A 2000 sq. ft. family home for four in the well-known Chelsea gallery district. This loft was developed through the renovation of two apartments and developed to be a more open space. Besides its interiors, the home’s star quality is its ability to capture light thanks to its oversized windows, soaring 11ft ceilings, and whitewash wood floors. To complement the lighting from the outside, the inside contains Flos and a Patricia Urquiola chandelier. The apartment’s unique detail is its media room or “treehouse” that towers over the entrance and the perfect place for kids to play and entertain guests—done in an American industrial chic style. Featured brands include: Dornbracht hardware, Flos, Artemide, and Tom Dixon lighting, Marmorino brick fireplace, Duravit fixtures, Robern medicine cabinets, Tadelak plaster walls, and a Patricia Urquiola chandelier.

These homeowners are well known to our team as repeat clients and asked us to convert a dated deck overlooking their pool and the lake into an indoor/outdoor living space. A new footer foundation with tile floor was added to withstand the Indiana climate and to create an elegant aesthetic. The existing transom windows were raised and a collapsible glass wall with retractable screens was added to truly bring the outdoor space inside. Overhead heaters and ceiling fans now assist with climate control and a custom TV cabinet was built and installed utilizing motorized retractable hardware to hide the TV when not in use. As the exterior project was concluding we additionally removed 2 interior walls and french doors to a room to be converted to a game room. We removed a storage space under the stairs leading to the upper floor and installed contemporary stair tread and cable handrail for an updated modern look. The first floor living space is now open and entertainer friendly with uninterrupted flow from inside to outside and is simply stunning.

Egress Window Brick Well
Basement photo in Denver

This project encompasses the renovation of two aging metal warehouses located on an acre just North of the 610 loop. The larger warehouse, previously an auto body shop, measures 6000 square feet and will contain a residence, art studio, and garage. A light well puncturing the middle of the main residence brightens the core of the deep building. The over-sized roof opening washes light down three masonry walls that define the light well and divide the public and private realms of the residence. The interior of the light well is conceived as a serene place of reflection while providing ample natural light into the Master Bedroom. Large windows infill the previous garage door openings and are shaded by a generous steel canopy as well as a new evergreen tree court to the west. Adjacent, a 1200 sf building is reconfigured for a guest or visiting artist residence and studio with a shared outdoor patio for entertaining. Photo by Peter Molick, Art by Karin Broker

This house has a spare room which can be used as a family room, home office, or hobby room. It features wooden jalousie windows on the inner walls as well as glass-paneled double doors which both provide privacy without completely isolating the room.

A 2000 sq. ft. family home for four in the well-known Chelsea gallery district. This loft was developed through the renovation of two apartments and developed to be a more open space. Besides its interiors, the home’s star quality is its ability to capture light thanks to its oversized windows, soaring 11ft ceilings, and whitewash wood floors. To complement the lighting from the outside, the inside contains Flos and a Patricia Urquiola chandelier. The apartment’s unique detail is its media room or “treehouse” that towers over the entrance and the perfect place for kids to play and entertain guests—done in an American industrial chic style. Featured brands include: Dornbracht hardware, Flos, Artemide, and Tom Dixon lighting, Marmorino brick fireplace, Duravit fixtures, Robern medicine cabinets, Tadelak plaster walls, and a Patricia Urquiola chandelier.

This home in Napa off Silverado was rebuilt after burning down in the 2017 fires. Architect David Rulon, a former associate of Howard Backen, known for this Napa Valley industrial modern farmhouse style. Composed in mostly a neutral palette, the bones of this house are bathed in diffused natural light pouring in through the clerestory windows. Beautiful textures and the layering of pattern with a mix of materials add drama to a neutral backdrop. The homeowners are pleased with their open floor plan and fluid seating areas, which allow them to entertain large gatherings. The result is an engaging space, a personal sanctuary and a true reflection of it's owners' unique aesthetic. Inspirational features are metal fireplace surround and book cases as well as Beverage Bar shelving done by Wyatt Studio, painted inset style cabinets by Gamma, moroccan CLE tile backsplash and quartzite countertops.

A well-known Dallas builder and his family look to Cantoni designer Stephanie Stephenson to infuse their cool, clean-lined home with high-style warmth. Photos by Michael Hunter.

