Design ideas for a mid-sized modern partial sun side yard concrete paver walkway in Houston for spring.

Established in 1895 as a warehouse for the spice trade, 481 Washington was built to last. With its 25-inch-thick base and enchanting Beaux Arts facade, this regal structure later housed a thriving Hudson Square printing company. After an impeccable renovation, the magnificent loft building’s original arched windows and exquisite cornice remain a testament to the grandeur of days past. Perfectly anchored between Soho and Tribeca, Spice Warehouse has been converted into 12 spacious full-floor lofts that seamlessly fuse old-world character with modern convenience. Steps from the Hudson River, Spice Warehouse is within walking distance of renowned restaurants, famed art galleries, specialty shops and boutiques. With its golden sunsets and outstanding facilities, this is the ideal destination for those seeking the tranquil pleasures of the Hudson River waterfront. Expansive private floor residences were designed to be both versatile and functional, each with 3- to 4-bedrooms, 3 full baths, and a home office. Several residences enjoy dramatic Hudson River views. This open space has been designed to accommodate a perfect Tribeca city lifestyle for entertaining, relaxing and working. This living room design reflects a tailored “old-world” look, respecting the original features of the Spice Warehouse. With its high ceilings, arched windows, original brick wall and iron columns, this space is a testament of ancient time and old world elegance. The design choices are a combination of neutral, modern finishes such as the Oak natural matte finish floors and white walls, white shaker style kitchen cabinets, combined with a lot of texture found in the brick wall, the iron columns and the various fabrics and furniture pieces finishes used throughout the space and highlighted by a beautiful natural light brought in through a wall of arched windows. The layout is open and flowing to keep the feel of grandeur of the space so each piece and design finish can be admired individually. As soon as you enter, a comfortable Eames lounge chair invites you in, giving her back to a solid brick wall adorned by the “cappuccino” art photography piece by Francis Augustine and surrounded by flowing linen taupe window drapes and a shiny cowhide rug. The cream linen sectional sofa takes center stage, with its sea of textures pillows, giving it character, comfort and uniqueness. The living room combines modern lines such as the Hans Wegner Shell chairs in walnut and black fabric with rustic elements such as this one of a kind Indonesian antique coffee table, giant iron antique wall clock and hand made jute rug which set the old world tone for an exceptional interior. Photography: Francis Augustine

Photo: Whitney Lyons © 2014 Houzz
Example of a classic entryway design in Portland

Inspiration for a timeless kitchen remodel in New York

Mid-sized country kids' gray tile and porcelain tile porcelain tile and gray floor drop-in bathtub photo with shaker cabinets, gray cabinets, a two-piece toilet, beige walls, an undermount sink and quartzite countertops

This custom countertop was made from a tree that I harvested. After a few years of drying time it was ready to go and become something once again. This is called live end and has a coat of polyurethane on it to endure the years of use.

