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Pleasant Heights is a newly constructed home that sits atop a large bluff in Chatham overlooking Pleasant Bay, the largest salt water estuary on Cape Cod.
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Two classic shingle style gambrel roofs run perpendicular to the main body of the house and flank an entry porch with two stout, robust columns. A hip-roofed dormer—with an arch-top center window and two tiny side windows—highlights the center above the porch and caps off the orderly but not too formal entry area. A third gambrel defines the garage that is set off to one side. A continuous flared roof overhang brings down the scale and helps shade the first-floor windows. Sinuous lines created by arches and brackets balance the linear geometry of the main mass of the house and are playful and fun. A broad back porch provides a covered transition from house to landscape and frames sweeping views.
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Inside, a grand entry hall with a curved stair and balcony above sets up entry to a sequence of spaces that stretch out parallel to the shoreline. Living, dining, kitchen, breakfast nook, study, screened-in porch, all bedrooms and some bathrooms take in the spectacular bay view. A rustic brick and stone fireplace warms the living room and recalls the finely detailed chimney that anchors the west end of the house outside.
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PSD Scope Of Work: Architecture, Landscape Architecture, Construction |
Living Space: 6,883ft² |
Photography: Brian Vanden Brink |

Our homeowner had dreamt about one day redoing her beyond outdated kitchen since they day her husband carried her over the threshold. Vinyl flooring used for a backsplash, dingy carpeting, laminate with no sheen left to speak of and mismatched cabinetry…. it was time to make it happen. A year’s worth of planning later, her time capsule became one dreamy kitchen.
Functionality reigns supreme in this small, but efficient kitchen where every cabinet has a story to tell and a place to store it. Countertop space to the right of the stove was an added necessity for function and safety. The raised snack bar is perfect for day to day meals and the lowered countertop was a must for this petite baker. A new lighting plan includes recessed lights, under-cabinet and accent lights, while new lighting fixtures reflect the client’s sense of style. Dingy brick patterned carpet was removed making way for new hardwood floors toothed in from the dining room.
An airy palette gained some weight with the use of larger details; the oversized hood, beefy turned posts, prominent apron front sink and a grouping of tall cabinets on the refrigerator wall. Glass cabinet fronts, shiny beveled subway tile, and granite countertops allow light to dance around the space.
Zachary Seib Photography

Balanced shade, dappled sunlight, and tree canopy views are the basis of the 518 Sacramento Drive house design. The entry is on center with the lot’s primary Live Oak tree, and each interior space has a unique relationship to this central element.
Composed of crisply-detailed, considered materials, surfaces and finishes, the home is a balance of sophistication and restraint. The two-story massing is designed to allow for a bold yet humble street presence, while each single-story wing extends through the site, forming intimate outdoor and indoor spaces.
Photo: Brian Mihealsick
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We’ve carefully crafted every inch of this home to bring you something never before seen in this area! Modern front sidewalk and landscape design leads to the architectural stone and cedar front elevation, featuring a contemporary exterior light package, black commercial 9’ window package and 8 foot Art Deco, mahogany door. Additional features found throughout include a two-story foyer that showcases the horizontal metal railings of the oak staircase, powder room with a floating sink and wall-mounted gold faucet and great room with a 10’ ceiling, modern, linear fireplace and 18’ floating hearth, kitchen with extra-thick, double quartz island, full-overlay cabinets with 4 upper horizontal glass-front cabinets, premium Electrolux appliances with convection microwave and 6-burner gas range, a beverage center with floating upper shelves and wine fridge, first-floor owner’s suite with washer/dryer hookup, en-suite with glass, luxury shower, rain can and body sprays, LED back lit mirrors, transom windows, 16’ x 18’ loft, 2nd floor laundry, tankless water heater and uber-modern chandeliers and decorative lighting. Rear yard is fenced and has a storage shed.

