Our clients wished to remodel their master bedroom and bath to accommodate their changing mobility challenges. They expressed the importance of maximizing functionality to allow accessibility in a space that was elegant, refined and felt like home. We crafted a design plan that included converting two smaller bedrooms, a small bath and walk-in closet into a spacious master suite with a wheelchair accessible bathroom and three closets. Custom, double pocket doors invite you into the 25-foot wide, light-filled bedroom with generous floor space to maneuver around the bed and furniture. Hardwood floors, recessed lighting and window views to the owner’s gardens make this bedroom particularly warm and inviting. In the bathroom, the 5×7 roll-in shower features natural marble tile with a custom rug pattern. There’s also a new, accessible sink and vanity with plenty of storage. Wider hallways and pocket doors were installed throughout as well as a completely updated seated chairlift that allows access from the garage to the second floor. Altogether, it’s a beautiful space where the homeowners can comfortably live for years to come.

The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle. The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley. To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer. The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century. The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet. Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years! Photo by Benjamin Benschneider

1960s kitchen photo in San Francisco

Inspiration for a country light wood floor eat-in kitchen remodel in Salt Lake City with open cabinets, white backsplash, stainless steel appliances and an island

Designed by Malia Schultheis and built by Tru Form Tiny. This Tiny Home features Blue stained pine for the ceiling, pine wall boards in white, custom barn door, custom steel work throughout, and modern minimalist window trim. The Cabinetry is Maple with stainless steel countertop and hardware. The backsplash is a glass and stone mix. It only has a 2 burner cook top and no oven. The washer/ drier combo is in the kitchen area. Open shelving was installed to maintain an open feel.

The bedroom loft has a large operable skylight. Photo by Eileen Descallar Ringwald
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View through the
Example of a cottage dark wood floor entryway design in DC Metro with gray walls and a glass front door

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photos by Trina Roberts 949.395.8341 trina@grinphotography.com www.grinphotography.com
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Our client’s previous home in Hong Kong inspired the design for this bathroom. The designer chose blue herringbone tile to signify spaces with water. We also added playful koi fish wallpaper. The tub surround is made of marble, and the shower features marble components. The mirror is custom, with a walnut frame and a small ledge. This home belongs to a lovely couple in Chestnut Hill.

Jody Brown Architecture, pllc.
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Ciro Coelho
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Todd Goodman
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Photography by Christopher Sturnam
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Patterson Architecture + Interior Photography
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