  Free ebook, Creating the Ideal Kitchen. DOWNLOAD NOW   The Klimala’s and their three kids are no strangers to moving, this being their fifth house in the same town over the 20-year period they have lived there. “It must be the 7-year itch, because every seven years, we seem to find ourselves antsy for a new project or a new environment. I think part of it is being a designer, I see my own taste evolve and I want my environment to reflect that. Having easy access to wonderful tradesmen and a knowledge of the process makes it that much easier”. This time, Klimala’s fell in love with a somewhat unlikely candidate. The 1950’s ranch turned cape cod was a bit of a mutt, but it’s location 5 minutes from their design studio and backing up to the high school where their kids can roll out of bed and walk to school, coupled with the charm of its location on a private road and lush landscaping made it an appealing choice for them. “The bones of the house were really charming. It was typical 1,500 square foot ranch that at some point someone added a second floor to. Its sloped roofline and dormered bedrooms gave it some charm.” With the help of architect Maureen McHugh, Klimala’s gutted and reworked the layout to make the house work for them. An open concept kitchen and dining room allows for more frequent casual family dinners and dinner parties that linger. A dingy 3-season room off the back of the original house was insulated, given a vaulted ceiling with skylights and now opens up to the kitchen. This room now houses an 8’ raw edge white oak dining table and functions as an informal dining room. “One of the challenges with these mid-century homes is the 8’ ceilings. I had to have at least one room that had a higher ceiling so that’s how we did it” states Klimala. The kitchen features a 10’ island which houses a 5’0” Galley Sink. The Galley features two faucets, and double tiered rail system to which accessories such as cutting boards and stainless steel bowls can be added for ease of cooking. Across from the large sink is an induction cooktop. “My two teen daughters and I enjoy cooking, and the Galley and induction cooktop make it so easy.” A wall of tall cabinets features a full size refrigerator, freezer, double oven and built in coffeemaker. The area on the opposite end of the kitchen features a pantry with mirrored glass doors and a beverage center below. The rest of the first floor features an entry way, a living room with views to the front yard’s lush landscaping, a family room where the family hangs out to watch TV, a back entry from the garage with a laundry room and mudroom area, one of the home’s four bedrooms and a full bath. There is a double sided fireplace between the family room and living room. The home features pops of color from the living room’s peach grass cloth to purple painted wall in the family room. “I’m definitely a traditionalist at heart but because of the home’s Midcentury roots, I wanted to incorporate some of those elements into the furniture, lighting and accessories which also ended up being really fun. We are not formal people so I wanted a house that my kids would enjoy, have their friends over and feel comfortable.” The second floor houses the master bedroom suite, two of the kids’ bedrooms and a back room nicknamed “the library” because it has turned into a quiet get away area where the girls can study or take a break from the rest of the family. The area was originally unfinished attic, and because the home was short on closet space, this Jack and Jill area off the girls’ bedrooms houses two large walk-in closets and a small sitting area with a makeup vanity. “The girls really wanted to keep the exposed brick of the fireplace that runs up the through the space, so that’s what we did, and I think they feel like they are in their own little loft space in the city when they are up there” says Klimala. Designed by: Susan Klimala, CKD, CBD Photography by: Carlos Vergara For more information on kitchen and bath design ideas go to: www.kitchenstudio-ge.com

A 120 year Victorian home gets a new kitchen with high-end marble, eclectic black and gray checkered floors, to-the-ceiling shaker cabinets, and last but not least a gorgeous AGA range.

A 120 year Victorian home gets a new kitchen with high-end marble, eclectic black and gray checkered floors, to-the-ceiling shaker cabinets, and last but not least a gorgeous AGA range.

A 120 year Victorian home gets a new kitchen with high-end marble, eclectic black and gray checkered floors, to-the-ceiling shaker cabinets, and last but not least a gorgeous AGA range.