Our clients came to us wanting to maximize the space they had. They were not planning on moving anytime soon, as they loved their neighborhood. They wanted to renovate the front of their house, which included the front atrium, living room, kitchen, and powder bath. They hated their kitchen because it was completely closed off, had low ceilings, was dark and outdated, not to mention the floors were different in each of these rooms! The pantry was in the breakfast area and the kitchen table became a junk catcher, being the first thing you see when coming in from the garage/laundry room. In their living room, they wanted the spaces on either side of the fireplace to be symmetrical, whether that be bookshelves, a wet bar or closed off. Both parents are working professionals with no time and/or desire to design, create and figure this out on their own. They needed help figuring out how to reconfigure their current space in order to maximize what they already had, as they could not see an obvious solution. They could not envision how it would look so the fact that our designers were able to show them their new kitchen in 3D was pertinent.
We removed the pass-through windows that surrounded the atrium and front dining room, as well as the entire kitchen wall, completely opening up those two rooms. We removed a hall that used to lead between the kitchen and the living room since it was a complete waste of space! The ceilings were raised to 10’ in the kitchen and we were able to leave the skylight, letting in that natural light they wanted. We were able to give them a much larger pantry with tons of shelving and increase the size of their laundry room by utilizing the space of their old breakfast nook.
We relocated the door to the garage into their new elongated laundry room, built a wet bar across from their new larger pantry (with a pocket door) and the flow and functionality of these new spaces is just perfect! All new Waypoint cabinets were installed one two main kitchen surrounding walls painted Linen. Calacatta Bianco Polished Porcelain Tile 4x12 was used for the backsplash. A large eat-at island was installed, painted Stone, where the family can now gather for homework, meals, and mingling. The soft champagne bronze hardware and accent lighting really give this white and gray kitchen a soft classic look.
In the living room, we removed the built-in bookshelves to the left of the fireplace and closed off the wet-bar on the other side, giving them more space in their master suite. White Oak wood flooring, stained Putney, was installed throughout the entire new space, giving it the continuity they were looking for.
In the guest bathroom, Carrara white herringbone marble mosaic 12x12 tile was used on the shower floor and niche, while basic marble Bianco polished 12x24 porcelain tile was used on the walls. Luxart polished chrome traditional hardware gives this timeless bathroom the perfect shine.
Our clients are so happy with the new functionality and look of their space. It has definitely changed their lives in a way they could have never imagined!

Having a small child, loving to entertain and looking to declutter and kid-proof the gathering spaces of their home in the quaint village of Rockville Centre, Long Island, a stone’s throw from Manhattan, our client’s main objective was to have their living room and den transformed with a family friendly home makeover with mid-century modern tones boasting a formal, yet relaxed spirit
Stepping into the home we found their living room and den both architecturally well appointed yet in need of modern transitional furniture pieces and the pops of color our clients admired, as there was a substantial amount of cool, cold grays in the rooms.
Decor Aid designer Vivian C. approached the design and placement of the pieces sourced to be kid-friendly while remaining sophisticated and practical for entertaining.
“We played off of the clients love for blush pinks, mid-century modern and turquoise. We played with the use of gold and silver metals to mix it up.”
In the living room, we used the prominent bay window and its illuminating natural light as the main architectural focal point, while the fireplace and mantels soft white tone helped inform the minimalist color palette for which we styled the room around.
To add warmth to the living room we played off of the clients love for blush pinks and turquoise while elevating the room with flashes of gold and silver metallic pieces. For a sense of play and to tie the space together we punctuated the kid-friendly living room with an eclectic juxtaposition of colors and materials, from a beautifully patchworked geometric cowhide rug from All Modern, to a whimsical mirror placed over an unexpected, bold geometric credenza, to the blush velvet barrel chair and abstract blue watercolor pillows.
“When sourcing furniture and objects, we chose items that had rounded edges and were shatter proof as it was vital to keep each room’s decor childproof.” Vivian ads.
Their vision for the den remained chic, with comfort and practical functionality key to create an area for the young family to come together.
For the den, our main challenge was working around the pre-existing dark gray sectional sofa. To combat its chunkiness, we played off of the hues in the cubist framed prints placed above and focused on blue and orange accents which complement and play off of each other well. We selected orange storage ottomans in easy to clean, kid-friendly leather to maximize space and functionality. To personalize the appeal of the den we included black and white framed family photos. In the end, the result created a fun, relaxed space where our clients can enjoy family moments or watch a game while taking in the scenic view of their backyard.
For harmony between the rooms, the overall tone for each room is mid-century modern meets bold, yet classic contemporary through the use of mixed materials and fabrications including marble, stone, metals and plush velvet, creating a cozy yet sophisticated enough atmosphere for entertaining family and friends and raising a young children.
“The result od this family friendly room was really fantastic! Adding some greenery, more pillows and throws really made the space pop.” Vivian C. Decor Aid’s Designer

