Urban home design photo in Other

Within its 35m² of functional space, divided into an anteroom and a bathroom, Fernanda crafted a sunroom that intentionally brings together a vast array of elements: native Atlantic Forest species in a biophilic and naturalistic arrangement, a hand-painted chinoiserie adorning the walls, classic jequitibá wood furniture, refined retro-inspired tapestries, wallpapers, wooden beams reminiscent of country homes, ceramic lighting fixtures, and vases created exclusively for the project. This composition clearly expresses the richness of detail in her work and the depth of her research. Driven by a desire to offer visitors a bucolic, fresh, and ethereal experience, landscaping was a central element of the project. Regarding the furniture, classic, rounded, lightweight, and intricately crafted forms were a prerequisite. Thus, the choice fell on pieces from Paschoal Bianco, crafted individually by master carpenters who are true artists in wood carving. Opting for the natural tone of jequitibá wood, the armchairs, stool, and side tables transport visitors to the grand residences and châteaus of rural France. To soften the design, natural fibers from Biasá were incorporated into the sofa, the Paris rattan chair, and a round rug, all displayed in an area the designer dubbed “the poetry corner.” This corner, featuring a classic writing desk, a porcelain coffee cup, eucalyptus branches, books, and a note card beside a large window dressed with a dramatic, meticulously crafted curtain by A Morada, could only be called “the poetry corner.” Here, the public is invited to sit, contemplate the surrounding landscape, read, and write.

Dining room - industrial dining room idea in Other

Example of an urban home design design in Other

The Visitor by Guido Deleu, an artistic representation of a character visiting a museum, watching a work of art, head in the air and hands in his pockets. Each statue "The Visitor" is hand molded, clay with only natural color pigments. The colors may vary slightly due to cooking and pigment density. The Visitor was created by Guido Deleu in 1996, as part of a contest to design a sculpture for the main entrance of a cultural center in Flanders, Belgium. The Visitor embodies a kind and friendly figure. The pieces are handmade by using only natural elements and color pigments.

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Public restrooms at the cave and basin visitor centre.
Bathroom - bathroom idea in Calgary

Public restrooms at the cave and basin visitor centre.

Architecture by ÁBATON www.abaton.es Interior Design Project and furnishing by BATAVIA www.batavia.es Photographs: Belen Imaz
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Example of a classic medium tone wood floor dining room design in London with gray walls and a standard fireplace

Example of a trendy entryway design in Toronto

Photo: Margot Hartford Photography © 2015 Houzz
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Photographer: Tony Gatman Auckland, New Zealand.
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River-Recovered® Heart Cypress Contributes to the Allure of the New Eleanor and Nicholas Chabraja Visitor’s Center at Naples Botanical Garden Goodwin Company Provides Antique Wood Carefully Recovered from the Apalachicola River http://heartpine.com

