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Stuart Wade, Envision Virtual Tours
The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents.
Early History
The earliest
St. Simons Island Village
record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini.
Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned.
Colonial History
As
Fort Frederica
early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat.
Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service.
Plantation Era
By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war.
Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton.
Between
Ebos Landing
the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing.
One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863).
Another
Retreat Plantation
large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves.
The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall.
The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church.
Civil War and Beyond
The
St. Simons Island Lighthouse
outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned.
After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations.
By
St. Simons Lumber Mills
1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross.
The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island.
Twentieth Century
The
St. Simons Island Pier and Village
opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development.
In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s.
The
St. Simons Island
outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents.
Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa.
Since
Epworth by the Sea
1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant.
Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

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For many, extra time at home during COVID left them wanting more from their homes. Whether you realized the shortcomings of your space or simply wanted to combat boredom, a well-designed and functional home was no longer a want, it became a need. Tina found herself wanting more from her Old Irving Park home and reached out to The Kitchen Studio about adding function to her kitchen to make the most of the available real estate.
At the end of the day, there is nothing better than returning home to a bright and happy space you love. And this kitchen wasn’t that for Tina. Dark and dated, with a palette from the past and features that didn’t make the most of the available square footage, this remodel required vision and a fresh approach to the space. Lead designer, Stephanie Cole’s main design goal was better flow, while adding greater functionality with organized storage, accessible open shelving, and an overall sense of cohesion with the adjoining family room.
The original kitchen featured a large pizza oven, which was rarely used, yet its footprint limited storage space. The nearby pantry had become a catch-all, lacking the organization needed in the home. The initial plan was to keep the pizza oven, but eventually Tina realized she preferred the design possibilities that came from removing this cumbersome feature, with the goal of adding function throughout the upgraded and elevated space. Eliminating the pantry added square footage and length to the kitchen for greater function and more storage. This redesigned space reflects how she lives and uses her home, as well as her love for entertaining.
The kitchen features a classic, clean, and timeless palette. White cabinetry, with brass and bronze finishes, contrasts with rich wood flooring, and lets the large, deep blue island in Woodland’s custom color Harbor – a neutral, yet statement color – draw your eye.
The kitchen was the main priority. In addition to updating and elevating this space, Tina wanted to maximize what her home had to offer. From moving the location of the patio door and eliminating a window to removing an existing closet in the mudroom and the cluttered pantry, the kitchen footprint grew. Once the floorplan was set, it was time to bring cohesion to her home, creating connection between the kitchen and surrounding spaces.
The color palette carries into the mudroom, where we added beautiful new cabinetry, practical bench seating, and accessible hooks, perfect for guests and everyday living. The nearby bar continues the aesthetic, with stunning Carrara marble subway tile, hints of brass and bronze, and a design that further captures the vibe of the kitchen.
Every home has its unique design challenges. But with a fresh perspective and a bit of creativity, there is always a way to give the client exactly what they want [and need]. In this particular kitchen, the existing soffits and high slanted ceilings added a layer of complexity to the lighting layout and upper perimeter cabinets.
While a space needs to look good, it also needs to function well. This meant making the most of the height of the room and accounting for the varied ceiling features, while also giving Tina everything she wanted and more. Pendants and task lighting paired with an abundance of natural light amplify the bright aesthetic. The cabinetry layout and design compliments the soffits with subtle profile details that bring everything together. The tile selections add visual interest, drawing the eye to the focal area above the range. Glass-doored cabinets further customize the space and give the illusion of even more height within the room.
While her family may be grown and out of the house, Tina was focused on adding function without sacrificing a stunning aesthetic and dreamy finishes that make the kitchen the gathering place of any home. It was time to love her kitchen again, and if you’re wondering what she loves most, it’s the niche with glass door cabinetry and open shelving for display paired with the marble mosaic backsplash over the range and complimenting hood. Each of these features is a stunning point of interest within the kitchen – both brag-worthy additions to a perimeter layout that previously felt limited and lacking.
Whether your remodel is the result of special needs in your home or simply the excitement of focusing your energy on creating a fun new aesthetic, we are here for it. We love a good challenge because there is always a way to make a space better – adding function and beauty simultaneously.

