Two years before this photo shoot, a Bloomington couple came to SYI wondering whether to renovate their dated bi-level or upgrade to a new house entirely: the classic love-it-or-list-it dilemma. The whole house needed to be touched, really: bathrooms and kitchen, lighting and flooring and paint everywhere, not to mention new furniture to fill in and improve the living spaces. We spent a year with this family, considering options that were less transformative but allowed for the whole house to be upgraded, as well as options that dramatically changed the main living space but meant the rest of the house would have to wait. Meanwhile, they kept an eye out for better digs in town: a house at their price point, that met their family's needs and matched their aesthetic without major construction. After a year of hunting, hemming and hawing: they pulled the trigger. Give us the whole enchilada in the kitchen and main living space, they said. There's no other house for us. The bathrooms and basement can wait. Make this space, where we spend all our time, a place we love to be. Walls and ceilings came down; clerestory windows went in. A stunning 4-panel sliding door-cum-window wall replaced two separate doors in two separate rooms, and the sun streaming in now gives this house in Indiana a California-like access to the outdoors. The central custom screen does triple duty: displaying the client's objets d'art, hiding an HVAC chase, and holding up the ceiling. The gas fireplace is completely new, with custom shelving on either side. Of course, in 2017, the kitchen anchors everything. Family Central, it features custom cabinetry, honed quartz, a new window wall, and a huge island. Materials are earthy and natural, lending a warm modern effect to the space. The medium stain of the wood and overall horizontality of the design are a nod to the home's era (1967), while white cabinetry and charcoal tile provide a neutral but crisp backdrop for the family's stunning and colorful art collection. The result: an ordinary bi-level is now an extraordinary home, unlike any other in Bloomington. Contractor: Rusty Peterson Construction Cabinetry: Tim Graber Furniture Photography: Gina Rogers

