a place that was ‘cabin-like’ but with a degree of refinement to it and take advantage of the primary views to the north, south and west. They also wanted to have a strong connection to their immediate outdoors. Before long my clients came to the conclusion that they no longer perceived this as simply a weekend retreat but were now interested in making this their primary residence. With this new focus we concentrated on keeping the refined cabin approach but needed to add some additional functions and square feet to the original program. They wanted to downsize from their current 3,500± SF city residence to a more modest 2,000 – 2,500 SF space. They desired a singular open Living, Dining and Kitchen area but needed to have a separate room for their television and upright piano. They were empty nesters and wanted only two bedrooms and decided that they would have two ‘Master’ bedrooms, one on the lower floor and the other on the upper floor (they planned to build additional ‘Guest’ cabins to accommodate others in the near future). The original scheme for the weekend retreat was only one floor with the second bedroom tucked away on the north side of the house next to the breezeway opposite of the carport. Another consideration that we had to resolve was that the particular location that was deemed the best building site had diametrically opposed advantages and disadvantages. The views and primary solar orientations were also the source of the prevailing winds, out of the Southwest. The resolve was to provide a semi-circular low-profile earth berm on the south/southwest side of the structure to serve as a wind-foil directing the strongest breezes up and over the structure. Because our selected site was in a saddle of land that then sloped off to the south/southwest the combination of the earth berm and the sloping hill would effectively created a ‘nestled’ form allowing the winds rushing up the hillside to shoot over most of the house. This allowed me to keep the favorable orientation to both the views and sun without being completely compromised by the winds.

This half bath was converted into a full bath by adding a shower and changing the location of the existing fixtures. Now these homeowners have a first floor bedroom/bath space. Timber frame homes offer unique challenges during a remodel. What often makes them beautiful and attractive to most homeowners, also makes them challenging for space requirements. Context: The lovely couple that owned this home were struggling with some interesting floor plan challenges that just didn't work for their family. The loved the beautiful timbers and woodwork of their home, but the dramatically sloping ceilings on the second floor, particularly in the bathroom, just didn't work for this 1 1/2 bath home. Needing to use the skylight to approach the toilet was a less then ideal scenario. Although the bathroom footprint was more then adequate, the sloped ceiling only made half of the space useable. Check out the Before/After post on our blog to see the photos of the house pre-renovation. As much as they loved all the wood features in their home, another challenge they had was light. The wood ceiling made everything inside the house darker, even with a fantastic array of south facing windows, there were spaces in the home that felt dark and small. When they contacted us they wanted to know how could they make their brighter and more inviting, were there solutions to the 2nd floor sloped ceiling issues, and if they were going to do all of this work, how could they make their home more comfortable and efficient. A nagging water leak in the upstairs bathroom spurred them into action and here is how we solved their dilemma. Conclusion: First, we added a little dormer to the rear of the house so we could get full headroom in nearly all of the upstairs bathroom! Then we decided to extend that dormer one more timber bay over to create a walk in closet with natural light and plenty of space. Since we were contemplating energy efficiency, we resolved a nagging issue that is present in a lot of timber frame construction, air tightness. Commonly found in timber frame construction, fiberglass insulation is installed in the rafter bays and board ceilings are installed over top. Unfortunately, board ceilings are anything but air tight, and fiberglass insulation needs to be in an airtight cavity for maximum effectiveness. So we were able to solve two issues at the same time for this homeowner. We removed the board ceiling and fiberglass insulation, we dense packed the rafter bays with cellulose insulation, and installed sheetrock in place of the boards. The boards were salvaged for re-use by the homeowner, and the space and light quality was dramatically improved. Some may think that losing the board ceiling took something away from the space, but what you'll see in the pictures is that it highly accentuates the heavy timbers and really makes them stand out in a beautiful way. Now with this added airtightness, better insulation, and brighter space, the homeowner hardly runs their wood stove, and it's so quiet in the space, an added bonus from changing the insulation. It became necessary to also add a sheetrock ceiling to the living room to hide the plumbing from the new bathroom layout above. Changing this ceiling gave the homeowner some real quality lighting that was lacking in the living room before. The brighter ceiling and new lighting layout completely transforms the living room into a space you want to hang out, even though the layout didn't change at all. When the homeowner saw the finished spaces she said "I can't believe this is my house, I want to live in this house" Energy Efficiency: I touched a little on the efficiency above, but like all projects done with Mottram Architecture, we always want to leave you with a little extra. Timber frame construction with board ceilings and fiberglass insulation are notoriously leaky! If you want to know what we think about fiberglass insulation, check our our blog post on Why Fiberglass Insulation Sucks. By installing cellulose insulation and covering it with sheetrock we were able to greatly reduce the heat flowing out of this home. It not only improves cashflow it improves the comfort level in the space. Who wants to sit in their living room and feel a draft? Let us remind you, we are not saying cellulose insulation is an air barrier, we use the sheetrock to help with that, but it does significantly reduce the air flow over fiberglass insulation. And when we reduce the airflow, we reduce the heat flow. And when we reduce the heat flow, we reduce the need to re-heat that drafty air from outside. When it comes to energy efficiency the first and best place to start is air infiltration. We greatly reduced the air infiltration with the new insulation, but we also added a hat and warm boots. What I mean by that is, we improved the insulation in the roof, and we installed insulation in the basement. Maybe it's a silly analogy, but when you think about keeping warm, we always start with the hat and boots! With sustainability in mind, the next project will be to add a deck to the front of this house with rain catchment barrels from the metal roof. They are planning to plant a garden in the spring and the rain catchment system will help to irrigate the new garden. Builder: East Shore Builders Photographer: Michael Eric Berube Michael Eric Berube, Maine Virtual Home Tours