VintageView wine racks provide a clean, sleek look and space-saving efficiency. Offered in a choice of rust-resistant finishes, VintageView wine racks come with a limited lifetime warranty and are available for immediate delivery.
Find the right local pro for your project

Example of a mid-sized trendy l-shaped light wood floor eat-in kitchen design in San Francisco with a single-bowl sink, flat-panel cabinets, white cabinets, marble countertops, white backsplash, white appliances and an island

©ASTRA 2017
Inspiration for a large industrial concrete floor and multicolored floor eat-in kitchen remodel in Miami with an island
Inspiration for a large industrial concrete floor and multicolored floor eat-in kitchen remodel in Miami with an island

Breathe Design Studio helped this young family select their design finishes and furniture. Before the house was built, we were brought in to make selections from what the production builder offered and then make decisions about what to change after completion. Every detail from design to furnishing was accounted for from the beginning and the result is a serene modern home in the beautiful rolling hills of Bee Caves, Austin.

Design Builders & Remodeling is a one stop shop operation. From the start, design solutions are strongly rooted in practical applications and experience. Project planning takes into account the realities of the construction process and mindful of your established budget. All the work is centralized in one firm reducing the chances of costly or time consuming surprises. A solid partnership with solid professionals to help you realize your dreams for a new or improved home.
This classic Connecticut home was bought by a growing family. The house was in an ideal location but needed to be expanded. Design Builders & Remodeling almost doubled the square footage of the home. Creating a new sunny and spacious master bedroom, new guestroom, laundry room, garage, kids bathroom, expanded and renovated the kitchen, family room, and playroom. The upgrades and addition is seamlessly and thoughtfully integrated to the original footprint.

Master Bedroom
Architexture Arctic White 7.5" engineered oak
Example of a large transitional master light wood floor bedroom design in Atlanta with white walls and a standard fireplace
Example of a large transitional master light wood floor bedroom design in Atlanta with white walls and a standard fireplace

Modern Wall Unit Velvet 913 by Artigian Mobili Italy
Made in Italy
Velvet by ArtigianMobili is an ultra modern collection of wall unit and entertainment centers for your modern home. The Velvet line is modular, providing flexible solutions for your living room, taking into account your specific dimensions and functional requirements. All the units within this wall unit collection are made in Italy according high European quality standards and using the finest materials. The variety of units is presented in different sizes, making possible to customize any composition to fit your particular dimensions and match the design. Color is also flexible within the Velvet Wall Unit Collection. All the units can be ordered wood finished, wood open pore matt lacquered, or lacquered even in your custom RAL COLOR, either gloss or matt! Please select from our "as shown" wall unit compositions or implement your creativity building a unique one!
Contact our Office regarding customization of this wall unit - we are always ready to help!
MATERIAL/CONSTRUCTION:
Structure is made of 18 mm (0.7") thick wooden particles melamine panels
The lacquered structures and fronts are made of REAL LACQUERING, which is non toxic and non allergic product
Lights (if any) CE marked and comply with the directives 93/68/EEC and 92/31/EEC
The starting price is for the Wall Unit Composition Velvet 913 as shown in the main picture in Matt White Lacquer & Dark Oak Finish (Structure) and Matt White Lacquer / Gray Mirror / Dark Oak Finish (Fronts). TV Tray is not included in the price!
Dimensions:
Wall Unit: W141.7" x D14.6"/22.3" x H71"

Breathe Design Studio helped this young family select their design finishes and furniture. Before the house was built, we were brought in to make selections from what the production builder offered and then make decisions about what to change after completion. Every detail from design to furnishing was accounted for from the beginning and the result is a serene modern home in the beautiful rolling hills of Bee Caves, Austin.

Orange County, CA - Custom garage doors can improve your home's curb appeal a great deal and when the right design is selected it can mean a generous return on investment as the value of your home increases. This newly renovated luxury home in Laguna Niguel, CA got a fabulous exterior renovation which included new landscaping, hardscaping and custom wood garage doors by Dynamic Garage Door.
The custom garage doors were beautifully handcrafted in solid African mahogany with gorgeous features such as top raised panels and bottom pyramid panels hand carved out of solid mahogany wood. Staining the garage doors dark made a fabulous color contrast with the home's light, earthy colors. Since the garage door accounted for a large portion of the home's overall curb appeal the client selected a variation from one of our previous garage door designs. The elegant raised panel design of the garage doors beautifully enhanced the home's architectural style.
Driving home to these gorgeous garage doors is a pleasure for the client and the curb appeal value it gave the home is enormous. At Dynamic Garage Door we make sure that every door we design and build for our clients is exquisitely finished to the minutest of details to ensure proper proportions, excellent wood finishing and world-class quality that will make your garage doors last a lifetime.
Check out the rest of this Mediterranean style garage door project for more details. If you have any design or pricing questions please contact our garage door design center in California at (855) 343-3667

One of our absolute favorite Instagram accounts is @maryellenskye. We love the design aesthetic of all her pictures. Her minimalistic approach with a flare of flowers, old charm and of course Nashville was enough for us to know we had to work on a collection with her.
Mary Ellen's collection is a complete reflection of her minimalistic yet romantic love for home decor. Her home is inspired by a touch of southern charm with lots of flowers and nude tones. We asked her a few questions to find out what inspired her collection, what she loves and we even got a few tips on how to approach the decorating process.