Legend Sand Wood Plank Porcelain Tile | This 8in. x 68in. Legend Sand Wood Plank Porcelain Tile has a matte finish. This tile has inkjet print quality, which produces a high definition image that thoroughly covers the tile and results in a natural, authentic look. PEI measures a tile's durability and ability to withstand foot traffic, on a scale of 1-5. This tile, rated at 4 PEI, can withstand moderate to heavy traffic and is suitable for all residential and medium commercial floor and wall applications. This porcelain tile comes from Italy. Long known as the "home" of tile design, Italian designers lead the industry in creativity and style. Italian factories are also well known for their high quality products. Porcelain tiles are strong and long-lasting making them ideal for use in high-traffic or outdoor living areas. Porcelain is an excellent choice to decorate your walls or floors, and comes in a variety of colors sizes and textures. With proper installation, porcelain tiles can last for years with very little maintenance.

Built on a gentle slope on the Westport River, less than a mile from the coast in southeastern Massachusetts is an unabashedly modern glass house designed for a well known Cambridge general contractor and his wife. Mature oaks and cedars define the property edges and frame dramatic sunset and island views. The architecture expresses the owners’ gregarious way of life, and accommodates their passions for cooking and entertaining their large group of devoted friends. Image Courtesy © Nat Rae

Whether crafting is a hobby or a full-time occupation, it requires space and organization. Any space in your home can be transformed into a fun and functional craft room – whether it’s a guest room, empty basement, laundry room or small niche. Replete with built-in cabinets and desks, or islands for sewing centers, you’re no longer relegated to whatever empty room is available for your creative crafting space. An ideal outlet to spark your creativity, a well-designed craft room will provide you with access to all of your tools and supplies as well as a place to spread out and work comfortably. Designed to cleverly fit into any unused space, a custom craft room is the perfect place for scrapbooking, sewing, and painting for everyone.

Built on a gentle slope on the Westport River, less than a mile from the coast in southeastern Massachusetts is an unabashedly modern glass house designed for a well known Cambridge general contractor and his wife. Mature oaks and cedars define the property edges and frame dramatic sunset and island views. The architecture expresses the owners’ gregarious way of life, and accommodates their passions for cooking and entertaining their large group of devoted friends. Image Courtesy © Nat Rae

When Irvine designer, Richard Bustos’ client decided to remodel his Orange County 4,900 square foot home into a contemporary space, he immediately thought of Cantoni. His main concern though was based on the assumption that our luxurious modern furnishings came with an equally luxurious price tag. It was only after a visit to our Irvine store, where the client and Richard connected that the client realized our extensive collection of furniture and accessories was well within his reach.

“Richard was very thorough and straight forward as far as pricing,” says the client. "I became very intrigued that he was able to offer high quality products that I was looking for within my budget.” The next phases of the project involved looking over floor plans and discussing the client’s vision as far as design. The goal was to create a comfortable, yet stylish and modern layout for the client, his wife, and their three kids. In addition to creating a cozy and contemporary space, the client wanted his home to exude a tranquil atmosphere. Drawing most of his inspiration from Houzz, (the leading online platform for home remodeling and design) the client incorporated a Zen-like ambiance through the distressed greyish brown flooring, organic bamboo wall art, and with Richard’s help, earthy wall coverings, found in both the master bedroom and bathroom. Over the span of approximately two years, Richard helped his client accomplish his vision by selecting pieces of modern furniture that possessed the right colors, earthy tones, and textures so as to complement the home’s pre-existing features. The first room the duo tackled was the great room, and later continued furnishing the kitchen and master bedroom. Living up to its billing, the great room not only opened up to a breathtaking view of the Newport coast, it also was one great space. Richard decided that the best option to maximize the space would be to break the room into two separate yet distinct areas for living and dining. While exploring our online collections, the client discovered the Jasper Shag rug in a bold and vibrant green. The grassy green rug paired with the sleek Italian made Montecarlo glass dining table added just the right amount of color and texture to compliment the natural beauty of the bamboo sculpture. The client happily adds, “I’m always receiving complements on the green rug!” Once the duo had completed the dining area, they worked on furnishing the living area, and later added pieces like the classic Renoir bed to the master bedroom and Crescent Console to the kitchen, which adds both balance and sophistication. The living room, also known as the family room was the central area where Richard’s client and his family would spend quality time. As a fellow family man, Richard understood that that meant creating an inviting space with comfortable and durable pieces of furniture that still possessed a modern flare. The client loved the look and design of the Mercer sectional. With Cantoni’s ability to customize furniture, Richard was able to special order the sectional in a fabric that was both durable and aesthetically pleasing. Selecting the color scheme for the living room was also greatly influenced by the client’s pre-existing artwork as well as unique distressed floors. Richard recommended adding dark pieces of furniture as seen in the Mercer sectional along with the Viera area rug. He explains, “The darker colors and contrast of the rug’s material worked really well with the distressed wood floor.” Furthermore, the comfortable American Leather Recliner, which was customized in red leather not only maximized the space, but also tied in the client’s picturesque artwork beautifully. The client adds gratefully, “Richard was extremely helpful with color; He was great at seeing if I was taking it too far or not enough.” It is apparent that Richard and his client made a great team. With the client’s passion for great design and Richard’s design expertise, together they transformed the home into a modern sanctuary. Working with this particular client was a very rewarding experience for Richard. He adds, “My client and his family were so easy and fun to work with. Their enthusiasm, focus, and involvement are what helped me bring their ideas to life. I think we created a unique environment that their entire family can enjoy for many years to come.” https://www.cantoni.com/project/a-contemporary-sanctuary