Once a sunken living room closed off from the kitchen, we aimed to change the awkward accessibility of the space into an open and easily functional space that is cohesive. To open up the space even further, we designed a blackened steel structure with mirrorpane glass to reflect light and enlarge the room. Within the structure lives a previously existing lava rock wall. We painted this wall in glitter gold and enhanced the gold luster with built-in backlit LEDs.
Centered within the steel framing is a TV, which has the ability to be hidden when the mirrorpane doors are closed. The adjacent staircase wall is cladded with a large format white casework grid and seamlessly houses the wine refrigerator. The clean lines create a simplistic ornate design as a fresh backdrop for the repurposed crystal chandelier.
Nothing short of bold sophistication, this kitchen overflows with playful elegance — from the gold accents to the glistening crystal chandelier above the island. We took advantage of the large window above the 7’ galley workstation to bring in a great deal of natural light and a beautiful view of the backyard.
In a kitchen full of light and symmetrical elements, on the end of the island we incorporated an asymmetrical focal point finished in a dark slate. This four drawer piece is wrapped in safari brasilica wood that purposefully carries the warmth of the floor up and around the end piece to ground the space further. The wow factor of this kitchen is the geometric glossy gold tiles of the hood creating a glamourous accent against a marble backsplash above the cooktop.
This kitchen is not only classically striking but also highly functional. The versatile wall, opposite of the galley sink, includes an integrated refrigerator, freezer, steam oven, convection oven, two appliance garages, and tall cabinetry for pantry items. The kitchen’s layout of appliances creates a fluid circular flow in the kitchen. Across from the kitchen stands a slate gray wine hutch incorporated into the wall. The doors and drawers have a gilded diamond mesh in the center panels. This mesh ties in the golden accents around the kitchens décor and allows you to have a peek inside the hutch when the interior lights are on for a soft glow creating a beautiful transition into the living room. Between the warm tones of light flooring and the light whites and blues of the cabinetry, the kitchen is well-balanced with a bright and airy atmosphere.
The powder room for this home is gilded with glamor. The rich tones of the walnut wood vanity come forth midst the cool hues of the marble countertops and backdrops. Keeping the walls light, the ornate framed mirror pops within the space. We brought this mirror into the place from another room within the home to balance the window alongside it. The star of this powder room is the repurposed golden swan faucet extending from the marble countertop. We places a facet patterned glass vessel to create a transparent complement adjacent to the gold swan faucet. In front of the window hangs an asymmetrical pendant light with a sculptural glass form that does not compete with the mirror.

Catherine Nguyen. Neill & Lee Contractors. Closet converted to a powder room.
Trendy powder room photo in San Francisco with a wall-mount sink
Trendy powder room photo in San Francisco with a wall-mount sink