Photo c/o Revolution Design & Build
Trendy basement photo in Minneapolis with a stone fireplace
Trendy basement photo in Minneapolis with a stone fireplace

From ancient sagas to today’s motivational speakers, we love our storytellers. With colorful accounts they sum up our very nature and remind us how we’re all connected. Passed from grandmothers, traders and nomads, the tales traveled the world, gaining artistry, until we’ve translated them into a rich and modern palette that spans space and time.
INFLUENCERS:
Desert oases
Global style
Luxury safaris
Spice markets
PALETTE:
Porcelain SW 0053
Orchid SW 0071
Black Bean SW 6006
Dhurrie Beige SW 7524
Poised Taupe SW 6039
Rustic Red SW 7593
Chelsea Mauve SW 0002
Wall & Painted Brick: Dhurrie Beige SW 7524
Ceiling between joists: Rustic Red SW 7593
Windows & Casings: Black Bean SW 6006

David and Kevin want their house to feel comfortable and inviting. They have accomplished this by choosing warm upholstery fabrics and creating congenial seating areas, taking into account the natural light. The window blinds tint the light to keep it warm. Mid-Century Modern Remodel, Seattle, WA. Belltown Design. Photography by Paula McHugh

It’s warm in Southern California, and that’s exactly the feeling Andy and Liz sought to maintain inside their new Tuscan-style home as they embarked on a modern interior makeover. After all, the couple had two small children and a dog to consider. Empty and austere simply wasn’t a good fit for the young family whose interests include photography, art and lots of Lego’s.
Andy, an engineer, became intrigued with Cantoni after driving past the Irvine location on his daily commute. It wasn’t long before he and Liz decided to venture into the Los Angeles showroom, and that’s where they met Bernadette. By all accounts, the trio made for great collaboration, and the project that began in February 2012 is still a work in progress today.
“We were impressed by Bernadette,” says Andy. “We liked her and her work, and she won us over.”
The project began with pictures sent and an in-home walk-through where measurements were taken. The couple knew they wanted furnishings for the living, dining and family rooms, as well as the media room and a study. They were open to art and accent pieces, and hoped to incorporate natural elements into the mix. Bernadette set to work.
“It was fun touring our LA showroom and listening to Liz and Andy discuss their likes and dislikes. One thing was for sure,” she adds, “the Laguna Sectional was going in their theater room even if we needed to knock out a wall!”
UpstairsPhase I of the job is complete (as you can see from the stunning images), but instead of parting ways, Andy and Liz decided to have Bernadette help re-imagine the master bedroom and kitchen, next. The ongoing nature of this project illustrates a trend we see with most of our clients: we build trusted, long-term relationships. It’s not about the transaction, but about great design, the design process, and the ability of our talented staff to help clients create the lifestyles they want.
As always, there’s plenty to love about the products seen in our feature stories. To help you shop the look, we’re introducing a Featured Products page via a link to the images in each story. We’ve also redesigned our site to make sourcing and finding that just-right piece a breeze.

Example of a large transitional l-shaped dark wood floor, brown floor and tray ceiling open concept kitchen design in New York with a farmhouse sink, raised-panel cabinets, white cabinets, quartz countertops, beige backsplash, brick backsplash, stainless steel appliances, an island and white countertops

Design Builders & Remodeling is a one stop shop operation. From the start, design solutions are strongly rooted in practical applications and experience. Project planning takes into account the realities of the construction process and mindful of your established budget. All the work is centralized in one firm reducing the chances of costly or time consuming surprises. A solid partnership with solid professionals to help you realize your dreams for a new or improved home.
Nina Pomeroy

The vanity takes center stage in this lower level guest bath. The high sheen laquer wood adds drama to an otherwise neutral space and is accentuated with a glass mosaic backspash and wall mounted faucet.
Photo: Kerry Bern www.prepiowa.com
Located right off the entertainment space, we wanted it to have a masculine edge without feeling like it was just "for the boys". Bright white walls and soft grey floor tiles help soften the space.
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