Erica George Dines
Transitional brown floor sunroom photo in Atlanta with a standard ceiling

With adjacent neighbors within a fairly dense section of Paradise Valley, Arizona, C.P. Drewett sought to provide a tranquil retreat for a new-to-the-Valley surgeon and his family who were seeking the modernism they loved though had never lived in. With a goal of consuming all possible site lines and views while maintaining autonomy, a portion of the house — including the entry, office, and master bedroom wing — is subterranean. This subterranean nature of the home provides interior grandeur for guests but offers a welcoming and humble approach, fully satisfying the clients requests. While the lot has an east-west orientation, the home was designed to capture mainly north and south light which is more desirable and soothing. The architecture’s interior loftiness is created with overlapping, undulating planes of plaster, glass, and steel. The woven nature of horizontal planes throughout the living spaces provides an uplifting sense, inviting a symphony of light to enter the space. The more voluminous public spaces are comprised of stone-clad massing elements which convert into a desert pavilion embracing the outdoor spaces. Every room opens to exterior spaces providing a dramatic embrace of home to natural environment. Grand Award winner for Best Interior Design of a Custom Home The material palette began with a rich, tonal, large-format Quartzite stone cladding. The stone’s tones gaveforth the rest of the material palette including a champagne-colored metal fascia, a tonal stucco system, and ceilings clad with hemlock, a tight-grained but softer wood that was tonally perfect with the rest of the materials. The interior case goods and wood-wrapped openings further contribute to the tonal harmony of architecture and materials. Grand Award Winner for Best Indoor Outdoor Lifestyle for a Home This award-winning project was recognized at the 2020 Gold Nugget Awards with two Grand Awards, one for Best Indoor/Outdoor Lifestyle for a Home, and another for Best Interior Design of a One of a Kind or Custom Home. At the 2020 Design Excellence Awards and Gala presented by ASID AZ North, Ownby Design received five awards for Tonal Harmony. The project was recognized for 1st place – Bathroom; 3rd place – Furniture; 1st place – Kitchen; 1st place – Outdoor Living; and 2nd place – Residence over 6,000 square ft. Congratulations to Claire Ownby, Kalysha Manzo, and the entire Ownby Design team. Tonal Harmony was also featured on the cover of the July/August 2020 issue of Luxe Interiors + Design and received a 14-page editorial feature entitled “A Place in the Sun” within the magazine.

Lower Level Sitting Room off the bedroom with silver grey limestone at varying lengths & widths (existing fireplace location), slepper sofa & wall mount swivel sconces. Glen Delman Photography www.glendelman.com

Yorgos Efthymiadis
Family room - coastal carpeted family room idea in New York with white walls and a wall-mounted tv

photo by Michael J. Lee
Example of a classic formal living room design in Boston with gray walls

Sara Essex photo credits.
Living room - traditional formal medium tone wood floor living room idea in New Orleans with white walls, a standard fireplace and a tile fireplace

Transitional/Coastal designed family room space. With custom white linen slipcover sofa in the L-Shape. How gorgeous are these custom Thibaut pattern X-benches along with the navy linen oversize custom tufted ottoman. Lets not forget these custom pillows all to bring in the Coastal vibes our client wished for. Designed by DLT Interiors-Debbie Travin

Example of a large tuscan master multicolored tile and ceramic tile ceramic tile and multicolored floor bathroom design in Other with a hinged shower door and a one-piece toilet

Although originally intended as an outdoor piece, the bench is at home in the couple's living room. Porter found the bench at High Point and adorned it with custom pillows. This simplicity of design defines a new direction for the Bryan home, proving that minimal decor needn't mean cool and austere. Draperies, Pottery Barn; Pillow Fabrics: Duralee Photo: Adrienne DeRosa © Houzz 2014

Photography by Jimi Smith / "Jimi Smith Photography"
Inspiration for a mid-sized transitional backyard patio remodel in Dallas with a fire pit, decking and a pergola

When approaching this spacious family home, it was crucial that we create spaces that brought the outdoors in. Marrying the husband’s organic sensibilities with the wife’s penchant for all things glam, Cool Gray is a modern family home perfect for intimate gatherings and relaxed family nights. Statement features include bespoke Trove wallpaper and a one-of-a-kind Swarovski crystal tree branch chandelier.