This project presented unique opportunities that are not often found in residential landscaping. The homeowners were not only restoring their 1840's era farmhouse, a piece of their family’s history, but also enlarging and updating the home for modern living. The landscape designers continued this idea by creating a space that is a modern day interpretation of an 1840s era farm rather then a strict recreation. The resulting design combines elements of farm living from that time, as well as acknowledging the property’s history as a horse farm, with staples of 21st century landscapes such as space for outdoor living, lighting, and newer plant varieties.
Guests approach from the main driveway which winds through the property and ends at the main barn. There is secondary gated driveway just for the homeowners. Connected to this main driveway is a narrower gravel lane which leads directly to the residence. The lane passes near fruit trees planted in broken rows to give the illusion that they are the remains of an orchard that once existed on the site. The lane widens at the entrance to the gardens where there is a hitching post built into the fence that surrounds the gardens and a watering trough. The widened section is intended as a place to park a golf cart or, in a nod to the home’s past, tie up horses before entering. The gravel lane passes between two stone pillars and then ends at a square gravel court edged in cobblestones. The gravel court transitions into a wide flagstone walk bordered with yew hedges and lavender leading to the front door.
Directly to the right, upon entering the gravel court, is located a gravel and cobblestone edged walk leading to a secondary entrance into the residence. The walk is gated where it connects with the gravel court to close it off so as not to confuse visitors and guests to the main residence and to emphasize the primary entrance. An area for a bench is provided along this walk to encourage stopping to view and enjoy the gardens.
On either side of the front door, gravel and cobblestone walks branch off into the garden spaces. The one on the right leads to a flagstone with cobblestone border patio space. Since the home has no designated backyard like most modern suburban homes the outdoor living space had to be placed in what would traditionally be thought of as the front of the house. The patio is separated from the entrance walk by the yew hedge and further enclosed by three Amelanchiers and a variety of plantings including modern cultivars of old fashioned plants such as Itea and Hydrangea. A third entrance, the original front door to the 1840’s era section, connects to the patio from the home’s kitchen, making the space ideal for outdoor dining.
The gravel and cobblestone walk branching off to the left of the front door leads to the vegetable and perennial gardens. The idea for the vegetable garden was to recreate the tradition of a kitchen garden which would have been planted close to the residence for easy access. The vegetable garden is surrounded by mixed perennial beds along the inside of the wood picket fence which surrounds the entire garden space. Another area designated for a bench is provided here to encourage stopping and viewing. The home’s original smokehouse, completely restored and used as a garden shed, provides a strong architectural focal point to the vegetable garden. Behind the smokehouse is planted lilacs and other plants to give mass and balance to the corner and help screen the garden from the neighboring subdivision. At the rear corner of the garden a wood arbor was constructed to provide a structure on which to grow grapes or other vines should the homeowners choose to.
The landscape and gardens for this restored farmhouse and property are a thoughtfully designed and planned recreation of a historic landscape reinterpreted for modern living. The idea was to give a sense of timelessness when walking through the gardens as if they had been there for years but had possibly been updated and rejuvenated as lifestyles changed. The attention to materials and craftsmanship blend seamlessly with the residence and insure the gardens and landscape remain an integral part of the property. The farm has been in the homeowner’s family for many years and they are thrilled at the results and happy to see respect given to the home’s history and to its meticulous restoration.

Morning routines shouldn’t involve a traffic jam at the sink. The 2025 Houzz Bathroom Trends Study found that 65 percent of U.S. renovators now choose a double-sink vanity to skip the wait. Designers agree: Titan Builders dubbed 2025 “the year of bigger, storage-packed double vanities,” forecasting dual-basin setups in family, guest, and even powder baths. As KBIS 2025 launches land, prototypes for 2026 layer in spa-grade wood, built-in outlets, and planet-friendly finishes. In this guide, we rank six standout models and show you how to size, install, and enjoy a clutter-free, two-sink future.
Methodology and selection criteria
A well-planned double-sink vanity keeps busy morning routines calm and clutter-free.
Before we crowned any winners, we mapped the entire 2024–2026 double-sink (dual-basin) market. That meant parsing KBIS exhibitor releases, scraping bestseller lists from Home Depot, Lowe’s, and Wayfair, and reviewing designer short lists in trade magazines. The sweep produced 110 candidate vanities, giving us visibility into every style, price tier, and material in play.
We then scored each model against six weighted factors that continue to matter long after installers leave:
- Build quality – 25 percent.Solid hardwood frames, dovetail drawers, and furniture-grade plywood backs, never particleboard in disguise.
- Design versatility – 20 percent.Lines and finishes that suit modern, classic, or farmhouse baths without dating quickly.
- Sustainability – 15 percent.FSC-certified wood, CARB 2 compliance, and low-VOC finishes for healthier air.
- Storage efficiency – 15 percent.Deep drawers, tilt-outs, or power cubbies that corral countertop clutter.
- Value for money – 15 percent.Fair street price for the materials, stone tops, sinks, and soft-close hardware included.
- Brand reputation and warranty – 10 percent.Manufacturers with responsive support and at least a one-year parts guarantee.
- Footprint: 72 W × 22 D × 36 H in. (183 × 56 × 91 cm)
- Crated weight: 506 lb / 230 kg
- Street price: about $2,575 with marble top and basins, Q4 2025
- Footprint: 48 W × 22 D in. (122 × 56 cm)
- Height: 34.8 in. (88 cm) with backsplash
- Sliding barn door plus 3 drawers
- Pre-drilled 8-in. faucet spacing, sinks included
- Footprint: 60 W × 21 D × 34 H in. (152 × 53 × 86 cm)
- Integrated power: 4 AC + 2 USB, UL-listed
- Crated weight: 300 lb / 136 kg
- Street price: about $2,349 at Home Depot, Q4 2025
- Footprint: 72 W × 22 D in. (183 × 56 cm)
- Height: 34 in. (86 cm) plus 4 in. backsplash
- Counter: 1 in. Carrara marble, apron-front sinks included
- Hardware: oil-rubbed bronze, soft-close doors and drawers
- Footprint: 60 W × 22 D × 34 H in. (152 × 56 × 86 cm)
- Construction: solid poplar and plywood, waterfall quartz top
- Integrated slim power bank, soft-close doors and drawers
- Target price: just under $2,300 with top and basins