The End of the Ultra-Slim Wedding Suit For several years, men’s formalwear was dominated by narrow lapels, short jackets and trousers cut close to the leg. The style created a sharp outline, but it often left little room for sitting, dancing or eating comfortably. Current tailoring is moving towards a more balanced shape, with cleaner shoulders, a defined waist and trousers that follow the leg without gripping it.This change does not mean that wedding suits have become oversized. The newer approach sits between skinny and loose. It keeps the structure expected of formal clothing while allowing the cloth to hang properly. For grooms, that balance is useful during a day that may involve a ceremony, photographs, dinner and several hours on the dance floor. Look For Shape Rather Than Tightness A well-fitted suit should create a clear outline without relying on tension. Collections of Marc Darcy suits include tailored three-piece designs, checks and textured fabrics that suit the current preference for visible structure and considered proportions. The jacket should sit close enough to define the waist, but the front button should fasten without pulling the cloth into an X-shaped crease. At the shoulders, the seam should finish close to the natural shoulder point. Extra width can make the jacket look borrowed, while a shoulder that is too narrow may cause the upper sleeve to collapse. Fit should be assessed while moving as well as standing. Reach forward, sit down and raise both arms. A tailored jacket will never feel like casual sportswear, but it should allow the groom to carry out ordinary movements without sharp restriction across the back or chest. Give The Jacket Enough Length Very short suit jackets became common alongside skinny trousers, but they can disrupt the proportions of a three-piece outfit. If the jacket finishes too high, the waistcoat may appear longer than the outer layer and the trousers may look as though they begin too low. A more traditional jacket length usually covers most of the seat and divides the body more evenly. This can make the legs appear longer without shortening the jacket excessively. The correct length depends on height and body proportions, so two men wearing the same chest size may still need different jacket lengths. View the suit from the back and side rather than relying on a front-facing mirror. The vents should lie flat, and the hem should not lift away from the body. A side photograph can reveal an unbalanced jacket more clearly than the changing-room mirror. Choose Trousers That Fall Cleanly The move away from very tight tailoring is most noticeable in suit trousers. A modern tailored leg can still be neat at the ankle, but it should provide enough room through the seat and thigh for the fabric to fall without horizontal lines. Trouser pockets offer a useful fit check. If they pull open while standing, the waist or hips may be too tight. The fly should lie flat, and the waistband should remain in place without depending on an overtightened belt. Higher-rise trousers can work particularly well with a waistcoat because they reduce the chance of shirt fabric appearing between the two pieces. The hem should make gentle contact with the shoe rather than gathering heavily around it. A short hem can work with narrow trousers but taking it too far may make the suit look dated once the current cropped style moves on. A slight break is easier to wear with different formal shoes and tends to look balanced in full-length wedding photographs. Let The Waistcoat Support the Silhouette A waistcoat adds structure through the centre of the outfit, but only when it fits correctly. It should lie flat against the shirt and cover the trouser waistband. Tightening the back strap cannot correct a waistcoat that is the wrong size or too short. Current three-piece styling often places greater emphasis on the waistcoat. Double-breasted designs, contrasting fabrics and wider openings can distinguish the groom without requiring a brightly coloured jacket. When the groom removes the jacket later, the waistcoat keeps the outfit looking complete. Allow room for a full meal and several hours of wear. A waistcoat that feels acceptably close during a brief fitting may become uncomfortable at dinner. Sit down with every button fastened and check whether the lower edge presses into the waist or causes the front to bow. Use Stronger Lapels Carefully Wider notch and peak lapels are returning after years of extremely narrow designs. A broader lapel can frame the shirt and tie, balance the shoulders and give the jacket a more formal character. Peak lapels create a particularly strong line on double-breasted jackets and evening suits. The lapel width should still suit the wearer. A very broad lapel can overwhelm a smaller frame, while an extremely narrow one may look out of proportion on a broad chest. The shirt collar, tie width and lapel should relate to one another without matching exactly. A wider lapel also leaves less need for decorative extras. A simple buttonhole flower or plain pocket square may be enough. Large lapel pins can crowd the upper part of the jacket, especially when the cloth already contains a check. Avoid Buying According to the Size Label Alone The same labelled size can fit differently across designs because cut, fabric and construction affect the garment. Begin with accurate chest, waist, inside-leg and approximate jacket-length measurements. Compare those figures with the retailer’s size information rather than ordering the size worn in another brand without checking. If the jacket fits at the shoulders but needs slight shaping through the waist, a tailor can often make the adjustment. Sleeves and trouser hems are also commonly altered. Major changes to the shoulder line or jacket length are more difficult and may not be economical. Do not choose the smallest size that can be fastened. A suit that looks tight in the fitting room is unlikely to become more comfortable during a long wedding day. Cloth should skim the body and return to a clean position after movement. Balance a checked suit with simple styling Texture and checks remain popular in wedding tailoring, particularly for country houses, converted barns and traditional venues. These fabrics already add depth to the outfit, so the cut should remain controlled and the accessories relatively quiet. A plain white, pale blue or cream shirt gives a checked suit a clear foundation. Choose a tie from one of the secondary colours in the cloth rather than introducing another strong pattern. A white pocket square works when the suit contains several shades and does not need further decoration. Shoes should support the proportions of the trousers. A very slim shoe may appear too small beneath a fuller hem, while a heavy casual sole can pull attention away from the tailoring. Oxfords, Derbies and refined brogues usually provide enough visual weight without looking bulky. Coordinate the wedding party without forcing one fit Matching groomsmen suits can become difficult when every member of the party has a different build. Insisting on an identical close fit may leave some men comfortable and others visibly restricted. A better approach is to keep the cloth, colour and main design consistent while adjusting jacket and trouser sizes for each person. The groom can stand apart through a waistcoat, lapel shape or accessory rather than wearing a suit cut much tighter than everyone else. This creates a connection across the group without treating one silhouette as suitable for every body. Arrange fittings early enough to identify size and alteration issues. Group orders should be checked well before the wedding, particularly when trousers need hemming or jackets require sleeve adjustments. Each person should try the complete outfit with the intended shirt and shoes. Judge the suit by the whole day A wedding fitting often lasts less than half an hour, while the suit may be worn for twelve hours or more. Comfort should therefore be tested under realistic conditions. Sit for several minutes, walk upstairs and check the waistband after moving around. Pay attention to the parts that cannot be seen clearly in a mirror. The collar should remain close to the shirt at the back of the neck. Jacket vents should not pull apart, and the trouser seat should follow the body without sagging or strain. The current move towards balanced tailoring gives grooms more room to choose clothes that look formal without feeling restrictive. Clean shoulders, a shaped jacket and trousers with a natural fall will outlast extreme proportions. A suit that allows the groom to stand, sit and celebrate comfortably is also more likely to look composed in photographs taken throughout the day.

