Originally built in 1889 a short walk from the old East Falls Church rail station, the vaguely reminiscent gothic Victorian was a landmark in a neighborhood of late 19th century wood frame homes. The two story house had been changed many times over its 116 year life with most of the changes diminishing the style and integrity of the original home. Beginning during the mid-twentieth century, few of the changes could be seen as improvements. The wonderfully dominate front tower was obscured by a bathroom shed roof addition. The exterior skin was covered with asbestos siding, requiring the removal of any wood detailing projecting from its surface. Poorly designed diminutive additions were added to the rear creating small, awkward, low ceiling spaces that became irrelevant to the modern user. The house was in serious need of a significant renovation and restoration. A young family purchased the house and immediately realized the inadequacies; sub-par spaces, kitchen, bathrooms and systems. The program for this project was closely linked to aesthetics, function and budget. The program called for significantly enlarging the house with a major new rear addition taking the place of the former small additions. Critically important to the program was to not only protect the integrity of the original house, but to restore and expand the house in such a way that the addition would be seamless. The completed house had to fulfill all of the requirements of a modern house with significant living spaces, including reconfigured foyer, living room and dining room on the first floor and three modified bedrooms on the second floor. On the rear of the house a new addition created a new kitchen, family room, mud room, powder room and back stair hall. This new stair hall connected the new and existing first floor to a new basement recreation room below and a new master bedroom suite with laundry and second bathroom on the second floor. The entire exterior of the house was stripped to the original sheathing. New wood windows, wood lap siding, wall trim including roof eave and rake trim were installed. Each of the details on the exterior of the house matched the original details. This fact was confirmed by researching the house and studying turn-of-the-century photographs. The second floor addition was removed, facilitating the restoration of the four sided mansard roof tower. The final design for the house is strong but not overpowering. As a renovated house, the finished product fits the neighborhood, restoring its standing as a landmark, satisfying the owner’s needs for house and home. Hoachlander Davis Photography

5'6" × 7'-0" room with Restoration Hardware "Hutton" vanity (36"w x 24"d) and "Hutton" mirror, sconces by Waterworks "Newel", shower size 36" x 36" with 22" door, HansGrohe "Axor Montreux" shower set. Wall paint is "pearl white" by Pratt & Lambert and wood trim is "white dove" eggshell from Benjamin Moore. Wall tiles are 3"x6" honed, carrara marble with inset hexagonals for the niche. Coved ceiling - walls are curved into a flat ceiling.

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Photos by Tom Grimes
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Example of a classic living room design in Chicago with beige walls

davidduncanlivingston.com
Large elegant medium tone wood floor enclosed dining room photo in San Francisco with orange walls and no fireplace

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The unique design challenge in this early 20th century Georgian Colonial was the complete disconnect of the kitchen to the rest of the home. In order to enter the kitchen, you were required to walk through a formal space. The homeowners wanted to connect the kitchen and garage through an informal area, which resulted in building an addition off the rear of the garage. This new space integrated a laundry room, mudroom and informal entry into the re-designed kitchen. Additionally, 25” was taken out of the oversized formal dining room and added to the kitchen. This gave the extra room necessary to make significant changes to the layout and traffic pattern in the kitchen. Beth Singer Photography

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Matthew Niemann Photography
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In this combination living room/ family room, form vs function is at it's best.. Formal enough to host a cocktail party, and comfortable enough to host a football game. The wrap around sectional accommodates 5-6 people and the oversized ottoman has room enough for everyone to put their feet up! The high back, stylized wing chair offers comfort and a lamp for reading. Decorative accessories are placed in the custom built bookcases freeing table top space for drinks, books, etc. Magazines and current reading are neatly placed in the rattan tray for easy access. The overall neutral color palette is punctuated by soft shades of blue around the room. LORRAINE G VALE photo by Michael Costa

Design completed by Studio M Interiors smhouzzprojects@studiom-int.com Lori Hamilton Photography http://www.mingleteam.com

Photo by Grey Crawford
Example of a small beach style galley dark wood floor kitchen design in Orange County with a single-bowl sink, shaker cabinets, white cabinets, black backsplash and no island

Features: Custom Wood Hood with Pull Out Spice Racks, Mantel, Motif, and Corbels; Varied Height Cabinetry; Art for Everyday Turned Posts # F-1; Art for Everyday Corbels # CBL-TCY1, Beadboard; Wood Mullion and Clear Beveled Glass Doors; Bar Area; Double Panel Doors; Coffered Ceiling; Enhancement Window; Art for Everyday Mantels # MTL-A1 and # MTL-A0; Desk Area Cabinets- Main Kitchen: Honey Brook Custom in Maple Wood with Seapearl Paint and Glaze; Voyager Full Overlay Door Style with C-2 Lip Cabinets- Island & Bar Area: Honey Brook Custom in Cherry Wood with Colonial Finish; Voyager Full Overlay Door Style with C-2 Lip Countertops- Main Kitchen: Golden Beach Granite with Double Pencil Edge Countertops- Island and Bar Area: Golden Beach Granite with Waterfall Edge Kitchen Designer: Tammy Clark Photograph: Kelly Keul Duer

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