This landmarked brownstone on Prospect Park West already had extraordinary bones—and the rare advantage of windows on three sides. That natural light allowed us to rethink the traditional parlor-floor layout into something more open, connected, and reflective of the way the family lives today, while still honoring the building’s historic character.
The original sequence—a front parlor, a formal dining room in the center, and a closed-off kitchen at the rear—was replaced with a single, flowing main level anchored by a generous slate-blue kitchen. The cabinetry forms a C-shaped configuration that maximizes storage, creates a natural dining zone, and maintains easy circulation to the backyard through the existing glass French door. A full-height marble backsplash with brass inlay adds subtle drama, extending to the ceiling around the windows, and a built-in desk niche creates a casual workspace that feels fully integrated into the design.
Because storage was a priority, the kitchen includes multiple pantry cabinets and deep pull-outs to keep daily life efficient and uncluttered.
The living room now occupies the center of the plan, serving as a shared hub between the kitchen and the front of the home. Just inside the entry, we designed a custom reading nook framed by floor-to-ceiling bookcases with integrated bench seating—an intentional space for the couple and their teenage daughter, who value reading and wanted their books to be both displayed and actively used.
The entry itself was also reimagined. Now separated from the main living space by a wall and door, it functions as a true vestibule with a built-in storage wall for coats and shoes. Tucked beside it is a playful powder room featuring a green vanity, floral wallpaper, and a grey-and-white mosaic tile floor—continued throughout the entry to visually tie the front of the house together and add a moment of personality within the historic shell.
The result is a garden level that remains rooted in its 19th-century architecture but fully supports modern life—light-filled, functional, and thoughtfully layered.

Modern home front entry features a voice over Internet Protocol Intercom Device to interface with the home's Crestron control system for voice communication at both the front door and gate.
Signature Estate featuring modern, warm, and clean-line design, with total custom details and finishes. The front includes a serene and impressive atrium foyer with two-story floor to ceiling glass walls and multi-level fire/water fountains on either side of the grand bronze aluminum pivot entry door. Elegant extra-large 47'' imported white porcelain tile runs seamlessly to the rear exterior pool deck, and a dark stained oak wood is found on the stairway treads and second floor. The great room has an incredible Neolith onyx wall and see-through linear gas fireplace and is appointed perfectly for views of the zero edge pool and waterway. The center spine stainless steel staircase has a smoked glass railing and wood handrail.
Photo courtesy Royal Palm Properties

This lovely little modern farmhouse is located at the base of the foothills in one of Boulder’s most prized neighborhoods. Tucked onto a challenging narrow lot, this inviting and sustainably designed 2400 sf., 4 bedroom home lives much larger than its compact form. The open floor plan and vaulted ceilings of the Great room, kitchen and dining room lead to a beautiful covered back patio and lush, private back yard. These rooms are flooded with natural light and blend a warm Colorado material palette and heavy timber accents with a modern sensibility. A lyrical open-riser steel and wood stair floats above the baby grand in the center of the home and takes you to three bedrooms on the second floor. The Master has a covered balcony with exposed beamwork & warm Beetle-kill pine soffits, framing their million-dollar view of the Flatirons.
Its simple and familiar style is a modern twist on a classic farmhouse vernacular. The stone, Hardie board siding and standing seam metal roofing create a resilient and low-maintenance shell. The alley-loaded home has a solar-panel covered garage that was custom designed for the family’s active & athletic lifestyle (aka “lots of toys”). The front yard is a local food & water-wise Master-class, with beautiful rain-chains delivering roof run-off straight to the family garden.