We like this design because it is updating a traditional home into more of a "contemporary" look. There's a fine line when trying to accomplish this. You want the updated look to not compete with the traditional architecture of the home. For example the wood molding, chair rail and curvature of the window. This space works with the updated design by painting the walls a solid, modern color of deep plum. You want to paint the wood detail of the chair rail and molding the same color of the wall so it's not too busy and just adds that visual interest in the background. Second, using a fabric pattern that is modern paired with the clean lines of the sofa, rod and lamp shade makes this space the ultimate updated look. **UPDATE** We also work with clients all over the country! Our virtual designers have experience as local and long distance design consultants. Our designers offer professional fabric and design recommendations, free estimates and have a great ability to communicate via email or phone to help conceptualize the project and see it through to the final stages. Fabric samples are mailed directly to you and we also provide easy installation guides. For clients out of the Indiana area, we now have a professionally trained interior designer! Our "virtual designer" can help you with your project and ship your custom items directly to you at a fraction of the cost without compromising on quality! Let our design specialists help you today! We're very excited to announce that we were featured on HOUZZ! Click the link below to check out the article! http://www.houzz.com/ideabooks/30722151/list/design-workshop-shutters-all-grown-up Abda Window fashions of Indianapolis has custom curtains, drapes, valances, cornices, pillows and hardware in a variety of fabrics and finishes. Curtains and drapes are great alone or paired with a hard window treatment for the ultimate fashion statement. All of our curtains, drapes, valances, cornices and pillows are custom-made from our own workroom. We also make custom bedding and upholstery. We have a huge selection of fabrics that will match any style. Our custom, affordable draperies, curtains and sheers are now available to anyone in the US. We make them in our own workroom and ship them anywhere in the US! Talk with our professional design specialists and let them help you transform your home! It’s simple and easy. This is a great solution for persons who live out of state or are too busy for a traditional home consultation. With our great reviews, solid company and company values- you know that you’re home is in great hands! We also have ready-made curtains and bedding available too! And don’t forget our custom hardware! You can also check out our houzz.com store for great window fashion products, including our exclusive bendable rods! To see our new line, contact Talitha at 317-273-8343 or email: talitha@abdawindowfashions.com or check out our houzz.com store! For our local customers we offer, FREE In-home consultation or showroom appointment to meet your lifestyle and design needs. At Abda, we have the perfect blend of high-end and affordable solutions for every style and budget. Affordable doesn’t mean cheap! We pride ourselves on quality products with excellent service. We’re so confident of our products that we give our customers more than the manufacturers guarantee! We give our customers an additional 2 year warranty on top of the manufacturers guarantee! At Abda, you will find knowledgeable staff that will turn your visions into a reality. Stop in our showroom or schedule a Free In-home consultation today! We know you will be happy with the results but don’t take our word for it, check out what some of our customers say about us on Houzz and Angie’s List! http://www.angieslist.com/companylist/us/in/indianapolis/abda-inc-custom-window-fashions-reviews-60394.htm?cid=ssabadge Why Choose Us? We have been in business since November 1998 and started in the window covering business by cleaning & repairing blinds. This gave us a unique perspective from most window covering dealers. We have always considered how well products hold up and which manufacturers stand behind their products the best. We let our clients know the benefits of more expensive products and give honest feedback. We take pride in showing alternative products to fit all budgets. Our great testimonials on Angie’s List, Houzz.com and referrals have helped our company grow without the need for “conventional” advertising. Abda means ‘servant’. At Abda, we approach every customer with a servant’s attitude. This philosophy has helped our customers feel confident in their purchases and well-taken care of. Our number one focus is customer service and we believe in putting the customer’s needs first. We offer our clients an additional 2 year warranty on top of the manufacturer’s warranty and want each and every client to be completely happy with their purchase. We’ve been awarded the prestigious 2013 Angie’s List Super Service Award, an honor bestowed annually on approximately 5 percent of all the businesses rated on the nation’s leading provider of consumer reviews. We’ve grown over the years and have added more team members to our company and we’re very excited at the direction our company is going. Check out our website for more information: www.abdawindowfashions.com Below is a list of styles and types of curtains and draperies that we can help you with. No worries if you do not find what you’re looking for below! Since we have our own workroom, the sky is the limit. There’s no project too small or large! Our design specialists are great at helping you with window treatment ideas. Stop in our showroom or call today for a FREE in-home consultation. If you’re out of state, no problem! We’re now making our custom treatments and shipping them to you! Call today (317-273-8343) for more information or email: talitha@abdawindowfashions.com Some of the styles and types: Modern curtains & draperies, Contemporary curtains & draperies, Traditional curtains & draperies, Transitional curtains & draperies, Beach Style curtains & draperies, Asian Style curtains & draperies, Eclectic curtains & draperies, Midcentury curtains & draperies, Mediterranean curtains & draperies, Farmhouse Style curtains & draperies Kitchen curtains, Living room curtains, Dining room curtains, Master Bedroom curtains, Nursery curtains, Children’s room curtains, Guest bedroom curtains, Areas that we serve for installation for curtains & draperies are listed below. (But we ship to anywhere in the US!) If you don’t see your city on the list, just give us a call and we will see what we can do. Indianapolis curtains and draperies & surrounding areas, Carmel curtains and draperies & surrounding areas, Zionsville curtains and draperies & surrounding areas Westfield curtains and draperies & surrounding areas, Avon curtains and draperies & surrounding areas, Greenwood curtains and draperies & surrounding areas,

SKP Design has completed a frame up renovation of a 1956 Spartan Imperial Mansion. We combined historic elements, modern elements and industrial touches to reimagine this vintage camper which is now the showroom for our new line of business called Ready To Roll. http://www.skpdesign.com/spartan-imperial-mansion You'll see a spectrum of materials, from high end Lumicor translucent door panels to curtains from Walmart. We invested in commercial LVT wood plank flooring which needs to perform and last 20+ years but saved on decor items that we might want to change in a few years. Other materials include a corrugated galvanized ceiling, stained wall paneling, and a contemporary spacious IKEA kitchen. Vintage finds include an orange chenille bedspread from the Netherlands, an antique typewriter cart from Katydid's in South Haven, a 1950's Westinghouse refrigerator and the original Spartan serial number tag displayed on the wall inside. Photography: Casey Spring