CORSICA is as single trough or wallmounted genuine trendy gray granite - 27.56" x 19.68" x 2.36" - Bathroom sink. Could you imagine one day remodeling your bathroom space with a large trough sink made from a block of genuine granite stone. Discover the well–being provided by this beautiful piece, CORSICA take its sleek lines, Zen-style and chic look to your bathroom from the amazing French Island well known as the Island of Beauty. Cut from a Trendy Gray granite block you will love its generous size for a single bathroom trough sink. CORSICA is a unique product in the U.S.A. You will not let anyone feel indifferent with this very design living'ROC creation designed by our french designer Florent LEPVREAU. This single sink is from the AQUADEOS range and its design has been Inspired by our top of the range model FOLE'GE SHADOW (better adapted to larger spaces) CORSICA will beautify a smaller bathroom or a bigger project with two single. Adding stone elements will provide a modern, serene, and trendy atmosphere in your bathroom. Honed finishes and its very convenient slope will add practicality to beauty. f you wish to standardize your project, you can choose among a wide range of our Trendy gray granite shower bases carved from the same material (very similar color and same honed finish) as it came from the same quarry and most often from the same block of stone. Spacium, Palaos, Quasar, Dalaos... This vessel sink is Highly resistant to chipping and scratching, withstands hot temperatures, tolerant to very high temperature changes. Our creation is delivered without an overflow drain and faucet (not included) - every US drains and faucets models you can find on the market will fit perfectly on Living'ROC vessel sink. This model is ready to use over the countertop. The photos you see online have been taken with extreme care by our Founder CEO - Florent LEPVREAU, because without them we would not be one of the natural stone business key player of the online European continent. Once you have encountered the product in your home you will always have pure happiness for the love of the materials. It will be beyond your expectations because what you see online at livingroc.net is what you will receive. This is why we always guarantee a degree of quality (Grade A) and impeccable finish as can attest with the reviews filed by our customers. We also draw your attention to the fact that veining, flames, small variations of colors and various stone particularities make all the charm of the stone and distinguish it from non-natural materials! Simply our living'ROC style.

This stunning mountain lodge, custom designed by MossCreek, features the elegant rustic style that MossCreek has become so well known for. Open family spaces, cozy gathering spots and large outdoor living areas all combine to create the perfect custom mountain retreat. Photo by Erwin Loveland

This Montrose Cottage was designed by Bob Chatham and built by Scott Norman. Scott Norman is well known in this area for building old world style cottages with attention to details. This home was designed to fit on a lot loaded with old oak trees. Notice the classic southern appeal to this home with a large covered front porch with open rafter tails and a stained wood plank ceiling. The white railings and columns and white board and batten siding contrast nicely with the stained wood floor and dark shutters. There are lanterns hanging on each side of the mahogany french doors.

This stunning mountain lodge, custom designed by MossCreek, features the elegant rustic style that MossCreek has become so well known for. Open family spaces, cozy gathering spots and large outdoor living areas all combine to create the perfect custom mountain retreat. Photo by Erwin Loveland

Soft Ash Wood Plank Porcelain Tile | This 6in. x 40in. Gray Soft Ash Wood Plank Porcelain Tile has a matte finish. This tile has inkjet print quality, which produces a high definition image that thoroughly covers the tile and results in a natural, authentic look. The PEI rating of this tile is 5, making it the most durable and appropriate for high traffic areas. PEI measures a tileEs durability and ability to withstand foot traffic, on a scale of 1-5. The design on this tile will withstand very heavy foot traffic and is appropriate for all residential and heavy commercial use for floor and wall applications. This porcelain tile comes from Italy. Long known as the "home" of tile design, Italian designers lead the industry in creativity and style. Italian factories are also well known for their high quality products. Add a stylish touch to any room with porcelain flooring. It is ideal for its beauty and versatility and can also be used in any room in your house. With proper installation, porcelain tiles can last for years with very little maintenance. Porcelain is an excellent choice to decorate walls, as well.

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.