Rebecca McAlpin
Inspiration for a transitional living room remodel in New York with a standard fireplace

Michael Partenio
Beach style light wood floor foyer photo in Boston with white walls

Mid-sized trendy open concept medium tone wood floor and brown floor living room photo in Seattle with white walls, a tile fireplace, no tv and a ribbon fireplace

This project presented unique opportunities that are not often found in residential landscaping. The homeowners were not only restoring their 1840's era farmhouse, a piece of their family’s history, but also enlarging and updating the home for modern living. The landscape designers continued this idea by creating a space that is a modern day interpretation of an 1840s era farm rather then a strict recreation. The resulting design combines elements of farm living from that time, as well as acknowledging the property’s history as a horse farm, with staples of 21st century landscapes such as space for outdoor living, lighting, and newer plant varieties. Guests approach from the main driveway which winds through the property and ends at the main barn. There is secondary gated driveway just for the homeowners. Connected to this main driveway is a narrower gravel lane which leads directly to the residence. The lane passes near fruit trees planted in broken rows to give the illusion that they are the remains of an orchard that once existed on the site. The lane widens at the entrance to the gardens where there is a hitching post built into the fence that surrounds the gardens and a watering trough. The widened section is intended as a place to park a golf cart or, in a nod to the home’s past, tie up horses before entering. The gravel lane passes between two stone pillars and then ends at a square gravel court edged in cobblestones. The gravel court transitions into a wide flagstone walk bordered with yew hedges and lavender leading to the front door. Directly to the right, upon entering the gravel court, is located a gravel and cobblestone edged walk leading to a secondary entrance into the residence. The walk is gated where it connects with the gravel court to close it off so as not to confuse visitors and guests to the main residence and to emphasize the primary entrance. An area for a bench is provided along this walk to encourage stopping to view and enjoy the gardens. On either side of the front door, gravel and cobblestone walks branch off into the garden spaces. The one on the right leads to a flagstone with cobblestone border patio space. Since the home has no designated backyard like most modern suburban homes the outdoor living space had to be placed in what would traditionally be thought of as the front of the house. The patio is separated from the entrance walk by the yew hedge and further enclosed by three Amelanchiers and a variety of plantings including modern cultivars of old fashioned plants such as Itea and Hydrangea. A third entrance, the original front door to the 1840’s era section, connects to the patio from the home’s kitchen, making the space ideal for outdoor dining. The gravel and cobblestone walk branching off to the left of the front door leads to the vegetable and perennial gardens. The idea for the vegetable garden was to recreate the tradition of a kitchen garden which would have been planted close to the residence for easy access. The vegetable garden is surrounded by mixed perennial beds along the inside of the wood picket fence which surrounds the entire garden space. Another area designated for a bench is provided here to encourage stopping and viewing. The home’s original smokehouse, completely restored and used as a garden shed, provides a strong architectural focal point to the vegetable garden. Behind the smokehouse is planted lilacs and other plants to give mass and balance to the corner and help screen the garden from the neighboring subdivision. At the rear corner of the garden a wood arbor was constructed to provide a structure on which to grow grapes or other vines should the homeowners choose to. The landscape and gardens for this restored farmhouse and property are a thoughtfully designed and planned recreation of a historic landscape reinterpreted for modern living. The idea was to give a sense of timelessness when walking through the gardens as if they had been there for years but had possibly been updated and rejuvenated as lifestyles changed. The attention to materials and craftsmanship blend seamlessly with the residence and insure the gardens and landscape remain an integral part of the property. The farm has been in the homeowner’s family for many years and they are thrilled at the results and happy to see respect given to the home’s history and to its meticulous restoration.

Jessica Delaney http://www.jessicadelaneyphotography.com/

Sid Levin Revolution Design Build
Inspiration for a large timeless porcelain tile entryway remodel in Minneapolis with beige walls and a white front door

Inspiration for a large coastal two-story concrete fiberboard exterior home remodel in San Diego

“People tend to want to place their sofas right against the wall,” Lovett says. “I always try to float the sofa a bit and give the sofa some breathing room. Here, we didn’t have floor outlets or any eye-level lighting. Incorporating table lamps allows for mood lighting and ambiance. We placed a console behind the sofa to bring in large-scale lamps, which also helped fill in the negative space between the sofa and the bottom of the windows.” Photography: Amy Bartlam