Home design - transitional home design idea in Minneapolis

Redtwig Dogwood / Cornus sericea

Photo: Alexandra Crafton © 2017 Houzz
Eclectic living room photo in Boston

JLC was charged with transforming a 35 year old home which had suffered a remodel or two into a cohesive and modern home. Sustainable design principles were placed at the forefront of the design process alongside functionality and aesthetics. The end result is a roughly 3,000 sf home that is both comfortable and beautiful. The exterior palette is defined by Resysta siding and decking, acrylic stucco, a standing seam metal roof and black aluminum windows and doors. At the interiors white oak and walnut cabinetry throughout bring natural warmth to the clean, white interior. The home achieved LEED Platinum in 2017 and was featured on the San Diego Green Building Council’s 2017 Green Homes Tour. Project website: neuhaus-encinitas.blogspot.com

There are a small number of cities in the world where luxury and lifestyle enthusiasts would aim to live. One of them is Dubai, a realm of high end living, glamour and complexity. Possessing a luxury address in this culturally rich city is for sure a exceptional treat. For those of you who can actually afford one, this penthouse which is Signature Stagers’ end of the year work of art is a very engaging proposal. This penthouse we staged at the start of November 2015 has been lingering on the market for about 2 years prior to our meeting the owner. It is located in the exclusive Dubai Marina district among a few other select buildings and is currently for sale with Verzun on a POA (Price on application) basis due to its unique stature and lifestyle element which removes it from the “square foot” mentality and elevates it from its competition within the same building. The penthouse was renovated prior to staging, and the apartment itself displays a fresh and modern look whilst keeping its classic and initial fit out and design. Although a few key elements of the penthouse’s original architecture were retained, this neo-classical approach we decided on contributed to the dwellings select and sophisticated appeal numerous novel and sharply modern features which are also present around the residence, thus safeguarding its uniqueness and extremely fascinating form. Swaggering 14,000 square feet this splendid home is apposite to a family as much as it is for the traveling executive who desires an exclusive and ultra-private address in Dubai. Enjoying 5 bedrooms all en-suite including a master bedroom with a sunset that decorates the floor to ceiling windows with a purple-orange and that by itself is a deal closer! Photo credit: Mo Younes

The modern kitchen boasts a clean, minimalist aesthetic. The centerpiece is a large white island, its smooth surface gleaming under recessed lighting. Stainless steel appliances flank the back wall, their sleek lines reflecting the light. Dark hardwood floors ground the space, adding warmth and a touch of contrast. Ample storage is hidden within the white cabinets, their clean lines uninterrupted by hardware. While minimalist, the kitchen doesn't lack personality. A cluster of pendant lamps in brushed chrome hangs above the island, casting a warm glow. A pop of color graces the backsplash – perhaps a mosaic tile in shades of blue and green, adding a touch of visual interest. Sunlight streams through the window, highlighting the breakfast bar tucked into one end of the island, perfect for casual meals or catching up with loved ones.

At this residence, the owner wanted a large outdoor living/gathering/party space. An outdoor kitchen with built in grill and granite counter tops rests at the bottom of her screen porch stairs and outside of the basement bar. This patio steps down to a larger living area patio with a grand wood burning fireplace. This space will eventually accommodate a large timber-frame pavilion. A massive water feature starts at the top of the hill near the driveway and winds its way down the slope along the length of the house, ending near the outdoor kitchen patio. The stream is flanked by flowering shrubs and perennials and is bridged by a huge stone slab and stepper path.

There are a small number of cities in the world where luxury and lifestyle enthusiasts would aim to live. One of them is Dubai, a realm of high end living, glamour and complexity. Possessing a luxury address in this culturally rich city is for sure a exceptional treat. For those of you who can actually afford one, this penthouse which is Signature Stagers’ end of the year work of art is a very engaging proposal. This penthouse we staged at the start of November 2015 has been lingering on the market for about 2 years prior to our meeting the owner. It is located in the exclusive Dubai Marina district among a few other select buildings and is currently for sale with Verzun on a POA (Price on application) basis due to its unique stature and lifestyle element which removes it from the “square foot” mentality and elevates it from its competition within the same building. The penthouse was renovated prior to staging, and the apartment itself displays a fresh and modern look whilst keeping its classic and initial fit out and design. Although a few key elements of the penthouse’s original architecture were retained, this neo-classical approach we decided on contributed to the dwellings select and sophisticated appeal numerous novel and sharply modern features which are also present around the residence, thus safeguarding its uniqueness and extremely fascinating form. Swaggering 14,000 square feet this splendid home is apposite to a family as much as it is for the traveling executive who desires an exclusive and ultra-private address in Dubai. Enjoying 5 bedrooms all en-suite including a master bedroom with a sunset that decorates the floor to ceiling windows with a purple-orange and that by itself is a deal closer! Photo credit: Mo Younes