Studio IAAD | Hines Conscient Elevate, Gurugram A tranquil retreat from city-life Located in the plush suburbs of Gurugram in NCR, Elevate is a co-venture housing project marking the collaboration of Hines and Conscient, two major league developers in the Indian real estate sector. Spread across an area of about 10,000 sq.ft., the design scope comprised architecture, interiors, landscaping and FFE, skillfully realized by Studio IAAD. The holistic design brief allowed for a versatile and flexible intervention; the idea was to 'elevate' the person entering the condominiums from the chaos of the noisy world's frantic pace to a quieter, peaceful space where they can relax and take a breath of fresh air. The biophilic approach, a signature of Studio IAAD's brand, nurtures an intimate connection of the user with nature without foregoing modern comforts, whilst employing greenery as a buffer to mute the clangour of the cosmopolitan city, enabling well-being. Nestled in a forest-like setting, the approach to the house evokes tranquility. The visitor is greeted with a narrow pathway on entry, wrapped in an enclosing thicket of overarching trees. It trails up to a circular courtyard with a sculpture at its nucleus, that embodies the aesthetics of grace, harmony and serenity. This courtyard connects to the building through a dynamic walkway peppered with abundant tropical trees and blossoming petunia flower beds on either side, activating the pedestrian experience and crafting a blissful forest-like environment. Encompassed within green canopies, the building seems to emerge from the verdant landscape, akin to the trees that surround it. Steeped in a contemporary theme, the design also nods to rustic simplicity and examples of European aesthetics in the interiors. The structure metaphorically manifests itself as a glass box at the ground level, wrapped in transparent ribbons of glazing and holding up the levitating opaque mass that houses the private enclosed spaces on top. The expansive glass walls offer unhindered views of the scenic splendour around, enriching the visual experience. A sleek metal skeleton supports the structure, framing the glass facade and giving it a modern edge, thereby reducing the need for boxy columns. An open courtyard that forms the nexus of the project creates a niche in the building mass, dividing it into two distinct parts that remain visually connected. A conscious intervention places multiple human-form sculptures by Mukul Goyal to adorn the courtyard space with their faces directed towards the sky, representing the notion of being liberated and 'elevated'. Within the main dwelling, the ground floor accommodates the experience centre, a lounge, a café and the audio-visual room leading up to the show apartment, kids’ room, a lounge and meeting rooms at the top level. The seating spaces of the reception, outdoor deck, café and lounge are stitched together around the central courtyard in an unceasing dialogue with each other and the infinite open sky. The spaces flow into one another and unfold as one moves along, enabling a gradual unwinding of the sensory experience instead of making a colossal impact instantly. Careful planning allows the optimization of spaces and an easy concourse of commodious rooms. The audio-visual room is a theatrical experience that allows the visitors to watch a movie when the screen is down and reveals the model room as the screen lifts, unravelling an added dimension. For experience centres, it is imperative to hold the visitor's attention, so the spaces have been designed cohesively in tandem with this intent. A specially designed kids’ room allows young families to explore the building in uninterrupted peace while their kids indulge in recreational activities. The staircase is designed using opulent chandeliers to usher the visitors from the lifts towards the stairs in order to make the ascent a part of the enchanting experience. The three-bedroom show apartment is finished in inconspicuous, neutral tones and materials, allowing potential home-buyers to layer their personalities onto the house. Each user can relate to their own space, making it a unique selling point for the apartment. Taking a cue from the natural surroundings, a soothing play of textures by ribbed wooden cladding and mirror panelling in subdued browns forms the highlight of the living room, accentuated by flooring and furniture in pristine white. A wrap-around balcony ties two bedrooms and a corner of the living room, creating a sizable spill-out space for relaxation and recreation, enabling transcendence into the enveloping quietude. A juxtaposition of course, with the fine, awe-inspiring artworks adorn the walls of the house, leaving a solid and lingering impression on the minds of the visitor with a recall factor long after they have left. The artistry conjoined with carpets and lighting accessories in fresh and vibrant hues comes together and serenades the space with a warm, welcoming vibe- constituting a harmonious whole that exceeds the sum of its parts. A view gallery outside the apartment frames the sylvan panoramic vistas beneath the blue banner of the sky, acting as the epitome of the experience of 'Elevate' housing. Many accessories, including lighting fixtures and furniture, have been reused from a previous project, facilitating a sustainable approach to waste management. The sculptures will also become a part of the landscape in the housing project. Concentric cut-outs in the ceiling are designed to achieve a minimal yet elegant look, integrating both HVAC and lighting services into one. The structure is designed with metal, glass and wood as principal materials for quick construction, deconstruction and reuse. The design corroborates a dialogue between the experience centre and the show apartments through a similar theme and vocabulary. Envisioned as a boutique hotel, the building is averse to the prevailing treatment of experience centres as an afterthought to housing developments. The ethereal slow-burn experience compels the visitor to sit and ponder, escaping in the forest's therapeutic solitude, away from the outer world, becoming a placid haven that people want to connect to, engage with and inhabit.

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