A 120 year Victorian home gets a new kitchen with high-end marble, eclectic black and gray checkered floors, to-the-ceiling shaker cabinets, and last but not least a gorgeous AGA range.

A 120 year Victorian home gets a new kitchen with high-end marble, eclectic black and gray checkered floors, to-the-ceiling shaker cabinets, and last but not least a gorgeous AGA range.

A 120 year Victorian home gets a new kitchen with high-end marble, eclectic black and gray checkered floors, to-the-ceiling shaker cabinets, and last but not least a gorgeous AGA range.

A 120 year Victorian home gets a new kitchen with high-end marble, eclectic black and gray checkered floors, to-the-ceiling shaker cabinets, and last but not least a gorgeous AGA range.

A 120 year Victorian home gets a new kitchen with high-end marble, eclectic black and gray checkered floors, to-the-ceiling shaker cabinets, and last but not least a gorgeous AGA range.

Lindsay Chambers Design, Roger Davies Photography
Freestanding bathtub - mid-sized transitional master white tile and marble tile freestanding bathtub idea in Los Angeles with shaker cabinets, purple cabinets, a two-piece toilet, an undermount sink, marble countertops and a hinged shower door

5,411 SF two story home in the Encino Hills overlooking Los Angeles. This home features an attached two-car garage, 4 Bedrooms, 5 1/2 Baths, 2 Offices, Foyer, Gallery, Gym, Great Room, Den, Dining, Kitchen, Morning Room, Mud Room, Laundry, Loggia, Jacuzzi, and a pool with a gorgeous view overlooking Los Angeles. Walls of glass, natural stone surfaces featuring Porcelanosa tile, high ceilings, and sweeping vistas fuse the home's indoor and outdoor environments. The outdoor space features a fire pit, Jacuzzi, and swimming pool; the extensive use of windows not only brings the view inside but maximizes the use of natural light. Photovoltaic panels supply power to the home and pool and dramatically reduce energy consumption year round. Tankless water heaters, bamboo cabinetry and flooring, and tight high quality insulation further reduce the environmental footprint of the home and make it more sustainable...this home is also featured in FIND BLISS and LUXE Magazine. Eco Friendly and Green Home. Photo by: Latham Architectural

A small 2nd floor laundry room was added to this 1910 home during a master suite addition. The linen closet (see painted white doors left) was double sided (peninsula tall pantry cabinet) to the master suite bathroom for ease of folding and storing bathroom towels. Stacked metal shelves held a laundry basket for each member of the household. A custom tile shower pan was installed to catch any potential leaks or plumbing issues that may occur down the road....and prevent ceiling damage in rooms beneath. The shelf above holds a steam generator for the walk in shower in the adjacent master bathroom.