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Plain City, OH
Kuhns Contracting, Inc.
Central Ohio's Trusted Home Remodeler Specializing in Kitchens & Baths

The homeowners enjoy a wonderful view from the front porch. The front yard is heavily shaded by large trees, eliminating turf as an option. Instead, we situated a pergola in the center of the space, with a flagstone path providing easy access. This encourages movement through the space and helps to bring the landscape into scale with the property.
Photo by www.crewsphotography.com

Stuart Wade, Envision Virtual Tours
The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents.
Early History
The earliest
St. Simons Island Village
record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini.
Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned.
Colonial History
As
Fort Frederica
early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat.
Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service.
Plantation Era
By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war.
Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton.
Between
Ebos Landing
the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing.
One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863).
Another
Retreat Plantation
large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves.
The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall.
The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church.
Civil War and Beyond
The
St. Simons Island Lighthouse
outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned.
After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations.
By
St. Simons Lumber Mills
1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross.
The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island.
Twentieth Century
The
St. Simons Island Pier and Village
opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development.
In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s.
The
St. Simons Island
outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents.
Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa.
Since
Epworth by the Sea
1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant.
Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

Contemporary white high gloss Crystal cabinets with Cambria white cliff counter tops is striking. Adding black painted walls and large scale black tile floors make it even more dramatic. But with the addition of orange light fixtures and colorful artwork, the kitchen is over the top with energy. With no upper cabinets only floating shelves for display the base cabinets are well planned for each functional work zone.
a. The “Cooking Zone” hosts the 60” range top (with hood) and is the heart of the kitchen. The ovens, coffee system and speed oven are located outside of this zone and use the island/snack bar as their landing space.
b. The “Prep Zone” includes the refrigerator, freezer, sink, and dishwasher
c. The “Entertainment Zones” has a separate sink and dishwasher, the wine cooler and beverage center.
A desk off to the side of the kitchen with a large roll up tambour to keep any mess hidden. Also their robot vacuums have a charging station under the files drawers in the toe kick.
NKBA 3rd Place Large Kitchen

This small bar located off of the entry of this home has been opened up to show off the beautiful hand painted tile. Glass front cabinet with curved mullion doors showcase wine glasses while keeping them dust free. The open shelving in the center is a perfect place for displaying precious keepsakes. The drawer configuration allows for tray dividers for party platters, alcohol bottles and smaller items like cork screws and napkins. The bottom two drawers open together as one large drawer, and the two smaller drawers on the left side open as one deep drawer.
Matt Kocourek
Off Centered Front – Search Results in Home Design

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Klopf Architecture and Outer space Landscape Architects designed a new warm, modern, open, indoor-outdoor home in Los Altos, California. Inspired by mid-century modern homes but looking for something completely new and custom, the owners, a couple with two children, bought an older ranch style home with the intention of replacing it.
Created on a grid, the house is designed to be at rest with differentiated spaces for activities; living, playing, cooking, dining and a piano space. The low-sloping gable roof over the great room brings a grand feeling to the space. The clerestory windows at the high sloping roof make the grand space light and airy.
Upon entering the house, an open atrium entry in the middle of the house provides light and nature to the great room. The Heath tile wall at the back of the atrium blocks direct view of the rear yard from the entry door for privacy.
The bedrooms, bathrooms, play room and the sitting room are under flat wing-like roofs that balance on either side of the low sloping gable roof of the main space. Large sliding glass panels and pocketing glass doors foster openness to the front and back yards. In the front there is a fenced-in play space connected to the play room, creating an indoor-outdoor play space that could change in use over the years. The play room can also be closed off from the great room with a large pocketing door. In the rear, everything opens up to a deck overlooking a pool where the family can come together outdoors.
Wood siding travels from exterior to interior, accentuating the indoor-outdoor nature of the house. Where the exterior siding doesn’t come inside, a palette of white oak floors, white walls, walnut cabinetry, and dark window frames ties all the spaces together to create a uniform feeling and flow throughout the house. The custom cabinetry matches the minimal joinery of the rest of the house, a trim-less, minimal appearance. Wood siding was mitered in the corners, including where siding meets the interior drywall. Wall materials were held up off the floor with a minimal reveal. This tight detailing gives a sense of cleanliness to the house.
The garage door of the house is completely flush and of the same material as the garage wall, de-emphasizing the garage door and making the street presentation of the house kinder to the neighborhood.
The house is akin to a custom, modern-day Eichler home in many ways. Inspired by mid-century modern homes with today’s materials, approaches, standards, and technologies. The goals were to create an indoor-outdoor home that was energy-efficient, light and flexible for young children to grow. This 3,000 square foot, 3 bedroom, 2.5 bathroom new house is located in Los Altos in the heart of the Silicon Valley.
Klopf Architecture Project Team: John Klopf, AIA, and Chuang-Ming Liu
Landscape Architect: Outer space Landscape Architects
Structural Engineer: ZFA Structural Engineers
Staging: Da Lusso Design
Photography ©2018 Mariko Reed
Location: Los Altos, CA
Year completed: 2017