This project is an elegant transformation that takes a dated kitchen and living room and removes all of the heavy visual weight to make way for a clean and crisp collection of spaces that are quintessentially Colorado! This project was not without issue: the initial contractor completely dropped the ball and left the space unfinished and in disrepair. After battling through the process of getting things on track for almost a year, the end result is truly worth it. The kitchen's old oak cabinets were removed and replaced with gorgeous transitional white cabinetry from Waypoint Living Spaces. We created a monochromatic palette that moves the eye through the space using texture and light. The far end of the kitchen is highlighted by a large artisan wood range hood, mini-brick stacked stone backsplash, and gorgeous marble inspired quartz countertops. The floors were refinished to a lighter and brighter hardwood, and new lighting was introduced throughout the home. In the living room, we removed the faux wall treatment on the fireplace and have replaced this with a sparkling white stacked stone. One of our favorite features is the custom shelving and copper-lined wood bin next to the fireplace, along with the hand-hewn mantle from KC Heister. This home is a welcoming winter wonderland that is cheery and cozy at every turn! We love this result and are so happy that our clients finally get to enjoy this for years to come! Thanks so much to Grace Combs for these gorgeous interior shots!

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

Tuscan u-shaped dark wood floor and brown floor kitchen photo in Santa Barbara with an integrated sink, recessed-panel cabinets, white cabinets, multicolored backsplash, ceramic backsplash, stainless steel appliances, an island and gray countertops

This new construction estate by Hanna Homes is prominently situated on Buccaneer Palm Waterway with a fantastic private deep-water dock, spectacular tropical grounds, and every high-end amenity you desire. The impeccably outfitted 9,500+ square foot home features 6 bedroom suites, each with its own private bathroom. The gourmet kitchen, clubroom, and living room are banked with 12′ windows that stream with sunlight and afford fabulous pool and water views. The formal dining room has a designer chandelier and is serviced by a chic glass temperature-controlled wine room. There’s also a private office area and a handsome club room with a fully-equipped custom bar, media lounge, and game space. The second-floor loft living room has a dedicated snack bar and is the perfect spot for winding down and catching up on your favorite shows.⁠⠀ ⁠⠀ The grounds are beautifully designed with tropical and mature landscaping affording great privacy, with unobstructed waterway views. A heated resort-style pool/spa is accented with glass tiles and a beautiful bright deck. A large covered terrace houses a built-in summer kitchen and raised floor with wood tile. The home features 4.5 air-conditioned garages opening to a gated granite paver motor court. This is a remarkable home in Boca Raton’s finest community.⁠⠀

Example of a classic home design design in Cleveland

Ian Roth Studios
Trendy staircase photo in Orlando

This 2250 sq. ft. space soars above New York City's Fifth Avenue overlooking the beautiful Central Park. The owner had an extensive art collection and wanted the rooms to reflect their artistic sensibility and warmth. The furnishings combined their love of modern art with their dreamy nostalgia. Many of the pieces were centered around the owner's love of contemporary furniture, many of which were created by famous furniture designer Mario Bellini. Each room tells a story, one that the owner will continue to tell throughout the years. Featured brands include: Mario Bellini furnishings, Armani Casa, and Flos and Artemide lighting, and Venetian plaster.

JLC was charged with transforming a 35 year old home which had suffered a remodel or two into a cohesive and modern home. Sustainable design principles were placed at the forefront of the design process alongside functionality and aesthetics. The end result is a roughly 3,000 sf home that is both comfortable and beautiful. The exterior palette is defined by Resysta siding and decking, acrylic stucco, a standing seam metal roof and black aluminum windows and doors. At the interiors white oak and walnut cabinetry throughout bring natural warmth to the clean, white interior. The home achieved LEED Platinum in 2017 and was featured on the San Diego Green Building Council’s 2017 Green Homes Tour. Project website: neuhaus-encinitas.blogspot.com