This gorgeous, nature-inspired Great Room—comprised of the kitchen, dining area, and sitting room—was reimagined for some wonderful repeat clients, beginning with a small, treasured piece of art. Their large 1950s ranch house nestled into a gentle hill surrounded by orchards of fragrant orange, lemon, and cherry trees initially featured a too-small kitchen adjacent to a warren of small spaces with low ceilings serving as a dining and sitting area. They dreamed of a more spacious, light-filled layout. A complete redesign of the home not only resolved spatial constraints but also embraced the beauty of the home’s natural surroundings. By removing walls and creating an open-plan layout, we enhanced the flow and connectivity between the kitchen, dining, and sitting areas, seamlessly integrating the outdoors with the indoors. The relocated kitchen now faces the backyard, to facilitate outdoor entertaining and features a large island, serving as a welcoming focal point for both cooking and socializing. I designed a distinctive ceiling feature above the island, crafted from planks of the adjacent vaulted ceiling, mirroring the shape of the island below. This feature adds architectural interest and visually connects the flat kitchen plane with the vaulted plank ceiling of the sitting area, creating a harmonious sense of continuity and warmth. A beautiful, prized painting of a bird on a branch created the direction for the color and texture palette. An intriguing yellow-green-tan background in the art guided my choices for the backsplash tile (an iridescent version mimics light glinting on water) and countertops. The kitchen's soothing color palette features various shades of natural green, while the dining area introduces feather-blue tones through chair upholstery and rug. Just steps away, the inviting sitting area features a rebuilt fireplace clad in cut, polished Haisa marble tiles in a vertical pattern. The soft, generous seating creates a comfortable spot for movie nights or cozying up by the fire on a cold winter evening. The elegant, simple silhouettes of the furniture enhance the serene and calming atmosphere of the space. After photos: Bernardo Grijalva and Fiorito Interior Design Cabinetry: custom by Schmitz Woodwork Countertops: Primordia and Calcatta Maximus by Caesarstone Backsplash: Elements in Miami Sand Pearl by Lunada Bay Island pendants: Simple Sanders by Shades of Light Stools: Essex by Lazar in Brisa fabric by Ultrafabrics Dining table: Emerson Wave by Saloom Dining chairs: Essex by Lazar Dining lighting: Triad chandelier by Kichler Dining rug: Soho Smoke by Jaunty Inc. Sitting area sofa and ottoman: Corvo by Lazar Sitting area swivel chair: Noah by Lazar Sitting area rug: Soho Stone by Jaunty Inc. Motorized shades: Hunter Douglas Entry console: Reed by Uttermost Entry light: Re by Visual Comfort Fireplace: Haisa cut and polished marble by Icontile Wall paint: Mascarpone by Benjamin Moore

This gorgeous, nature-inspired Great Room—comprised of the kitchen, dining area, and sitting room—was reimagined for some wonderful repeat clients, beginning with a small, treasured piece of art. Their large 1950s ranch house nestled into a gentle hill surrounded by orchards of fragrant orange, lemon, and cherry trees initially featured a too-small kitchen adjacent to a warren of small spaces with low ceilings serving as a dining and sitting area. They dreamed of a more spacious, light-filled layout. A complete redesign of the home not only resolved spatial constraints but also embraced the beauty of the home’s natural surroundings. By removing walls and creating an open-plan layout, we enhanced the flow and connectivity between the kitchen, dining, and sitting areas, seamlessly integrating the outdoors with the indoors. The relocated kitchen now faces the backyard, to facilitate outdoor entertaining and features a large island, serving as a welcoming focal point for both cooking and socializing. I designed a distinctive ceiling feature above the island, crafted from planks of the adjacent vaulted ceiling, mirroring the shape of the island below. This feature adds architectural interest and visually connects the flat kitchen plane with the vaulted plank ceiling of the sitting area, creating a harmonious sense of continuity and warmth. A beautiful, prized painting of a bird on a branch created the direction for the color and texture palette. An intriguing yellow-green-tan background in the art guided my choices for the backsplash tile (an iridescent version mimics light glinting on water) and countertops. The kitchen's soothing color palette features various shades of natural green, while the dining area introduces feather-blue tones through chair upholstery and rug. Just steps away, the inviting sitting area features a rebuilt fireplace clad in cut, polished Haisa marble tiles in a vertical pattern. The soft, generous seating creates a comfortable spot for movie nights or cozying up by the fire on a cold winter evening. The elegant, simple silhouettes of the furniture enhance the serene and calming atmosphere of the space. After photos: Bernardo Grijalva and Fiorito Interior Design Cabinetry: custom by Schmitz Woodwork Countertops: Primordia and Calcatta Maximus by Caesarstone Backsplash: Elements in Miami Sand Pearl by Lunada Bay Island pendants: Simple Sanders by Shades of Light Stools: Essex by Lazar in Brisa fabric by Ultrafabrics Dining table: Emerson Wave by Saloom Dining chairs: Essex by Lazar Dining lighting: Triad chandelier by Kichler Dining rug: Soho Smoke by Jaunty Inc. Sitting area sofa and ottoman: Corvo by Lazar Sitting area swivel chair: Noah by Lazar Sitting area rug: Soho Stone by Jaunty Inc. Motorized shades: Hunter Douglas Entry console: Reed by Uttermost Entry light: Re by Visual Comfort Fireplace: Haisa cut and polished marble by Icontile Wall paint: Mascarpone by Benjamin Moore