The goal of this project was to provide a lush and vast garden for the new owners of this recently remodeled brick Georgian. Located in Wheaton this acre plus property is surrounded by beautiful Oaks.
Preserving the Oaks became a particular challenge with the ample front walk and generous entertaining spaces the client desired. Under most of the Oaks the turf was in very poor condition, and most of the property was covered with undesirable overgrown underbrush such as Garlic Mustard weed and Buckthorn.
With a recently completed addition, the garages were pushed farther from the front door leaving a large distance between the drive and entry to the home. This prompted the addition of a secondary door off the kitchen. A meandering walk curves past the secondary entry and leads guests through the front garden to the main entry. Off the secondary door a “kitchen patio” complete with a custom gate and Green Mountain Boxwood hedge give the clients a quaint space to enjoy a morning cup of joe.
Stepping stone pathways lead around the home and weave through multiple pocket gardens within the vast backyard. The paths extend deep into the property leading to individual and unique gardens with a variety of plantings that are tied together with rustic stonewalls and sinuous turf areas.
Closer to the home a large paver patio opens up to the backyard gardens. New stoops were constructed and existing stoops were covered in bluestone and mortared stonewalls were added, complimenting the classic Georgian architecture.
The completed project accomplished all the goals of creating a lush and vast garden that fit the remodeled home and lifestyle of its new owners. Through careful planning, all mature Oaks were preserved, undesirables removed and numerous new plantings along with detailed stonework helped to define the new landscape.

Property Marketed by Hudson Place Realty - Seldom seen, this unique property offers the highest level of original period detail and old world craftsmanship. With its 19th century provenance, 6000+ square feet and outstanding architectural elements, 913 Hudson Street captures the essence of its prominent address and rich history. An extensive and thoughtful renovation has revived this exceptional home to its original elegance while being mindful of the modern-day urban family.
Perched on eastern Hudson Street, 913 impresses with its 33’ wide lot, terraced front yard, original iron doors and gates, a turreted limestone facade and distinctive mansard roof. The private walled-in rear yard features a fabulous outdoor kitchen complete with gas grill, refrigeration and storage drawers. The generous side yard allows for 3 sides of windows, infusing the home with natural light.
The 21st century design conveniently features the kitchen, living & dining rooms on the parlor floor, that suits both elaborate entertaining and a more private, intimate lifestyle. Dramatic double doors lead you to the formal living room replete with a stately gas fireplace with original tile surround, an adjoining center sitting room with bay window and grand formal dining room.
A made-to-order kitchen showcases classic cream cabinetry, 48” Wolf range with pot filler, SubZero refrigerator and Miele dishwasher. A large center island houses a Decor warming drawer, additional under-counter refrigerator and freezer and secondary prep sink. Additional walk-in pantry and powder room complete the parlor floor.
The 3rd floor Master retreat features a sitting room, dressing hall with 5 double closets and laundry center, en suite fitness room and calming master bath; magnificently appointed with steam shower, BainUltra tub and marble tile with inset mosaics.
Truly a one-of-a-kind home with custom milled doors, restored ceiling medallions, original inlaid flooring, regal moldings, central vacuum, touch screen home automation and sound system, 4 zone central air conditioning & 10 zone radiant heat.
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